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505114 2099969
20 May 13
Played by: Homegroove Project, Juno Recommends Drum & Bass, Juno Recommends Dubstep, Fade, Philth, John Rolodex
Review:
If you judge a producer by their ability to successfully apply a winning formula to a variety of styles, Alix Perez is a master. While drum and bass remains his forte, there's enough on Chroma Chords, his second album, to suggest that he's growing as a producer. This EP discards with the synth-laden head nodders featured on the full album, though the four tracks here do still demonstrate the versatile nature of Chroma Chords. Thus the grimy hip hop of the Metropolis featuring "Blue Print" shares space with the soulful stepping action of "Playing Games" whilst the the excellent vintage Timbaaland does halfstep of "Shadows" (featuring breakout Eglo talent Strange U") joins up with the vicious "Burnout".
CTFAT 127
20 May 13
Played by: Mr Brainz / Orpheus:ldn, Commodore 69 (Hot N Heavy), Shouts!, Lucent, Allmostt, Funk And Filth, Benny Kane
Review:
Originally released spring 2012, Foamo's monstrously heavy bass chugger "Sherlock" gets the treatment from a variety of talented players. Kry Wolf drop the tempo slightly for a resonant UKG strut, Taiki & Nulight continue the garage vibe with a more uptempo, menacing bass motif, Millions Like Us add some cinematic breakbeats and shivering synth washes to the mix, My Nu Leng take a leaf out of Bassbin Twin's booty-bass book while LKid calms us down with a very neat, early 90s house version. A great spread and not a duff rub in sight.
TEMPA 075D
22 Apr 13
Review:
No other MC has made the transition from performer to producer as well as SP:MC. Hinting promise since his early forays with Breakage almost eight years ago, he's shown the utmost versatility and creativity. Back to the future and his skills are still more than evident. Ranging from icy, sheet metal beats ("Declassified") to skippy, steppy minimalism ("Kenshin"), this is one of SP's broadest, most accomplished EPs to date.
GEODE feat EARL T & C TIVEY
SMOKE 023
22 Apr 13
Review:
By now, all those of a deeper dubstep persuasion should know what to expect from the Smokin' Sessions series; intricate, ear-soothing fare bolstered by zippy low-end rhythms. Inamind Recordings regular Geode is the latest to the step up the plate, alongside Earl T and C Tivey. For those keen on twinkling melodies, warm pads and decidedly cloudy atmospheres, there's plenty to enjoy, from the wide-eyed beauty of becalmed opener "Ode", to the almost impossibly warm chords and organic drums of "Phi". Our pick, though, is "Ruh", a snappy, dubwise roller peppered with spinetingling blasts of mournful piano.
OSMUK 029
06 May 13
Review:
One important thing to note here Flowdan is on mic duties. With such a distinctive tone and menacing lyrical style, his flow suits Kaiju's liquid, slime-like sonics so well, they were made for each other; it's joined by the more spacious, eerie soundscapes of "Snagglepuss". Cute title, dark groove. Kaiju are on fine form right now.
WHEELYDEALYCD 002
13 May 13
Review:
While the cover artwork may make Benton look like a moody former member of an R&B boy band, the music contained on Reflections is as robustly underground as you'd expect. Moving from Burial-ish paranoid atmospherics to deep dubstep-soul via a series of sparse, moody and emotion-rich soundscapes, it portrays the London-based producer as a man for whom the simple pleasures of form and function are just not enough. Along the way, there are growling, murky floorfillers (check the hissing "Herman's Hideout" and "Defect Mind"), dubwise steppers ("20/20 VIP") and occasional blasts of piano-laden beauty (the intricate "We're Both Lost").
BDDNL 226
06 May 13
Played by: B.visible, DJ Cable, Dev79, El Carnicero, Cosby (Car Crash Set), Highgrademuzik Aka Don D Selectah, J69
Review:
Entitled simply Grime 2.0, this mammoth release sees grime originators sit next to a new breed of artists, all compiled by Big Dada label boss Will Ashon and journalist Joe Muggs. Documenting grime's continued development over the past ten years, its track selections also demonstrate that it's still a vibrant and flourishing genre. Some 35 tracks deep, the compilation sees Ashon and Muggs securing exclusive, previously unheard material, with notable grime figureheads such as Youngstar, Wiley and MRK1 contributing alongside current stars in Royal T and Preditah as well as an international cast of emergent new talent, with Local Action artist and Grimetapes documenter Slackk featuring too. Essential!
