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Items 1 to 50 of 50 on page 1 of 1
GM 017
25 Mar 13
EMEGO 166
15 Apr 13
Review:
Noted New York noisesmith Alan Licht has long been known as a man prepared to take the humble guitar into the outer realms, and so it is on this turn for Editions Mego. Running distorted squalls of six strings into a mess of electronic interference, this is no easy ride but there's a staggering amount of expression worked into the spluttering notes and ranging chords of Licht's Four Years dichotomy. Rarely resting in one sound for too long, this is far from the laborious patience-rewarding tropes of the noise scene and far more visceral, even as the cranky sonics give way to soothing harmonious passages. It may sound at times like an accidental racket, but anyone with a love of punk and hardcore will find this resonating with them like few other projects in the avant-garde world.
BLACKEST 014
02 May 13
Review:
Given the label's cultivation of previously unheralded talent such as Raime and Dalhous, a new name on Blackest Ever Black is always going to be an enticing prospect. Alexander Lewis seems keen to maintain a low profile, but A Luminous Veil is one of the most striking debuts in the field of industrial electronics we've heard in some time. Supposedly created using only synth, microphone and pedals, and apparently recorded in one take with minimal computer processing or post-production, it's a varied set from start to finish; opener "The Third Room" and "Figure Moving" both sound like synthesized power metal, while "Mirror Fragment" creates a foreboding drone landscape; "She Demands Attention" meanwhile places what sounds like a short wave radio monologue amidst squalling guitar feedback. With shades of the material coming from Dominick Fernow's Hospital Productions and the more extreme ends of Editions Mego, A Luminous Veil is essential listening.
KVITNU 28
30 Apr 13
HB 047
09 Apr 13
EMEGO 167
13 May 13
BASH 002
22 Apr 13
EMEGO 172
13 May 13
EMEGO 174
29 Apr 13
Review:
Daniel Menche has been on just about every credible experimental label around, from Jon Wonzencroft's Touch to Antifrost and coming back this time on his regular Editions Mego spot. His productions are complex and brimming with grit, having been an inspiration for countless contemporary artists, both within the field of noise and drone. but also house and techno. His latest amalgamation of sounds comes in a two piece format, each part consisting of almost twenty minutes of madness, starting with "Marriage Of Metals 1", where Menche goes straight in with a bang, propelling his usual blend of metallic power electronics and convoluted background atmospherics. "Marriage Of Metals 2" carries on from its predecessor, this time calming the storm but utilising the same wardrobe of acoustics and sonic accessories.
NOIZE 054
02 May 13
ALR 018
12 Apr 13
HDR 006
24 Apr 13
CSR 175CD
29 Apr 13
EMEGO 169
29 Apr 13
Review:
As his sonic identity gets ever more convoluted, Nick 'Ekoplekz' Edwards returns to Editions Mego with a new album of sonic studies that take his madcap dub antics into more friendly terrain where melodic tones can exist in his signal chain without being suppressed by malevolent noise. "Wrekskillz" is positively soothing as lush notes pulse out through delay units and the birds twitter above, and you feel a world away from the bleak decay of traditional Ekoplekz fare. "Wrekfree" does away with such niceties, but there's still a greater sense of restraint at work that continues across the rest of the release even as the morbid vibes return in abundance.
505548 6924932
17 May 13
ACT 294
16 Apr 13
43245
13 May 13
JEHU 005
25 Mar 13
CSR 179CD
29 Apr 13
AGO 056
01 May 13
DIG 017
23 May 13
CLANG 003
20 May 13
CLANG 002
25 Mar 13
STR 003
10 May 13
JEHU 006
25 Mar 13
CR 075
13 May 13
900879 8116362
17 Apr 13
EF 0046
23 May 13
EMEGO 142
13 May 13
2012-09
22 Apr 13
2013-02
30 Apr 13
2012-07
10 Apr 13
2012-08
16 Apr 13
TRACEDIG 017
22 Apr 13
Review:
Signals' stunning 2010 work, "Gauss" gets a long-awaited digital release, probably their best yet and a solid addition to London's Trace catalogue. All four pieces are gorgeous, wide-screen visions of sound, starting with "Ferrar", where the balance between storm and tranquility is consistently juxtaposed throughout its 22 minute loom. "Quonset" is shorter but nonetheless powerful, diluting Signals' energy into more minute sonic details, while "Vetrino" takes a considerably more aggressive tone thanks to its arpeggiating growl of synth swirls. Last but not least, "Austfonna" takes us on a thirteen minute journey through cavernous feedback loops and treacherous, FX-laden bundles of modular madness.
42877
06 May 13
MACROM 33
13 May 13
VAULT 001LP
24 Apr 13
Review:
Zero confirms what this writer had long thought about Subjected: he inhabits a world where darkness reigns. Indeed, the tone on Zero is predominantly bleak; from the white noise of "M" and the slowed down, scraping rhythm of "Vx800" to the hammering drums and slamming rhythm of "Tool 1", the wild analogue yelps of "SD 1" and the searing bass and stepping rhythm of "Vault 101", the album is not designed to chill out at home to. But that doesn't mean it is throwaway or disposable, and alone the epic chord builds and sheet metal percussion of "Concept 3" is more powerful than a warehouse full of drone albums.
PH 15D
15 Apr 13
PH 17D
08 Apr 13
PH 16D
08 Apr 13
DIG 015
21 May 13
ADX 136
23 Apr 13
NOIZE 053
08 Apr 13
FFS 003
07 Apr 13
FFS 002
06 Apr 13
8HZ 016
17 May 13
HOS 369
08 May 13
HOS 391
06 May 13
SOMA 014
29 Apr 13
Items 1 to 50 of 50 on page 1 of 1
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