Behringer At Juno Download

10 input 2 bus mixer with Xenyx preamps, British EQs & optional battery operation

Review: The Xenyx 1002B is built to the same exacting standards as Behringer's larger format Xenyx mixers and is housed in an equally rugged steel chassis. It is the ideal choice for keyboardists who need to mix down multiple instruments or sound modules for live or recording applications. Singers who perform with backing tracks, as well as instrumentalist/singers, will find the Xenyx 1002B indispensable for patching into house systems.

Its compact size and flexible input scheme also make it the natural choice of sports announcers for calling play-by-play game action. Likewise, radio and TV reporters especially like the Xenyx 1002B for its ease-of-use, remarkable fidelity and rugged reliability. And the 9V battery option allows newscasters and correspondents to use the 1002B in remote locations where power is hard to come by. 2 9V alkaline batteries are required for normal operation, 3 for phantom power

Premium 5 input 2 bus mixer with Xenyx mic preamp & British EQ

Review: Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply excellent Xenyx 502, the Behringer mixer with everything you need to give an intimate setting incredible sound. And with the new addition of +48 V phantom power, the possibilities are even greater.

The 5-input, 2-bus Xenyx 502 with Xenyx mic preamp can accommodate either a dynamic or condenser microphone. The two-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/ Tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Weighing in at 1.2 pounds, the Xenyx 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, coffee shops and songsmiths the world-round agree this mighty mite is a high-fidelity lifesaver.

600W amplifier for recording studios

Review: The A500 reference amplifier is the ideal choice for recording studios, post-production suites, or anyone seeking audiophile-grade performance without the audiophile-grade sticker shock.

Professional audio engineers around the world are impressed by the A500's performance and surprised by its affordability. Capable of delivering 2 x 300W into 4 Ohms or 600W into 8 Ohms bridged, the A500 has enough headroom to always keep you on the safe side. Advanced convection-type cooling technology ensures stable, noise-free operation, while its servo-controlled design can drive virtually any passive speaker.

A precise level meter and clip indicators are provided for accurate performance monitoring. Input connections are provided in the form of balanced XLR and 1/4" TRS connectors, as well as unbalanced RCA sockets, ensuring you have loads of input options. Plus, the speaker outputs give you the choice between professional touch-proof binding posts and 1/4" TS connectors.

To ensure years of trouble-free operation, Behringer use only Toshiba or Fairchild high-power transistors that are known for their rock-solid reliability. In addition, an independent thermal overload protection system, with LED indicators for each channel, automatically protects both your amplifier and your speakers. Last but not least, Behringer use tough, high-current toroidal transformers for absolute reliability and the lowest possible noise interference.

Audiophile-grade performance, ultra-reliable and undeniable affordability, the Behringer A500.

www.youtube.com/watch?v=RWj5CUl7rio

B-STOCK: Box opened, there are a few light surface scratches in places but otherwise product is in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened, there are a few light surface scratches in places but otherwise product is in excellent condition and in perfect working order ***

The A500 reference amplifier is the ideal choice for recording studios, post-production suites, or anyone seeking audiophile-grade performance without the audiophile-grade sticker shock.

Professional audio engineers around the world are impressed by the A500's performance and surprised by its affordability. Capable of delivering 2 300W into 4 Ohms or 600W into 8 Ohms bridged, the A500 has enough headroom to always keep you on the safe side. Advanced convection-type cooling technology ensures stable, noise-free operation, while its servo-controlled design can drive virtually any passive speaker.

A precise level meter and clip indicators are provided for accurate performance monitoring. Input connections are provided in the form of balanced XLR and 1/4" TRS connectors, as well as unbalanced RCA sockets, ensuring you have loads of input options. Plus, the speaker outputs give you the choice between professional touch-proof binding posts and 1/4" TS connectors.

To ensure years of trouble-free operation, Behringer use only Toshiba or Fairchild high-power transistors that are known for their rock-solid reliability. In addition, an independent thermal overload protection system, with LED indicators for each channel, automatically protects both your amplifier and your speakers. Last but not least, Behringer use tough, high-current toroidal transformers for absolute reliability and the lowest possible noise interference.

Audiophile-grade performance, ultra-reliable and undeniable affordability, the Behringer A500.

www.youtube.com/watch?v=RWj5CUl7rio

Universal 2 mode A/B footswitch for guitar amp or instrument output selection

Review: When you need to switch between amps or instruments during a live performance, let the Instrument/ Amp Selector AB100 be your personal light-speed stagehand.

This must-have stomp box features a primary input, a dedicated output and an additional output that can double as a second input. Just flip the Mode switch to determine whether you want to use two instruments through one amp or one instrument through two amps.

With its two dedicated Level dials, you can precisely determine the amount of volume you want to send to each amp, or the level of the signals from your two instruments. A top-quality on/off switch ensures noise-free, instantaneous operation, and dual LED indicators show which inputs or output are activated. You can power the AB100 pedal with either a 9V battery or the Behringer PSU-SB DC power supply (not included).

Gold-sputtered large-diaphragm studio condenser microphone

Review: The cardioid-diaphragm B-1 microphone is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission. The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-1 is built to be your go-to condenser mic for years to come. Its tough, nickel-plated brass body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its foam-padded, aluminum carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=7zY7kwJeGaU

Pair of high-resolution, active 2-way reference studio monitors with 8" Kevlar woofer

Review: The Behringer TRUTH B1031A high-resolution 2-way active reference studio monitors come with a long-throw 8" Kevlar woofers that deliver a very neutral sound with an extremely flat frequency response.

The Behringer Truth B1031A monitors feature servo-balanced XLR / 1/4" TRS jack and unbalanced RCA inputs. The B1031As include built-in Class A/B 100 and 50W amplifiers with enormous power plus separately controlled limiters for low and high frequency overload protection. Tight, deep bass is provided by a long-throw 8" Kevlar woofer, while a ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction.

The B1031A monitors also feature the advanced Behringer wave guide technology and low-distortion active crossover network with 4th order Linkwitz-Riley filters, producing an absolutely linear phase response with excellent sound dispersion and stereo imaging together with an extremely large sweet spot. The B1031As are adjustable to a wide range of acoustic conditions or subwoofer combinations and magnetic shielding allows placement near computer/video monitors.

Condenser microphone for recording vocals & acoustic instruments

Review: Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20Hz to 20 kHz with just a slight boost in the presence range. It has 2 selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.

The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-2 is built to be your go-to condenser mic for years to come. Its tough, nickel-plate brass body can withstand all the rigors of those late-night recording marathons. And with its aluminum foam-padded carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=EJuz9-bs1UU

Pair of 2-way active ribbon studio reference monitors with Kevlar woofer

Review: The Behringer TRUTH B3030A are the first set of studio monitors from Behringer to feature velocity ribbon tweeters, offering a completely transparent sound. The Behringer TRUTH B3030A feature 75W LF and 35W HF amps and a 6 3/4" LF woofer. The B3030A were designed by engineers to create the most accurate and honest monitors so you could hear and feel exactly what you've recorded.

For the past 2 years Behringer's acoustic engineers have worked hard on improving the TRUTH B2030A which have become industry standard. They insisted on using the best materials and technology such as ultra-high resolution, 2" velocity ribbon transducers, long-throw woofers with Kevlar cones and deformation-resistant aluminum die-cast chassis.