DEEPD 011
03 Jun 13
Review:
Everyone's favourite magic carpet-riding dubstep producer Jafu continues his ascent by joining the ranks of Biome, Kromestar and Congi in having his own volume in Deep Heads' series of artist spotlighting EPs. As the title suggests, Jafu goes deeper than he's ever gone before and the results are perfectly suited to that spangly post clubbing haze. "Whats Your Theory" fuses shuffley halfstep beats to glacial electronica, "Phoam" introduces some Middle Eastern percussion and "Fever" is both haunting and bleepy at the same time.
CRUNCH 014
22 Apr 13
Played by: Alert
Review:
With a discography that ranges from deep techno to tropical dubstep, Asylum's soundset has found favour with DJs as disparate as Hawtin to Marcus Vector. Listen to this mighty four-tracker and you'll understand why: "Bodyburn" is a percussive homage to classic house thanks to its insatiably diced and spliced vocal sample, while "Embryo" drives a much deeper message home thanks to its slurring beats and melancholy bass groans. "Blue Dream" doffs its cap to the early synth-shocking iciness of Detroit and mild teases of jazz, and "Germinate" completes the circle, taking us back to the visceral body-shocking rhythm of the EP opener. Dark, carnal and wholly tribal, it's no wonder he's found favour across the board with beat like this.
LABCD 003
03 Jun 13
Review:
It's hard to believe it's been four years since the first immaculate selection of Aquatic Lab Sessions. Sitting prettily on top of the many bass music releases out right now, from start to finish this is a labour of love that covers a vast range of diverse sounds. From the halftime D&B stylings of Bardeya's deep dreamy "Gordon" to Core's hauntingly dark "Eagle Scream" and Perverse's crisp, minimal "Hamba", it's a true depiction of Aquatic Lab's hard work and dedication to the genre in all its forms. Shredexx - "Transporta" is a particular gem, shining bright from murky depths with brooding attitude usually reserved for the good old days of dark dubstep. A perfect example of the versatility of bass end productions in 2013. Don't sleep.
IM 018
06 May 13
Review:
When 123MRK's Noname EP dropped in 2011 creating waves all around the dubstep and bass music scene. Moulding the sound of his generation into a style all his own, the Frenchman suddenly found himself held aloft as an innovator as well as simply a producer of sounds. This remixed release of his seminal EP was a lofty undertaking and the finished item features remixes from some of the future dubstep scene's brightest young stars alongside long-time innovators. From Liar's metalic, lo-fi flavours to Troy Gunner's understated clicks and swirls; ViLLAGE's heart-pounding house remodelling to Heblank's old-school twist, even the likes of Pixelord and ReSketch play their garage-influenced hands to create an all-new modern-day canvas of what exactly bass music is right at this moment. It can never be truly defined, but this is a pretty good encyclopedia.
EB 096
30 May 13
Played by: Juno Recommends Dubstep
Review:
The always onpoint Echo Beach serve up a long overdue second edition of their Reggae Germany Downtown compilation. Some eighteen tracks deep, Echo Beach give a true representation of the Dub scene in Germany, pairing veteran artists like Felix Wolter (Dubvisionist, TVS), Seeed, and the Senior Allstars with rising talents such as Aldubb, Brain Theft, aDUBta, Symbiz sound and Chazzy Wezar (the son of Matthias Arfmann). Reggae Germany Downtown takes dub as it's starting point and veers in various musical directions so expect sub heavy dubstep (the Giotto remix of "Let There Be Dub" from Aldubb" is a highlight) downbeat skank, rude electronics and dancehall torch songs. Germany is Dubland"!
