Vocal microphones

Condenser vocal & instrument microphone

Review: The versatility of the C1000S makes this an extremely popular model and one ideally suited for all kinds of recording and live sound applications.

If no phantom power is available, the mic can be powered by a standard 9V battery, making it perfect for mobile use. With its battery monitoring electronics, the AKG C 1000 S features a reliable LED warning light. The red LED above the microphone switch lights up when the remaining battery life falls below 45 minutes.

The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the PPC 1000 polar pattern converter provided to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz. The AKG C1000 S condenser microphone improves clarity of speech and adding definition to instrument sounds.

B-STOCK: Box opened. There is a small dent in the carry case but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened. There is a small dent in the carry case but product is new, unused and in perfect working order ***

The versatility of the C1000S makes this an extremely popular model and one ideally suited for all kinds of recording and live sound applications.

If no phantom power is available, the mic can be powered by a standard 9V battery, making it perfect for mobile use. With its battery monitoring electronics, the AKG C 1000 S features a reliable LED warning light. The red LED above the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the PPC 1000 polar pattern converter provided to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz,
The AKG C1000 S condenser microphone improves clarity of speech and adding definition to instrument sounds.

Vocal and acoustic instrument recording microphone

Review: One of the basic rules of recording is that the quality of the recorded signal is determined by the weakest link in the signal chain. Today, any microphone needs to match the high quality of 24bit recording media. Therefore, one of the most important requirements for the AKG C2000B is high sensitivity. This allows you to lay clean, noise-free tracks with no risk of noise levels from many individual tracks combining in the mix. Its high SPL capability makes the C2000B a highly versatile microphone that can be used even for extremely loud instruments.

The C2000B will give perfect results for demo recordings, in the rehearsal room, as well as in the best recording studios.

Vocal condenser microphone for live use

Review: This professional condenser vocal microphone will make your voice cut through the loudest mix on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. The gold plated transducer case does not only give the microphone a sophisticated esthetic touch but also makes the transducer extremely resistant to corrosion and humidity. The result is superior audio performance.

Dynamic handheld microphone for lead vocals, in live or studio applications

Review: The P5 S is a dynamic handheld microphone for lead vocals. The super cardioid polar pattern guarantees for utmost gain before feedback and makes the voice cut through the mix more easily. Its heavy duty metal constructions will take ensure it stands up to the rigours of live sound use. This microphone is available with or without on/off switch.

General-purpose condenser microphone for vocal, speech & instrument recording & live use

Review: The Perception 120 is a 2/3" diaphragm true condenser microphone that offers solid build quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter makes the Perception 120 an excellent choice for a wide range of recording and live sound applications.

Backed by AKG's six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.

http://www.youtube.com/watch?v=pvcE4kjvZOc

USB condenser microphone for vocal, speech & instrument recording & live use

Review: The Perception 120 USB is the very first USB equipped microphone from AKG, offering studio-quality sound performance without requiring any installation or drivers. With the widespread USB standard and its ease of use, this new model allows users without any recording experience to make professional-quality recordings from their home. It is a real plug-and-play device enabling customers to do podcasts, voiceovers and studio-quality rehearsal-recordings quickly and easily.

The USB is a widely known interface for audio equipment like sound cards, active monitors and outboard equipment, which makes the Perception 120 USB one of the most versatile microphones available.

Cardioid dynamic handheld microphone for live vocals

Review: Audio-Technica's high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix.

Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the mic's hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of pop protection.

Handheld microphone with large-diaphragm capsule, designed for studio vocal recording

Review: The ultimate vocal performance instrument, the Artist Elite AE5400 cardioid condenser delivers pristine sound quality demanded by the most discriminating microphone user. With its superb sonic design, this true condenser features superior anti-shock engineering for low handling noise and quiet performance.

Featuring the same element as the classic AT4050 studio mic, its large-diaphragm capsule assures an accurate, natural response. It handles high SPL's and offers protection against plosives/sibilance without compromising high-frequency performance and clarity.

50th Anniversary hypercardioid dynamic microphone

Review: To celebrate Audio-Technica's 50th Anniversary, A-T have introduced a special limited edition AE6100/LE Anniversary Microphone in a silver-colored metallic finish with blue accents. A unique serial number is etched on the surface of each limited edition AE6100/LE.

The Artist Elite AE6100 hypercardioid dynamic vocal microphone delivers clean articulation, fast transients and high-output, assertive sound for the uncompromising vocalist.

With a polar pattern tailored for outstanding on-axis response, the microphone offers maximum feedback rejection and superior anti-shock engineering for low handling noise. For ultimate protection against vocal plosives, the mic's hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of pop protection.

Side address cardioid condenser microphone for vocal recording

Review: Audio-Technica's stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease.

The AT2020 is the new standard for affordable side-address studio condensers.

Side address cardioid condenser microphone with USB output for vocal recording

Review: The new AT2020 USB offers studio-quality articulation and intelligibility. It plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use.

The AT2020 USB is based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone. It features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response.

With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards.

http://www.youtube.com/watch?v=vhpXuV0rkWo

Studio & live microphone for stringed instruments such as violin, cello, acoustic guitar, harp and piano

Review: The AT2031 is the ideal microphone for stringed instruments in critical studio and live applications. Its permanently polarized element offers extended frequency response with a slight rise in the high frequency range for a more detailed sound. Its low self-noise and high SPL handling capability offer a wide dynamic range, perfectly suited for the most demanding applications.

Condenser microphone with 3 switchable polar patterns, for studio & live use with vocals & instruments

Review: The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use.

Equipped with a switchable 80Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.

http://www.youtube.com/watch?v=-YnfINZLMMk

Phantom powered cardioid condenser microphone for studio & live use with vocals & instruments

Review: Ideal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. The microphone offers outstanding reproduction of low-frequency sounds.

http://www.youtube.com/watch?v=iNneWAPO0d8

Side-address cardioid condenser microphone for studio vocal recording

Review: The side-address AT4033aSM offers low-noise, symmetrical, transformerless circuitry that results in exceptional transient response and clean output signals. A strong up-front presence characterizes the sonic signature of this 40 Series pro-audio classic.

The AT4033aSM's 80Hz high-pass filter easily switches between flat frequency response and a low-end roll-off that diminishes ambient noise and popping with closely-miked vocals.

