Behringer At Juno Download

10 input 2 bus mixer with Xenyx preamps, British EQs & optional battery operation

Review: The Xenyx 1002B is built to the same exacting standards as Behringer's larger format Xenyx mixers and is housed in an equally rugged steel chassis. It is the ideal choice for keyboardists who need to mix down multiple instruments or sound modules for live or recording applications. Singers who perform with backing tracks, as well as instrumentalist/singers, will find the Xenyx 1002B indispensable for patching into house systems.

Its compact size and flexible input scheme also make it the natural choice of sports announcers for calling play-by-play game action. Likewise, radio and TV reporters especially like the Xenyx 1002B for its ease-of-use, remarkable fidelity and rugged reliability. And the 9V battery option allows newscasters and correspondents to use the 1002B in remote locations where power is hard to come by. 2 9V alkaline batteries are required for normal operation, 3 for phantom power

Premium 5 input 2 bus mixer with Xenyx mic preamp & British EQ

Review: Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply excellent Xenyx 502, the Behringer mixer with everything you need to give an intimate setting incredible sound. And with the new addition of +48 V phantom power, the possibilities are even greater.

The 5-input, 2-bus Xenyx 502 with Xenyx mic preamp can accommodate either a dynamic or condenser microphone. The two-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/ Tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Weighing in at 1.2 pounds, the Xenyx 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, coffee shops and songsmiths the world-round agree this mighty mite is a high-fidelity lifesaver.

600W amplifier for recording studios

Review: The A500 reference amplifier is the ideal choice for recording studios, post-production suites, or anyone seeking audiophile-grade performance without the audiophile-grade sticker shock.

Professional audio engineers around the world are impressed by the A500's performance and surprised by its affordability. Capable of delivering 2 x 300W into 4 Ohms or 600W into 8 Ohms bridged, the A500 has enough headroom to always keep you on the safe side. Advanced convection-type cooling technology ensures stable, noise-free operation, while its servo-controlled design can drive virtually any passive speaker.

A precise level meter and clip indicators are provided for accurate performance monitoring. Input connections are provided in the form of balanced XLR and 1/4" TRS connectors, as well as unbalanced RCA sockets, ensuring you have loads of input options. Plus, the speaker outputs give you the choice between professional touch-proof binding posts and 1/4" TS connectors.

To ensure years of trouble-free operation, Behringer use only Toshiba or Fairchild high-power transistors that are known for their rock-solid reliability. In addition, an independent thermal overload protection system, with LED indicators for each channel, automatically protects both your amplifier and your speakers. Last but not least, Behringer use tough, high-current toroidal transformers for absolute reliability and the lowest possible noise interference.

Audiophile-grade performance, ultra-reliable and undeniable affordability, the Behringer A500.

www.youtube.com/watch?v=RWj5CUl7rio

Universal 2 mode A/B footswitch for guitar amp or instrument output selection

Review: When you need to switch between amps or instruments during a live performance, let the Instrument/ Amp Selector AB100 be your personal light-speed stagehand.

This must-have stomp box features a primary input, a dedicated output and an additional output that can double as a second input. Just flip the Mode switch to determine whether you want to use two instruments through one amp or one instrument through two amps.

With its two dedicated Level dials, you can precisely determine the amount of volume you want to send to each amp, or the level of the signals from your two instruments. A top-quality on/off switch ensures noise-free, instantaneous operation, and dual LED indicators show which inputs or output are activated. You can power the AB100 pedal with either a 9V battery or the Behringer PSU-SB DC power supply (not included).

Gold-sputtered large-diaphragm studio condenser microphone

Review: The cardioid-diaphragm B-1 microphone is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission. The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-1 is built to be your go-to condenser mic for years to come. Its tough, nickel-plated brass body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its foam-padded, aluminum carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=7zY7kwJeGaU

Pair of high-resolution, active 2-way reference studio monitors with 8" Kevlar woofer

Review: The Behringer TRUTH B1031A high-resolution 2-way active reference studio monitors come with a long-throw 8" Kevlar woofers that deliver a very neutral sound with an extremely flat frequency response.