CHST 026D
29 Apr 13
Review:
If you're looking for a lesson in how to totally murder it with a single vocal loop then look no further than "Transmission". Tripped out, tight and mind-boggling, it builds up with a guttural, industrial riff to chaotic effect. "LV-223" is more your techno flavoured slice of steppery. Dungeon depths and slimy subs; this is for the most tribal of tear-ups, while "Antidote" flips back to the genre's halfstep roots. Spacious and engaging with a series of well textured bass leads, it rolls and develops with production panache; "Kraken" ends with fitting gusto. If you're looking for a lesson in how to totally murder it with a dramatic orchestral sample then look no further.
506500 2003621
13 May 13
Review:
Entering what seems like a new phase for Pinch's bastion of forward-thinking dubstep, Tectonic Plates reaches its fourth edition and brings in a raft of fresh producers and new angles on just what the genre might mean in these fractured times. Even the classic standard bearers such as Jakes are bringing curious 4/4 momentum in amidst the sparse, dread filled pressure, while Guido pivots off of the plush musicality of his album to create an utterly broken symphony on "State Of Joy". There are a lot of different ideas floating around the whole compilation, and yet everything holds together with the deep-rooted soundsystem mentality that has always defined Tectonic as a shining example of what dubstep has always meant.
CIRCLP 002
13 May 13
Review:
Doctor P and Flux Pavilion hand over the selection duties to familiar label faces Funtcase and Cookie Monsta for the second Circus set. A 25-strong banger compendium balanced between classics and exclusives, it oozes the perfect blend of bare-faced bass attitude and tongue-in-cheek humour. From Roksonix string-soaked jig jamboree "Music In Me" to Brown & Gammon's emotional audio rainbow "Dark Matter", the Circus sound is represented at its boldest, most characterful and, above all, fun. Not a dull moment in sight - check this and remember why we all got into dubstep in the first place.
DRUMSOUND/BASSLINE SMITH feat FLEUR
885012 017228
05 May 13
Review:
Drumsound and Bassline Smith's mainstream D&B assault is well worth watching. Applying catchy pop sensibilities to their tonked-out bottom-heavy technique, they're nipping at Fresh and Sub Focus's heels with real determination. Remix-wise we see Northern Lights throwing down a big dubstep vibe that sizzles and snarls with metallic menace while Tantrum Desire switches up for a speedy spliced and diced technicolour D&B version. Big.
KILL FRENZY feat DJ FUNK
DB 092
21 May 13
Played by: Sirmo, Santero, Dom 877, Commodore 69 (Hot N Heavy), Lucent, Eats Everything, Fabricio Pecanha
Review:
Hailing from Belgium, this guy has gone from making harsh and accelerated chipmunk-voiced beats (often of the juke/footwork variety) to deeper stuff. Here the slower, throbbing "Make That Booty Clap" is remixed by a number of names: The Martin Brothers go electro-meets-Chicago, while Zombie Disco Squad push the jackin' levels into the red, Plastician goes slow and evil sounding and Mark Starr goes for a stripped down (pun intended) trap style workout.
361015 2668019
29 Apr 13
MUVD 005
27 May 13
Played by: Juno Recommends Dubstep
Review:
The spotlight's beginning to warm up on Catacombs with attention coming from all the right players... N-Type, Youngsta, Hatcha. It's not hard to hear why with crisp, abyss-level depth and anvil-like weight in his productions. "Music Mi Luv" takes the low road, echoing with rich, gothic sub-tones amid its smoky halfsteps. "Badman Culture" takes the high road with nippy percussion and a rolling tribal groove. "Cursed" takes the scenic route with a curvy, swooning riddim that eases into a chilling, old school ambient breakdown. Finally "Searcher" follows the sonic satnav to the darkest side of the dubstep moon. Pensive, pneumatic and harrowed with groaning pads and synths.
TEMPA 076D
13 May 13
Review:
Some say the Devil's hands are manicured and sport the finest gemstones. Some say the Devil's hands have love/hate tattooed on them. Others - like us - say the "Devils Hands" are the epitome of beautifully deep, dark dubstep. "Devil's Hands" is a slurring, slab of haunted dub-soul while "I Belong" shows the trio at their softest, most emotional state with sexy subs and a purring vocal. Tempa nail it again? Ain't that the Truth!