Condenser microphone for studio & live use with vocals, piano, strings, guitar amps & overheads

Review: Meet the studio condenser that captures every nuance.

With 3 switchable polar patterns, the large-diaphragm Audio-Technica AT4050SM exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.

The AT4050SM is supplied with AT8449 shockmount. It is ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more.

Review: Meet the studio condenser that captures every nuance.

With 3 switchable polar patterns, the large-diaphragm Audio-Technica AT4050SM exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.

The AT4050SM is supplied with AT8449 shockmount. It is ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more.

Stereo condenser microphone for use in live sound or broadcast applications

Review: Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

Stereo condenser microphone designed to attach to camcorder

Review: The Audio-Technica PRO 24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound.

Equipped with an accessory shoe and permanently attached coiled cable, the Audio-Technica PRO 24-CMF features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field.

The Audio-Technica PRO 24-CMF microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24-CMF is rugged; it's built to endure the rigors of field production.

Multi purpose dynamic microphone

Review: The Audio-technica PRO282 is a multi purpose dynamic microphone. The product features dynamic capsule, designed for both vocal and instrument use, on/off switch, metallic construction, supplied with a detachable 5m XLR to 6.35mm jack lead.

Hands-free vocal microphone for live use by guitarists, keyboard players, drummers & other musicians

Review: Offering highly intelligible individual voice reproduction, the comfortable, lightweight PRO 8HEx is ideal for guitarists, keyboard players, drummers and others who need the use of their hands during performance. Its low-visibility headband and cushioned support pads provide a stable, comfortable fit. Designed for professional quality vocal pickup with hands-free operation, the PRO 8HEx features a pivot-mounted flexible mic boom that descends from either the left or right side.

Condenser microphone with cardioid polar pattern

Review: Large diaphragm condenser microphone for recording, broadcast and live sound

The large diaphragm condenser microphone CX112B has a contemporary design and superior performance characteristics. This mic is an exceptional tool for professional audio production, project studios and live stage performances.
Delivering a smooth, uniform frequency response the CX112B offers a rich, full bodied sound delivered by its 27.5 mm capsule. The CX112B is equipped with a bass roll off filter to help eliminate rumble in the lower frequencies and a 10 dB pad for use in higher SPLs, up to 145 dB.
The CX112B operates on phantom power of 48V and includes a threaded metal stand adapter and a foam lined wooden carrying case.

For optimum results, use the CX112B with a high quality mic preamplifier and microphone cable.

Dynamic vocal microphone

Review: Vocals, lead & backing: extremely wide & flat frequency response for premium PA systems and broadcast.

The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144dB without distortion.

The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2kHz -10kHz along with a flat, fully extended bass response from 60Hz - 1kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 an excellent choice for broadcast and live recording.

Designed, assembled and tested by Audix in the USA.

http://www.youtube.com/watch?feature=player_embedded&v=nIgWR7RD_1E

Vocal condenser microphone for live sound, recording, and broadcast

Review: The VX10 microphone was designed to set new performance standards for live sound and broadcast applications. With a uniformly controlled frequency response from 40 Hz - 20 kHz, the VX10 is highly sensitive to transient response and will reproduce vocals and speech with exceptional detail and realism.

The VX10 has a cardioid polar pattern which helps isolate vocals. This mic includes a 21mm gold vapor capsule and a multi-stage internal pop filter. It is also available in a low output model (VX10LO) for greater control with loud stage volumes or extremely powerful vocalists.

Aside from vocals, the VX10 will capture acoustic instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos.

Gold-sputtered large-diaphragm studio condenser microphone

Review: The cardioid-diaphragm B-1 microphone is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission. The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-1 is built to be your go-to condenser mic for years to come. Its tough, nickel-plated brass body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its foam-padded, aluminum carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=7zY7kwJeGaU

Condenser microphone for recording vocals & acoustic instruments

Review: Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20Hz to 20 kHz with just a slight boost in the presence range. It has 2 selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.

The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-2 is built to be your go-to condenser mic for years to come. Its tough, nickel-plate brass body can withstand all the rigors of those late-night recording marathons. And with its aluminum foam-padded carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=EJuz9-bs1UU

Dual diaphragm studio condenser microphone

Review: The C3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.

The C3 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. A swivel stand mount is also included so it can be affixed to your studio's mic stands.

Dynamic microphone for live vocals and amplified instruments

Review: Few things are more essential to recording or live performance than dynamic microphones. The Behringer XM8500 microphone has the crucial features and durability to come through for your sound again and again.

Dynamic mics have several advantages that make them ideal for live vocal applications and for recording amplified instruments. They're robust, resistant to moisture and can achieve high gain before feedback. The XM8500's cardioid pickup pattern captures the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound.

The XM8500 provides an amazing frequency response of 50Hz to 15 kHz and includes a 2-stage pop filter to minimize breath and pop noises. And with its tough metal construction and sturdy steel windscreen, you can count on it to come through after countless gigs and studio applications. We've even included a rugged hard case with a mic clip and stand adapter.

Dynamic microphone for live vocals

Review: The new standard for the stage an exceptionally powerful sound that never comes across as obtrusive, that's the basis of the TG V50d and the TG V50d s.

The combination of sleek design and rugged construction that is perfect for the stage, this exceptional sound makes the TG V50d a reliable companion that you will never want to be without. That is the definition of the new standard for the stage.

Whether in the rehearsal room or on a stage of any size, the dynamic TG V50d is an excellently tuned live vocal microphone. Especially notable are its balanced sound that is both powerful and natural, its very wide pick-up range thanks to its cardioid polar pattern, and its high feedback rejection; the whole product range is also outstanding in its handling, ruggedness, look and touch. The readiness of the TG V50d is also impressive, plug it in, activate the high-pass filter and it's ready. It is advantages like these that will win it many fans for use in lead and backing vocals of all music genres as well as by professional rental companies and sound technicians.

The TG V50d is also available with a switch as the TG V50ds. The switch, which is embedded in the grip, can be locked and doesn't emit any clicking sound.

Handheld dynamic vocal microphone

Review: The Chord DM Series microphone is a professional handheld dynamic microphones for stage and studio use. It is voiced to suit both male and female vocals and with a wide bandwidth and dynamic range for instrument applications.

