Joey Negro has ordained Scandi producer Opolopo to work his magic on this, the latest Z Records comp. This he does and then some, literally zig zagging his way through Z Records' back catalogue like a louche disco serpent. He eventually whittled things down to 35 tracks, all of which are contained here both as full tracks and within his DJ mix. Exclusives include new Opolopo reworks of "Staying Power" and his own "Sustain". Other highlights include the speedy smooth funk of "Midnight Sun" by Doug Willis and the sensual grooves of "Face The Face" by The Sunburst Band.
If you swap the first letters of Judge Funk's name, you get Fudge Junk. We're still trying to work out if that actually means anything at all. However, whilst we all ponder that existential question, lets listen to the music. Yam Who? pack five JF tracks in this single on their Midnight Riot label. Including their own take on "We Want Prince", where the original's crowd-chanting elastic bass hysteria becomes the funkiest disco-funk this side of Minneapolis. Elsewhere "Heads" is thumping mid-80s electro soul, "Rubbanova" is brassy, Loveboat-era boogie and "Deal With This" is deliriously glamorous shimmering disco-house escapism.
For those of a certain age, the opening seconds of 808 State's 1991 rave anthem "In Yer Face" - a combination of memorable melody lines and loved-up chords - are still capable of setting the pulse racing. Bicep have taken on the task of updating Graham Massey and company's anthem for a new generation, serving up two fresh interpretations. Wisely, they emphasize the spine-tingling goodness of the Manchester outfit's chord progressions on their A-side remix, getting rougher, tougher and weightier as the track progresses. Their flipside acid dub - where electro-inspired breakbeats, heavy bass and floatation tank melodies are expertly combined with ragged TB-303 lines - recalls the similarly-minded thrills of DJ Parrot and Mark Brydon's 'Sunshine Dub' of DJ Mink's early Warp slammer "Hey! Hey! Can U Relate?".
Steve Huerta's first single for Amadeus, 2014's Apotheke, was widely praised for its' fusion of bumpin' deep house grooves and trippy, tech-tinged sounds. In contrast, Apache Line begins with "Mandala", a breezy, warm and lightly melodious deep house cut that benefits greatly from some intricate synth-work throughout. The deep and musically rich vibe continues on the Kaidi Tatham style broken beat-meets-jazz-funk flex of "EisTee", before Youandewan lends a hand on the bumpin', late night shuffle of "Apache Line". Youandewan gets a chance to go solo, too, completing a fine EP with the deliciously hypnotic, ocean-deep throb of "Yo Endlos".
As Tuff City Kids, Lauer and Gerd Janson are masters at delivering raw-as-sandpaper jackin' house-pop (just the way we like it). Here though with the help of Norwegian popette Annie they indulge their hidden campy side on the monumentally fun "Labyrinth". With a classic mid-80s arpeggiated energy, the track perfectly straddles the fine line between Italo Disco and early Jamie Principle (think Bad Boy) with a hint of the Smalltown Boys. Their own TCK rework steers things more towards the Ron Hardy side of town, and there's also some tasty reworks by Morgan Geist and DJ Oyster too.
You don't get any more NYC than Manhattan disco/deep house hero Eli Escobar who presents his debut album on Luke Solomon's Classic Music Company. Starting out with the soulful feel good opener that is the title track, there's more quality on offer on the pure disco inferno "Phreeky" featuring Hercules & Love Affair's Nomi Ruiz on vocals (who appears on several tracks throughout the albums duration) and the cheeky "Chaka Khan" which is a bouncy after-hours jam for freaks and the deep low-slung groover "Next To Me". But that's just scraping the surface. The album is full of quality grooves from start to finish, inspired by one of the Big Apple's finest talents and we highly recommend it!
Paul Woolford has finally begun releasing music under his own name again, following years building up the hardcore and jungle flavoured Special Request project. "Heaven & Earth" follows a similar approach to his recent "Mother & Child" 12" on Hotflush, combining slick house rhythms with luscious, occasionally soaring orchestration. This time round, the bottom-end tech-house grooves are subtly darker and more intoxicating, while the string stabs and sweeps slowly build towards a spine-tingling breakdown, and notably wistful conclusion. The "symphonic house" flavour is stripped back a little on the epic flipside extension ("Part 2"), which offers three minutes of beat-less orchestration before introducing Woolford's elastic groove.
