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Lipsmacker EP
AUS 1028
03 Aug 10
Minimal/Tech House
BUY
Lipsmacker - (8:00) 128 BPM
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Mr Swishy - (7:37) 131 BPM
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Mr Swishy (Linkwood's Codeine remix) - (6:22) 122 BPM Biggest-selling track on this release
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Lipsmacker (Deadboy remix) - (5:05) 136 BPM
from $1.90
Snow In Spring Time
AUS 0923
28 Sep 09
Minimal/Tech House
BUY
Snow In Spring Time (original mix) - (5:33) 123 BPM
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Snow In Spring Time (Runaway remix) - (6:58) 125 BPM
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Cold Blooded - (7:34) 125 BPM Biggest-selling track on this release
from $1.90
All Night Long EP 2
AUS 0920
01 May 09
Minimal/Tech House
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Appleblim & Ramadanman - "Sous Le Sable" - (10:05) 126 BPM Biggest-selling track on this release
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Martyn - "For Lost Relatives" - (4:54) 127 BPM
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Pearson Sound - "Indelible" - (4:57) 126 BPM
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Martyn - "Electric Purring" (digital bonus) - (3:57) 137 BPM
from $1.90
Played by: Funk Sinatra
You Don't EP
AUS 1239
13 Aug 12
Deep House
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You (feat Ejeca) - (5:35) 132 BPM
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Don't (feat Omar Odyssey) - (6:07) 120 BPM Biggest-selling track on this release
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You (feat Ejeca - Steffi remix) - (7:25) 130 BPM
from $1.90
Review: 2012 continues to serve the burger loving Bicep duo of Andy Ferguson and Matthew McBriar supremely well, with this debut turn on Will Saul's talent spotting Aus imprint swift off the back of their well received Love Fever drop "$tripper". Intriguingly, Bicep demonstrate their talent for collaborations here, with fellow Tusk Wax cohort Ejeca contributing to the title track "You" which is a crafty and vaguely trancey shuffle through 90s warehouse vibes embellished with some 2-step sensibility. In addition, Omar Odyssey - recently revealed as the alias of Serge Santiago - flexes his studio sparring muscles away from regular partner Waze on rise and fall bounce of "Don't". Aus demonstrate their own knack for high profile remixes, enlisting Panorama Bar resident Steffi to remix the title track, with the results a typically blissful yet cluttered revision.
All Night Long EP 3
AUS 0921
01 Jun 09
Minimal/Tech House
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Brooks - "Iwanchu" - (6:23) 120 BPM
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Sian - "Siamese Cat" - (5:20) 117 BPM
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Lee Jones - "Aria" (Lawrence remix) - (7:27) Biggest-selling track on this release
from $1.90
Relapse
AUS 1242
10 Dec 12
Deep House
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Relapse - (7:35) 112 BPM
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Relapse (Cosmin TRG remix) - (5:39) 125 BPM
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I Remember - (9:15) 116 BPM Biggest-selling track on this release
from $1.90
Review: Self-proclaimed sub-aquatic acid house producer, Cottam, has found his production time being replaced with nappy changing of late, but has thankfully managed to record this new EP. It's a good thing too as "Relapse" is sumptuously deep, with haunting synthscapes and subtle percussion. The tune is also remixed by Cosmin who lets it fly as a psychedelic trance bird in the sky. Back to Cottam though, whose "I Remember", is a really cool and nasty houser with attitude. Good stuff!
Deep Deep Down EP
AUS 1135
05 Dec 11
Minimal/Tech House
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Deep Deep Down (original mix) - (9:07) 118 BPM Biggest-selling track on this release
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Deep Deep Down (Vakula remix) - (5:01) 118 BPM
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Twang - (7:45) 113 BPM
from $1.90
Review: A masterful debut on the Aus imprint for Preston's favourite son Cottam, with Deep Deep Down continuing the lineage of thick set mid tempo acid explorations last seen on his Use Of Weapons twelve inch. The title track builds effortlessly from the spacious grooves and alien chug of the opening moments into a sumptuous array of floating sax, twisting acid lines and forever floating pads. "Deep Deep Down" is a finely judged nine minutes of techno paced at slo mo house speed, and Aus have chosen wisely in the remix department. Step forward Vakula, whose remix is drastically shorter but filled to the brim with the kind of production eccentricities you'd expect from the Ukrainian, completely realigning the feel of the track despite retaining some core elements. Cottam completes this excellent EP with the quite aptly named "Twang", a seven minute boogie burner that should be viewed as an updated take on the self released twelves upon which he came to fame.