Tie-clip microphone

Review: A lavalier tie-clip microphone for use with VHF and UHF beltpack transmitters.

Neckband headset microphone

Review: A neckband headset microphone for use with VHF and UHF beltpack transmitters. Ideal for performers and fitness instructors.

Ultra-compact microphone for iPhone, iPod Touch & iPad

Review: The iRig MIC Cast is the ultra-compact, portable voice recording microphone designed specifically for recording podcasts, interviews, lectures, voice memos, speeches and more.

The iRig MIC Cast provides a pocket-sized voice recording solution with crystal-clear audio quality. It features a tight unidirectional pickup pattern that minimizes background noise, making it ideal for single-source audio recording.

This makes the iRig MIC Cast also great for business applications like recording meetings and enhancing the audio and voice quality of conference calls.

The iRig Mic Cast is literally about the size of a large coin. It can easily fit in your pocket, briefcase or computer bag for easy transport. Plus, its compact size means you can use it anywhere from the classroom to the boardroom.

One of the most frustrating things about portable mics is the inability to get good clear recordings from sound sources that are not close to you. The iRig Mic Cast solves this problem with a dual gain switch that allows you to capture up-close audio as well as audio from sources not so close.

Now you can set up your iPhone or iPod Touch and record hands-free thanks to the included tabletop stand. Simply place the stand wherever you need it, put your iOS device in and hit record.

Set up is easy: Plug the iRig Mic Cast into the headphone out TRRS jack. You're now ready to record. Plus, the iRig Mic Cast comes with 2 apps for recording and sound processing: iRig Recorder, a simple, no frills high quality recorder, and VocaLive, IK's professional vocal processing, effects and recording app. With the iRig Mic Cast, making outstanding quality recordings is literally as easy as opening an app on your iOS device.

The iRig Mic Cast is compatible with all iOS Devices with a headphone/audio in TRRS jack, like iPhones, iPod touch and iPads. And, you can use the iRig Mic Cast as a hands-free calling microphone for conference calls and speaker phone applications. Plus you can rotate the iRig Mic Cast to get the best capture angle, increasing the quality and fidelity of your recordings.

Please note: the iRig MIC Cast does not support 1st generation iPod touch models, due to their lack of a mic input.

http://www.youtube.com/watch?v=GJPQOA_UhBE

Multipurpose handheld microphone for all your mobile sound needs

Review: The iRig Mic is the first handheld, quality condenser microphone for iPhone, iPod touch and iPad designed for all of your mobile sound needs. Now you can make professional audio and vocal recordings anywhere on your iOS device.

The iRig Mic is ideal for the singer, vocalist and songwriter on the move, but also perfect for recording speeches, instruments, performances or other sound sources in the studio, on stage or in the field.

The iRig Mic features a highly unidirectional condenser-electret microphone capsule that provides quality recording in both close mic and long distance mic conditions, and provides real time monitoring with its dual mini-jack connector design. A 3-level gain switch makes it instantly adjustable for any sound pressure condition, from soft speaking to loud playing. Its familiar form is perfect for handheld performance, plus it allows you to mount it on any mic stand leaving your device free for operating your favorite app. Its rugged metal body is road-ready for the mobile musician.

The iRig Mic also comes with the VocaLive FREE, IK's new real time effects processor suite for the singer and vocalist, and the AmpliTube FREE for guitar players and songwriters and the iRig Recorder FREE, an IK app for quick audio recording and processing. The iRig Mic also works with a wide variety of other vocal and audio processing apps for the iOS platform.

Singers and vocalists will find the iRig Mic to be their ideal companion for capturing their voice in high fidelity for real time audio processing during live performances or recording sessions. The iRig Mic condenser-electret capsule with accurate unidirectional pattern and high-pressure holding ensures high-quality crisp, clean vocal reproduction - even in noisy environments - with no distortion, even with the widest range of volume dynamics.

Musicians will love the versatility of iRig Mic for recording and accurately reproducing their acoustic instruments, amplified instruments or even their band performances and concerts. Non-musicians will find it an indispensable tool for recording high quality podcasts, speeches, lessons, interviews, video soundtracks or any other source that can be recorded on the go with their mobile device.

The 3 level gain switch (for low, medium and high sound pressure sources) make setting up the iRig Mic a breeze, while its familiar shape allows you to comfortably hold it with one hand or position it on any standard microphone stand. Its mini-jack connector and 2m. cable make it easy to record any sound source while keeping the iPhone or iPad at a convenient distance for operation of your favorite app.

The iRig Mic dual in/out mini-jack connector allows you to monitor your recordings in real time without disconnecting the mic from your from your iPhone/iPod or iPad. It's stereo mini-jack output can be easily connected to traditional headphones and earbuds or line input to mixers, powered speakers, amplifiers and PA systems.

http://www.youtube.com/watch?v=vvQBxDNIh6I&feature=player_embedded

Dynamic microphone with bendable gooseneck

Review: Dynamic Gooseneck Microphone with XLR male connection. High quality microphone with bendable gooseneck and XLR 3 pin connector plug.

Dynamic microphone with bendable gooseneck

Review: Dynamic microphone with a total length of 700mm 3 pole XLR connection, supplied with microphone windshield.

Mini cardioid condenser microphone & accesorry kit

Review: The i266 is a high sensitivity cardioid microphone recommended for dedicated, high quality sound recording. Durable enough to withstand the rigors of an ENG life, the warm and clear sound of the i266 microphone is an excellent choice for broadcasting and enables the iPhone to act as a genuine reporter's tool of the trade.

Simply Plug the i266 into the headphone jack socket to operate.

Mini cardioid microphone with high sensitivity designed for high quality live sound recording

Review: The i266 is a high sensitivity cardioid microphone recommended for dedicated, high quality sound recording. Durable enough to withstand the rigors of an ENG life, the warm and clear sound of the i266 microphone is an excellent choice for broadcasting and enables the iPhone to act as a genuine reporter's tool of the trade. As well as being recommended for high quality sound recording, the i266 can also be used for live radio interviews, conferences and other live applications.

Simply Plug the i266 into the headphone jack socket to operate.

Calibrated measurement microphone & accessory kit

Review: The i436 is a calibrated measurement microphone complying with the IEC 61672 Class 2 sound level meter standard. The sensitivity and frequency response of each microphone is individually calibrated at the factory before shipping.

