Vocal microphones

Active ribbon microphone with full range frequency response

Review: The Voodoo Ribbons from sE mark a new era for Ribbon mic technology, the only Ribbon mic in the world to perform across 20Hz-20KHz was sE's Rupert Neve collaboration, the RNR1, critically acclaimed as the best Ribbon mic in the world.

This was achieved using state of the art transformers and a Rupert Neve designed circuit board to reveal HF usually absent. The Voodoo mics however achieve full frequency response using a new mechanical device (patent pending), designed by Siwei Zou, the company CEO.

This extraordinary technical achievement allows the traditional Ribbon capsule to develop and capture frequencies from 20Hz to 20KHz like no other Ribbon on the planet. The sound is revolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do.

The result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an active version of the VR1, which is the more traditional passive Ribbon design. These mics' unique ability to perform, coupled with searingly good looks, is sure to make the VR1 and VR2 classics of their time.

Side-address cardioid condenser microphone, comes with shock mount & pop filter

Review: The KSM42 is a premium side-address, cardioid condenser microphone. It features a large dual-diaphragm optimized for exceptionally smooth proximity control and ultra-wide dynamic range in world-class vocal recording/performance applications.

The design intent of the KSM42 was to craft a large-diaphragm side-address microphone for the primary application of human voice in controlled environments. Much forethought went into crafting the dual-diaphragm capsule to guarantee superior proximity control and a generous and broad sweet spot, with extremely consistent sound quality below 1000Hz. With a max SPL of 139dB and a gradual low-end frequency roll-off built in, pad and filter settings become redundant.

The Prethos Advanced Preamplifier Technology consists of highly sophisticated, extremely transparent internal circuitry architectures that enable unprecedented seamless audio, maximizing audio quality for premium microphone performance.

The KSM42 ships with an open cage ShureLock rubber suspension shock mount and a low-profile Popper Stopper magnetic pop filter. This allows to setup the microphone and shock mount always with the same distance.

The KSM42 features a dual-diaphragm design with an active front, ultra thin (2.5 micron) 24-karat gold, low mass, 1" Mylarr diaphragm, premium electronic components and gold-plated internal and external connectors.

Review: Meet the studio condenser that captures every nuance.

With 3 switchable polar patterns, the large-diaphragm Audio-Technica AT4050SM exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.

The AT4050SM is supplied with AT8449 shockmount. It is ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more.

Condenser microphone for studio & live use with vocals, piano, strings, guitar amps & overheads

Review: Meet the studio condenser that captures every nuance.

With 3 switchable polar patterns, the large-diaphragm Audio-Technica AT4050SM exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.

The AT4050SM is supplied with AT8449 shockmount. It is ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more.

Condenser microphone for recording vocals, acoustic instruments and percussion

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Cardioid microphone for recording vocals, acoustic instruments and percussion

Review: The Neumann TLM102 defines a new generation of Neumann studio microphone. This applies not only to the design of the microphone but also to the price.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM102 attracts attention.

The TLM102 is impressive in terms of sound. In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

http://www.youtube.com/watch?v=gv2IBYm2K54

Condenser microphone comes with spider shock mount and velveteen pouch

Review: The KSM32 is a premium condenser microphone which features an extremely flat, extended frequency response to provide a perfectly transparent or neutral reproduction of the sound source.

The KSM32 can be used on an almost endless list of applications, some of which include vocals, acoustic and wind instruments, low frequency instruments such as double bass and kick drum and various overhead miking applications. The KSM32 is equally at home on the stage or in the studio.

You can expect a smooth, neutral reproduction with full character. The KSM32 is a clear, accurate and detailed mic with a full and extended bass response, although the inclusion of both gentle and steep high-pass filters allows the bass end to be tamed very effectively if need be. Performance characteristics also include very low self noise and high input SPL capability

The KSM32/SL is in champagne and comes with aluminum carrying case, velveteen pouch and Shurelock rubber isolated spider shock mount.

Side-address cardioid condenser multi-purpose microphone

Review: The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.

The Shure KSM32 is ideal for both studio and live sound applications. It is a ruggedly built, large diaphragm cardioid condenser microphone. Its Class-A circuitry and extended "sweet spot" delivers a smooth, detailed response, making it well-suited for recording sources from piano to percussion or violin to vocals.

The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production.

This product is in charcoal grey and supplied with a ShureLock swivel mount, and a padded, zippered carrying bag.