CHST 027
20 May 13
Review:
If you're looking for a lesson in how to totally murder it with a single vocal loop then look no further than "Transmission". Tripped out, tight and mind-boggling, it builds up with a guttural, industrial riff to chaotic effect. "LV-223" is more your techno flavoured slice of steppery. Dungeon depths and slimy subs; this is for the most tribal of tear-ups, while "Antidote" flips back to the genre's halfstep roots. Spacious and engaging with a series of well textured bass leads, it rolls and develops with production panache; "Kraken" ends with fitting gusto. If you're looking for a lesson in how to totally murder it with a dramatic orchestral sample then look no further.
SMBLP 001
23 Apr 13
Review:
The long-awaited solo LP from US-based soulful bass music producer Kastle has been the talk of music blogs around the world for months. Now its finally made it to a full release , there's something of a feeling of satisfaction that can be heard in each track. Whether that's projected by the listener or not might be hard to prove, but there's a definite positive energy that flows through everything Kastle produces. From the garage beats of "Been A While" and "Red Light" to the irresistibly hip house groove of "Insatiable" and trap-hop crush of "Death From Above", it's clear that versatility is what this album is all about. Clean, crisp production matched to soulful, blissed-out dance music that's unashamedly fashionable yet different enough to be taken seriously. An album of 2013 no doubt.
TERR 014
13 May 13
Review:
A large serving of aggression with plates of euphoria and filth on the side, sir? Coming right up... The mysterious AWE has cooked up a five track menu that reveals, as EP title suggests, his most free-spirited fusions of funk and fire. From rifle-like trap grooves ("Rust Lung") to concentrated star-gazing halfstep euphoria ("YYY") via utter bass chaos ("Jurassic"), every meal is as tasty as the last.
GIRLS 013
22 Apr 13
BLACKBOX 033
17 Jun 13
SREP 011
06 May 13
Review:
Californian sound scientist Kial continues his experiments in the fields of ambience and dub with this mesmerisingly deep package. The title track rumbles and wafts with such far-away focus, it sounds like an old Orb B-side beefed with contemporary production values. "Konstruct 9" is much more dancefloor-focussed with its swampy halfstep and metallic layers of razor-sharp bass. "Laido" follows with a stumbling, trippy kickdrum and startling flashes of light that flicker of the menacing groove.
VLCN 006
03 Jun 13
MEDI 069
13 May 13
Review:
Making for a matching with hard-to-imagine results, Mala gets the remix treatment from James Blake in his Harmonimix guise and issues it forth on his own Deep Medi imprint. It's a bold treatment from Blake, who teases the track to life on a twee arrangement of music box chimes and tones, while a central vocal coos out the dominant melody. There's a mid-section with the only discernible slither of beat which sounds like familiar Blake territory, not least through the bluesy keys vibe that it carries. However, it's the monolithic brass-aping clarion call which comes steaming in to steal the show, trumping out its orders in a suitably epic fashion which is nothing if not rousing.
UA 004
03 Jun 13
Played by: Alert
Review:
Only four releases deep but Seven's Uprise label is really beginning to live up it to its name. This is their biggest and deepest dispatch to date. Stretching right across the board, we're treated to pounding war drum tribal ("Go To War"). We're pushed into a pool of subs with a metallic ping-pong riff ricocheting off the deep end ("Lost Souls"). We're flung manically from side to side as "Shaman" twists and shouts on a beautifully lob-sided riddim. We float away into deep cosmosis via the airy pads and slime percussion on "Underworld". Finally "Primitive" closes the show on the deepest note of the EP. Woozy and warm, tune-in to its heartbeat and hear it morph with sonic stealth.
MTXLT 130
20 May 13
MUD 016
29 Apr 13
Review:
Living up to its name, "Uncharted Territory" sees the hotly tipped Slaven make his debut on the mighty Macabre Unit Digital. Liquid darkness that drips through the speakers with half-step spookiness, it's a very well measured composition with some real funk going on in the pacy kick drums. "The Hand That Feeds" is a much more uncompromising track; stark, stripped back and riddled with a sharp, angular steppy funk, you can file it under "Hurter".