With the i436 and a dedicated app, you can turn your iPhone and iPad into a sound pressure level (SPL) meter or a real time analyzer (RTA) for time and frequency domain measurements. The i436 omnidirectional microphone houses outstanding performance in a small package. Durable and easily carried in your pocket, the i436 measures your vocals, instruments, and live sounds accurately without distortion, all on your mobile device.

The kit includes: the i436 microphone, the AC011 aluminium case and stand mount, the CL013 collar or tie clip, the WS013 foam windshield, the CB0112m extension cable, and a CB012 splitter cable for simultaneous use of headphones and the microphone, carrying case.

Calibrated measurement mini microphone for iPad, iPhone, and iPod Touch

Review: The Mic W i436 professional microphone is designed specifically for the iPad, iPhone, and iPod Touch. The i436 is a calibrated measurement microphone complying with the IEC 61672 Class 2 sound level meter standard. The sensitivity and frequency response of each microphone is individually calibrated at the factory before shipping.

With the i436 and a dedicated App, you can turn your iPhone and iPad into a sound pressure level (SPL) meter or a real time analyzer (RTA) for time and frequency domain measurements. The i436 omnidirectional microphone houses outstanding performance in a small package. Durable and easily carried in your pocket, the i436 measures your vocals, instruments, and live sounds accurately without distortion, all on your mobile device.

Simply Plug the i436 into the headphone jack socket to operate.

Cardioid microphone & accessory kit

Review: The i456 is a wide cardioid microphone for general purpose audio recording. Use it as a high quality, high performance alternative to the internal microphone on your iPad, iPhone, or iPod Touch. Ideal for recording vocals and acoustic instruments, interviews, conference meetings and rugged enough to be carried anywhere you want to capture high quality sound.

Simply Plug the i456 into the headphone jack socket to operate

Cardioid microphone designed for the iPad, iPhone, and iPod Touch

Review: The i456 is a wide cardioid microphone for general purpose audio recording. Use it as a high quality, high performance alternative to the internal microphone on your iPad, iPhone, or iPod Touch. Ideal for recording vocals and acoustic instruments, interviews, conference meetings and rugged enough to be carried anywhere you want to capture high quality sound.

Simply Plug the i456 into the headphone jack socket to operate

lavalier microphone with omnidirectuional polar pattern for on air productions

Review: The omnidirectional i825 lavalier microphone is recommended for on air productions, forum discussions, and durable enough for ENG use. The minimal size of these microphones makes them perfectly suitable for television and video productions.

The i825 is used for ambient sound recording for its omni direction.

The Kit includes a windscreen, 2 collar clips, tape and a split adapter.

Lavalier cardioid condenser microphone for use with iOS & Android devices

Review: The i855 lavalier cardioid condenser microphone is recommended for on air productions, forum discussions, and durable enough for ENG use. The minimal size and cardioid polar pattern makes the i855 an ideal tool for interview and video productions.

Very high sensitivity half omni directional microphone

Review: The iBoundary microphone has very high sensitivity with half omni directional pickup. It is recommended for use in presentations, meetings, dictation and other applications where speech intelligibility is high on the agenda. It can also be used for recording via Skype or MSN video or capturing your musical ideas while traveling.

Ideal as a recording or conference device in meetings where the currently available devices can be visually obtrusive on the boardroom table. The iBoundary is perfect for dictation when there is a need to move around whilst voicing your thoughts.

The iBoundary can be used by multiple users, to speak together, when using Skype or MSN due to the wide pick up pattern.

Musicians wanting to get ideas recorded quickly and easily without going through the hassle of setting up multiple microphones will appreciate the iBoundary for its ease of use and high quality response. Great for recording that important rehearsal or new song idea.

The iBoundary is particularly useful for interview capture, due to its unobtrusive profile and excellent pickup properties.

The Kit comprises: Microphone, CB013 cable for PC/laptop, CB012 split cable, user manual and plastic case.

The CB012 split cable enables you to use both the microphone and a headphone. Simply plug the cable into the mobile device's headset socket and connect the microphone and headphone to the separate sockets on the adaptor.

Super cardioid shotgun microphone & accessory designed for use with smartphones, tablets, laptops and cameras

Review: The iShotgun is the newest member in Mic W i-Series family. It is a super cardioid shotgun for smartphones such as iPhones, tablets and DSLR cameras.

With small dimensions and low weight, the iShotgun is a perfect match for an iPhone or camera. The super directional polar pattern eliminates unwanted background noise when you make recordings. The iShotgun is an ideal tool for mobile journalists and audio professionals.

The iShotgun has been tested for the following devices:

iPhone 3, 4, 4S and 5
iPad 2 , 3, 4 and mini
ipod Touch
Mac book
Samsung Galaxy
HTC Desire
Canon 5D, 7D, 60D
Sony Alpha 6 and 7 series
Nikon D7000
Panasonic X900M/X909/V707
Sony CX250/CX570/CX730
Canon HFD10

Recording microphone package includes 2 x condenser microphones

Review: The MXL 990/MXL 991 Recording Mic Package is your one-stop mic kit for vocals, drum overheads, acoustic guitars, and more. 2 x studio condenser microphones are included.

The 990 offers a silky, sweet high end and a tight solid bass, perfect for recording vocals; and the 991 is a superior instrument microphone designed for recording acoustic guitar and drum overheads.

USB powered compact microphone

Review: The MXL AC-404 is a compact microphone designed to vastly improve the audio quality of voice over Internet applications like iChat and Skype. It sits flat on a surface such as a desk or a table and utilizes the reflections from the surface to capture sound. This makes it low profile visually, while dramatically improving its ability to pick-up voices. It plugs into any standard USB 1.0 or 2.0 port and does not require additional software to operate. No batteries are required. A headphone/speaker jack is included on its rear panel. The improvement in the quality of your communication will be recognized and appreciated by business associates, family, and friends.

USB condenser microphone

Review: Mobile vocal recording just got easier. The Tempo USB condenser microphone is a lightweight easy to connect portable microphone. This microphone allows users to record vocals and other sounds on-the-go via a USB 1.1 or 2.0 connect. It also works with a wide variety of computer music programs, as well as over-the-internet communications systems such as ooVoor, Skyper, iChatr, and Google Talk. An integrated high-fidelity headphone output gives you the ability to monitor your recordings.