Count On Me
AUS 1350
02 Sep 13
Deep House
BUY
Count On Me (original mix) - (5:30) 124 BPM Biggest-selling track on this release
from $1.90
Review: Racking up 50 releases in just over seven years is no mean feat, and Will Saul's Aus Music celebrate the landmark in requisite fashion with a single transmission from Deetron. As a label Aus command a powerful reputation and it has got there by operating as a platform for emergent artists like Midland, Dusky and Joy O as well as an outlet for established names in SCB and Lee Jones. Deetron of course belongs in the latter category and "Count On Me" is a perfect example of his current oeuvre, inherently warm and soulfully intoxicating in sound and drive forth by crisp, techy upward momentum.
It Grows Again
AUS 1353
08 Nov 13
Deep House
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It Grows Again - (7:20) 120 BPM Biggest-selling track on this release
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It Grows Again (radio edit) - (3:20) 120 BPM
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Chasing Shadows - (5:42) 120 BPM
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Chasing Shadows (Formula version) - (7:01) 122 BPM
from $1.90
Played by: Glass Coffee
Careless
AUS 1351
28 Oct 13
Deep House
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Careless - (6:31) 120 BPM Biggest-selling track on this release
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Rise For Love - (6:41) 126 BPM
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Esperanto Juggler - (5:51) 120 BPM
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Words Later On - (6:55) 123 BPM
from $1.90
Silhouette EP
AUS 1134
22 Jul 11
Dirty Dubstep/Trap/Grime
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Silhouette (original mix) - (5:38) Biggest-selling track on this release
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Silhouette (John Roberts remix) - (5:27)
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Reset (original mix) - (8:16)
from $1.90
Review: Aus add the supreme talents of Londoner George FitzGerald to their already impressive roster of artists, and the Silhouette EP betrays further evidence of the young producer's gift for modern house centric sounds. Anyone who checked Fitzgerald's two impressive drops for Hotflush will be all over this release as the title track fully demonstrates his talent for merging elements of hypnotic house and swinging 2-step and flushing them with his trademark pitched vocals. Given the warm reception afforded to John Roberts album last year, the Dial man was a smart choice for remix duties but you couldn't imagine the results if you tried. Stripping the track of its warm melodic excesses Roberts transforms it into a stuttering, fractured mass of heaving industrial psychedelia which is without comparison. Finally, FitzGerald swerves proceedings back towards a sense of danceability with the epic, sweeping Detroit meets Hackney Wick rhythms of "Reset".
Child Remixes
AUS 1241
12 Nov 12
Deep House
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Child (Geeeman re-work) - (6:47) 123 BPM
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Lights Out (Gerry Read remix) - (5:38) 121 BPM
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Child (NY Stomp remix) - (6:15) 125 BPM Biggest-selling track on this release
from $1.90
Review: George Fitzgerald's all conquering "Child" gets the remix treatment on this essential single from the Aus stable. Obviously impressing Will Saul with this year's similarly thumping "Bang't", he has enlisted the services of Geeeman aka Gerd to rework the track. Taking only the vocal, he works his revivalist Chicago jack magic, with bone dry 909 rhythms, a rock solid bassline and expectedly tongue in cheek feel brought by some Green Velvet inspired synth freakery. Meanwhile, the NY Stomp remix walks the same path as the similar NY/Jersey house revivals of late, giving Bicep a run for their money in terms of muscular rhythmic flex and hands in the air chords.
Child EP
AUS 1240
18 Jun 12
Deep House
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Child - (6:36) 123 BPM Biggest-selling track on this release
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Lights Out - (7:08) 127 BPM
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Hindsight - (6:37) 128 BPM
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Unilateral - (6:04) 126 BPM
from $1.90
Review: While it's recently become fashionable for bass music producers to jump ship and start making house, you could never accuse George Fitzgerald of being that cynical. Throughout his career, he's always infused his house productions with more than a healthy dollop of bass flavour, be it the rumble of garage or the crackly atmospherics of dubstep. This four-track EP continues that theme, featuring tracks that fuse pitched-down juke and tropical rhythms with the glistening gorgeousness of British deep house (see "Lights Out" and "Hindsight"). The two strongest cuts, "Unilateral" and "Child", are pretty much straight-up garage. Inspired by classic US productions from the tail end of the '90s, they're among the most obviously anthemic things Fitzgerald has produced to date.