Behringer also integrated 110W bi-amped technology into the TRUTH B3030-A, so it could boast enormous power reserves when driven hard. To guarantee an ultra-linear frequency response, each monitor is hand-aligned and comes with an individual frequency diagram. But how do they sound? Just listen.

www.youtube.com/watch?v=ZUMxFvf7hMA

DJ controller with 4 channel USB audio interface

Review: The B-Control Deejay BCD3000 DJ mixer lets you play, mix and scratch any MP3, WAV or other audio format with a real vinyl feel. It's everything you ever wanted in a DJ production tool. It's gorgeous, you can put your hands on it and the software is just irresistible.

Packed with mind-blowing features such as mixer, dual-player, effects, mic/phono preamps and a full-fledged monitor section, this 4-channel USB audio interface perfectly complements the included Native Instruments Traktor 3 LE DJ software or most other DJ software, running on Windows XP/Vista and Mac OS X operating systems.

http://www.youtube.com/watch?v=fgHI-hrUKMU&feature=player_embedded&list=PL980B8EC327366FB3

Total recall USB MIDI controller desk with 8 motorized faders

Review: Behringer's B-Control Fader BCF2000 is a unique, total recall cascadable desktop MIDI controller with analog feel and an intuitive user interface.

The B-Control Series combines the unlimited versatility of today's audio software with the feel of real controls. It lets you move real faders and turn real knobs to control all the virtual gear in Cubase, Cakewalk, Logic Audio, Ableton and other major audio software. It's the intuitive way to control and create music with a real hands-on feel. Tired of using a mouse? Want to control your synth, mixer, effects or signal processor with real controls? Pick the B-Control that matches your 'virtual hardware' or cascade them together for the ultimate workstation.

The BCF2000 is an innovative, hands-on control surface with ultra-precise 100mm motorized faders for the ultimate control of virtual mixers, organ-drawbars, synths and samplers. You can make group moves that you can't make with a mouse, and the faders are motorized for automated control.

The BCF2000 is USB compatible, features full MIDI I/O/Thru capability and includes 8 endless rotary encoders, each with a 15-element LED indicator plus a push-to-set function, which lets you select, adjust, set and control a myriad of functions. Assign a dedicated knob, fader or key to your most frequently used functions and make edits without touching the mouse. Tweak 'front panel' settings by simply turning a knob or sliding a fader. It's like having the real knobs and faders for every control on the screen.

Best of all, discover just how awesome MIDI can be.The energyXT2.5 Compact Behringer Edition included. If you're ready to take your projects to an even higher level, XT Software's energyXT2.5 is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT2.5 includes built-in synthesizers, which can be accessed directly via an external controller or programmed by step-write mode. There's even a built-in drum machine and internal multi-FX processor.

Simply connect your B-Control to your computer via USB. Then assign and control MIDI/audio sequencers, software mixers or virtual synths/plug-ins with real knobs and faders, without using your mouse. You'll spend less time clicking around and more time enjoying your music.

www.youtube.com/watch?v=26glHaanAMQ

USB MIDI controller desk, 24 x encoders with LED rings, 16 + 4 illuminated freely assignable buttons

Review: The Behringer B-Control Rotary BCR2000 is a unique, total recall cascadable desktop MIDI controller with analog feel and an intuitive user interface.

The B-Control Series combines the unlimited versatility of today's audio software with the feel of real controls. It lets you move real faders and turn real knobs to control all the virtual gear in Cubaser, Cakewalk, Logicr Audio, Ableton and other major audio software. It's the intuitive way to control and create music with a real hands-on feel. The choice is yours: knobs (BCR2000) or faders (BCF2000). Tired of using a mouse? Want to control your synth, mixer, effects or signal processor with real controls? The B-Control matches your virtual hardware or cascades them together for the ultimate workstation.

The BCR2000 is an innovative, hands-on control surface with an additional 24 x endless rotary encoders for the ultimate control of virtual synths, samplers, effects and signal processors. Tired of using the mouse to turn knobs? How about more intuitively controlling your synth or MIDI expander? With the BCR2000 controller this is reality intuitive control with a real hands-on feel. The BCR2000 is USB compatible, features full MIDI In/Out/Thru capability and includes 8 endless rotary encoders, each with a 15-element LED indicator plus a push-to-set function which lets you select, adjust, set and control a myriad of functions. Assign a dedicated knob or key to your most frequently used functions and make edits without touching the mouse. Tweak front panel settings by simply turning a knob. It's like having the real knobs for every control on the screen.

Best of all, discover just how awesome MIDI can be.The energyXT2.5 Compact Behringer Edition is included: if you're ready to take your projects to an even higher level, XT Software's energyXT2.5 is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. The energyXT2.5 includes built-in synthesizers, which can be accessed directly via an external controller or programmed by step-write mode. There's even a built-in drum machine and internal multi-FX processor.

Simply connect your B-Control to your computer via USB. Then assign and control MIDI/audio sequencers, software synths or virtual plug-ins with real knobs, without using your mouse. You'll spend less time clicking around and more time enjoying your music.

Authentic tube sound overdrive pedal for bass guitar

Review: Get rich, tube-like distortion, smooth sustain and super-fat tone! Here's an overdrive pedal that supports the entire frequency range of bass guitars, even 5 & 6-stringers. The best part of all, the Bass Overdrive BOD400 was designed specifically for bass, so the bottom-end won't drop out when you pull the trigger.

Flanger effects pedal

Review: Is your bass sounding a little too normal? Inject it with a dose of the Ultra Bass Flanger BUF300 and watch as your once-tame low end melts into a bubbling tar pit.

The BUF300 allows you to add the swirling sound of flanging to your bass, without sacrificing bottom end and clarity. From mild to wild, the dedicated resonance, rate, depth and manual controls give you the flexibility to create your very own brand of low-end lunacy.

Designed to withstand the rigors of the road, the BUF300's build quality is second to none. A bright, blue status LED tells you when this stomp box is working its magic (although the circling alien spacecraft might be your first clue), and the first-class electronic on/off switch maintains incredible signal integrity in bypass mode. You can power the BUF300 with either a 9V battery or our PSU-SB DC power supply (not included).

Why should guitarists have all the effects-fried fun? Launch your bass into the outer limits with the Ultra Bass Flanger BUF300.

USB studio condenser microphone

Review: The Behringer C-1U USB Condenser Microphone is a digital home recording or podcasting enthusiast's dream come true. The C-1U has a built-in USB interface so you can be ready to record faster than ever, and with minimal preparation and equipment.

The C-1U has a built-in USB interface that derives the needed power directly from your computer's USB input and requires no special drivers. Just plug in and start recording your masterpiece!

Unlike most other USB microphones, you won't need to download any additional drivers to begin using the C-1U right out of the box, it even works with Vista. You also get an extensive software package with Audacity for recording, Kristal Audio Engine for editing and multitracking, Podifier uploading software and PodNova downloading software. Connect the mic to your PC or Mac. Load Audacity and save your recording onto your hard drive. Now load the included Kristal software and you can edit your recording or add tracks. Now you're ready to upload your work onto the Web via Podifier.

The C-1U has an exceptionally flat frequency response and pristine sonic resolution that ensures content-rich audio that is as natural sounding as the original source. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection.