Whether you are talking live through web chat or recording a vocal track on-the-go, the Tempo offers great flexibility.

Dual capsule large diaphragm condenser microphone

Review: A large, dual diaphragm version of MXL's legendary V67G, the V67i has a unique, patented design with 2 selectable diaphragms. It's like having 2 mics in 1; the front side having a warm, opulent sound, and the back side simulating some of the brighter, more airy sounding characteristics of early tube mics. If you're looking for several quality microphones but are on a limited budget, look no further. The V67i will give you killer results.

http://www.youtube.com/watch?feature=player_embedded&v=ifOHc6lhW5o

Handheld condenser vocal microphone suited to live sound applications

Review: The Neumann KMS 104 is a handheld condenser microphone that has been designed for live vocal use. The KMS 104 is also ideal for use with in-ear sytems due to its low self-noise and crosstalk behaviour, which is free of colouration. With its cardioid response, the Neumann KMS 104 offers excellent rejection of all sounds originating from behind the microphone. This mic comes with a nickel finish.

Condenser microphone for live female vocalists

Review: The KMS104 plus microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to its low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

The KMS104 plus has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The KMS104 plus features a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS104 plus has been especially optimized for the requirements of female voices in the rock and pop field.

The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS104 plus vocal microphone when it is used with a stage sound system.

In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB.

The low self-noise level of only 18 dB A-permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

The KMS104 plus has thick-walled metal housing, which also provides effective protection against handling noise. The microphone headgrille is made of hardened steel. If required, it can easily be unscrewed to permit cleaning of the interior acoustic filters.

The KMS104 plus microphone, with a matching stand clamp, is supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Condenser microphone for live vocals

Review: The KMS105 microphone has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

With its supercardioid characteristic the KMS105 is particularly good at suppressing sounds originating from the entire 180- hemisphere behind the microphone.

The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filter thus ensures a very high level of feedback protection for the KMS105 vocal microphone when it is used with a stage sound system.

Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.

In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB.

The low self-noise level of only 18 dB A-permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.

Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

Microphone designed for use on stage require a particularly robust construction. The KMS105 therefore has thick-walled metal housings, which also provides effective protection against handling noise.

The microphone headgrille is made of hardened steel. If required, it can easily be unscrewed to permit cleaning of the interior acoustic filters.

The KMS105 microphone, with a matching stand clamp, is supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Handheld condenser vocal microphone suited to live sound applications

Review: The Neumann KMS 105 is a handheld condenser microphone that has been designed for live vocal use. The KMS 105 is also ideal for use with in-ear sytems due to its low self-noise and crosstalk behaviour, which is free of colouration. With its supercardioid response, the Neumann KMS 105 offers excellent rejection of all sounds originating from the 180 degree hemisphere behind the microphone. This mic comes with a nickel finish.

Cardioid microphone for recording vocals, acoustic instruments and percussion

Review: The Neumann TLM102 defines a new generation of Neumann studio microphone. This applies not only to the design of the microphone but also to the price.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM102 attracts attention.

The TLM102 is impressive in terms of sound. In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

http://www.youtube.com/watch?v=gv2IBYm2K54

Dynamic vocal microphone for DJs and public speaking

Review: DJs need performance in a microhpone and the Numark WM200 delivers. With a steel mesh capsule and die-cast alloy body, this microphone is built to endure the rigors of multiple gigs, without sacrificing vocal clarity.

Omni-directional mini condenser microphone

Review: Omnidirectional mini condenser microphone supplied with windshield and removable tie-clip with a thin, flexible cable which can be easily hidden under clothes.

Precision large diaphragm condenser microphone ideal for broadcast voice applications

Review: The Rode Broadcaster is a large diaphragm, end address condenser microphone designed for broadcast voice applications. Its response has been tailored to give a rich, full, broadcast quality with an emphasised proximity effect, making it an ideal 'on air' radio microphone, equally fitting for voice over applications for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosive sounds that can overload the microphone capsule and distort the audio output. In addition to its native 20Hz - 20kHz response, a selectable high-pass filter at 75Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The Broadcaster features an innovative 'On-Air' indicator on the body that can be wired for external activation by the 'Channel On/Mute' function on many mix consoles. If not connected to a console or switch, the indicator will remain lit whenever the microphone has power. For more information please see the user manual.

The RODE Broadcaster microphone is covered by RODE Microphones' industry leading 10 year warranty.

Recording mirophone for iPhone or iPad

Review: The RODE iXY is the ultimate recording microphone for iPhone or iPad.

With up to 24bit/96k recording and on-board high-fidelity A/D conversion, your iXY recordings are rich, smooth and accurate.

At the heart of the iXY is a matched pair of 1/2" cardioid condenser capsules, fixed in a perfect 90 degree near-coincident alignment.

This results in immersive and true-to-life stereo recordings, captured in incredibly high detail.

Whether you're recording in a loud or quiet environment, from a concert to a conversation, get a perfect recording every time with the iXY's continuously adjustable input levels via the RODE Rec app.

The iXY features an in-built high pass filter to minimise any handling noise and interference (switchable when using the RODE Rec app).

Get a crystal-clear recording, every time.

The iXY is supplied with a foam windshield for outdoor recording as well as a reinforced protective zip case to ensure your iXY is available whenever you need it.

The iXY is compatible with iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2 & iPad.

http://www.youtube.com/watch?feature=player_embedded&v=Gd9Vx5s4oxo

Condenser microphone for recording vocals, acoustic instruments and percussion

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Omni-directional lapel lavalier microphone

Review: The Rode Lavalier is a discreet lavalier or lapel style microphone that provides simple and intuitive audio in any application. The Lavalier's low self noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen. The microphone capsule is connected via a 1.2m shielded, detachable Kevlar reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer. The supplied anti-trauma water resistant case provides rugged and secure protection for the microphone, cable, clips and included accessories.

Knowing that versatility is paramount in any product, Rode has developed the MiCon connector system which provides seamless integration between the Lavalier and a wide range of wireless systems as well as consoles, cameras and portable recorders.

The Rode Lavalier lapel microphone is covered by Rode's innovative 5 year 'no questions asked' warranty.

Dynamic microphone for live vocals, guitar, drums and public speaking

Review: Featuring rock-solid build quality and a high-power neodymium capsule, the M1-S switchable live dynamic microphone is designed to provide the very best performance on vocals, guitars, drums and as a presentation microphone.

