MY FILTERS
 
Release Date
1974
DKMNTL 023
02 Mar 15
Techno
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1974 - (10:27) 126 BPM
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Under Water - (5:11) 124 BPM
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Back Draft - (5:06) 124 BPM Biggest-selling track on this release
from $1.92
Review: You could hardly say that Joey Anderson's 2014 debut album, After Forever, was overlooked, but it certainly didn't get the coverage it deserved. The New Jersey native is a distinctive talent, and After Forever was full of tracks that took deep house and techno in unique directions. This speedy follow-up EP, also for Dekmantel, is similarly impressive. Opener "1974" is intensely bright, with restless synthesizer arpeggios and dreamy chords riding a heavy-but-subtle, off-kilter groove. "Under Water" is woozier and a little darker, with curious samples twisted into melodious metallic shapes, while "Back Draft" sees Anderson dropping sci-fi sounds over a throbbing, jacking rhythm.
Fall Off Face
DKMNTL 015
13 Jan 14
Deep House
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Repulsive - (6:14) 124 BPM Biggest-selling track on this release
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Sky's Blessings - (6:00) 120 BPM
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Heaven's Archer - (5:42) 132 BPM
from $1.92
Review: Its been a landmark year for Joey Anderson with a succession of superb 12" releases and V/A appearances for labels such as Latency, Anunnaki Cartel, Syncrophone, Avenue 66 and his own Inimeg recordings all demonstrating the New Jersey-based producer's reputation is well deserved. This release provides as taste of his year to come, as he graces Dekmantel with this excellent 3 track EP ahead of a debut album for the Dutch label planned for some time in 2014. Deep beneath the frazzled, pixelated synth of lead track "Repulsive" there's a haunting quality that informs so much of Anderson's work, yet it still feels immediate enough to be the track that many selectors will gravitate towards. "Sky's Blessing" acts as an introspective wedge between the classic B-Side in the making that is the hypnotically charged "Heaven's Archer".
After Forever
DKMNTL 017
02 Jun 14
Techno
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Space Between Curtains - (3:54) 120 BPM
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It's A Choice - (5:46) 113 BPM
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Space Colors Ideas - (4:06) 129 BPM
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Maidens Response - (6:50) 124 BPM Biggest-selling track on this release
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Sorcery - (8:20)
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Amp Me Up - (6:18) 126 BPM
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Keep The Design - (5:40) 120 BPM
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Brass Chest Plate - (6:33) 130 BPM
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Archer's Ceremony - (6:43) 116 BPM
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Sky's Blessings - (6:00) 120 BPM
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Heaven's Archer - (5:42) 132 BPM
from $1.92
Review: Finally the debut album from Joey Anderson arrives after what seems like forever (if you'll excuse the pun). After Forever demonstrates Anderson's dedication to beat his own path, with plenty of mind bending moments to contend with. Highlights come thick and fast, "Space Colors Ideas" is a wondrous cascade of scatty bass synth and celestial sweeps, whilst the suitably named "Sorcery" melds together palpitating, subliminal kicks, a light dusting of hats, some loping Rhodes and complimentary synth notes. After Forever is destined to remain in the playlists of the more considered selectors for years to come.
Infrared Vision
DKMNTLUFO 4
03 Apr 17
Techno
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Cold Steel - (2:41) 95 BPM
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Murky Waters - (5:48) 121 BPM
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Explode - (5:17) 125 BPM
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Momentum - (5:27) 130 BPM
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Infrared Vision - (5:12) 133 BPM
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Bizarre (Part 2) - (4:23) 132 BPM
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Spell On Me - (2:25) 110 BPM
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The Chant - (4:36) 132 BPM
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Zenith - (4:33) 101 BPM
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So Alive - (6:09) 130 BPM Biggest-selling track on this release
from $1.92
Review: New Yorker Anthony Parasole has been responsible for some of the most distinctive techno music of the past five years. Releasing mainly on The Corner, Dutch festival organisers Dekmantel have coaxed him to put out his debut album on their label. Infrared Vision builds gradually and incrementally, like one of Parasole's mesmerising DJ sets. It starst with the murky abstractions of
"Cold Steel" before moving into the deep house of "Murky Waters" and the skeletal drum tracks, "Explode" and "Momentum". The tempo and intensity levels ramp up on the dubby, bleep-heavy title track, while "Bizarre (Part 2)" rave influences are recycled. While "Spell On Me" sees him take a break with an ambient interlude, "The Chant", with its repetitive vocal sample and fat drums, shows that Parasole is most at home on the dance floor.
