Bestsellers This Week

Review: Following on from their first instalment, the guys at Parisian soul/funk/jazz label Heavenly Sweetness are back with a follow up. Having spent months scouring the net for the best new sounds, they proudly present the cream of their findings - 15 in total. Highlights include the future bass/jazzy trapisms of "Down Brandy" which takes the eponymous RnB singer and warps her into another dimension, the drunk cat on a keyboard-isms of "Muscles", the cool retro hip-hop of "Boomboxin" and the 80s freestyle pop of "The Followers".

Review: The ever-interesting Eddie Ruscha returns with a new Secret Circuit full-length, the first on Tim Sweeney's excellent Beats In Space imprint. Given the usually vivid style of his psychedelic electronica, it's no surprise to find that Tactile Galactics is a mesmerizing trip from start to finish. Ruscha darts between kaleidoscopic space disco, wide-eyed shoegaze house, analogue psychedelia, touchy-feely ambience and intense, druggy Italo, somehow shoehorning 25 years of musical misadventure into 70 spellbinding minutes. It's bold, melodic, hypnotic, beautiful, blissful, intense, inspiring and exciting. Put simply, Tactile Galactics is a great album.

Review: We can always rely on French funkateers Soulab to keep us supplied with regular selections of vintage sounding modern soul gems. This latest compilation features a host of their regular artists and once again the quality is up there. Highlights include the futuristic electro-funk of LA Mitchell's "The Ease", the hazy g-funk vibes of Uraz Kurt's "Remember The Light", the dark, broken electro-hop of Isaac Aesili's "Freedom Cry" and the crazy garage boogie shuffle of Proser & Azaxx's "Prince Is Not Dead".

Review: Andrea Parker's Touching Bass is back! And for its comeback release they present Luke Walker's Quinoline Yellow. Experimental, entertaining and full of character, at points he sounds like Squarepusher underwater ("The Recital Of Dolwen Fields"). At others he comes across more like Radioactiveman on sedatives ("Congregation"). Other headbendingly delightful highlights come in the form of the church-acid of "Argon Of August" and the menacing, slo-mo stomp of "Dinas Hide". An ace return for a consistently forward-thinking label. More please!

Review: With an ever-strong commitment to their very unique brand of modern electronic dance music, the Night Slugs posse are rounded up once again for a stocktake on the follow up to the successful Night Slugs Allstars compilation. It's only with a chance to reflect such as this you can appreciate the range that falls neatly into the Night Slugs remit. At one turn you can be doused in the blinding sunshine of Girl Unit's cheery electro as on "Ensemble (Club Mix)", or at the next be confronted with the staggered stab frenzy of Helix's somewhat ironically named "Drum Track". Try reaching them without being thrown by Bok Bok's 31st century grime madness or Lil Silva's hyper-kinetic throwdown of mechanical psychedelia and you might have a chance of getting a handle on the label as a whole.