Featuring a warm response that is never muddy or undefined, the M1-S' smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

The ergonomically designed all-metal M1-S body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched.

For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1-S live performance dynamic microphone with lockable switch is covered by Rode Microphones' industry leading 10 year warranty.

Condenser microphone for recording/live vocals, guitar, drums and public speaking

Review: The Rode M3 is a highly versatile condenser microphone powered by 9V battery or phantom power.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 is at home in the studio, on stage or on location and is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter microphone.

A -10 dB and -20 dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise.

The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.

The Rode M3 versatile multi-powered microphone is covered by Rode Microphones' industry leading 10 year warranty.

Condenser microphone for recording vocals

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

Pair of condenser microphones for group vocals, drum overheads and stereo recording

Review: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard, delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

This pair of NT1-A microphones has been acoustically matched to be within +/- 1/2 dB sensitivity, and is an ideal stereo microphone solution for recording choirs, drum overheads and other X/Y and spaced pair stereo recording applications.

The NT1-A-MP (matched pair set) also features professional accessories for both microphones, including 2 shock mounts and 2 x 20 inches microphone cables. Also included is a matched pair certificate, detailing the microphones' serial numbers and certifying them as being acoustically matched.

The Rode NT1-A acoustically matched pair of large diaphragm 1" cardioid condenser microphones is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=5zByhzmhbe8

Condenser microphone for vocal recording + Shockmount with intergrated Pop-Filter + 6m XLR cable + bag + a Tutorial DVD

Review: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

With a self noise level of only 5 dBA it is widely recognised as the world's quietest studio microphone. This low noise makes it ideal for vocal recording as well as voice overs and environmental recording.

Packaged in the Complete Vocal Recording Solution, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.

A studio grade pop shield and shock mount is included, along with a premium microphone cable, dust cover, and an instructional DVD with recording tips.

The NT-1A continues this tradition while improving specifications and tonal qualities. Using cutting edge technology for electronics, RODE has implemented a computer controlled manufacturing line. Unlike many leading brands, all electronic boards are made without human hands assuring high specifications, tight tolerances and unsurpassed consistency. It's built to last with a new computer controlled machine process. This product is also available as a Matching Pair.

The Rode NT1-A large diaphragm 1" cardioid condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=HpTKZpoyXzs

Condenser microphone for recording vocals, acoustic instruments and percussion

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Condenser microphone for recording vocals, instruments and percussion + shockmount + pop-filter + cable

Review: The NT2-A carries on the tradition forged by the now legendary Rode NT2. A professional large capsule (1") studio microphone incorporating 3-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.

At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

Includes SM6 popshield, XLR cable and microphone dust cover.

http://www.youtube.com/watch?v=DCtdnmFxFJs

B-STOCK: Box has been opened but product itself is new, unused and in perfect working order - Stereo condenser microphone for recording drum overheads, percussion, group vocals and live performances

Review: *** B-STOCK: Box has been opened but product itself is new, unused and in perfect working order ***

The Rode NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones and complex stereo bars and equipment.

Combining a matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design.

The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

The Rode NT4 X/Y stereo condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=JpcK52yPreY

Pair of condenser microphones for recording drum overheads, group vocals, acoustic instruments and live performances

Review: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

Condenser microphone for film, television, brodcast and live performance recording

Review: The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned Rode NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.

The NT55 circuit incorporates a three position variable pad with 0 dB, -10 dB or 20 dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150Hz high pass filter.

The NT55 comes with 2 different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.

The NT55 is intended for film, television, broadcast, live performance, theatre, surround and environmental recording applications or wherever your imagination takes you. This is a very compact, flexible and high quality condenser microphone and is built to last.

Lightweight condeser shotfun microphone

Review: The Rode NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the NTG1 native 20Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional DeadCat furry is recommended for outdoor applications.

The Rode NTG1 shotgun microphone is covered by Rode Microphones' industry leading 10 year warranty.

Multi-powered condenser shotgun microphone

Review: The Rode NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the NTG2 native 20-20000Hz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional DeadCat furry is recommended for outdoor applications.

The Rode NTG2 shotgun microphone is covered by Rode Microphones' industry leading 10 year warranty.

www.youtube.com/watch?v=pUVvzytDpTQ

Condenser microphone for recording vocals, acoustic instruments, drum overheads, guitar amps and pianos

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Professional broadcast quality dynamic microphone

Review: The RODE Procaster is a professional broadcast quality dynamic microphone, specifically designed to offer no-compromise performance for voice applications in the broadcast environment.

Featuring a tight cardioid polar pattern and tailored-for-voice frequency response, the Procaster is perfect for every application where a great sounding, robust microphone with superior ambient noise rejection is demanded.

The Procaster features an internal pop filter, designed to minimise plosive sounds that can overload the microphone capsule and distort the audio output. Its high output dynamic capsule and balanced low impedance output make it an ideal broadcast and voice over microphone.

The Procaster includes a sturdy RM2 microphone ring mount. For professional applications the optional PSM1 shock mount and PSA1 boom arm are highly recommended.

The Procaster is also covered by Rode Microphones' industry leading 10 year warranty.

Condenser microphone for live vocals

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

*** B-STOCK: Box opened but product is new & unused ***

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Shotgun condenser microphone with non elasticated suspension mount

Review: The VideoMic with Rycote Lyre Suspension System from Rode is a shotgun microphone that can easily be mounted on a DSLR camera. It features a Rycote suspension system that attaches to the camera's shoe. The VideoMic is lightweight, and when mounting on a camera it does not appear in the frame. The VideoMic can also mount to Rode's boompoles for elevated audio capture. Its super cardioid polar pattern attenuates sounds from the sides. The result is a signal that sounds closer to the camera, even when shooting in noisy environments or at moderate distances.

The included Rycote Lyre is a non elasticated suspension structure composed of a hard wearing thermoplastic. It is more effective at acoustically decoupling microphones from unwanted vibrations, handling and cable noise than elasticated suspensions. The lyre remains effective at a wide range of temperatures and is virtually indestructible. It will never wear out, sag, snap or require any rethreading to maintain its effectiveness.

Manufactured from rugged and durable ABS, the microphone is designed to withstand being tossed in a camera bag while remaining lightweight and extremely portable.

