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In the three years since his last full-length outing, Personality, Scuba's stock has continued to rise, nudging him further towards to higher echelons of DJ culture. The fact that he now plays colossal rooms and festival headline slots can be heard in the more dancefloor-minded material on Claustrophobia. While some of the best material is more downtenpo and circumspect - see the heady ambience of "Transcience", the spinetingling wooziness of "All I Think About Is Death" and the immersive dubstep of "Needle Phobia" - it's the stripped-back techno throb of "PCP", hissing rhythms of "Television" and the progressive house inspired hedonism of "Why You Feel So Low" that will get most attention.
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Something has clearly stirred at Fernow Towers of late with this collection of material under the Exploring Jezebel name one of several album endeavours from the multifaceted US noise icon due within 2015's first quarter. Dominick Fernow completists will be fully aware of Exploring Jezebel, a project of S&M themed nocturnal transmissions issued on limited cassette format mostly through his own Hospital Productions. It's perhaps the one creative endeavour that shows off Fernow's black sense of humour best, as evidenced on the tracklisting for this Blackest Ever Black album. The label describe On A Business Trip To London as a "dramatic document of curious electronics" and that's certainly the case from what we have heard.
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It is shaping up to be a most interesting year yet again for Robin Carolan's Tri Angle, a label that is clearly focusing efforts on the current wave of producers bending rhythmic conventions and people's conceptions into compelling new forms. Following swiftly on from the excellent Lotic release, Tri Angle now welcomes Rabit into the fold with Baptizm, a four-track EP that builds on the Texan's previous output for Glacial Sound, Soundman Chronicles, and the newly launched Different Circles. There a distinct swerve in styles as the four tracks progress here, with the ornate calm of "Imp" contrasting massively with the appropriately titled "Bloody Eye" which is a heaving, joyously evil mass of hydro mechanical bass drums, liquefied industrial bleeps and gun shots. The playful twilight grime riddims of "Hex" provide some respite before Rabit veers back into the hyper mechanical drum programming on "Straps" which sounds like it was a lot of fun to produce.



$1.49
Cue Release play release
Something has clearly stirred at Fernow Towers of late with this collection of material under the Exploring Jezebel name one of several album endeavours from the multifaceted US noise icon due within 2015's first quarter. Dominick Fernow completists will be fully aware of Exploring Jezebel, a project of S&M themed nocturnal transmissions issued on limited cassette format mostly through his own Hospital Productions. It's perhaps the one creative endeavour that shows off Fernow's black sense of humour best, as evidenced on the tracklisting for this Blackest Ever Black album. The label describe On A Business Trip To London as a "dramatic document of curious electronics" and that's certainly the case from what we have heard.
$1.49
Cue Release play release
It's always been hard to pin down the work of Shit & Shine, an ever-changing collective of drummers, guitarists, electronics wizards and experimentalists gathered around industrial maverick Craig Clouse. Their self-proclaimed "post everything" sound changes with each successive release. Here, Clouse and company doff a cap to krautrock, drone, lo-fi rock, metal and industrial on a set that veers between spaced-out, hypnotic post-rock excellence, angry, riff-laden soundscapes and pleasingly-spaced out epics. There's something decidedly psychedelic about Clouse's approach, even if the resultant music is remarkably down to earth, and some will hear the out-of-this-world swing of freestyle jazz amongst the rumbling bass and mentalist keys on "Writing Poetry On Your Forehead With The Tip of A Hunting Knife".