Always one to charge into more interesting corners of the techno world, Adam X is in fine fettle as he drops his latest album for Sonic Groove, the first on his own label since 1998's Audiobiography. The tone is very much stout and stern, from the industrial-tinged drum hits to the cold and eerie synth content, but of course it's in the rhythmic department where Adam X really shines. At every turn there are intriguing grooves to latch onto, from the drunken lope of the title track with its anthemic hip hop vocal rip, to the opening broken techno drama of "Interchanges". There are more stripped down moments such as the restrained cycles of "Catenary", and some piston pumping bangers like "On The Verge Of Decimation", making this an engaging listen as well as a great collection of techno tracks.
After the meteoric impact of his self-released singles and spots on Hessle Audio, Power Vacuum and Bleep, the electronic music world has been waiting patiently for TJ Hertz to step up and share a wider vista of his sound world. This debut LP for PAN does not disappoint, channelling the electronica quality of his most crushing club music and giving it a chance to roam that bit more freely. The beats still hit hard on the likes of "Ratchet", but that's not their only purpose. With sound design and general production fireworks at the forefront, whether you can dance to this or not is unimportant; what matters is how completely edge-of-your-seat thrilling it is to listen to, from every space age sweep to each grubby reverb impulse. We always knew he had it in him, and Objekt has more than delivered on that promise.