In addition to the microphone's native 40Hz-20KHz response a selectable high pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport.

The Rode VideoMic directional on camera microphone is covered by Rode Microphones' industry leading 10 year warranty.

Compact Directional On-camera Microphone

Review: The RODE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is a high resolution 1/2" condenser capsule that provides broadcast quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels). A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

An innovative suspension system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. A lightweight and flexible yet robust multi-strand cable provides significantly lower noise transference than traditional audio cable while ensuring a high definition signal.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras such as the Canon 5DMkII, Canon 7D, Canon 1D, Canon 550D/T2i, Canon 60D, Nikon D7000, Nikon D5100, Panasonic GH1 and Panasonic GH2. This boost in the microphone output allows the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting. Note that cameras with proprietary shoe mounts will require an adaptor or alternative mounting solution.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.

The RODE VideoMic Pro compact directional on-camera microphone is covered by RODE Microphones' industry leading 10 year warranty.

http://www.rodemic.com/mics/videomicpro

Large diaphragm studio condenser microphone

Review: The Samson's C01 has all the performance features that you demand from a large diaphragm studio condenser microphone. It's the perfect solution for recording vocals, acoustic instruments and for use as and overhead drum mic.

The Samson C01 features a large, dual-layer 19mm diaphragm with a cardioid pickup pattern, the C01 produces a smooth flat frequency response. Its two ultra-thin sensor membranes pick up far more detailed sounds than any dynamic coil. The result is a mic that captures accurate, detailed and smooth audio with warm bass tones and extended top end. You'll hear the strings and wood of your guitar, the breath and resonance of a singer, or the brassy shimmer of a ride cymbal with crystal clear clarity.

The C01's design includes a heavy gauge mesh grill, gold-plated XLR connecter and an LED for monitoring its 48V of phantom power. It also comes with a swivel mount that can be attached to any standard mic stand. In addition, an optional SP01 spider shock mount is available for increased mic and sound stability.

Samson's C01 is one of the best values available from a professional recording microphone.

http://www.youtube.com/watch?v=_LqHdUMuM7k

USB studio condenser microphone with Cakewalk Sonar LE recording software

Review: Samson present the USB studio condenser microphone that started it all: The C01U.

This classic USB microphone bridges the gap between mid-level USB audio adapters and pro-line products that require additional drivers, special software, and/or excess cabling. The C01U is USB compatible with any Mac or PC, as well as most DAW software programs, including GarageBand. It also comes with Cakewalk's Sonar LE digital audio workstation software. Its supreme ability to produce pristine audio recordings with ease and mobility, along with a desktop mic stand, mic clip, USB cable and carry pouch also included, makes the C01U a most valuable addition to any studio.

Once drawing inspiration from the wildly successful C01 unit, the C01U/ C01UCW is now the foundation and best-seller of Samson's extensive line of USB microphones. The C01U features a large 19mm shock mounted diaphragm efficient in reproducing both low and high-volume sounds with equal articulation. The cardioid pickup pattern provides a smooth, flat frequency response. Capturing audio at 16-bit resolution up to a 48kHz sampling rate, the C01U offers the accuracy you need to be sure that what you hear is what you get.

The C01U is essential for any level of musician, but its versatility can be applied to create audio solutions for anyone who records audio, particularly podcasters, educators, and business professionals.

The C01UCW comes bundled with Cakewalk Sonar LE, a vastly popular digital audio workstation software, giving users additional power and versatility to digitally record audio in any situation.

Portable USB microphone for recording

Review: Further expanding on its diverse line of USB microphones, Samson introduce the Go Mic, the ideal portable recording microphone that clips to your laptop.

The Go Mic is perfect for recording music, podcasts or field recording, but its range of functionality extends beyond typical USB microphones. Ideal for voice recognition software, iChat, web casting and even Voice over Internet Protocol (VoIP), the Go Mic is the ideal solution for recording on the go.

Because of its custom, compact design, the Go Mic can clip right onto your laptop or sit unobtrusively on your desk. Plug and play operation also means it's completely compatible with a Mac OS or Windows, with no drivers required.

High-quality components and meticulous engineering ensure the Go Mic offers remarkably clear, professional audio reproduction. Thanks to its switchable cardioid and omni polar patterns, you can pick whichever pattern is more appropriate for your specific situation. Use the tightly focused cardioid pickup pattern when recording a podcast, acoustic guitar or vocals. Or use the omnidirectional pattern to capture the entire room, whether you're jamming with your band, webcasting with a group or conducting an online meeting with multiple members in a single location. Plus, with a frequency response of 20Hz-18 kHz and a resolution of 16bit/44.1 kHz, you can be sure you're getting professional audio specs in a compact, multi-purpose design.

USB microphone comes with CakeWalk Music Creator LE

Review: Samson present the Q1U, the very first dynamic handheld USB microphone, which remains the most affordable choice for simple, versatile handheld dynamic miking capabilities.

The Q1U/Q1UCW delivers pristine audio quality and convenience with high-quality components, handheld design and USB interface. This unit is USB compatible with any Mac or PC, as well as most DAW software programs, including GarageBand. It also comes with Cakewalk's Music Creator LE DAW software. Its supreme ability to produce pristine audio recordings with ease and moblity, along with a desktop mic stand, mic clip, USB cable and carry pouch also included, make the Q1U a valueable addition to any studio, classroom, or office.

The Q1U features a smooth sounding neodymium element, capable of handling high SPL, cleverly interfaced to an on-board high quality microphone pre-amp, high-quality A/D converter and USB output. The super-cardioid pickup pattern provides smooth, flat frequency and a fast transient response, insuring a precise reproduction with linear characteristics from bottom to top. Capturing audio at 16-bit resolution up to 48 KHz sampling rate, the Q1U offers the accuracy you need to be sure that what you hear is what you get.

The Q1U is perfect for any computer recording application, but its handheld functionality offers additional solutions for anyone who records audio, particularly musicians, podcasters, academic groups, and business professionals.

Dynamic vocal microphone

Review: The Q7 dynamic microphone brings a high level of accuracy and audio performance to vocal miking applications thanks to its low mass, neodymium element.