TEMPA 077D
03 Jun 13
Played by: Alert
Review:
Despite a so-called genre death perpetuated by arguably one of Tempa's biggest proteges Skream, the label continues to put some of the finest quality 140bpm bass music to task. Whether you choose to label it dubstep or bass music is your choice, but we prefer to keep things simple. Proxima has been proudly flaunting his penchant for the darker things in life since his first outings with Icicle and has now become one of the scene's most enlightening deep producers. "Thermal Vision" is a hard minimal stepper, pushing crisp production to the limit, while on the flip "Valve Wars" takes that warped acid bass to another level, chewing up old school values and spitting them out over a true dubstep rhythm. It's good to be in the 140 camp sometimes.
TUBAD 001
06 May 13
Played by: Kial
Review:
Dubstep really doesn't come deeper than this; "The Cell" is a minimal hum of reverberating low-end soul. Stark, trippy and instantly hypnotising, the bass purrs and groans under a series of spacious percussive hits that float gently in and out of the mix. "Below" continues this flavour but more of a palpitating twist on the kicks and soft, heavenly chords that linger gently in the background. Understated and rich in texture, Juss B has nailed this.
RS 1008
07 May 13
Review:
North Welsh producer Feonix is pushing dubstep to its very extremes with this wonderfully dynamic ode to archaic bone-bashing riddims. Clicking and whistling through myriad found sounds, this is truly unique (a term that really can't be used very often in such an over crowded scene). "Night Creatures" is equally as immersive with breathy pads, heartbeat kicks and spacious clicks that build into an abyss-level sub drop and funky - if a little warped - two-step. One (Jurassic) step beyond...
LC:003
24 May 13
OSMUK 028EP
22 Apr 13
Played by: Alert
Review:
Always open to teaming up with like-minded souls for their releases on Osiris, the ever-prolific Kryptic Minds are on the prowl once more, this time with the equally active Killawatt in tow. Kicking off with the brooding and short-lived "Swung Operations", it's business as usual in the Osiris camp with plenty of industrial clangs and booms meeting with punchy digital percussion. The bleak tones continue apace into "Reaching Through", even as some discernable melody comes pulsing through from a dub techno chord, but the beat does more than enough on its own, working a rapid kick and sizzling hat to deadly effect without ever going overboard. "Cunning Juncture" finds equal worth in the minimal approach, bringing a measured amount of techno influence into the dubstep framework with sterling results.
OSMUK 030
27 May 13
Played by: Alert
Review:
Sleeper is on fantastic form as continues to work with the very best in the techy, dark dubstep premiership. From Chestplate to Artikal, now Kryptic Minds' Osiris where he's laid down yet another cavernous couplet of industrial, teeth-baring tech-henchers. "Narcissus" is the deadliest drawer of the release with its slamming, kick and snare pushing and pulling with a strange mechanical funk and heaps of rattles and shakers. "Burning Spears" is much more spaced out with the drama being squeezed out by the piston dynamics and general sense of timeless tribal foreboding. Killer.
WHEELYDEALY 038D
10 Jun 13
Review:
N Type's imprint Wheel & Deal have snapped up this rising producer named after the legendary martial arts teacher. "Raindance" is sparse and fast; almost 4/4 techno but with that little urban skip to remind us where he's really at. There's no more subtleties from hereon in though, "In Atari" is the dark and punishing sound of a malevolent robot slowly dying and "Messenger" is a slow dubstep swagger with contorted vocals. Ipman's percussion-heavy remix of Killawatt is also supplied as is the latter's doom-house remix of the former.
DISTC 001
22 Apr 13
Review:
Dubstep explorer Teefreqs kickstarts his a new label, Distant Colours, with a typically horizontal three-tracker. His explorations in bass are not only suitably spacious, but also effortlessly soulful. Opener "Reasons" is a case in point; while the bass is bold and the effects intergalactic, the bongo-laden rhythm, warm pads and hand picked samples ensure that the finished product is intoxicatingly fluid. The dub techno-influenced "Pyraminds" boasts a similar aesthetic, but comes on with a percussive intensity sometimes lacking in such deep and cosmic exercises. Closer "Dial", meanwhile, rolls along on a dubstep-jazz flex - all bouncy rhythms, distant horn samples and delicious bleep melodies.