True South EP
AUS 1347
10 Jun 13
Deep House
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True South - (8:29) 120 BPM Biggest-selling track on this release
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L Plate - (4:58) 120 BPM
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L Plate (Tom De Mac remix) - (6:35) 122 BPM
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True South (South Soul Project remix) - (5:44) 126 BPM
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Whiles - (6:18) 120 BPM
from $1.90
Review: Having been active since the mid 2000s, Glimpse (aka producer Christopher Spero) is almost reaching "veteran" status. Here, he pops up on Aus with a bulging sack of late night delights. "True South" is typical of his wonky, darkroom productions - all robust, stripped-back grooves, foreboding Belgian techno bass and a smattering of deliriously wonky vocal samples. With its off-key horns and clandestine atmospherics, "L Plate" is, if anything, even wonkier, while the dubwise "Whiles" sounds like a knowing tribute to post-dubstep era Skull Disco with a cheeky wink towards contemporary deep house. Notable remixes from Tom De Mac and South Soul Project, the latter a body-popping trip into bass music territory, complete a fine EP.
Electronic Frank
AUSCD 02
08 Oct 08
Minimal/Tech House
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Beginn - (3:45) 120 BPM
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Theme For Frank - (5:18) 120 BPM
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Soon - (4:45) 121 BPM
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White Rabbit - (4:40) 124 BPM
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Fun Runner - (4:46) 126 BPM
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Honey & Ginger - (4:33) 124 BPM
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Kinder Country - (4:56) 120 BPM
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Roadwork - (6:56) 123 BPM
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Shoe Shine - (3:29) 122 BPM
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The Secret - (6:15) 123 BPM
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Every Click Matters - (4:55) 121 BPM Biggest-selling track on this release
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It Is, Isn't It - (6:10) 122 BPM
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Safari - (5:47) 123 BPM
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MDMazing - (4:58) 125 BPM
from $1.90
There Comes A Time
AUS 0604
05 Mar 07
Minimal/Tech House
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There Comes A Time (original mix) - (8:18) 122 BPM Biggest-selling track on this release
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There Comes A Time (Prins Thomas remix) - (12:13) 119 BPM
from $1.90
Soon EP
AUS 0814
29 Oct 08
Minimal/Tech House
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Soon (original mix) - (4:45) 121 BPM
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Soon (The Mole remix) - (8:29) 121 BPM Biggest-selling track on this release
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The Secret - (6:15) 123 BPM
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MDMazing - (4:58) 125 BPM
from $1.90
As You Like It
AUS 0812
28 May 08
Minimal/Tech House
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As You Like It (original mix) - (6:12) 124 BPM
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As You Like It (Recloose remix) - (5:42) 123 BPM Biggest-selling track on this release
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The Icetrain Cometh - (6:03) 123 BPM
from $1.90
Safari EP
AUS 0813
17 Sep 08
Minimal/Tech House
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Safari (original mix) - (5:47) 123 BPM
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Roadwork - (6:56) 123 BPM
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Safari (Stimming remix) - (8:03) 124 BPM Biggest-selling track on this release
from $1.90
The Moose Mingles EP
AUS 1136
02 Jan 12
Minimal/Tech House
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Moment (original mix) - (7:19) 124 BPM
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Moment (George FitzGerald remix) - (5:50) 123 BPM Biggest-selling track on this release
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Duvel (original mix) - (5:58) 124 BPM
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Duvel (Midland remix) - (6:19) 123 BPM
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Westworld (original mix) - (7:25) 125 BPM
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Splange (original mix) - (6:51) 123 BPM
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Uhrsome (original mix) - (6:38) 123 BPM
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Moment Alt Mix (original mix) - (8:00) 120 BPM
from $1.90
Review: Jones is one of the most adept purveyors of deep house and on Mingles he showcases his subtle, slinky approach. Both versions of "The Moment" are breathless, chord-heavy grooves with understated vocal samples and brittle rhythms, while "Duvel" features a darker, more eerie bassline underscoring a fractured vocal sample. Jones has also attracted top-level remixers, and George Fitzgerald's take on "Moment" is based on a plunging bass and a niggling shuffle, while Midland's version of "Duvel" beefs up the bass to Reese levels and doubles up the beats. There is also a reminder of Jones's involvement in My My and the detuned melodies and offbeat groove of "Westworld" will address the needs of anyone who misses the house music super-group.
