Mooqee's label Bombstrikes is doing all right for itself. So much so in fact that they've reached that milestone - a label's first compilation album. Here Mooqee has selected 25 sizzling bangers new and old that do it for him, and hopefully will do it for you too. Highlights include the compressed electro steamroller that is "Back To School", the crunch synth funky freakout of "Come On Bounce" and the devastating bass that's eaten all the pies of "Let's Do It Right Now". Heavy!

Doctor P and Flux Pavilion hand over the selection duties to familiar label faces Funtcase and Cookie Monsta for the second Circus set. A 25-strong banger compendium balanced between classics and exclusives, it oozes the perfect blend of bare-faced bass attitude and tongue-in-cheek humour. From Roksonix string-soaked jig jamboree "Music In Me" to Brown & Gammon's emotional audio rainbow "Dark Matter", the Circus sound is represented at its boldest, most characterful and, above all, fun. Not a dull moment in sight - check this and remember why we all got into dubstep in the first place.

We Are Nuts aren't exactly known for their deep, contemplative musings, but who needs that on a dancefloor at 3am anyway? "Bombaclat" is a blazin' 4x4 wobbly bass banger, and "Daily Dose" is like a housier UKF take on an already pretty eccentric baile funk stomper. Finally DJ Q steps in bringing a whole tonne of flabby wobble to add to the ravey keys. Messy, very messy.

It's not every day we come across underground bass artists named after an actress in a 1980s soap, Dynasty, but it takes all sorts as they say. Musically this is seriously next level stuff: "I Can't Hide" is twisted and contorted tribal house with half time breaks and a killer cowbell. "No Way Back" is similarly bonkers but drowns everything is neon synths. Remixers include The Druid Cloak (sounds like a Brazilian carnival stumbling into a rave), Kresy (slow, emotional house) and Rohan (even deeper still; adding melancholic keyboards and cut up vocals for what's possibly the stand-out track).

OWSLA get heady on a major Dutch vibe as Showtek and Noisecontrollers show the label a whole new secret turbo button. Fusing uncompromising hardstyle with crisp electro/trance hooks, "Get Looses" treads the finest line between blissed out and utterly absurd. "Get Loose" when the beat drops? You bet your bottom Euro you will; this is next level mental.

We don't condone bullying of any kind here at Juno. Well, almost any kind. Bullying with brutal bass is absolutely fine. Case in point: "The One Beat". Wriggling bass, pumping beats and wild switches in groove, it's more like three beats all wrapped up in one walloping, wedgie-wielding banger. The Incredible Melting Man adds a sharp sense of anthemia to his remix while Riggers jumps in the chopper and drops a deadly EDM bomb. Bullying has never been so acceptable.

Rewind! Tiga's Turbo plunder the recent cabinets in their 15 year vaults and dust off 20 of their favourite/most acclaimed tracks from releases 100-125. Ranging from the lush disco of Azari & III to the fairy-tale echoes of Matthew Herbert via the new-beat 80s funk of Footprintz they're flexing their broadest musical muscles with equal measures consistency and variety. Highlights include Midland's gritty bass-house rub of Sei A's "Frozen Flower" and Duke Dumont's sexy shuffler "Street Walker".

America's Tritonal have been making serious waves over the past year or so, with their close association with the Enhanced label playing a key part in their steady development to now be ranked in the elite. Here they present four new cuts of one of the standout tracks from their 'Metamorphic' EP. The unique tones of vocalist Underdown plays a key part in all these, with the pair leading the charge with their own up tempo and power synth festival mix that will raise the atmosphere and blood pressure. We are feeling the crunchy cut from US upcoming producer Ken Loi with plenty of attitude working in contrast with the big melodies. A more twisted and darker interpretation from Sebjak is also well worth a spin.

Can someone please pass an extinguisher, as this puppy is HOT! Felix and Clockwork didn't call it "The Fire" for nothing. Penned when they were on tour nearly a year ago, it fires with an enormous hook that breaks down into a savage, metallic bass hook. As sharp and gnarly as it is vibrant and euphoric, this is one well-baked EDM cake. And Madame Buttons has given it the perfect belted-vocal icing. Tasty.

With its big filtered hook and unquenchable funk, we couldn't possibly guess who Filip is referencing on "Dafttastic"... Whoever it is, this is big! Remix-wise Angelo Miele strips things back for a Lee Cabrera style big room swing-out and Weiss Schnur adds a mean halfstep to the breakdown and bolshy bass EDM twist to the pay off. Get daft today!

How many styles and genres can you throw into one tune? Well LA producer Ruckus Roboticus is having fun discovering just that. With drum machines and samplers at the ready this EP has a wicked DIY quality that leans back to the days of mashing things together on outboard equipment. Across the EP, disco rings pretty loud, and the title track 'The Phantoms Theme' showcases exactly that with a hectic arrangement of fills and drops and plenty of cheer and smile raising twists that will keep a fun vibe and the floor moving. Louis Roche strips it back and goes in a bit harder for his remix that has a cooler edge, and opens up to wider range of sets. Also worth checking out is the Unix UK remix of 'The Phantom of The Disco'. Lots of fun had making this no doubt, and just as much dancing to it.. Check it out!