The C-1U's ultra low-noise, transformerless FET input circuitry can handle extreme dynamics, all the way up to 136dB, with ruler-flat frequency response from 40Hz to 20 kHz. That means that even if the special guest on your next podcast happens to be a revved-up jet engine, this workhorse mic will not distort.

Dual diaphragm studio condenser microphone

Review: The C3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.

The C3 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. A swivel stand mount is also included so it can be affixed to your studio's mic stands.

Classic compressor/limiter effects pedal

Review: Compress, impress and kick ass.

Whether it's a million-dollar hook or a soul-wrenching solo, some licks are just begging for the compression power of the Behringer CL9. By pumping up quieter notes and bringing down the louder ones, this stomp box packages your sound into one smooth, consistent volume.

Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.

Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.

Twist the level to determine this pedal's overall output, adjust attack to give the front end of every strum and pluck added definition, then dial in the amount of sustain desired. The blue LED tells you when it's on, and the high-quality on/off switch maintains incredible signal integrity in bypass mode. You can power this sound compactor with either a 9 V battery or a DC power supply (not included).

Pad based MIDI module with effects and navigation control

Review: The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Easy. Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

Want to incorporate live beat making into your set? Or how about some nice, fat buttons to bang on for cue juggles? The DC-1 is your answer.

Inspired by a long line of great drum machines, the DC-1 has a layout that's instantly familiar. All 16 of the trigger pads are backlit, allowing them to give you information as well as sending data to your chosen software.

Directly above the trigger pads you'll find an array of 8 encoders and 8 buttons, which are ideal for controlling effects or changing application parameters. And at the top of the DC-1 is a complete navigation section, with 8 backlit buttons and a fat rotary encoder.

If you're into production and beat creation, the DC-1 is a very handy tool to have - but it's not a one-trick pony. For some things, only a nice big button with plenty of action and feedback will do. The DC-1 delivers, via its tough 1" square buttons with just the right amount of give. So whether you're drumming samples or cue points, your fingers will thank you.

Like all Behringer CMD controllers, this one can run in a pack. If you're deep into production in Live, put a MM-1 and a LC-1 next to the DC-1 for the ultimate beat creation station. Or use it in Traktor with a PL-1 to manage cue juggles with real buttons. It's a solid performer no matter how you use it.

http://www.youtube.com/watch?feature=player_embedded&v=Hdw4kZYjfZk

DVS based MIDI module with dual effects, deck focus and transport control

Review: The Behringer Command Series DJ Controller gives you what you've been looking for, a modular system of controllers that can be put together to suit your software needs. Each module is packed with professional features, from high quality faders to extensive MIDI feedback, plus those features are organized into logical groups. This gives you a clear idea of what each module is for and how it can be used, without needing to read a manual first. And all CMD controllers are class-compliant, meaning that no additional drivers are required - just connect and go.

The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Easy. Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

The DV-1 is designed to work alongside modern digital vinyl systems like Serato ScratchLive and Native Instrument's Traktor Scratch Pro 2. Because these systems rely on more traditional devices (like turntables or CD players) for much of their functionality, modern DVS DJs often miss out on many of the additional features these great programs offer.

Enter the DV-1, a controller designed to give you the freedom to use both digital vinyl and traditional gear, while giving you access to advanced software features such as looping, hotcues, effects, samples, and much more. As a single controller, the DV-1 can be used to access advanced features for up to four software decks. Or if you prefer discreet controls, multiple DV-1 modules can be used simultaneously.

But hey, what about those extra decks in DJ apps that typically don't get used because you didn't carry an extra pair of turntables to your gig? Put a PL-1 Platter module next to that DV-1 and you have the perfect fill in deck. This combination provides all of the DV-1 features you love, adds platter and pitch control, plus a whole lot more. And if you like, these two modules can easily control all four decks, with buttons and knobs left over.

The DV-1 is the ideal size to sit next to a mixer or turntable, and the rugged build quality and long life tactile switches mean you'll have this workhorse for a long, long time.

Trigger based MIDI module with 4 by 8 button grid and multicoloured LED feedback

Review: Behringer Command Series DJ Controllers give you what you've been looking for, a modular system of controllers that can be put together to suit your software needs. Each module is packed with professional features, from high quality faders to extensive MIDI feedback, plus those features are organized into logical groups. This gives you a clear idea of what each module is for and how it can be used, without needing to read a manual first. And all CMD controllers are class-compliant, meaning that no additional drivers are required - just connect and go.

The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

The Ableton Live is amazing and powerful software, adding new DJ converts on a daily basis. While the benefits of Live for DJ use are clear, compelling hardware control can be a challenge. As a DJ, do you move away from the workflow you've been using for years and feel comfortable with? Or do you map Live to a traditional controller, but miss out on the number of buttons needed to trigger clips effectively? The CMD LC-1 provides the best of both worlds.

The LC-1 is a clip-triggering machine. The clip section has 32 buttons that are backlit in multiple colors and respond to MIDI feedback. But Live isn't just about clips; it's also about effects. So there's an effects control section above the clip area, with 8 x encoders and 8 buttons. Below the clip area there are also buttons for channel mute, solo and record.

On its own, the LC-1 makes a great controller for clip management, as well as a great addition to any Serato ScratchLive user's Bridge-based setup. But when paired with the MM-1 Mixer module, this dynamic duo turns into a fantastic Live controller, combining the clip triggering and effect tweaking power of the LC-1 with the smooth mixing and scene navigating capabilities of the MM-1. Are you a producer in need of a beat creation station? Throw a DC-1 into the mix for 16 x pads of digital drum destruction.

And remember that at its heart, the LC-1 is an array of assignable buttons and knobs. So, why not use it to access cue points in Virtual DJ or Traktor? Or with a step sequencer? The LC-1 can handle all this and more with ease.

Compact 2 deck DJ MIDI controller

Review: You might think that when you buy a product like this, you will need to give up a tonne of functionality. Not so with the CMD Micro. The Micro has everything you need to DJ, only smaller. Behringer added the features others left out, because they understand that when you get this thing home, you might want to actually use it.

While Behringer are talking about missing features, let's talk about the biggest feature missing from competing products, iOS compatibility. If you're going to drag out a big laptop, why bother with an ultra compact controller? Of course, you can also use the CMD Micro as a controller with any computer as well, it's class-compliant and will work with Macs or PCs without needing to install drivers of any kind. It's truly plug and play.

Easy to carry, easy to use and easy to understandiand best of all, easy on your wallet. Now anyone can afford to get a feel for what DJing is all about.

You might think that when you buy a product like this, you will need to give up a ton of functionality. Not so with the CMD Micro The Micro has everything you need to DJ, only smaller. Behringer added the features others left out, because Behringer understand that when you get this thing home, you might want to actually use it.

http://www.youtube.com/watch?feature=player_embedded&v=OQI4R9Fy0PI

4 channel mixer based MIDI module with built in 4 port powered USB hub

Review: Behringer Command Series DJ Controllers give you what you've been looking for, a modular system of controllers that can be put together to suit your software needs. Each module is packed with professional features, from high quality faders to extensive MIDI feedback, plus those features are organized into logical groups. This gives you a clear idea of what each module is for and how it can be used, without needing to read a manual first. And all CMD controllers are class compliant, meaning that no additional drivers are required, just connect and go.