Aria
AUS 0811
12 Mar 08
Minimal/Tech House
BUY
Aria (original mix) - (7:08) 123 BPM
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Aria (Tiger Stripes remix) - (7:00) 123 BPM Biggest-selling track on this release
from $1.90
Walk The Walk EP
AUS 1349
12 Aug 13
Deep House
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Walk The Walk - (7:38) 120 BPM Biggest-selling track on this release
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Poly Sum - (6:57) 125 BPM
from $1.90
Review: Bristolian Kieran Lomax already has a respectable discography as Komonazmuk, but recently adopted the shortened Komon banner in order to move towards a sound that embraces house and bass music. After a couple of collaborative releases alongside Arkist and Appleblim for Hype Ltd and Apple Pips respectively, Komon goes solo landing on the Aus label overseen by Will Saul for Walk The Walk. Already familiar to working with Saul, having contributed remixes for Sideshow and MyMy on Aus Music back in 2009, Lomax's two productions here find him in confident mood, with the title cut featuring the sort of sub bass you'd expect from a West Country boy, but applied deftly to a 4/4 mainframe.
Placement Remixes EP
AUS 1238
28 May 12
Bass
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Placement (Lone remix) - (7:06)
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What We Know (Motor City Drum Ensemble dub) - (6:02) Biggest-selling track on this release
from $1.90
Through Motion EP
AUS 1133
13 Jun 11
Minimal/Tech House
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Through Motion (original mix) - (6:45) 125 BPM Biggest-selling track on this release
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Shelter - (8:02) 126 BPM
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Through Motion (Tevo Howard remix) - (5:17) 125 BPM
from $1.90
Placement EP
AUS 1237
30 Apr 12
Minimal/Tech House
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Tape Burn - (5:02) 116 BPM Biggest-selling track on this release
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Placement - (7:04) 124 BPM
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What We Know - (6:26) 126 BPM
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Tail Ender - (4:37) 132 BPM
from $1.90
Review: Harry Agius continues to build his profile via releases that willfully blur the boundaries between deep house, tech-house and contemporary bass music. For the most part, Placement is fairly traditional in its outlook, offering musical blends that err on the side of caution. That's not to say there's not great material; far from it, in fact. "Placement" and "What We Know" boast both drive and swing, and come loaded with the kind of crackly acid lines and electronic riffs that recall Brown Album-era Orbital. The impressive "Tape Burn" goes deeper, offering hissing snares, barely audible pianos and stoned atmospheres, while "Tail Ender" delivers a quietly melodic take on ambidextrous bass music.
Trace EP
AUS 1344
18 Mar 13
Deep House
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Trace - (6:18) 125 BPM Biggest-selling track on this release
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For (Yacht) (Club Use Only) - (6:10) 125 BPM
from $1.90
Review: Harry 'Midland' Aguis has been responsible for some Aus gems, not least his 2010 debut with Ramadanman and this two track Trace maintains his Midas touch for the label. The title track contains trace elements (geddit?) of Midland's previous work as thickly delivered synth tones combine deftly with booming 4/4 kicks and the sort of nonsensical vocal hook that worms its way all too easily into your cerebral cortex. Still though our favourite however is "For (Yacht) Club Use Only", which is clearly inspired by the Delroy Edwards production of the very similar name.