The Behringer Truth B1031A monitors feature servo-balanced XLR / 1/4" TRS jack and unbalanced RCA inputs. The B1031As include built-in Class A/B 100 and 50W amplifiers with enormous power plus separately controlled limiters for low and high frequency overload protection. Tight, deep bass is provided by a long-throw 8" Kevlar woofer, while a ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction.

The B1031A monitors also feature the advanced Behringer wave guide technology and low-distortion active crossover network with 4th order Linkwitz-Riley filters, producing an absolutely linear phase response with excellent sound dispersion and stereo imaging together with an extremely large sweet spot. The B1031As are adjustable to a wide range of acoustic conditions or subwoofer combinations and magnetic shielding allows placement near computer/video monitors.

Condenser microphone for recording vocals & acoustic instruments

Review: Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20Hz to 20 kHz with just a slight boost in the presence range. It has 2 selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.

The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-2 is built to be your go-to condenser mic for years to come. Its tough, nickel-plate brass body can withstand all the rigors of those late-night recording marathons. And with its aluminum foam-padded carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=EJuz9-bs1UU

Pair of 2-way active ribbon studio reference monitors with Kevlar woofer

Review: The Behringer TRUTH B3030A are the first set of studio monitors from Behringer to feature velocity ribbon tweeters, offering a completely transparent sound. The Behringer TRUTH B3030A feature 75W LF and 35W HF amps and a 6 3/4" LF woofer. The B3030A were designed by engineers to create the most accurate and honest monitors so you could hear and feel exactly what you've recorded.

For the past 2 years Behringer's acoustic engineers have worked hard on improving the TRUTH B2030A which have become industry standard. They insisted on using the best materials and technology such as ultra-high resolution, 2" velocity ribbon transducers, long-throw woofers with Kevlar cones and deformation-resistant aluminum die-cast chassis.

Behringer also integrated 110W bi-amped technology into the TRUTH B3030-A, so it could boast enormous power reserves when driven hard. To guarantee an ultra-linear frequency response, each monitor is hand-aligned and comes with an individual frequency diagram. But how do they sound? Just listen.

www.youtube.com/watch?v=ZUMxFvf7hMA

DJ controller with 4 channel USB audio interface

Review: The B-Control Deejay BCD3000 DJ mixer lets you play, mix and scratch any MP3, WAV or other audio format with a real vinyl feel. It's everything you ever wanted in a DJ production tool. It's gorgeous, you can put your hands on it and the software is just irresistible.

Packed with mind-blowing features such as mixer, dual-player, effects, mic/phono preamps and a full-fledged monitor section, this 4-channel USB audio interface perfectly complements the included Native Instruments Traktor 3 LE DJ software or most other DJ software, running on Windows XP/Vista and Mac OS X operating systems.

http://www.youtube.com/watch?v=fgHI-hrUKMU&feature=player_embedded&list=PL980B8EC327366FB3

Total recall USB MIDI controller desk with 8 motorized faders

Review: Behringer's B-Control Fader BCF2000 is a unique, total recall cascadable desktop MIDI controller with analog feel and an intuitive user interface.

The B-Control Series combines the unlimited versatility of today's audio software with the feel of real controls. It lets you move real faders and turn real knobs to control all the virtual gear in Cubase, Cakewalk, Logic Audio, Ableton and other major audio software. It's the intuitive way to control and create music with a real hands-on feel. Tired of using a mouse? Want to control your synth, mixer, effects or signal processor with real controls? Pick the B-Control that matches your 'virtual hardware' or cascade them together for the ultimate workstation.

The BCF2000 is an innovative, hands-on control surface with ultra-precise 100mm motorized faders for the ultimate control of virtual mixers, organ-drawbars, synths and samplers. You can make group moves that you can't make with a mouse, and the faders are motorized for automated control.