Large diaphragm multi pattern condenser microphone with cardioid, hypercardioid, figure of 8 and omnidirectional polar patterns

Review: The sE4400a is based on the same capsule tuning of the UK's best selling capicitor studio microphone, the sE2200a, but with a dual capsule to give multi polar pattern function, the sE4400a mic is a rarity, a true all-rounder.

The sE4400 has 4 polar patterns: cardioid, hypercardioid, figure of 8 and omni, 2 bass cuts: 60Hz and 120Hz and 2 pads at 10dB and 20dB. The chassis is small, but still manages to house a twin diaphragm 1" capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for vocals and voice over work, because although it's the smallest mic of it's type, it still looks big when used full face on. It is extremely thin at less than 3/4" and fits neatly in the palm of your hand, with a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting.

Finally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.

It comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. It also comes with a full, steel re-enforced, black aluminium, signature sE flight case.

Handheld condenser vocal microphone suited to live sound applications

Review: The Neumann KMS 104 is a handheld condenser microphone that has been designed for live vocal use. The KMS 104 is also ideal for use with in-ear sytems due to its low self-noise and crosstalk behaviour, which is free of colouration. With its cardioid response, the Neumann KMS 104 offers excellent rejection of all sounds originating from behind the microphone. This mic comes with a nickel finish.

Condenser microphone for live female vocalists

Review: The KMS104 plus microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to its low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

The KMS104 plus has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The KMS104 plus features a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS104 plus has been especially optimized for the requirements of female voices in the rock and pop field.

The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS104 plus vocal microphone when it is used with a stage sound system.

In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB.

The low self-noise level of only 18 dB A-permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

The KMS104 plus has thick-walled metal housing, which also provides effective protection against handling noise. The microphone headgrille is made of hardened steel. If required, it can easily be unscrewed to permit cleaning of the interior acoustic filters.

The KMS104 plus microphone, with a matching stand clamp, is supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Condenser microphone for live vocals

Review: The KMS105 microphone has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

With its supercardioid characteristic the KMS105 is particularly good at suppressing sounds originating from the entire 180- hemisphere behind the microphone.

The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filter thus ensures a very high level of feedback protection for the KMS105 vocal microphone when it is used with a stage sound system.

Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.

In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB.

The low self-noise level of only 18 dB A-permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.

Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

Microphone designed for use on stage require a particularly robust construction. The KMS105 therefore has thick-walled metal housings, which also provides effective protection against handling noise.

The microphone headgrille is made of hardened steel. If required, it can easily be unscrewed to permit cleaning of the interior acoustic filters.

The KMS105 microphone, with a matching stand clamp, is supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Handheld condenser vocal microphone suited to live sound applications

Review: The Neumann KMS 105 is a handheld condenser microphone that has been designed for live vocal use. The KMS 105 is also ideal for use with in-ear sytems due to its low self-noise and crosstalk behaviour, which is free of colouration. With its supercardioid response, the Neumann KMS 105 offers excellent rejection of all sounds originating from the 180 degree hemisphere behind the microphone. This mic comes with a nickel finish.

Condenser microphone for recording vocals, acoustic instruments, drum overheads, guitar amps and pianos

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Vocal condenser microphone for live sound, recording, and broadcast

Review: The VX10 microphone was designed to set new performance standards for live sound and broadcast applications. With a uniformly controlled frequency response from 40 Hz - 20 kHz, the VX10 is highly sensitive to transient response and will reproduce vocals and speech with exceptional detail and realism.

The VX10 has a cardioid polar pattern which helps isolate vocals. This mic includes a 21mm gold vapor capsule and a multi-stage internal pop filter. It is also available in a low output model (VX10LO) for greater control with loud stage volumes or extremely powerful vocalists.

Aside from vocals, the VX10 will capture acoustic instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos.

Condenser microphone for recording vocals, acoustic instruments and percussion

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Pair of condenser microphones for group vocals, drum overheads and stereo recording

Review: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard, delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

This pair of NT1-A microphones has been acoustically matched to be within +/- 1/2 dB sensitivity, and is an ideal stereo microphone solution for recording choirs, drum overheads and other X/Y and spaced pair stereo recording applications.

The NT1-A-MP (matched pair set) also features professional accessories for both microphones, including 2 shock mounts and 2 x 20 inches microphone cables. Also included is a matched pair certificate, detailing the microphones' serial numbers and certifying them as being acoustically matched.