The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DV-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

This is where it starts if you want to create a multi-module controller. The MM-1 emulates the experience of a 4-channel DJ mixer, with high quality professional faders, output metering, channel cue selection, 4-band EQs, and master/cue control. These features are laid out just as they would be on a traditional DJ mixer, so you instantly feel comfortable.

But since the MM-1 is also a powerful MIDI controller, we kicked it up a notch and included support for scrolling through your song library (or scenes in Ableton Live) and navigating your file system. Since all buttons and encoder rings respond to MIDI feedback, you'll always know at a glance when something changes in your software.

So, it's a great mixer-controller, but what makes it a good backbone for a multi-module MIDI controller? The lack of available USB ports is a common problem for many DJs, so we incorporated a powered 4-port Multi-TT hub into the MM-1. It's USB 2.0 compatible, so feel free to use it not only for other MIDI controllers, but also for hard drives, audio interfaces, or even gooseneck lamps. And since it's a Multi-TT USB hub, you get full speed from each port. You never have to worry about finding the right powered USB hub for your DJ or production work.

Whether you're using it in standalone mode or as the center of a custom CMD setup, the MM-1 provides high quality, flexible MIDI control at a price that makes it an easy addition to your current setup.

Deck based MIDI module with 4" touch-sensitive platter, deck switching and effects control

Review: The Behringer Command Series DJ Controller gives you what you've been looking for, a modular system of controllers that can be put together to suit your software needs. Each module is packed with professional features, from high quality faders to extensive MIDI feedback, plus those features are organized into logical groups. This gives you a clear idea of what each module is for and how it can be used, without needing to read a manual first. And all CMD controllers are class-compliant, meaning that no additional drivers are required, just connect and go.

The CMD modules work well as standalone controllers for a wide range of DJ and production software. Whether you're a DJ, producer, recording engineer, or hobbyist, CMD controllers make getting a hand on your software easy and affordable. They're big enough to be taken seriously, but small enough to fit easily into a backpack or messenger bag. And because they're modular, there's always room to grow if you decide you want or need even more control over your software.

This is where the real power of the CMD controllers becomes clear. As a Serato ScratchLive user, you might only be interested in the DVS-1. But what if you want to use Bridge to incorporate Ableton Live into your setup? Easy. Just add an LC-1 next to your DV-1 and you're all set. Or what if you want to use a traditional DJ mixer, but still want MIDI control for Traktor's decks and effects? No problem, use a PL-1 and DV-1 together. Want to use Ableton Live exclusively? Get an MM-1 and LC-1 and you have control over 4 channels in Live. The possibilities are endless.

Small enough to fit in a tight DJ booth, but big enough to deliver the performance you need, the PL-1 is a robust platter controllerino matter what DJ software you use.

With its 4" touch-sensitive wheel, the PL-1 knows when you're touching it and where. Touch on the top, and the music stops just as if you were touching a record. Nudge the side of the platter and you'll get momentary changes in playback speed. It performs exactly as you've come to expect from years of turntable and CD deck use.

However, unlike most other deck controllers, this little dynamo comes with a silky-smooth, high-resolution fader for precise pitch adjustments. If you use sync in your software and the deck pitch changes, there's a column of LEDs next to the pitch fader that lets you know what the pitch on the virtual deck has changed to, so you always know what's going on without looking at your screen.

Only have room for one controller in your booth? Not a problem. The PL-1 supports deck switching for controlling up to four decks, so a single module is the perfect backup deck or add-on when using software that allows for more than two virtual decks.

But just one controller? That's no fun. Remember the old mantra go big or go home? So why not pair up 4 PL-1 controllers with an MM-1 mixer module and enjoy the ultimate four deck experience, 4 channels, 4 platters. No confusion. And still easily portable.

http://www.youtube.com/watch?feature=player_embedded&v=OUhGoQ8oJh8

4 deck DJ MIDI controller with 4 channel audio interface

Review: The CMD Studio 4A provides all the tools needed to learn the basics of DJing, or to work the dance floor into a virtual frenzy. This is no crippled budget controller; the Studio 4A has the very same features you'll find on the bigger, more expensive controllers. And the Studio 4A not only includes those features, it actually improves on them.

Find yourself disappointed when you get in front of a DJ controller and see those tiny little faders? Tiny pitch faders just feel wrong, so Behringer broke out 100mm faders for the Studio 4A's pitch controls. 60mm channel faders translate into smoother mixes, so we added those as well. Those sizes are an industry standard for a reason, right?

Another area where most controllers fall short is platter size. The trend is smaller and smaller platters, in an effort to knock the overall size of the controller down. We say bigger is better, so the Studio 4A packs 6" touch sensitive platters that work the way you've come to expect coming from industry standard equipment. After the faders, the platter is your main contact point on a controller - shrinking that down to a tiny little rubber disc just isn't satisfying.

So you buy a controller and get it home, only to find out that you have to go right back out and buy a soundcard? Behringer built a 4-out USB sound card into the Studio 4A, so you're ready to go right-out-of-the-box. This high-quality audio interface has 24-bit converters and provides ultra-low latency operation in either Windows or OS X.

No one wants to look up at the DJ and see him looking at his computer screen like he's updating his Facebook page. And as a DJ, you don't want to be forced to constantly look at the computer instead of reading your crowd. The CMD Studio 4A addresses this by incorporating plenty of MIDI feedback. That means that if a button is lit in your software, it's also lit up on the Studio 4A.

It's easy to get the big stuff right, but it's the little things that usually slip through the cracks. Modern DJ software typically has between 5 and 8 hotcues, yet many controllers in the market only have 3. The Studio 4A has 8 x hotcue buttons. Most DJ software is capable of running 4 or more virtual decks, so the Studio 4A can control up to 4 virtual decks. The same goes for other features, like library navigation, looping controls, EQ kills, keylock, and much more.

http://www.youtube.com/watch?feature=player_embedded&v=OQI4R9Fy0PI

6-in-1 cable tester

Review: Make sure every cable in your arsenal is in good working order with the invaluable Behringer cable tester CT100. This incredibly portable audio solution is a must-have for sound engineers and musicians alike.

The CT100 accepts every type of cable you might use in a recording or live performance situation: XLR, mono and TRS phone (1/4", 1/8", TT), RCA and even MIDI. Choose from three modes: cable test mode, installed cable tester mode and tone mode. The CT100 can check for continuity, intermittency, phantom power presence and grounded shields. Because this handy tool runs on 2 x AA batteries, you can carry it in your pocket and be ready to troubleshoot at a moment's notice.

The cable tester CT100 is the smart, portable and unbelievably affordable way to ensure your next show or recording session runs smoothly.

Crossover unit with limiters, adjustable time delays and CD horn correction

Review: The CX3400 provides two modes of operation: 3-way stereo, for left and right lows (woofers), mids and highs (tweeters); and 4-way mono, for lows, low-mids, high-mids and highs. In either mode, you have the option of normal (left and right), or summed-mono low-frequency output. Adjustable time delays (up to two milliseconds) are also provided, so that the sound coming from the various transducers arrives at the listener in-phase and at the same time.

By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX3400 is able to guarantee surgically precise frequency selection with incredibly low thermal noise. State-of-the-art, ultra low-noise op amps ensure super-quiet operation. CX3400's elegant LED matrix shows at a glance which operation mode is selected and which controls are active.