The BCF2000 is USB compatible, features full MIDI I/O/Thru capability and includes 8 endless rotary encoders, each with a 15-element LED indicator plus a push-to-set function, which lets you select, adjust, set and control a myriad of functions. Assign a dedicated knob, fader or key to your most frequently used functions and make edits without touching the mouse. Tweak 'front panel' settings by simply turning a knob or sliding a fader. It's like having the real knobs and faders for every control on the screen.

Best of all, discover just how awesome MIDI can be.The energyXT2.5 Compact Behringer Edition included. If you're ready to take your projects to an even higher level, XT Software's energyXT2.5 is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT2.5 includes built-in synthesizers, which can be accessed directly via an external controller or programmed by step-write mode. There's even a built-in drum machine and internal multi-FX processor.

Simply connect your B-Control to your computer via USB. Then assign and control MIDI/audio sequencers, software mixers or virtual synths/plug-ins with real knobs and faders, without using your mouse. You'll spend less time clicking around and more time enjoying your music.

www.youtube.com/watch?v=26glHaanAMQ

USB MIDI controller desk, 24 x encoders with LED rings, 16 + 4 illuminated freely assignable buttons

Review: The Behringer B-Control Rotary BCR2000 is a unique, total recall cascadable desktop MIDI controller with analog feel and an intuitive user interface.

The B-Control Series combines the unlimited versatility of today's audio software with the feel of real controls. It lets you move real faders and turn real knobs to control all the virtual gear in Cubaser, Cakewalk, Logicr Audio, Ableton and other major audio software. It's the intuitive way to control and create music with a real hands-on feel. The choice is yours: knobs (BCR2000) or faders (BCF2000). Tired of using a mouse? Want to control your synth, mixer, effects or signal processor with real controls? The B-Control matches your virtual hardware or cascades them together for the ultimate workstation.

The BCR2000 is an innovative, hands-on control surface with an additional 24 x endless rotary encoders for the ultimate control of virtual synths, samplers, effects and signal processors. Tired of using the mouse to turn knobs? How about more intuitively controlling your synth or MIDI expander? With the BCR2000 controller this is reality intuitive control with a real hands-on feel. The BCR2000 is USB compatible, features full MIDI In/Out/Thru capability and includes 8 endless rotary encoders, each with a 15-element LED indicator plus a push-to-set function which lets you select, adjust, set and control a myriad of functions. Assign a dedicated knob or key to your most frequently used functions and make edits without touching the mouse. Tweak front panel settings by simply turning a knob. It's like having the real knobs for every control on the screen.

Best of all, discover just how awesome MIDI can be.The energyXT2.5 Compact Behringer Edition is included: if you're ready to take your projects to an even higher level, XT Software's energyXT2.5 is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. The energyXT2.5 includes built-in synthesizers, which can be accessed directly via an external controller or programmed by step-write mode. There's even a built-in drum machine and internal multi-FX processor.

Simply connect your B-Control to your computer via USB. Then assign and control MIDI/audio sequencers, software synths or virtual plug-ins with real knobs, without using your mouse. You'll spend less time clicking around and more time enjoying your music.

Authentic tube sound overdrive pedal for bass guitar

Review: Get rich, tube-like distortion, smooth sustain and super-fat tone! Here's an overdrive pedal that supports the entire frequency range of bass guitars, even 5 & 6-stringers. The best part of all, the Bass Overdrive BOD400 was designed specifically for bass, so the bottom-end won't drop out when you pull the trigger.

Flanger effects pedal

Review: Is your bass sounding a little too normal? Inject it with a dose of the Ultra Bass Flanger BUF300 and watch as your once-tame low end melts into a bubbling tar pit.

The BUF300 allows you to add the swirling sound of flanging to your bass, without sacrificing bottom end and clarity. From mild to wild, the dedicated resonance, rate, depth and manual controls give you the flexibility to create your very own brand of low-end lunacy.

Designed to withstand the rigors of the road, the BUF300's build quality is second to none. A bright, blue status LED tells you when this stomp box is working its magic (although the circling alien spacecraft might be your first clue), and the first-class electronic on/off switch maintains incredible signal integrity in bypass mode. You can power the BUF300 with either a 9V battery or our PSU-SB DC power supply (not included).