The Rode NT1-A acoustically matched pair of large diaphragm 1" cardioid condenser microphones is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=5zByhzmhbe8

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Side-address cardioid condenser microphone for studio vocal recording

Review: The side-address AT4033aSM offers low-noise, symmetrical, transformerless circuitry that results in exceptional transient response and clean output signals. A strong up-front presence characterizes the sonic signature of this 40 Series pro-audio classic.

The AT4033aSM's 80Hz high-pass filter easily switches between flat frequency response and a low-end roll-off that diminishes ambient noise and popping with closely-miked vocals.

B-STOCK: Box has been opened but product itself is new, unused and in perfect working order - Stereo condenser microphone for recording drum overheads, percussion, group vocals and live performances

Review: *** B-STOCK: Box has been opened but product itself is new, unused and in perfect working order ***

The Rode NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones and complex stereo bars and equipment.

Combining a matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design.

The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

The Rode NT4 X/Y stereo condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=JpcK52yPreY

Precision large diaphragm condenser microphone ideal for broadcast voice applications

Review: The Rode Broadcaster is a large diaphragm, end address condenser microphone designed for broadcast voice applications. Its response has been tailored to give a rich, full, broadcast quality with an emphasised proximity effect, making it an ideal 'on air' radio microphone, equally fitting for voice over applications for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosive sounds that can overload the microphone capsule and distort the audio output. In addition to its native 20Hz - 20kHz response, a selectable high-pass filter at 75Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The Broadcaster features an innovative 'On-Air' indicator on the body that can be wired for external activation by the 'Channel On/Mute' function on many mix consoles. If not connected to a console or switch, the indicator will remain lit whenever the microphone has power. For more information please see the user manual.

The RODE Broadcaster microphone is covered by RODE Microphones' industry leading 10 year warranty.

Phantom powered cardioid condenser microphone for studio & live use with vocals & instruments

Review: Ideal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. The microphone offers outstanding reproduction of low-frequency sounds.

http://www.youtube.com/watch?v=iNneWAPO0d8

Pair of condenser microphones for recording drum overheads, group vocals, acoustic instruments and live performances

Review: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

Handheld microphone with large-diaphragm capsule, designed for studio vocal recording

Review: The ultimate vocal performance instrument, the Artist Elite AE5400 cardioid condenser delivers pristine sound quality demanded by the most discriminating microphone user. With its superb sonic design, this true condenser features superior anti-shock engineering for low handling noise and quiet performance.

Featuring the same element as the classic AT4050 studio mic, its large-diaphragm capsule assures an accurate, natural response. It handles high SPL's and offers protection against plosives/sibilance without compromising high-frequency performance and clarity.

Multi-pattern condenser microphone, the tripolar version of the sE2200a

Review: The sE Electronics sE2200a II is a continuation of the award-winning sE2200 condenser microphone series, this latest version now featuring a dual diaphragm for multi-pattern recording.

The sE2200a II uses the same hand-crafted, 1" gold sputtered diaphragm as the sE2200a, ensuring a smooth and musical result. A pair of these tried-and-tested transducers in the mk2 version allows for cardioid, figure-of-8 and omni patterns, opening up the door to many more recording applications, including stereo recording, m/s, ambient micing and voice-overs.

Finished in the now-customary sE black rubberised paint finish, the sE2200a II not only looks stylish, but has reduced chassis resonance that can colour the sound adversely. The mic also features a pad switch for higher-level recording situations as well as the pick-up pattern selector. Initially, this microphone will include a shock-mount and pop screen that fits directly to the suspension mounting. Although this is only an introductory offer, after which the shock and pop will be available separately.

http://www.youtube.com/watch?v=hMLTWl_8N4I

The valve version of the sE2000a microphone

Review: The hand built sE2200T Tube is the valve version of the highly acclaimed and multiple award-winning sE2200a. The tube version of the sE2200a has the same 1" gold vacuum plated diaphragm, low cut filter and 10 dB pad but also ships with a custom power supply.

The large diaphragm cardioid sE2200T mic delivers a silky low/mid frequency response with classic tube overtones and comes complete with a rugged aluminium shock mount and flight case.

Super-cardioid handheld condenser vocal microphone

Review: The precision-engineered Beta 87A condenser vocal microphone has a smooth, tailored response for warm, accurate sound. Its supercardioid polar pattern provides maximum isolation from nearby vocalists or instruments.

The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.

The Beta 87A features a controlled low frequency roll-off that compensates for proximity effect and prevents the boomy sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.