Using state-of-the-art microphone technology, the Q7 is engineered to the finest detail to provide the ultimate in sound reproduction and professionalism. The Q7 is a handheld, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. Thanks to a high level of sensitivity, the Q7 will pick up all the nuances of any performance with exceptional clarity and detail. Plus, it employs a tight supercardioid pattern to reduce feedback and effectively reject signals not originating directly in front of the mic capsule.A special shockmounted element also minimizes handling noise and provides additional protection. And with a rugged zinc alloy die-casting case, the Q7 will provide reliable performance in even the most demanding environments.

Pack of 3 x R21 vocal/recording microphones

Review: The R21 features a tight cardioid pickup pattern for maximum gain before feedback, a dual stage windscreen, heavy gauge mesh and anti-dent ring for enhanced protection and gold plated XLR pins assuring positive connetivity.

Dynamic microphone

Review: The R21 features a tight cardioid pickup pattern for maximum gain before feedback, a dual stage windscreen, heavy gauge mesh and anti-dent ring for enhanced protection and gold plated XLR pins assuring positive connetivity.

Large diaphragm cardioid only condenser microphone, for recording vocal and acoustic instruments, including shockmount

Review: The sE2200a II Cardioid or as it is noted on the microphone itself sE2200a II C replaces the best-selling and multi-award winnning sE2200a large diaphragm condenser mic from sE Electronics.

The sE2200a II Cardioid is the single pattern version of the recently launched E2200a II Multi-Pattern. Ideal for recording vocal and acoustic instruments.

www.youtube.com/watch?v=QcbOXgcXo_U

Multi-pattern condenser microphone, the tripolar version of the sE2200a

Review: The sE Electronics sE2200a II is a continuation of the award-winning sE2200 condenser microphone series, this latest version now featuring a dual diaphragm for multi-pattern recording.

The sE2200a II uses the same hand-crafted, 1" gold sputtered diaphragm as the sE2200a, ensuring a smooth and musical result. A pair of these tried-and-tested transducers in the mk2 version allows for cardioid, figure-of-8 and omni patterns, opening up the door to many more recording applications, including stereo recording, m/s, ambient micing and voice-overs.

Finished in the now-customary sE black rubberised paint finish, the sE2200a II not only looks stylish, but has reduced chassis resonance that can colour the sound adversely. The mic also features a pad switch for higher-level recording situations as well as the pick-up pattern selector. Initially, this microphone will include a shock-mount and pop screen that fits directly to the suspension mounting. Although this is only an introductory offer, after which the shock and pop will be available separately.

http://www.youtube.com/watch?v=hMLTWl_8N4I

The valve version of the sE2000a microphone

Review: The hand built sE2200T Tube is the valve version of the highly acclaimed and multiple award-winning sE2200a. The tube version of the sE2200a has the same 1" gold vacuum plated diaphragm, low cut filter and 10 dB pad but also ships with a custom power supply.

The large diaphragm cardioid sE2200T mic delivers a silky low/mid frequency response with classic tube overtones and comes complete with a rugged aluminium shock mount and flight case.

Large diaphragm multi pattern condenser microphone with cardioid, hypercardioid, figure of 8 and omnidirectional polar patterns

Review: The sE4400a is based on the same capsule tuning of the UK's best selling capicitor studio microphone, the sE2200a, but with a dual capsule to give multi polar pattern function, the sE4400a mic is a rarity, a true all-rounder.

The sE4400 has 4 polar patterns: cardioid, hypercardioid, figure of 8 and omni, 2 bass cuts: 60Hz and 120Hz and 2 pads at 10dB and 20dB. The chassis is small, but still manages to house a twin diaphragm 1" capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for vocals and voice over work, because although it's the smallest mic of it's type, it still looks big when used full face on. It is extremely thin at less than 3/4" and fits neatly in the palm of your hand, with a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting.

Finally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.

It comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. It also comes with a full, steel re-enforced, black aluminium, signature sE flight case.

USB condenser microphone, Mac/PC compatible

Review: Based on the studio standard sE2200a, the USB2200a records via USB directly to your DAW and has several features unique from competitor USB mics including, zero latency headphone monitoring, mix control playback/record path, 10dB pad, bass cut and simultaneous analogue/USB feeds.

The USB2200a also has a proprietary chip and software set which deals with capsule noise when transforming the 5V power supplied via the USB cable to power the capsule, by first removing noise and spikes from the current. This noise would normally be amplified, which is why other USB mics are too noisy to use in a professional environment.

No other USB mic on the market offers this kind of specification, and it makes a huge difference to the performance for studio use. The chip also delivers true plug in and play capability, automatically configuring the mic to the host as it is connected.

http://www.youtube.com/watch?v=JYVBpiMibMo

Active ribbon microphone with full range frequency response

Review: The Voodoo Ribbons from sE mark a new era for Ribbon mic technology, the only Ribbon mic in the world to perform across 20Hz-20KHz was sE's Rupert Neve collaboration, the RNR1, critically acclaimed as the best Ribbon mic in the world.

This was achieved using state of the art transformers and a Rupert Neve designed circuit board to reveal HF usually absent. The Voodoo mics however achieve full frequency response using a new mechanical device (patent pending), designed by Siwei Zou, the company CEO.

This extraordinary technical achievement allows the traditional Ribbon capsule to develop and capture frequencies from 20Hz to 20KHz like no other Ribbon on the planet. The sound is revolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do.

The result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an active version of the VR1, which is the more traditional passive Ribbon design. These mics' unique ability to perform, coupled with searingly good looks, is sure to make the VR1 and VR2 classics of their time.

Large diaphragm cardioid condenser microphone for lead vocals, acoustic guitar, strings & percussion

Review: Whether you're recording lead vocals, acoustic guitar, strings, percussion or any number of other source instruments, sE Electronics believe the sE X1 microphone outperforms every mic in its price class.

With a hand-built capsule, 10 dB pad, low cut bass filter, and finished in expensive black rubber, acoustically damping, paint, why compromise and buy a mass automated machine-made product which favours profit over craftsmanship?

Combine the build quality, sonic performance, specification and price of the sE X1 mic and sE reckon it's impossible to manufacture a better studio condenser vocal recording solution and microphone to record acoustic guitar at anywhere near this price point.

The sE X1 is one of sE's big success stories and one of the fastest growing mics in the sE range in terms of global sales, as more and more people realise that you really don't have to compromise on quality, even at the entry level of the condenser mic market.