All of the inputs and outputs accept balanced and unbalanced XLR connections. The inputs feature 25 Hz Low Cut filters for low-frequency driver protection. Mute and phase invert switches are provided for each frequency range, making troubleshooting an entire loudspeaker system a breeze.

Stereo delay & echo effects pedal

Review: The DD600 is the ultimate digital delay effects pedal for subtle to substantial echo delays. Compare it to delay boxes costing three times as much and you'll find yourself returning to this remarkable pedal every time. The pedal has dedicated Mode, Delay Time, Feedback and Level controls for awesome sound shaping, which results in 24-bit high-resolution stereo delay, echo and panning effects with delay times of up to 2000 milliseconds. Modes include 4 tempo settings, 4 delay settings (exclusive of delay time), E/D and Reverse. The featured Real Sound Modeling (RSM) processor emulates true acoustic environments, delivering ultra-realistic sound to your ears. Other features include an extra Pan Out output, a bright blue LED to indicate the power status and battery condition, as well as an electronic bypass footswitch which preserves signal integrity. The DD600 can be powered by either the Behringer PSU-SB DC power supply or a typical 9V battery.

5-channel digital DJ mixer with sampler, 4 FX sections, dual BPM counter and MIDI

Review: The Behringer DDM4000 is a state-of-the-art 32bit digital pro DJ mixer, jam-packed with creative tools, yet its intuitive layout will let you feel at home in an instant. Editing, storing and recalling your settings is simply a breeze. Hook up your turntables and CD/MP3 players to its 4 stereo channels, each with fully programmable EQ and Kill switches. Put ultimate versatility at your fingertips with fully programmable beat-sync-able multi-FX modules, a pair of high-precision BPM counters and a digital crossfader with custom curve adjustment. The super-cool BPM-sync'd sampler with real-time pitch control, loop and reverse functions will make your crowd go wild.

Get this digital monster DDM4000 and become the star of the night.

Active 2 channel DI box & splitter

5-channel DJ pro mixer

Review: The DJX900USB features Behringer's super-smooth channel faders and the infinium contact- free VCA-controlled optical crossfader for the ultimate in reliability and state- of- the- art audio performance. A dedicated CF Curve control allows you to custom-tailor the crossfader's control characteristic, and you can even set the crossfader tension just the way you like it. When Behringer began design on the DJX900USB, they knew they had to do something very special. Behringer took their best analog DJ mixer and revved up the FX processor, putting advanced parameter control right at your fingertips. No longer confined to rigid presets that limit creativity, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time you can create powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Behringer also included a professional USB audio interface, so you can play tracks directly from your PC/Mac computer or an external thumb drive.

Because your voice is your instrument, the DJX900USB features a dedicated mic channel with a built-in Talkover function that automatically detects your voice and brings down the volume of the music track, so your voice is always out front. Vocal fine-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at low (80 Hz), mid (2.5 kHz), and high (12 kHz) frequency centers for an extremely broad tonal palette. Stereo channel EQ operates at the same frequency centers, providing a boost of up to 12 dB or a cut of as much as -32 dB. Equipped to handle any conceivable input source, these channels accept everything from line level, phono, CD and tape decks to MP3 and minidisk players.

Syncing up tracks is an art in itself, that's why Behringer gave the DJX900USB dual Auto BPM Counters. This cool feature helps take the guesswork out of making a smooth transition from one track to the next. Each BPM counter's digital display shows which channel it is tracking and the tempo of the music in beats per minute. Optionally, you can push the Beat Assist button in time with the song to manually enter the tempo. You get a read out of the tempo difference between the tracks, as well as a visual confirmation when they are in sync. These tools will help you seamlessly align 2 tracks without having to rely solely on your ears

Making music sound larger than life is what it's all about and the DJX900USB comes through on this in a big way. XPQ 3D Surround widens the stereo field, giving it immense depth and a stereo image that is full of life, with amazingly transparent sound. You determine the intensity of this stunning effect with a simple twist of the Surround control from barely noticeable to supremely spectacular.

None of the above-mentioned features would amount to much if the DJX900USB didn't sound truly remarkable. That's why Behringer equip each one with their tried-and- true ULN (Ultra Low-Noise) preamps: what goes in comes out, with nothing added. So you get maximum headroom, extremely low noise and ultra-transparent sound. Compare it to the competition for sound quality, features and value and you'll see why more and more DJs are making the move to the new behringer DJX900USB.

Digital stereo reverb effects pedal

Review: You wouldn't think of using anything less than best reverb you could get in the studio. So why skimp on the 'verb at your live gig? Now you can add studio-grade reverb to any amp with the mind-blowing Digital Reverb DR600.

This 24-bit, high-resolution collection packs six of the most desired reverb types (Spring, Plate, Hall, Room, Gate and Modulate) into the ultimate to-go package. With its dual output jacks, you will dazzle your audience with true stereo reverb.

Just select the reverb type with the Mode control, and then dial in the Level, Tone and Time. It just doesn't get any easier than this. The blue LED tells you when the DR600 is activated, and the top-quality on/off switch maintains incredible signal integrity when in bypass mode. You can power the DR600 with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Professional 7-channel DJ mixer with infinium, contact-free VCA crossfader, USB audio interface and software bundle

Review: The Behringer DX2000USB professional 7-channel DJ Mixer is packed with cutting-edge versatility.

The Behringer DX2000USB DJ mixer features super-smooth ultraglide faders with up to 500000 life cycles, and an infinium optical VCA-controlled crossfader for utmost reliability and smooth audio performance. The DX2000USB comes armed with a 3-band kill EQ and gain control per channel.

Mono channels feature an additional Low Cut switch and an FX switch that routes the channel to the FX send and return loop, so you can add a touch of outboard effects. These channels, which accept microphones and 1/4" line sources, also feature a Talk-over button, a channel on button and PFL switch for headphone monitoring. Stereo channels have an EQ on/off switch, as well as a crossfader button that sends the channel to the main stereo mix or the crossfader. An Assign button selects whether the channel appears on the X or Y side of the crossfader.

For the DJ in need of mammoth bass, the DX2000USB features an XLR subwoofer output (perfect for connecting to an active subwoofer) with adjustable Crossover Frequency dial and Level control. Directly above, the DX2000USB provides a 1/4" main mono output for synching your music's strongest pulses with a lighting system. The main output section offers 1/4" and XLR stereo outputs, as well as 1/4" inputs for connection to outboard EQ units. This section also features RCA outputs for recording your set. The monitor/zone output section gives you stereo 1/4" and XLR monitor outputs, as well as 1/4" stereo zone outputs.

Professional 3-channel DJ mixer with dual beat-per-minute (BPM) counter and state of the art phono preamps

Review: The Pro Mixer DX626 is a professional high-quality 3-channel DJ mixer with integrated Beat-Per-Minute (BPM) counter, and embodies a proven 3-channel design loved by DJs worldwide beginners and professionals alike. Its super-smooth dual-rail Ultraglide crossfader with up to 500,000 life cycles guarantees years of trouble-free fun.

Numerous features such as three dual input stereo channels with gain and 3-band kill EQ (-32 dB) and one channel additionally switchable to studio-grade ULN microphone input and the manual talkover function enable you to work in completely new and imaginative ways. The DX626 is extremely easy to operate and it helps you give free rein to your creativity. Additional features include PFL function with a master/PFL mix option and a peak-hold level meter with a dedicated PFL bar graph. There is also a BNC gooseneck lamp socket.

