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SWITCH GENRE
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DT 008
31 Mar 12
000229 001309
24 Feb 12
OGD032
21 Oct 11
MENADL 203
01 Mar 12
BOBHOLROYD2-1
12 Oct 12
380015 2012855
03 Aug 11
PLR 005
01 Oct 11
EKM 002
05 Dec 12
SECTION8DUB 045D
18 May 12
MAN 039
05 Jul 09
OWS 035-2
15 May 13
ITAM 0015
20 Aug 12
BR 018
14 Mar 12
MTR 042
28 Mar 12
100472 87
09 Nov 12
THE UNIT
01 May 12
100325 55
18 Oct 11
IR 036
01 Jul 10
IR 042
18 Nov 10
BOOT 006
24 Jan 11
100257 49
12 Mar 11
STNM 006
10 Oct 11
NSDX 024
04 Jul 12
NSDX 035
05 Feb 13
HAR 118
27 Feb 12
100409 68
12 May 12
N00240-1-DIG
15 Dec 09
SN 012
18 Dec 09
LM 018
22 Feb 13
UDR 195
11 Feb 13
DLAB 506
18 Mar 13
DLAB 538
13 May 13
DLAB 503
12 Apr 13
DSR 004
11 Mar 13
HAK 004
25 Mar 13
ED 154
03 Apr 13
BMR 041
26 May 11
TUFF 011
19 Nov 10
FD 033
04 Apr 11
UGR 022
29 Aug 11
HR S1
12 Sep 11
SECLUSD 11X
12 May 11
LOW 006
21 Feb 12
Review:
Rotterdam-based producer Halp leaves his usual home of Seclusiasis to drop the Tic Tac Toe EP on Lowriders Recordings, but thankfully his bright music hasn't lost any of its charm in the process. The title track is a sticky synth combination of booty bass and UK Funky styles, with a breathy vocal and infectious sense of melody, whilst "Baby" is built around a neon synth siren that climbs on a 2-step beat with vocal snippets peppered on top. The final original production, "Bek" is a stripped back juke influenced number with vocoder action. Big remix support is offered; Sduk transforms "Baby" into a dark, raw, sawtooth nightmare, Kramphaft turns "Tic Tac Toe" into a driving footwork number filled with scattered rimshots, whilst Starkey takes "Field" and delivers a subtly progressive version seeping neon from its insides.
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