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100574 15
25 May 13
CREMEECLIPSE LP-01
24 May 13
SYLIFE 139
24 May 13
ZERO 1007
21 May 13
SSD 656
21 May 13
361015 2887717
21 May 13
100569 14
20 May 13
RAV 040
20 May 13
TB 041
20 May 13
Played by: Posthuman
Review:
Andrea Parker's Touching Bass is back! And for its comeback release they present Luke Walker's Quinoline Yellow. Experimental, entertaining and full of character, at points he sounds like Squarepusher underwater ("The Recital Of Dolwen Fields"). At others he comes across more like Radioactiveman on sedatives ("Congregation"). Other headbendingly delightful highlights come in the form of the church-acid of "Argon Of August" and the menacing, slo-mo stomp of "Dinas Hide". An ace return for a consistently forward-thinking label. More please!
RP 02
17 May 13
PTRPMG 017
17 May 13
BTRY 031
16 May 13
REMUTE 2489
16 May 13
KD 005
15 May 13
361015 2866552
14 May 13
CITI 006
14 May 13
ELB 002
13 May 13
AW 5065414
13 May 13
BORG 009
13 May 13
361015 2828246
09 May 13
DBR 012
07 May 13
ALOLP 011
06 May 13
TOAD 017D
06 May 13
CITI 007
06 May 13
Review:
Future Fusion is the killer debut set from Streetwalker, the collaborative project of White Car's Elon Katz and Beau Wanzer of Mutant Beat Dance/LIES fame. The DIY ethos of primitive Chicago house seeps into the pair's work as Streetwalker, with the material that forms Future Fusion recorded live in one take. This was subsequently recorded without any overdubs or MIDI to one inch tape, with the resultant six tracks resonating with a loose, primal energy. Sitting uneasily between house, industrial, synth-pop and EBM, Future Fusion is one of those records that you simply cannot second guess. This being a Cititrax release, the presentation is second to none too, with some superb illustration work from the well respected graphic artists Spencer Longo, but in truth the music should be the real focus of attention here.
361015 2741033
05 May 13
361015 2824446
04 May 13
003-2
04 May 13
361015 2762724
03 May 13
REMUTE 2487
03 May 13
361015 2839211
03 May 13
EZ13 C1323
03 May 13
SOULABDIGICOMPIL 010
03 May 13
Review:
We can always rely on French funkateers Soulab to keep us supplied with regular selections of vintage sounding modern soul gems. This latest compilation features a host of their regular artists and once again the quality is up there. Highlights include the futuristic electro-funk of LA Mitchell's "The Ease", the hazy g-funk vibes of Uraz Kurt's "Remember The Light", the dark, broken electro-hop of Isaac Aesili's "Freedom Cry" and the crazy garage boogie shuffle of Proser & Azaxx's "Prince Is Not Dead".
361015 2668064
01 May 13
BORN 007
01 May 13
KD 004
01 May 13
BDR 01
30 Apr 13
PM 1104
30 Apr 13
AX 027
30 Apr 13
BIS 006
30 Apr 13
Review:
The ever-interesting Eddie Ruscha returns with a new Secret Circuit full-length, the first on Tim Sweeney's excellent Beats In Space imprint. Given the usually vivid style of his psychedelic electronica, it's no surprise to find that Tactile Galactics is a mesmerizing trip from start to finish. Ruscha darts between kaleidoscopic space disco, wide-eyed shoegaze house, analogue psychedelia, touchy-feely ambience and intense, druggy Italo, somehow shoehorning 25 years of musical misadventure into 70 spellbinding minutes. It's bold, melodic, hypnotic, beautiful, blissful, intense, inspiring and exciting. Put simply, Tactile Galactics is a great album.
361015 2614122
30 Apr 13
PCRD 13005
29 Apr 13
GBEP 00023
29 Apr 13
RLS 001
27 Apr 13
361015 2701822
26 Apr 13
DPR-GBM-2102
26 Apr 13
100483 01
26 Apr 13
SR 046-2
26 Apr 13 | ||
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