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SWITCH GENRE
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5IVESTA 233
15 May 13
SWARM 018
13 May 13
PAR VIP001
13 May 13
BT 400
15 May 13
OF 118
13 May 13
BUNKERZ 049
14 May 13
VOTO 0023
16 May 13
RACR 007
17 May 13
AW 5073617
15 May 13
361015 2762786
17 May 13
DBT 018
13 May 13
505572 1810235
13 May 13
CLBR 038
13 May 13
TERR 014
13 May 13
Played by: Highgrademuzik Aka Don D Selectah
Review:
A large serving of aggression with plates of euphoria and filth on the side, sir? Coming right up... The mysterious AWE has cooked up a five track menu that reveals, as EP title suggests, his most free-spirited fusions of funk and fire. From rifle-like trap grooves ("Rust Lung") to concentrated star-gazing halfstep euphoria ("YYY") via utter bass chaos ("Jurassic"), every meal is as tasty as the last.
GRD 043
17 May 13
ARE 008
13 May 13
Played by: Be-1ne
Review:
To do "Disrepresentation" a disrepresentation would be to call it a happy, feel-good track. To do it further disrepresentation would be to call it a banger. No siree, we're talking moody, cold, subby and dark. The bass drones with a slight hollow timbre, giving all the drama it needs through understated means. "Data Touch" is a little more upbeat thanks to some very nifty double kicks but the vibe is still as icy and unforgiving as you want it to be. Don't do yourself a disrepresentation... Jump on this today.
425069 3286878
13 May 13
WHEELYDEALYCD 002
13 May 13
Review:
While the cover artwork may make Benton look like a moody former member of an R&B boy band, the music contained on Reflections is as robustly underground as you'd expect. Moving from Burial-ish paranoid atmospherics to deep dubstep-soul via a series of sparse, moody and emotion-rich soundscapes, it portrays the London-based producer as a man for whom the simple pleasures of form and function are just not enough. Along the way, there are growling, murky floorfillers (check the hissing "Herman's Hideout" and "Defect Mind"), dubwise steppers ("20/20 VIP") and occasional blasts of piano-laden beauty (the intricate "We're Both Lost").
BRME 188
18 May 13
TRIP 021
13 May 13
TDP 004
13 May 13
SUBWAY 027
13 May 13
Review:
The Greek economy may have had a kicking but its dubstep scene is still thriving in a major way. Represented by both Camelorg and UZZI, they've developed quite the reputation on the international circuit over the years and here they collide for a feisty sub-slaying five-pack. The results are deeper than you'd expect with cuts like the title track and "Doghouse" both rolling with a slimy, stank dungeon vibe. Looking for some funk in your halfstep and wobbles? Head for "Doomsday". Looking for some audio napalm? Head for "Sonic Boom".
PH 030
15 May 13
DBT 017
13 May 13
SP 673
17 May 13
886443 997769
13 May 13
POW 019
14 May 13
RCR 003
14 May 13
CIRCLP 002
13 May 13
Review:
Doctor P and Flux Pavilion hand over the selection duties to familiar label faces Funtcase and Cookie Monsta for the second Circus set. A 25-strong banger compendium balanced between classics and exclusives, it oozes the perfect blend of bare-faced bass attitude and tongue-in-cheek humour. From Roksonix string-soaked jig jamboree "Music In Me" to Brown & Gammon's emotional audio rainbow "Dark Matter", the Circus sound is represented at its boldest, most characterful and, above all, fun. Not a dull moment in sight - check this and remember why we all got into dubstep in the first place.
PBR 076
17 May 13
SUBT5.5
13 May 13
Review:
Variety is the name of the game as Berlin's Tim Eliot unleashes a quad of uncompromising bass compositions. It all kicks off with "So Loud", a glittering, wafty, dreamer of groove with warm kicks and psychedelic twists. Things get much darker from here on: "Experiment" is a crunchy, industrial halfstepper while "Go Offline" is fractured and more fearless again, sounding akin to an alien invasion circa Hollywood late 60s. "Gear Up" ends us on a more of a classic metallic stabby bass style. Loud, gritty and nasty: just how we like it.
505572 1807563
13 May 13
SUBGEN 3339
13 May 13
UAP 030
17 May 13
OWS 035-2
15 May 13
361015 2765442
17 May 13
BR 049
15 May 13
100571 64
17 May 13
DEMTRAP 1
19 May 13
RAVEME 005C
17 May 13
RRR 028
13 May 13
EMZTRAP 018
18 May 13
DUBTRXX 048
13 May 13
RAMA 6
19 May 13
SIMP 144
13 May 13
HBR 022
18 May 13
4511820-92400
18 May 13 717MB of subterranean basslines, brain-melting leads, savage synths, wild arpeggios, crazy dubstep bleeps, wombs, risers, chainsaws, club FX & twisted vox
DBT 003
16 May 13
DR 03
19 May 13
DR 020
15 May 13
DLAB 531
19 May 13
EU 001
17 May 13
GOV 002
14 May 13
GOV 002
14 May 13
DLAB 525
17 May 13
POOTY 096
13 May 13
001
13 May 13
HBT 025
17 May 13
DLAB 538
13 May 13
TEDD 16
14 May 13
CRR 107
15 May 13 13 May 13
BBR 053
13 May 13
FSLAB 012
15 May 13
Review:
Russian producer Ishome has been bubbling away for years, checking in on myriad genres from dub to prog to techno. Here we find her in full dub mode, serving up some of her most sensual sonics to date. Flicking with finesse from cut n' paste starlight delight ("Adam") to swampier, more pensive pieces ("Sad Family") via ambient space baroque ("It Exists"), she shows maturity and rich depths throughout the full album. This should appeal to everyone from Trentemoller fans to Kokeshi lovers.
ACDR-025
13 May 13
100561 29
16 May 13
846624 018515
15 May 13
HFM 0036
13 May 13
ND 021
16 May 13
DR 019
17 May 13 |