Professional multiband sound processor for public address, broadcasting and mastering applications

Review: Whether in a club, a church or an outdoor festival, the ability to control sound volume has always been a challenge. Especially in today's regulatory environment, it is extremely important for proprietors to have a solution in place to prevent complaints and fines, and to protect their customers and sound system when an over-enthusiastic engineer decides to crank it up. The Eurocom SPL3220 offers the ideal solution, providing dependable, seamless full-loudness controliwithout sacrificing the sonic integrity of the sound system, or listening pleasure of the audience.

Thanks to onboard, multiband Interactive Gain Control (IGC) and Interactive Knee Adaptation (IKA) compression, the SPL3220 allows you to apply processing with surgical precision for maximum punch and intelligibilityiwithout the audible artifacts associated with traditional, broadband dynamics processors. Additionally, the SPL3220 can be used for mix leveling and maximizing signal density at low volumes, where perceived loudness becomes even more important. Add to this the ability to enhance speech intelligibility and provide exceptional loudspeaker protection, while preserving dynamic rangeiand the Eurocom SPL3220 becomes an essential part of any audio engineer's toolkit.

Professional XLR/TRS combination and Euroblock connectors provide ultimate versatility, allowing the SPL3220 to be inserted in-line prior to house amplification, no matter the configuration. Built-in hard-bypass relays ensure system protection and signal continuity in the event of a power failure or accidental disconnect. High-accuracy I/O Level and Gain Reduction meters plus an elegant, intuitive control panel make optimal system setup fast and easy. SPL3220's control panel access cover can even be sealed to prevent unauthorized access, providing total system security.

Active 500W 12" PA subwoofer with built-in stereo crossove

Review: The Eurolive B1200D packs everything there is to love about these powerful systems into a more compact, easy to transport enclosure, making them ideal for small- to mid-sized venues. Armed with a 500W Class-D amplifier and a host of truly professional features, these little brutes crank out tons of tight, low-end punchiwith the definition and clarity typically reserved for much larger systems.

Put simply, these cool-running systems provide an impressive power-to-weight ratioiand our no-compromise design means you get amazingly deep, chest-pounding bass that will keep the party going all night long.

Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. The amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means our Class-D amps don't need massive heat sinks, and that means we can make them lighter. Plus B1200D's amplifier provides all the dynamic punch and fidelity you'd expect from a much larger, more expensive subwoofer.

The transducers (woofers and tweeters) are the only part of a sound system you actually hear, so we never cut corners, and we never just grab whatever happens to be on the shelf. We custom-design our own so they are the perfect match for both the amplifier and the application. We wind our own voice coils, process the paper pulp into cones and even machine our own backplates. This enables us to control the quality, and frankly, make better components. The 12" long-excursion, low-frequency transducer was designed specifically for use in the Eurolive B1200D.

The B1200D features balanced XLR inputs and outputs, as well as balanced XLR Thru jacks for connecting additional enclosures. A Boost Frequency knob lets you boost any frequency between 45 Hz and 90 Hz. Then just flick the Boost switch to give your selected frequency a +10 dB boost. Behringer have also provided a high cut dial that controls the upper-corner frequency for the internal amplifier without affecting thru A/B signals. A Level knob controls the input gain, and the phase switch reverses the output phase to compensate for frequency cancellation between the subwoofer and satellite speakers. LEDs show operational status at a glance including power, signal present and input overloads.

Feedback Destroyer & Parametric EQ with 40 FBQ filters & 96 kHz sampling rate

Review: The FBQ2496 Feedback Destroyer Pro is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to offer a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.

Using an ultra-fast feedback detection algorithm, the FBQ2496 automatically and intelligently locates up to 20 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to eliminate feedback frequencies, leaving the remainder of your signal virtually untouched. And with the Set-and-Forget default setting, plus the Panic button, the Feedback Destroyer can be up and running in a matter of seconds.

The Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode allows individual programming of up to 40 fully-parametric filters with frequency, bandwidth and gain adjustment. Open MIDI architecture makes future firmware updates and flexible communication with digital equipment exceedingly simple.

With the FBQ2496's various modes, you can master just about any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ2496 can protect you from feedback in both your mono PA mains and a monitor mix. And the FBQ2496 is more than just handy, it's affordable!

Audiophile 31 band stereo graphic equalizer with FBQ Feedback Detection System

Review: Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little, until now!

The FBQ-Pro series features a low cut filter, in addition to the frequency faders, to help remove unwanted low frequencies such as floor rumble, room resonance, or electrical hum. All three FBQ-Pro models feature a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR outs are provided so you can connect to power amps, or directly to your active subwoofers, without any additional hardware.

The ingenius Feedback Detection System circuitry helps you recognize and eliminate feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on that frequency range's fader lights up, so you know at a glance which fader to lower to eliminate the feedback.

Behringer Ultragraph Pro series equalizers take a giant leap forward technologically, providing robust feature sets and our proprietary FBQ Feedback Detection System, at a price that makes them a must-have for anyone who records or operates a live sound system.

2-input/2-output audio interface, firewire bus powered, PC & MAC compatible

Review: This ultra-compact FireWire audio interface is an ideal companion for laptop musicians and ingeniously complements any studio. Its hot features include: 2 x 1/4" connector inputs and outputs for connecting synthesizers, mixers and more; high resolution 24bit A/D and D/A converters offer 96 kHz sampling frequency; volume-controlled headphones for discreetly working on your compositions, even on the road. Reliable Windows XP, Windows Vista (32-bit) and Mac OS X drivers guarantee low latencies. With the ultra-stable metal construction, the FCA202 easily defies the adversities of travel. And its small dimensions make it an ideal solution for laptop recording. Additional features include 2 x 6-pin FireWire connectors, a security port for Kensington locks and the possibility to power the FCA202 via FireWire or a mains adapter, which is included.

The FCA202 package also comes with the coolest sequencing software for mobile music production: the Behringer Edition of Ableton Live Lite 4. Kristal and Audacity are also included and will empower you to face any recording challenge. Experience the power of extremes. With this affordable and mobile recording solution, you get hot connectivity and the coolest sound around for your PC or Mac, wherever you are.

Audiophile 16 input/16 output, 24bit/96KHz USB/FireWire Audio/MIDI Interface with ADAT

Review: Firepower Audio USB/FireWire audio interfaces are the ideal way to stream audio to and from your PC or Mac computer. These handy interfaces feature state-of-the-art XENYX mic preamps, legendary the world over for their pristine clarity and high-headroom sonic performance, plus our 24bit/96 kHz A/D-D/A converters will really respect your input. Both interfaces support Windows XP/Vista/7 plus Mac OS X and provide onboard phantom power for use with studio-grade condenser microphones. Hook up to the Behringer FCA Series and instantly turn your computer into a powerful recording/editing workstation.

The FCA Series allows you to converse with your computer in a language it understand digital. When you connect line-level devices, such as synthesizers or the outputs of an audio mixer to an FCA1616 or FCA610, internal 24bit A/D (Analog to Digital) converters swing into action, turning the audio signal into digital data. Now you can record and play back your masterpiece through a pair of active studio monitors or listen in the privacy of your favorite headphones.