Why should guitarists have all the effects-fried fun? Launch your bass into the outer limits with the Ultra Bass Flanger BUF300.

USB studio condenser microphone

Review: The Behringer C-1U USB Condenser Microphone is a digital home recording or podcasting enthusiast's dream come true. The C-1U has a built-in USB interface so you can be ready to record faster than ever, and with minimal preparation and equipment.

The C-1U has a built-in USB interface that derives the needed power directly from your computer's USB input and requires no special drivers. Just plug in and start recording your masterpiece!

Unlike most other USB microphones, you won't need to download any additional drivers to begin using the C-1U right out of the box, it even works with Vista. You also get an extensive software package with Audacity for recording, Kristal Audio Engine for editing and multitracking, Podifier uploading software and PodNova downloading software. Connect the mic to your PC or Mac. Load Audacity and save your recording onto your hard drive. Now load the included Kristal software and you can edit your recording or add tracks. Now you're ready to upload your work onto the Web via Podifier.

The C-1U has an exceptionally flat frequency response and pristine sonic resolution that ensures content-rich audio that is as natural sounding as the original source. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection.

The C-1U's ultra low-noise, transformerless FET input circuitry can handle extreme dynamics, all the way up to 136dB, with ruler-flat frequency response from 40Hz to 20 kHz. That means that even if the special guest on your next podcast happens to be a revved-up jet engine, this workhorse mic will not distort.

Dual diaphragm studio condenser microphone

Review: The C3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.

The C3 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. A swivel stand mount is also included so it can be affixed to your studio's mic stands.

Classic compressor/limiter effects pedal

Review: Compress, impress and kick ass.

Whether it's a million-dollar hook or a soul-wrenching solo, some licks are just begging for the compression power of the Behringer CL9. By pumping up quieter notes and bringing down the louder ones, this stomp box packages your sound into one smooth, consistent volume.

Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.

Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.

Twist the level to determine this pedal's overall output, adjust attack to give the front end of every strum and pluck added definition, then dial in the amount of sustain desired. The blue LED tells you when it's on, and the high-quality on/off switch maintains incredible signal integrity in bypass mode. You can power this sound compactor with either a 9 V battery or a DC power supply (not included).

Pad based MIDI module with effects and navigation control

Review: The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Easy. Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

Want to incorporate live beat making into your set? Or how about some nice, fat buttons to bang on for cue juggles? The DC-1 is your answer.

Inspired by a long line of great drum machines, the DC-1 has a layout that's instantly familiar. All 16 of the trigger pads are backlit, allowing them to give you information as well as sending data to your chosen software.

Directly above the trigger pads you'll find an array of 8 encoders and 8 buttons, which are ideal for controlling effects or changing application parameters. And at the top of the DC-1 is a complete navigation section, with 8 backlit buttons and a fat rotary encoder.

If you're into production and beat creation, the DC-1 is a very handy tool to have - but it's not a one-trick pony. For some things, only a nice big button with plenty of action and feedback will do. The DC-1 delivers, via its tough 1" square buttons with just the right amount of give. So whether you're drumming samples or cue points, your fingers will thank you.

Like all Behringer CMD controllers, this one can run in a pack. If you're deep into production in Live, put a MM-1 and a LC-1 next to the DC-1 for the ultimate beat creation station. Or use it in Traktor with a PL-1 to manage cue juggles with real buttons. It's a solid performer no matter how you use it.

http://www.youtube.com/watch?feature=player_embedded&v=Hdw4kZYjfZk

DVS based MIDI module with dual effects, deck focus and transport control

Review: The Behringer Command Series DJ Controller gives you what you've been looking for, a modular system of controllers that can be put together to suit your software needs. Each module is packed with professional features, from high quality faders to extensive MIDI feedback, plus those features are organized into logical groups. This gives you a clear idea of what each module is for and how it can be used, without needing to read a manual first. And all CMD controllers are class-compliant, meaning that no additional drivers are required - just connect and go.

