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SWITCH GENRE
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SWARM 018
13 May 13
PAR VIP001
13 May 13
OF 118
13 May 13
DBT 018
13 May 13
505572 1810235
13 May 13
CLBR 038
13 May 13
TERR 014
13 May 13
Played by: Highgrademuzik Aka Don D Selectah
Review:
A large serving of aggression with plates of euphoria and filth on the side, sir? Coming right up... The mysterious AWE has cooked up a five track menu that reveals, as EP title suggests, his most free-spirited fusions of funk and fire. From rifle-like trap grooves ("Rust Lung") to concentrated star-gazing halfstep euphoria ("YYY") via utter bass chaos ("Jurassic"), every meal is as tasty as the last.
ARE 008
13 May 13
Played by: Be-1ne
Review:
To do "Disrepresentation" a disrepresentation would be to call it a happy, feel-good track. To do it further disrepresentation would be to call it a banger. No siree, we're talking moody, cold, subby and dark. The bass drones with a slight hollow timbre, giving all the drama it needs through understated means. "Data Touch" is a little more upbeat thanks to some very nifty double kicks but the vibe is still as icy and unforgiving as you want it to be. Don't do yourself a disrepresentation... Jump on this today.
425069 3286878
13 May 13
WHEELYDEALYCD 002
13 May 13
Review:
While the cover artwork may make Benton look like a moody former member of an R&B boy band, the music contained on Reflections is as robustly underground as you'd expect. Moving from Burial-ish paranoid atmospherics to deep dubstep-soul via a series of sparse, moody and emotion-rich soundscapes, it portrays the London-based producer as a man for whom the simple pleasures of form and function are just not enough. Along the way, there are growling, murky floorfillers (check the hissing "Herman's Hideout" and "Defect Mind"), dubwise steppers ("20/20 VIP") and occasional blasts of piano-laden beauty (the intricate "We're Both Lost").
TRIP 021
13 May 13
TDP 004
13 May 13
SUBWAY 027
13 May 13
Review:
The Greek economy may have had a kicking but its dubstep scene is still thriving in a major way. Represented by both Camelorg and UZZI, they've developed quite the reputation on the international circuit over the years and here they collide for a feisty sub-slaying five-pack. The results are deeper than you'd expect with cuts like the title track and "Doghouse" both rolling with a slimy, stank dungeon vibe. Looking for some funk in your halfstep and wobbles? Head for "Doomsday". Looking for some audio napalm? Head for "Sonic Boom".
DBT 017
13 May 13
886443 997769
13 May 13
CIRCLP 002
13 May 13
Review:
Doctor P and Flux Pavilion hand over the selection duties to familiar label faces Funtcase and Cookie Monsta for the second Circus set. A 25-strong banger compendium balanced between classics and exclusives, it oozes the perfect blend of bare-faced bass attitude and tongue-in-cheek humour. From Roksonix string-soaked jig jamboree "Music In Me" to Brown & Gammon's emotional audio rainbow "Dark Matter", the Circus sound is represented at its boldest, most characterful and, above all, fun. Not a dull moment in sight - check this and remember why we all got into dubstep in the first place.
SUBT5.5
13 May 13
Review:
Variety is the name of the game as Berlin's Tim Eliot unleashes a quad of uncompromising bass compositions. It all kicks off with "So Loud", a glittering, wafty, dreamer of groove with warm kicks and psychedelic twists. Things get much darker from here on: "Experiment" is a crunchy, industrial halfstepper while "Go Offline" is fractured and more fearless again, sounding akin to an alien invasion circa Hollywood late 60s. "Gear Up" ends us on a more of a classic metallic stabby bass style. Loud, gritty and nasty: just how we like it.
505572 1807563
13 May 13
SUBGEN 3339
13 May 13
RRR 028
13 May 13
DUBTRXX 048
13 May 13
SIMP 144
13 May 13 717MB of subterranean basslines, brain-melting leads, savage synths, wild arpeggios, crazy dubstep bleeps, wombs, risers, chainsaws, club FX & twisted vox
POOTY 096
13 May 13
001
13 May 13
DLAB 538
13 May 13 13 May 13
BBR 053
13 May 13
ACDR-025
13 May 13
HFM 0036
13 May 13
IMLTDDUB 06
13 May 13
OCEP 005DD
13 May 13
MEDI 069
13 May 13
Review:
Making for a matching with hard-to-imagine results, Mala gets the remix treatment from James Blake in his Harmonimix guise and issues it forth on his own Deep Medi imprint. It's a bold treatment from Blake, who teases the track to life on a twee arrangement of music box chimes and tones, while a central vocal coos out the dominant melody. There's a mid-section with the only discernible slither of beat which sounds like familiar Blake territory, not least through the bluesy keys vibe that it carries. However, it's the monolithic brass-aping clarion call which comes steaming in to steal the show, trumping out its orders in a suitably epic fashion which is nothing if not rousing.
PLAY 085
13 May 13
MS 001
13 May 13
BMD 207
13 May 13
CLBR 039
13 May 13
505578 1511455
13 May 13
Review:
Audio Animals recruit some exciting new talent in the form of Manchester's award-winning D&B-turned-dubstep dude Nothing To Lose and the 14 year old Subkill. The former gets all emotional and anthemic with his halfstep rumbles while Subkill weaves myriad low-end screams and gurgles to pay tribute to the VST no dubstep DJ could do without. Very clever.
361015 2818858
13 May 13
KFR 022
13 May 13
SUBMN 002
13 May 13
MKR 005
13 May 13 140 orchestral complextro loops key mapped at a standard 128 BPM, ranging in length from 2 to 8 bars
505572 1810051
13 May 13
SM 033
13 May 13
RRUK 03
13 May 13
RRUK 04
13 May 13
MDRAX 001
13 May 13 | ||
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