Since making his debut on the label in 2006, Joss Moog has been one of Robsoul Recordings most prolific artists. The Parisian specializes in the kind of fuss-free, club-ready tackle that blends elements of "French Touch" style disco-house, the "boompty" deep house funk of Derrick Carter, and more tech-tinged, bass-heavy excursions. These influences can be clearly heard on the four tracks that make up "Triple Loop", all of which could be regarded as proper dancefloor jackers. Highlights wise, we're particularly enjoying the jazzy organ riffs and chunky U.S deep house style of "Hey Mr DJ" and the Carter-esque heavy Chicago bump of "Triple Loop", though it's all pretty damn good.
Colin McBean is an unstoppable force at the moment isn't he! At the moment you say? Yeah too right; the guy never actually stopped his relentless pursuit of the perfect house and techno grooves since the '90s and this Conectionz EP is no exception. Starting things off in explosive fashion with the "You In Or You Out? (Sims Jacker edit)" with its relentless thud and crack of a 909 workout with funky bass and evil pads helped out by some generous reverb build ups; all you need really. The original version up next is more restrained deep house with that great vocal refrain repeating "live your life the way you wanna be free" the tracks aggression provided by those hissing rhythms. Finally "Bring It" is a soulful breakbeat number with soaring synth leads that is a great departure from McBean's normal style.
Renate Schallplatten returns with more surefire grooves that perfectly represent their legendary Berlin club. Russian expat in the German capital, Dimitri Veimar, presents the Lazy Trance EP. The title gives away much of its aesthetic. Starting out with the tripped out dark journey track "Rundio" which you could completely imagine yourself losing it to under a strobe light with its droning arpeggiations. There's more quality on the fittingly titled "Lauer Strobe Age remix" where the man from Frankfurt impresses as always. Elsewhere, the banging acid techno of "Lips" is reminiscent of a certain Josh Wink classic (this one's well crazy!) and digital exclusive "MM" is a sexy noir thriller with gloomy vintage machines getting that Comeme/Correspondant vibe happening nicely.
Dresden native Jacob Korn has clearly decided that quality is preferable to quantity. Since 2014, he's really cut back on the number of EPs he's put out, with this simply titled four-tracker being his first release of any description for 18 months. Predictably, he barely puts a foot wrong, moving from the chunky grooves, alien melodies, dusty musical touches and pulsing loops of "The Happening", to the low-slung, disco-flecked mid-tempo deep house bump of "Thru The Eye". Along the way, pay close attention to the choppy, post-Soundstream edit-house swing of "Holiday", and the soaring, near-symphonic disco-house heaviness of "Goodbye", which is arguably the EP's most bombastic moment.
The Back To The Future compilation series was launched by Moodmusic some years back, in order to explore the hard-to-reach recesses of its' ample back catalogue. This fifth installment continues the theme, gathering together 20 overlooked tracks from the archives. As you'd expect, there's plenty to get excited about. There's another chance to savour the sparkling, broken house brilliance of Aera's remix of Luomo's "Good Stuff", an airing for Nick Chacona's sparkling, piano-laden deep house/nu-disco fusion classic, "Jimabong Express", and a rare appearance for Lil Tony's chunky, energy-packed late night thruster, "Make Some Noise". Throw in further fine contributions from Sasse, Filippo Mostacello and Freestyle Man, and you have another essential selection.
It's been a decade in the business for this Hamburg institution that's spawned many a summer anthem or outright hit during its existence. To celebrate the occasion, Diynamic have launched a killer compilation featuring all the usual suspects that have played a crucial role in the development of the label thus far and they're here to assure you they're more keen than ever. Highlights on 10 Years Diynamic are not limited to: Hanseatic homeboys Kollektiv Turmstrasse with their rather mid '90s electronica sounding "Jupiter Sunrise", label mainstay Stimming with the bittersweet symphony of "Hope & Ramati", label head honcho HOSH with some adrenalised peak time tech house on "The Drumpet Show" and Norwegians Ost & Kjex with their new track "Heatwave".