The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Easy. Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

The DV-1 is designed to work alongside modern digital vinyl systems like Serato ScratchLive and Native Instrument's Traktor Scratch Pro 2. Because these systems rely on more traditional devices (like turntables or CD players) for much of their functionality, modern DVS DJs often miss out on many of the additional features these great programs offer.

Enter the DV-1, a controller designed to give you the freedom to use both digital vinyl and traditional gear, while giving you access to advanced software features such as looping, hotcues, effects, samples, and much more. As a single controller, the DV-1 can be used to access advanced features for up to four software decks. Or if you prefer discreet controls, multiple DV-1 modules can be used simultaneously.

But hey, what about those extra decks in DJ apps that typically don't get used because you didn't carry an extra pair of turntables to your gig? Put a PL-1 Platter module next to that DV-1 and you have the perfect fill in deck. This combination provides all of the DV-1 features you love, adds platter and pitch control, plus a whole lot more. And if you like, these two modules can easily control all four decks, with buttons and knobs left over.

The DV-1 is the ideal size to sit next to a mixer or turntable, and the rugged build quality and long life tactile switches mean you'll have this workhorse for a long, long time.

Trigger based MIDI module with 4 by 8 button grid and multicoloured LED feedback

Review: Behringer Command Series DJ Controllers give you what you've been looking for, a modular system of controllers that can be put together to suit your software needs. Each module is packed with professional features, from high quality faders to extensive MIDI feedback, plus those features are organized into logical groups. This gives you a clear idea of what each module is for and how it can be used, without needing to read a manual first. And all CMD controllers are class-compliant, meaning that no additional drivers are required - just connect and go.

The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

The Ableton Live is amazing and powerful software, adding new DJ converts on a daily basis. While the benefits of Live for DJ use are clear, compelling hardware control can be a challenge. As a DJ, do you move away from the workflow you've been using for years and feel comfortable with? Or do you map Live to a traditional controller, but miss out on the number of buttons needed to trigger clips effectively? The CMD LC-1 provides the best of both worlds.

The LC-1 is a clip-triggering machine. The clip section has 32 buttons that are backlit in multiple colors and respond to MIDI feedback. But Live isn't just about clips; it's also about effects. So there's an effects control section above the clip area, with 8 x encoders and 8 buttons. Below the clip area there are also buttons for channel mute, solo and record.

On its own, the LC-1 makes a great controller for clip management, as well as a great addition to any Serato ScratchLive user's Bridge-based setup. But when paired with the MM-1 Mixer module, this dynamic duo turns into a fantastic Live controller, combining the clip triggering and effect tweaking power of the LC-1 with the smooth mixing and scene navigating capabilities of the MM-1. Are you a producer in need of a beat creation station? Throw a DC-1 into the mix for 16 x pads of digital drum destruction.

And remember that at its heart, the LC-1 is an array of assignable buttons and knobs. So, why not use it to access cue points in Virtual DJ or Traktor? Or with a step sequencer? The LC-1 can handle all this and more with ease.

Compact 2 deck DJ MIDI controller

Review: You might think that when you buy a product like this, you will need to give up a tonne of functionality. Not so with the CMD Micro. The Micro has everything you need to DJ, only smaller. Behringer added the features others left out, because they understand that when you get this thing home, you might want to actually use it.

While Behringer are talking about missing features, let's talk about the biggest feature missing from competing products, iOS compatibility. If you're going to drag out a big laptop, why bother with an ultra compact controller? Of course, you can also use the CMD Micro as a controller with any computer as well, it's class-compliant and will work with Macs or PCs without needing to install drivers of any kind. It's truly plug and play.

Easy to carry, easy to use and easy to understandiand best of all, easy on your wallet. Now anyone can afford to get a feel for what DJing is all about.

You might think that when you buy a product like this, you will need to give up a ton of functionality. Not so with the CMD Micro The Micro has everything you need to DJ, only smaller. Behringer added the features others left out, because Behringer understand that when you get this thing home, you might want to actually use it.

http://www.youtube.com/watch?feature=player_embedded&v=OQI4R9Fy0PI