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SWITCH GENRE
 
Reviewed this week
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Twinkling disco vibes here, as Brighton's D'Jear makes his official debut on Deep Street with understated cosmic confidence. Powered by a muscular bass groove, we're teased and pleased by the tight weaves of dubby synths and vocal overlays that twist and turn with creative evolution. File under hypnotic - we can't wait to hear more from this exciting new artist.
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It's been a while since we were last treated to a fresh release from Airhead, but now he's back with a four tracker for long time cohort James Blake's 1800-Dinosaur imprint, which finds his wayward beat science spanning all kinds of moods and tempos. The lead track sports some house-orientated signifiers but there's still plenty of room for grubby bass and off-kilter percussion without sacrificing the groove. "Shirin" meanwhile flexes a grime attitude over some loose rolling drums with a hand played feel that offsets the plastic string stabs perfectly. "Shekure" has greater links to the earlier Airhead output, keeping things sparse and fractious while the tense atmosphere reins supreme, and then "Hundred Years" delivers another swerve loaded with powerful pads and tweaked out hip hop vocals.
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The wait is over and Off The Course, the debut LP by Los Angeles producer Lost Midas, is finally here. It's an increasingly rewarding listen too, with 14 tracks that cover spacey prog (opener "Sunset Strut"), ethereal, half step sci-fi soul (single "Head Games"), snowflake fragile minimal house ("Pixy Dust"), serial-killer-dark trap ("Transformations") and even gloriously demented warped deep house ("Dream Of Me").
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