Kazan
AUS 0706
04 Jun 07
Minimal/Tech House
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Kazan - (5:24) 124 BPM Biggest-selling track on this release
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Kazan (My My remix) - (8:00) 126 BPM
from $1.90
Space Katzle
AUS 0709
01 Nov 07
Minimal/Tech House
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Space Katzle (original mix) - (6:48) 124 BPM
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Space Katzle (Jerome Sydenham remix) - (8:10) 127 BPM Biggest-selling track on this release
from $1.90
Kazan (Exit Cube)
AUS 0706
04 Jul 07
Minimal/Tech House
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Kazan (Exit Cube) (original mix) - (7:08) 124 BPM Biggest-selling track on this release
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Kazan (Exit Cube) (My My remix) - (8:00) 126 BPM
from $1.90
Price Tag EP
AUS 0924
01 Nov 09
Minimal/Tech House
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Price Tag (original mix) - (6:26) 120 BPM Biggest-selling track on this release
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Lights Go Down - (6:13) 125 BPM
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Price Tag (Appleblim & Komonazmuk remix) - (7:55) 126 BPM
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Price Tag (Sideshow dub) - (7:59) 126 BPM
from $1.90
Played by: Sloppy Seconds
Butterflys & Zebras EP
AUS 0602
18 May 06
Minimal/Tech House
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Butterflys & Zebras - (7:05) 124 BPM
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Moneybowl - (5:29) 126 BPM
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Butterflys & Zebras (John Dahlback remix) - (5:46) 128 BPM Biggest-selling track on this release
from $1.90
All Night Long EP 1
AUS 0919
27 Apr 09
Minimal/Tech House
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MyMy - "Going Going Gone" - (6:38) 123 BPM
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Lee Jones - "Lab" - (5:22) 126 BPM
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Shur-I-Kan - "Tubular" - (5:02) 123 BPM Biggest-selling track on this release
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Will Saul & Tam Cooper - "Heartwave" - (6:49) 124 BPM
from $1.90
The Shrew Would Have Cushioned The Blow EP
AUS 1026
22 Mar 10
Dirty Dubstep/Trap/Grime
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The Shrew Would Have Cushioned The Blow - (5:47) Biggest-selling track on this release
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So Derobe - (6:10)
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The Shrew Would Have Cushioned The Blow (Actress Neu Haus So Glo mix) - (8:27)
from $1.90
Your Words Matter
AUS 1027
11 Jun 10
Minimal/Tech House
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Your Words Matter - (7:01) 126 BPM Biggest-selling track on this release
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More Than You Know - (7:50) 120 BPM
from $1.90
Hug The Scary
AUS 0707
06 Aug 07
Minimal/Tech House
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Hug The Scary - (8:21) 123 BPM Biggest-selling track on this release
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Hug The Scary (Partial Arts remake) - (9:45) 124 BPM
from $1.90
Sequence 1
AUS 1029
29 Oct 10
Minimal/Tech House
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Sequence 1 (original mix) - (6:15) 126 BPM Biggest-selling track on this release
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Small Moments (original mix) - (5:54) 125 BPM
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Sequence 1 (Scuba remix) - (6:49) 133 BPM
from $1.90
Played by: Paul Van Dyk
Light Sleeper
AUS 1243
07 Jan 13
Deep House
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Light Sleeper - (6:02) 118 BPM
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Light Sleeper (Michael Mayer remix) - (6:11) Biggest-selling track on this release
from $1.90
Played by: Jimpster, Michael Mayer
Review: This year sees Aus boss Will Saul unveil the Closer project, a conduit for his long promised second album that's set for release on K7! and features contributions from the likes of Paul 'Tikiman' St. Hillaire, Scuba, Appleblim, Ewan Pearson and October. For this Aus release however, Saul collaborates with October, aka TANSTAAFL boss Julian Smith for the first time on "Light Sleeper" which sees Saul on synths and Smith on drums and makes for a pitch perfect distillation of their partnership with the track bristling in a manner similar to an insomnia riddled STL. Kompakt boss Michael Mayer is on remix duty, deftly balancing Saul and Smith's original sonic aspirations with his own creative urges - the results incorporating several broken rhythmic movements without sacrificing the warmth of the original production.
Make It Work
AUS 1354
09 Dec 13
Minimal/Tech House
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Make It Work - (6:54) 126 BPM Biggest-selling track on this release
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Make It Work (Breach remix) - (9:16) 125 BPM
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I'll Take You There - (6:29) 124 BPM
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Hing - (6:09) 126 BPM
from $1.90
Played by: Paul Mac, A.C.K.
Review: Andy Graham isn't as prolific as some of his peers, but when he does release new material, it's always worth checking. The title track is based on a boxy arrangement, its densely moulded drums dubbed out but heavy, the metallic rhythms grinding with dark intent. Just as a lone bleep appears midway through so too does a moody vocal sample, lending the track some semblance of a human feeling. "I'll Take You There" is less foreboding but equally functional thanks to its angular rhythm, but the overall tone on this release is one of tightly controlled madness as the raw, banging groove and wild analogue squiggles of "Hing" demonstrate.