DPCD 007
22 Apr 13
Played by: Variations
Review:
Having helped firm up the foundations for dubstep as we know it today, there's been a lot of speculation surrounding Caspa's new album since he first announced it last year. No pressure, then! Luckily it's good news all round: across the 15 tracks he's developed his trademark dubstep swagger AND taken trips down various other creative paths to keep both himself and the listener interested. Examples of the latter include the utterly mental "Techno Terry", the industrial strength future hip-hop ("Ghost Town" and "On It") and the piano-soaked rave-up "Reach For The Sky". Showcasing unparalleled potential in a post-dubstep landscape, Caspa's nailed this 'tricky' second album with deft precision.
GAMMA 040
23 Apr 13
TANK 6
22 Apr 13
Played by: Juno Recommends Dubstep
Review:
There are few prerequisites when it comes to deep dungeon-bound dubstep - a freeform flavour of darkness, and anything goes. But to make it really work, you need weight... And lots of it. Take Matta's latest couplet and use as an exemplary reference. "Stalker" oozes bulbous bass that's so slick and slippery it saturates the liquid halfstep and completely overshadows the eerie pads buried deep in the background. And if that's not quite obese enough, "Verse 32" doubles the tonnage for an even darker demonstration of depth and mass. Heavy.
MUD 017
03 Jun 13
Review:
If you're looking for good-time party bangers then look further than Versa. Thankfully not everyone is that shallow and those wanting deep, original and maybe a little weird productions should lap up this EP. "Vuelvo" is a tension building dubbed out fusion of crackling beats, skittering pops and repetitive notes, "I Awoke" is all about punishing bottom end, "Broken" is more muted garage with stoned jazzy chords floating about. Finally "Tesla" wraps things up in a doomy post-dubstep meets haunted slo-mo beats style.
FSLAB 012
15 May 13
Review:
Russian producer Ishome has been bubbling away for years, checking in on myriad genres from dub to prog to techno. Here we find her in full dub mode, serving up some of her most sensual sonics to date. Flicking with finesse from cut n' paste starlight delight ("Adam") to swampier, more pensive pieces ("Sad Family") via ambient space baroque ("It Exists"), she shows maturity and rich depths throughout the full album. This should appeal to everyone from Trentemoller fans to Kokeshi lovers.
506018 2934765
20 May 13
Review:
If you know anything about jungle and D&B, you'll know Boomah... Arguably one of the most distinctive vocals in the game, his harmonies are so warm and genuine they pretty much hug you as they fly out of the speakers. Here we find him at his most emphatic and eclectic, covering all bass bases in true style. Highlights include the sprightly summer roller "Spread A Little Love" the classic hardcore rave breaks "Forward Ever" and the gritty, metallic dubstep joint "Unstoppable", but to be honest this is best enjoyed as the full album it's written as: a shiny mirror reflecting the most exciting sounds of bass music's never-ending narrative.
505572 1807822
27 May 13
Review:
Genetix has been lurking in the darker, deeper vaults of the dubstep variety for quite some time now, having released on labels like Z Audio and Enter Dubstep to name a few. His latest EP comes courtesy of Bacon Dubs and quickly gets its point across thanks to four serious head-bangers - the type of stuff you nod back and forth with grit! "Prototype" is a squelching leviathan packed with enough juice to get an army swaggerin', whilst "Mohair" is arguably even nastier and filthier than its predecessor, taking those low-ends as far as they can go! "Mankind" is more beat-driven and stumbling, whereas "Ambush", as the name suggests, will sneak up on you and grind your nervous system down into oblivion. LARGE.
RS 1009
28 May 13
TANK 7
20 May 13
Review:
There are MCs who hype the dance and there are MCs who are poets in disguise. Beezy is most definitely the latter; spitting acidic anti-establishment wit with clarity and venom, he fits RDG's paranoid sub-shuffled perfectly. RDG's own tribal remix of "Skin Out" flips for a much more carnal, body-inspired groove. Cruising with layers of nagging hand drums, there's a shamanistic riddim to this that can't fail to lock your floor down. Knowledge is power!
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