Condenser microphone for recording vocals, instruments and percussion + shockmount + pop-filter + cable

Review: The NT2-A carries on the tradition forged by the now legendary Rode NT2. A professional large capsule (1") studio microphone incorporating 3-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.

At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

Includes SM6 popshield, XLR cable and microphone dust cover.

http://www.youtube.com/watch?v=DCtdnmFxFJs

Condenser microphone for film, television, brodcast and live performance recording

Review: The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned Rode NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.

The NT55 circuit incorporates a three position variable pad with 0 dB, -10 dB or 20 dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150Hz high pass filter.

The NT55 comes with 2 different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.

The NT55 is intended for film, television, broadcast, live performance, theatre, surround and environmental recording applications or wherever your imagination takes you. This is a very compact, flexible and high quality condenser microphone and is built to last.

Large diaphragm condenser microphone

Review: Large diaphragm condenser microphone for recording, broadcast and live sound

The large diaphragm condenser microphone CX112B has a contemporary design and superior performance characteristics. This mic is an exceptional tool for professional audio production, project studios and live stage performances.
Delivering a smooth, uniform frequency response the CX112B offers a rich, full bodied sound delivered by its 27.5 mm capsule. The CX112B is equipped with a bass roll off filter to help eliminate rumble in the lower frequencies and a 10 dB pad for use in higher SPLs, up to 145 dB.
The CX112B operates on phantom power of 48V and includes a threaded metal stand adapter and a foam lined wooden carrying case.

For optimum results, use the CX112B with a high quality mic preamplifier and microphone cable.

Condenser microphone for recording vocals

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

Condenser microphone with 3 switchable polar patterns, for studio & live use with vocals & instruments

Review: The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use.

Equipped with a switchable 80Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.

http://www.youtube.com/watch?v=-YnfINZLMMk

Side address condenser microphone for USB plug & play

Review: Specifically engineered for lead vocal reproduction, the PG42-USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording.

The PG42USB features a large cardioid diaphragm tailored with high sensitivity to clearly reproduce refined performances with guaranteed plug and play Shure quality.

The PG42USB is compatible with Windows 7 (32 & 64 bit), Vista (32 & 64 bit), XP, 2000 and Max OS X (10.1 or later).

sE Electronics X1 vocal booth + X1 microphone and accessories

Review: The sE Electronics X1 Studio Bundle is the perfect vocal and instrument recording package for those looking for an all-in-one condenser microphone setup.

The sE Electronics X1 Studio Bundle features the sE Electronics x1 Condenser Microphone, sE Electronics Shock Mount and Pop Filter, sE Electronics RF-X Reflexion Filter and a 3-metre XLR cable.

The sE Electronics X1, included in the X1 Studio Bundle, is well known for being a high quality and affordable large diaphragm condenser microphone ideal for recording acoustic instruments and both male and female vocals. The X1 is fitted with a -10dB pad and a low cut bass filter, and comes in a stunning black finish.

The sE Electronics RF-X Reflexion Filter offers sE's most affordable reflexion filter solution, providing great isolation results from a extremely portable unit. The sE RF-X features four layers of acoustic treatment made from composite polymer, absorptive wool and high density foam. It fits onto any standard microphone stand thanks to its simplified clamping system.

As well as featuring the sE X1 Condenser Microphone and sE RF-X Reflexion Filter, the X1 Studio Bundle includes a combined shock mount and pop filter and a 3-metre XLR to XLR cable, providing everything needed to start recording straight out of the box.

Condenser microphone for live vocals

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Large diaphragm cardioid only condenser microphone, for recording vocal and acoustic instruments, including shockmount

Review: The sE2200a II Cardioid or as it is noted on the microphone itself sE2200a II C replaces the best-selling and multi-award winnning sE2200a large diaphragm condenser mic from sE Electronics.

The sE2200a II Cardioid is the single pattern version of the recently launched E2200a II Multi-Pattern. Ideal for recording vocal and acoustic instruments.

www.youtube.com/watch?v=QcbOXgcXo_U

USB condenser microphone, Mac/PC compatible

Review: Based on the studio standard sE2200a, the USB2200a records via USB directly to your DAW and has several features unique from competitor USB mics including, zero latency headphone monitoring, mix control playback/record path, 10dB pad, bass cut and simultaneous analogue/USB feeds.

The USB2200a also has a proprietary chip and software set which deals with capsule noise when transforming the 5V power supplied via the USB cable to power the capsule, by first removing noise and spikes from the current. This noise would normally be amplified, which is why other USB mics are too noisy to use in a professional environment.