With its expanded 16 channel I/O, 4 XENYX mic preamps and ADA8000 ADAT connectivity, the FCA1616 is ideal for more permanent applications, such as home and professional recording studios, as well as live performance multi-track recording rigs. All standard I/O formats are supported including analog, S/PDIF (coaxial and optical), ADAT and S/MUX. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware. The single rack-space FCA1616 also features 8 x analog Inserts for use of external effects such as compressors, gates and EQs, etc. A dedicated power supply is included.

On the rear panels of the FCA1616, you'll find ports for FireWire and USB 2.0. Inputs are balanced 1/4" jacks that accept a wide range of line-level devices. Outputs accept both balanced and unbalanced 1/4" connections. The 2 x headphones jacks are conveniently located on the front panel, with a dedicated volume control.

The FCA1616 interface features state-of-the-art, high-resolution 24bit A/D-D/A converters, supporting up to a 96 kHz sampling rate. Reliable Windows XP, Windows Vista, Windows 7 drivers and Mac OS X support ensure ultra-low latency operation.

Because you'll want to take full advantage of your computer's recording, editing and podcasting potential, we've put together a massive software download at www.behringer.com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box. You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio.

Stop by your authorized Behringer dealer today and join the digital revolution. With the super-affordable Firepower FCA Series FireWire/USB audio interfaces, you'll get blazing-fast streaming to and from your computer, plus our amazingly sweet XENYX mic preamps, and much moreiand we cover you with a comprehensive warranty program.

Audiophile 6 in/10 out, 24bit / 96KHz FireWire/USB Audio/MIDI Interface with MIDAS Preamplifiers

Review: The Firepower Audio USB/FireWire audio interfaces are the ideal way to stream audio to and from your PC or Mac computer. These handy interfaces feature state-of-the-art XENYX mic preamps, legendary the world over for their pristine clarity and high headroom sonic performance, plus Behringer's 24bit/96KHz A/D-D/A converters will really respect your input. Both interfaces support Windows XP/Vista/7 plus Mac OS X and provide onboard phantom power for use with studio-grade condenser microphones. Hook up to the Behringer FCA Series and instantly turn your computer into a powerful recording/editing workstation.

The FCA Series allows you to converse with your computer in a language it understand, digital. When you connect line-level devices, such as synthesizers or the outputs of an audio mixer to an FCA610, internal 24bit A/D (analog to digital) converters swing into action, turning the audio signal into digital data. Now you can record and play back your masterpiece through a pair of active studio monitors or listen in the privacy of your favorite headphones.

Due to its small size and low-latency operation, 6 input / 10 output architecture, plus 2 highly acclaimed XENYX mic preamps, the FCA610 is a dream come true for traveling musicians who record and edit on their laptops. The portable FCA610 can receive power from your computer's 6-pin FireWire bus or via the included external power supply. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware. All standard I/O formats are supported including analog and S/PDIF (both coaxial and optical). The half-rack-space FCA610 stows easily in your travel kit.

On the rear panels of the FCA610, you'll find ports for FireWire and USB 2.0. Inputs are balanced 1/4" jacks that accept a wide range of line-level devices. Outputs accept both balanced and unbalanced 1/4" connections. The 2 headphone jacks are conveniently located on the front panel, with a dedicated volume control.

The Firepower FCA610 interface features state of the art, high resolution 24bit A/D-D/A converters, supporting up to a 96 kHz sampling rate. Reliable Windows XP, Windows Vista, Windows 7 drivers and Mac OS X support ensure ultra-low latency operation.

Because you'll want to take full advantage of your computer's recording, editing and podcasting potential, we've put together a massive software download at www.behringer.com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box. You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio.

Ultimate filter modeling effects pedal

Review: Your guitar is designed to deliver a tasty range of tones, from rich lows to warm mids to chiming highs. But when you start pulling certain frequencies out of the equation with the help of the FM600 Filter Machine, cool and unusual things start happening.

From funky wah-like sounds to off-the-wall, vocal-like squall, the FM600 can take your sound to some truly alien territory. This pedal is equipped with Behringer's Real Sound Modeling technology to make your guitar sound like it is in an acoustically perfect environment of its own design. It must be heard to be believed!

Choose from a Band Pass, Low Pass or Twin Pass, then flip the POL switch to determine whether the filter applies to high or low frequencies. Fine-tune this funky sound with the dedicated Sensitivity, Range and Peak dials. The blue LED tells you when it's activated, and the tough On/ Off switch maintains excellent signal integrity in bypass mode. You can power the FM600 with a 9 V battery or a DC power supply (not included).

High-definition DJ headphones

Review: The Behringer HPX2000 high-definition DJ headphones are high-quality DJ headphones for demanding users in home and live applications. Their superb frequency response, high-efficiency cobalt capsule and single-sided oxygen-free copper cord promise uncompromising performance. You get high-definition bass and super-transparent highs, and ultra-high dynamic range. There are flexible turnable and foldable round-shaped ear cups with ultra-rugged headband construction.

The high quality components and exceptionally rugged construction ensure long life. The Behringer HPX2000 headphones are conceived and designed by Behringer Germany

High-definition DJ headphones

Review: Whether in the DJ booth or mixing at home, the Behringer HPX4000 DJ headphones display impressive sound separation that meet the demands of serious audiophiles. Incredibly comfortable to wear, the HPX4000 deliver high-definition bass and super-transparent highs with an ultra-high dynamic range.

The Behringer HPX4000 headphones feature high-quality components, with high-efficiency cobalt capsules and a single-sided cord with oxygen-free copper wires as well as round swiveling ear cups. They are conceived and designed by Behringer Germany.

Professional DJ headphones

Review: DJs are just like any other professional who relies on their ears for a living. Above all else, they need clean, accurate audio reproduction. The Behringer HPX6000 Professional DJ Headphones deliver on this with massive 50mm neodymium drivers. That means when you wear these headphones, you not only get loud, clean sound, you also get deep, powerful bass. So, no matter what kind of music you listen to, you'll hear everything from the gut-shaking lows to the lip-smacking highs.

The HPX6000 takes style and comfort to a whole new level! From the soft touch rubberized coating to the leather ear cushions and headband pad, these phones feel fantastic on your head or in your hands. A carrying bag is included in the package to make sure they stay that way.

The headband and ear cups are fully articulated and adjustable, and can be worn on the head or around the neck single cup style. They are also foldable, allowing for easy carrying and storage. To top it all off, the detachable cable makes it even easier to store them away.

iDevice dock speaker, compitable with iPhone 4,4S,3GS,3G, iPod Touch, Nano, Classic (5th Generation), iPad 1, 2 and The New iPad

Review: Any speaker dock can play your music at background levels, but the iNuke Boom Junior brings the full concert sound experience right into your home. The iNuke Boom Junior delivers the power, punch and definition that will make your music come alive in any room in the house, even out on the patio.

Thanks to its professional grade components and 3 way, concert worthy sound system (that includes a powerful built-in subwoofer), the iNuke Boom Junior will blow you away with its chest-thumping lows, sizzling highs and overall definition, at any sound level from mild to wild.

The iNuke BOOM Junior was inspired by what CNN, ABC, FOX News and countless others proclaimed as their favorite product of CES 2012, the original 10000W iNuke Boom. Designed by Behringer's team of engineers to deliver their 20+ years of concert sound experience right into your home.