Tonight EP
AUS 0922
24 Aug 09
Minimal/Tech House
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Tonight - (7:05) 126 BPM
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Myriad - (6:58) 129 BPM
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Understand Me - (7:56) 125 BPM Biggest-selling track on this release
from $1.90
Red Cloud EP
AUS 0918
06 Apr 09
Minimal/Tech House
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World Within A World - (8:04) 125 BPM
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Red Cloud (original mix) - (7:02) 127 BPM
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Red Cloud (Minilogue remix) - (13:50) 127 BPM Biggest-selling track on this release
from $1.90
Wear Your Scars Like Medals
AUS 0810
19 Feb 08
Minimal/Tech House
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Wear Your Scars Like Medals (original mix) - (8:56) 124 BPM Biggest-selling track on this release
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Wear Your Scars Like Medals (Roland Appel version) - (7:38) 124 BPM
from $1.90
Vague Electricity EP
AUS 0815
01 Dec 08
Minimal/Tech House
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Vague Electricity - (8:47) 127 BPM
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Lemon Shark - (6:18) 129 BPM Biggest-selling track on this release
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Haunted Vixon - (6:58) 125 BPM
from $1.90
Apple Tree
AUS 0708
20 Sep 07
Minimal/Tech House
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Apple Tree (original mix) - (7:38) 125 BPM
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Apple Tree (Efdemin remix) - (9:42) 126 BPM Biggest-selling track on this release
from $1.90
Scary Biscuits EP
AUS 0601
18 May 06
Minimal/Tech House
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Polar Bear Dub - (4:59) 126 BPM
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Scary Biscuits - (5:21) 125 BPM
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You've Changed Dub - (5:09)
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Scary Biscuits (John Tejada remix) - (6:26) 125 BPM Biggest-selling track on this release
from $1.90
Admit One
AUSCD 03
09 Feb 09
Dub
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Television (feat Cortney Tidwell) - (4:58) 82 BPM Biggest-selling track on this release
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Sequential Dub - (5:36) 62 BPM
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If Alone (feat Paul St Hilaire - original version) - (5:20) 69 BPM
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African Cherry - (4:31) 62 BPM
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French Model In Dub (feat Samar) - (3:00) 65 BPM
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Bottletop Dub - (4:13) 107 BPM
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Youth Of Today - (4:47) 70 BPM
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Admit One - (4:35) 120 BPM
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These Things I See In My Vision - (4:39) 62 BPM
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Strung Outro - (4:26) 74 BPM
from $1.90
Philly Soundworks EP
AUS 0603
08 Dec 06
Minimal/Tech House
BUY
Philly Soundworks (original mix) - (6:14) 122 BPM
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Philly Soundworks (Jesse Rose remix) - (7:26) 126 BPM Biggest-selling track on this release
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Philly Soundworks (Lee Jones remix) - (8:35) 125 BPM
from $1.90
Fink Dubs
AUS 1030
05 Nov 10
Dub
BUY
Sort Of Dubolution (original) - (5:56) 73 BPM
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Dub It All (original) - (5:21) 77 BPM
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Q&A (Sideshow dub) - (5:07) 64 BPM
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Don't Look Down In Dub (original) - (5:48) 118 BPM Biggest-selling track on this release
from $1.90
Sideshow LP
AUSCD 01
26 Jul 07
Balearic/Downtempo
BUY
Music For You (original mix) - (5:23) 70 BPM
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Philly Soundworks (original mix) - (6:14) 61 BPM
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Breaker 19 (original mix) - (2:55) 84 BPM
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Polar Bear Dub (original mix) - (4:57) 126 BPM
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Scary Biscuits (original mix) - (5:19) 125 BPM
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You've Changed Dub (original mix) - (5:07) 75 BPM
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Slide (original mix) - (6:36) 62 BPM
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Mike Monday - "Bhalobashi" (Sideshow remix) - (5:05) 63 BPM
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Philly Soundworks (Lee Jones remix) - (8:35) 125 BPM Biggest-selling track on this release
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Slide (Mathew Jonson remix) - (10:20) 64 BPM
BUY
Scary Biscuits (John Tejada remix) - (6:26) 62 BPM
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Philly Soundworks (Jesse Rose remix) - (7:26) 63 BPM
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