No other USB mic on the market offers this kind of specification, and it makes a huge difference to the performance for studio use. The chip also delivers true plug in and play capability, automatically configuring the mic to the host as it is connected.

http://www.youtube.com/watch?v=JYVBpiMibMo

*** B-STOCK: Box opened but product is new & unused ***

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Condenser microphone for video camera

Review: Building on the success of the VideoMic Pro, which quickly became the defacto standard for DSLR on-camera audio, and Rode's original Stereo VideoMic, the new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

Based around a matched pair of high sensitivity 1/2" cardioid condenser capsules in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

The Stereo VideoMic Pro builds on the feature set of the VideoMic Pro, with an ergonomic form factor perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The integrated shock mounting system provides superior isolation from vibration and mechanical noise that can otherwise degrade the recording quality. Additionally the lightweight yet robust multi-strand cable provides excellent acoustic decoupling from the camera and offers significantly lower noise transference than traditional audio cable.

The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.

A -10 dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events.

Like the VideoMic Pro, the Stereo VideoMic Pro features a +20 dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.

http://www.youtube.com/watch?v=cRmHjeic0O8

USB digital bundle includes the SM58 cardioid dynamic vocal microphone + the X2u USB signal adapter, for warm and clear reproduction in digital recording applications

Review: The SM58 is the most popular choice of vocal artists all over the world. Combined with the X2u, it can be easily connected directly to a computer without the need for any additional hardware. This makes it ideal for a home recording studio or recording on the move.

The X2u is compatible with Windows Vista, XP, 2000 and Max OS X (10.1 or later). It features a built in headphone jack so that you can monitor the sound without the need for an additional sound card. It also includes an integrated pre-amp with mic gain control which allows you to control the signal strength.

Latency can be described as the time taken between initiating a request in the computer and receiving the answer. You can expect zero latency monitoring with the X2u. Zero-latency monitoring means real-time playback and multi-tracking without delay and 16bit/48 kHz sample rate provides better-than-CD-quality audio.

With monitor mix control (which is featured on the X2u) you can blend the mic signal and audio playback as you desire.

The X2u is equipped with Phantom Power so you can also use your favourite condensers together with the X2u. Any XLR mic can be plugged directly into your computer using the X2u.

Dual capsule large diaphragm condenser microphone

Review: A large, dual diaphragm version of MXL's legendary V67G, the V67i has a unique, patented design with 2 selectable diaphragms. It's like having 2 mics in 1; the front side having a warm, opulent sound, and the back side simulating some of the brighter, more airy sounding characteristics of early tube mics. If you're looking for several quality microphones but are on a limited budget, look no further. The V67i will give you killer results.

http://www.youtube.com/watch?feature=player_embedded&v=ifOHc6lhW5o

Supercardioid dynamic vocal microphone

Review: The Super 55 supercardioid dynamic vocal microphone combines the vintage design of the original icon, with a contemporary upgrade in audio performance. Comes with an integrated, swivel stand mount.

The Super 55 is suited specifically to vocal applications. Therefore, typically live performance, public address as well as for broadcasting, recording, and sound applications where a stand-mounted microphone with a classic look is desirable.

Cardioid dynamic handheld microphone for live vocals

Review: Audio-Technica's high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix.

Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the mic's hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of pop protection.

Multi-purpose condenser microphone

Review: The PG27USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording. Designed with a flat frequency response, the PG27-USB naturally reproduces a wide variety of acoustic, amplified and vocal sound sources with professional clarity and guaranteed Shure quality. USB Plug and Play connectivity allows the convenience of digital recording anywhere your computer can go. It's ideal for use in home recording studios. As a multipurpose microphone it is equally at home recording both vocals and instruments.The PG27-USB microphone includes a 9.8ft (3m) USB Cable, Stand Adapter and a Zippered Pouch.

Omni-directional lapel lavalier microphone

Review: The Rode Lavalier is a discreet lavalier or lapel style microphone that provides simple and intuitive audio in any application. The Lavalier's low self noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen. The microphone capsule is connected via a 1.2m shielded, detachable Kevlar reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer. The supplied anti-trauma water resistant case provides rugged and secure protection for the microphone, cable, clips and included accessories.

Knowing that versatility is paramount in any product, Rode has developed the MiCon connector system which provides seamless integration between the Lavalier and a wide range of wireless systems as well as consoles, cameras and portable recorders.

The Rode Lavalier lapel microphone is covered by Rode's innovative 5 year 'no questions asked' warranty.