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SWITCH GENRE
 
Reviewed this week
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After his Dego moniker burst back onto the scene with a killer release for Eglo alongside regular cohort Kaidi Tatham last year, Dego is going it alone for Falty DL's Blueberry imprint with just the kind of plush broken beat finery you would expect from the man. "Nuts!" even slips a little bit of Hashim into its slow but dextrous rhythm, but largely the funky Moog bass and sublime chords rule the day. "Could Murder A Burger" ramps the energy levels up while getting into a more circular pattern that opens out once some delectable piano chords worm their way in. The original version of "Celestian Ditton" finds Dego drifting into a more dreamy downtempo mood without losing the forwards momentum, which Falty DL then twists up into a more flamboyant version that stays respectful to the source.
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Theo Parrish's Wildheart imprint has seriously impressed since its first release last year. The label's aesthetic is simple: good music. While the previous two releases have featured established artists such as Tony Allen and Dego, this latest EP comes from Living Proof-member, Budgie. Having established himself as an eclectic selector up until now - his boogie-centred sets causing quite a stir on the dancefloor each time we've seen him play out - he comes through with his debut productions for the London-Detroit label. There's no real way to describe this release, where shreds of funk, hip-hop and soul are mashed up so tightly that they've grown a life of their own. In fact, when you hear it through, it almost sounds like one full track; a vibrant and grooving mass of crunchy beats, mesmerising harmonics and devious little samples. We're certainly looking forward to hearing Budgie's upcoming blends of neo-soul. Heartily recommended to fans of most cuts on Stones Throw or PPU.
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Voiron's fourth release this year is issued on Photonz' One Eyed Jacks label. It feels like the producer has decided to plunder the past as much as possible. "Hardchore" is a metallic stepper that features breezy trance melodies, while the title track sees Voiron go back to the early '90s warehouse sound, as subsonic, bleepy bass unfolds over tough breakbeats. "Harlem Juno Shake" is led by crashing cymbals and wild acid bursts. This connection to the '90s continues on the remixes; the Violet take on "Harlem Juno Shake" is more evocative and led by lithe breaks, while Pal+ version of "RN12 91" adds shaking percussion and ecstatic 'oohs and ahs' to the arrangement.
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