Pease note: remote control menu navigation not compatible with iPad 2 / the New iPad.

http://www.youtube.com/watch?feature=player_embedded&v=DAVgM2M4TZc

Professional iPad docking station with audio, video and MIDI connectivity

Review: New from Behringer, the iStudio iPad docking station is the perfect music production tool for both home studio and live recording. So much more than just a convenient way to recharge your iPad, iSrudio lets you create, produce and perform music using your favorite audio gear and musical instruments. The iStudio also includes 2 x phantom-powered Mic/Line inputs (one switchable for Hi-Z inputs such as electric guitar or bass, no DI required), so you can use studio-grade condenser mics for stunningly professional results.

The iStudio makes it easy to unleash your creative spirit, giving you access to iPad's powerful internal processor, touch-screen interface and vast array of available apps. With the iStudio and your iPad, you can record, perform, or craft and create music in virtually any situation or location. A convenient onboard MIDI USB interface allows the transfer of MIDI data to and from your iPad for even more creative possibilities. The iStudio bridges the gap between your instruments and professional audio devices, creating a dynamically creative environment that will continue to grow as even more apps become available.

The iStudio features 2 x combination XLR - 1/4" inputs, each with its own gain control and switchable phantom power for use with condenser microphones. These inputs will accept analog signals from virtually any piece of audio gear including amps, mixers and external preamps. A guitar or electric bass can be connected directly to the iSTUDIO thanks to the built-in Hi-Z switch, enabling performers to play, perform and record straight into amplifier- and FX-modeling apps. We've also included a stereo AUX input, allowing you to connect a wide range of line-level sources, even a turntable perfect for DJs or for archiving your precious vinyl collection.

In the old days when you wanted to record the band, you needed lots of gear and cables, or you had to spend gobs of money renting studio time. The iStudio takes all of the hassle out of recording, letting you concentrate on your performance and creativity. Just connect your mixer's outputs to the iStudio, open your favorite recording app and hit the button, nothing is easier. You can also use the iStudio's MIDI capability to control your external keyboards, samplers, drum machines and sound modules.

The iStudio provides balanced stereo 1/4" TRS outputs for connecting to your studio monitors, PA systems and much more. Musicians can monitor tracks via dual independently controllable phones outputs, equipped with our adjustable direct monitoring controls for the ideal balance between incoming and playback signals. Two footswitch connectors are available for application-defined remote control of input selection and an expression pedal. If video is part of your production, iSTUDIO's RCA composite connector works with all standard video projectors, as well as most television and computer monitors.

When it comes to rugged reliability, Behringer are an industry leader. Because your reputation, as well as ours depends on it, quality control is the first thing we build into each and every new product. As a result, the iStudio is designed to withstand the rigors of the road and provide dependable performance for many years to come, and we back it with a comprehensive warranty program.

http://www.youtube.com/watch?feature=player_embedded&v=A-3s_Z6D1cU

Ultra compact microphone modeling preamp

Review: Tubes can really warm up a signal fast, giving it depth and character. Thanks to digital VTC technology, the Behringer Minimic Mic800 emulates the tube warmth of a variety of tube mic preamps, all in one feather-light package.

This ultra-compact 9.5" microphone modeling preamp gives your vocals, guitars, bass or keys low-noise tube-like warmth both in the studio and on stage. It perfectly complements studio-grade condenser mics, and its ultra-flexible preamp modeling allows you to quickly optimize your recordings. You can choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals etc. The Mic800 is equipped with Behringer's sophisticated output limiter, which prevents the output signal from being distorted. A dedicated low cut filter eliminates unwanted noise such as floor rumble. Onboard +48 V phantom power and 20 dB pad are provided for utmost flexibility, plus a vintage-style VU meter enables precise level indication. Behringer's renowned ultra low-noise audio operational amplifiers provide outstanding sound performance. In addition, all Mini Series models can be stacked to create an ultra-compact signal processing solution.

Ultra compact stereo monitor matrix mixer with talkback microphone

Review: Get this ultra compact monitor matrix mixer and you'll be glad you did.

The Minimon MON800 features a dedicated input section with 4 selectable and mixable stereo inputs plus accurate 6 digit LED main stereo output meters for precise level indication. You'll get ahigh-power phones output with dedicated level control plus 3 selectable stereo speaker outputs with separate level controls for ultimate monitoring. Professional mute, dim and mono functions are included for ultimate flexibility and phase check. Behringer have even given the MON800 a talkback section with internal microphone and comprehensive routing options.

By listening to your mix through multiple sound systems, you can craft a mix that sounds great on every system it's played through. The incredible Minimon MON800 is the ideal tool for comparing your mix through different sets of loudspeakers. Just flick a switch to listen to your productions over different loudspeaker systems and mix your tracks for maximum impact.

The MON800 features a clearly structured input section with four selectable and mixable stereo inputs, as well as a precision 6 LED output level meter. You also get a powerful headphones jack with its own volume control, plus three selectable stereo loudspeaker outputs with separate volume controls for optimal adjustment.

The sublimely useful MON800 features mute and dim functions, as well as a mono switch, which is ideal for checking phase compatibility. The integrated talkback section with built in microphone provides multiple routing options.

Recording on your home computer? Just connect a line level signal out to the mix input A connectors on the MON800. Connect your main monitor speakers to the speaker output A section, and another pair to the B outputs. The A and B switches allow you to choose which pair of speakers you want to hear.

Two-way active 16 watt personal monitor system with 1/4" TRS amd RCA inputs for sound cards, keyboards or microphones

Review: Looking for a fast, affordable way to upgrade your computer sound system? Maybe you'd like a great-sounding alternative to the built-in speakers on your portable synth/keyboard? Or, maybe you'd like to turn your computer into your own personal karaoke system. The Behringer MS16 Active Personal Monitor System can tackle these tasks and more, and is the ideal way to upgrade your sound system.

Sporting 4" woofers and 1.5" high-resolution tweeters, the MS16 monitor speakers bring high-quality audio within the reach of anyone with a computer workstation. Two high-powered amplifiers feed a total of 16-Watts of super-clean power to the internal speakers, providing an ultra-wide frequency response from 80 Hz to 20 kHz. Whether you're a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS16 loudspeakers will make them sound much better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze.

The MS16 takes audio to an even higher level with its multiple input options. The built-in mixer features 1/8" stereo inputs for connecting CD, MiniDisk or MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even a 1/4" jack for a dynamic microphone or electric guitar. This adds up to a system that lets you sing or play guitar along with a variety of pre-recorded tracks. And you can wail away to your heart's content in total privacy (at least on the guitar or keyboard), thanks to MS16's powerful headphone jack.

2 x 10W active studio nearfield monitors

Review: Take the next step up from the MS16 and go digital. These extremely compact, 2 x 10W nearfield monitors feature ultra-high resolution 24bit/192 kHz D/A converters. With the MS20, you can connect directly to your digital signal sources and eliminate annoying analog line-loss and hum forever. Whether you connect to your computer sound card, keyboard, or MP3 player, you will enjoy exceptional sound quality with great dynamics. The built-in amplifiers provide lots of headroom, while the powerful woofers and tweeters provide ultra-linear frequency response.

http://www.youtube.com/watch?v=iJzV4mrLCLQ