One of Norman 'Fatboy Slim' Cook's many aliases in conjunction with Gareth Hansome, Mighty Dub Katz originally released "Let The Drums Speak" in 2002 on Southern Fried Records. It now gets some remix treatment by an all star cast with Mannheim tech house hero Butch stepping up to deliver a loopy and funked up rendition that will appeal to fans of DJ Sneak or Phil Weeks. The classic "Just Another Groove" from 1995 gets a makeover by Hamburg legend Boris Dlugosch but delivers more of an edit which doesn't deviate too far from the original, while Brit in L.A. Doorly's version is well funky tech house for party people.
Von Party is back on his Multi Culti imprint and, as always, this guy means business. But, unlike his previous techno releases for the likes of Turbo Recordings or Convex Industries, this time he's on a balearic tip. There's four mixes of "Cobra Rush" here, but it's the original mix by Von Party himself that gets our attention thanks to its slow-building waves of phased-out funk. The remixes aren't exactly without their merits either, though, with Rodion offering a warm, dubby house version. Peter Power reinterpreting the tune through a more tribalistic lens, and Sabo offers a more classic deep house sound to sooth the DJs.
Well isn't this a marvellous meeting: progressive house legend turned techno's dark lord Dubfire collaborating the pioneer of dark journey tracks (long before the Life & Death crew): the man from Bremen and Senso boss Oliver Huntemann. The dynamic duo team up for "Humano" where some ping pong delayed tom drums drenched in reverb create tunnelling trance induction atop of a slinky tech house groove; druggy dancefloor drama indeed! There's also some killer remixes on offer. Brazil's Victor Ruiz serves up his absolutely bangning peak time rendition while American producer Shaded's "Summer Skin Remix" certainly honours the trademark sound of both producers on this seething and slow burning dancefloor journey guaranteed to cause a headrush or two!
Roots For Bloom's consistently on-point SHAG Edits jams continue with typically steamy results. Ethyene takes the lead with a big swooning string sample and shuffling Buckethead style beats, LK brings up the rear slowly and smoulderingly with a delicious slo-mo cosmic chugger, Georgi Barrel's "Up The Hill" is another big sample groove with more than a whiff of Sneak's "Can't Hide From Your Bud" to it. Finally David Moran closes the show with the sexiest jam of the set; the boogie breaks badness of "Weak". Strong
The latest EP on Sol Selectas sees deep house sort Hraach join forces with fellow Ready Mix contributor Armen Miran, whose recent Lost Found EP was an altogether more Balearic excursion. Given the common ground between the duo, it's unsurprising to find that "Inevitable Ending" is a drowsy and atmospheric deep house affair, with twinkling, xylophone style instrumentation and Middle Eastern melodies riding a smooth house groove. On "Aldebarran", the pair ratchets up the atmosphere a notch or two, with Miran contributing the melancholic piano flourishes that perfectly compliment Hraach's chunky deep house groove. The EP closes with something of an epic; a 14-minute remix of "Inevitable Ending" from Viken Arman and Goldcap that offers a chugging, psychedelic taste of the exotic.
Over the last few years, Martin 'Atjazz' Iveson has been enthusiastically nurturing the career of Julian Gomes. Iveson produced an album alongside Gomes back in 2013, and is now releasing the South African's debut solo set on his label. Late Dreamer is noticeably heavy on collaborations, with a variety of producers and vocalists taking it in turns to add contributions sumptuous deep and soulful house grooves. Highlights come thick and fast, from the breezy deep house soul of Sarai Jazz hook-up "Wait For You", and the bass-heavy, tech-house pulse of "The System" (featuring Lazarusman), to the wonderfully dreamy and life-affirming closer "Love Song 28", featuring the soft-touch vocals of Bobby.
Jack's House Recordings launched by long serving island resident DJ and producer Clara Da Costa, is a new label born out of Ibiza, which also boasts a successful weekly prime time live radio show that focuses mainly on exclusives and vinyl releases, broadcasted on the award winning Ibiza Sonica. Jack's House also hosts parties at the worlds most famous club, Space for Carl Cox. This first release comes from the talented and well respected, Alex Arnout from Dogmatik Records. Alex has had numerous releases over the years on many other respected labels such as One Records and the Fuse imprint. He is also known for launching, nurturing and finding good talent. This 4 track EP fully demonstrates Alex's versatility in the studio by offering 4 distinctive quality productions which can only be described as true house, and underground house music, made with integrity.