Pregnant
DKMNTL 032
11 Apr 16
Deep House
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Pregnant - (12:43) 114 BPM
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Star Butchers (original mix) - (7:49) 115 BPM
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Star Butchers (Darling edit) - (7:35) 120 BPM Biggest-selling track on this release
from $1.92
Review: Now very much a global concern, Dekmantel still remain strong to their local Amsterdam roots as evidenced on this new 12" from Awanto 3. Steven Van Hulle is arguably one of Dutch electronic music's unsung heroes, with a long history of production work dating back to time in Rednose Distrikt alongside Aardvarck and Kid Sublime. Van Hulle's been working as Awanto 3 for the past six years, racking up music for Rush Hour and Dekmantel. Fans of his work will recognise the 13 minute deep burning stomper "Pregnant", which originally featured as part of Dekmantel's 5 year anniversary compilation series. They've wisely revisited the track, giving it centre space on the A-side of this 12" with a fresh Awanto 3 cut, "Star Butchers", housed on the flip. Don't skip over the closing Daring Edit of "Star Butchers" either, it's a thing of beauty.
Gargamel
DKMNTL 042
10 Apr 17
Deep House
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Azrael (feat Darling) - (7:03) 116 BPM Biggest-selling track on this release
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Positive Negative - (8:35) 124 BPM
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This Is When We Met - (6:33) 123 BPM
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Hooli Goose - (7:44) 133 BPM
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Why Don't You - (5:13) 79 BPM
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Ride The Dragon - (6:38) 129 BPM
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Thick (feat Dexter) - (5:58) 128 BPM
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Happy Bird - (2:04) 123 BPM
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Gargamelancholia - (9:10) 120 BPM
from $1.92
Review: Steven de Peven is Amsterdamer Awanto 3, a staple of local imprints Rush Hour and Dekmantel since 2010 (not to mention moonlighting as Red Nose District) who presents his new LP Gargamel, This is his second full length since 2014's Opel Mantra. Starting off this great EP is the single "Azrael" which features usual studio partner Darling on this deep nu-disco cut, as does the booming and lo-slung bass exercise "Hooli Goose". Our personal highlights were the spooky, rusty and dusted down jack of "This Is When We Met" (which will really remind you of that notorious villain from the Smurfs that the album is named after) or the deep and minimal electro groove of "Thick" which features another local legend in the form of Klakson's inimitable Dexter. Awanto 3 likes his samples vibrant, his drums wobbly and his synths sweaty as a Detroit summer breeze. The MPC wizard returns!
Dekmantel Anniversary Series
DKMNTL AS-52
13 Jan 12
Deep House
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Awanto3 - "Pregnant" - (12:43) 114 BPM
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Makam - "Good To You" - (4:25) 123 BPM Biggest-selling track on this release
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Lone - "Risttowe" - (4:29)
from $1.92
Review: Dekmantel commence their fifth anniversary series with a weighty three-track offering. Awanto3 serves up a roaming 12 minutes of understated groove for the slow blend, employing a moody key line and punchy disco beat to ride out in a haze of warm-up bliss. Makam is a little more in yer face, taking a classic funk sound base to create a masterclass in feeling good without trying too hard. Lone brings his own inimitable style to bear on "Risttowe", full of electronica synth warbles and jacking beats yet still ploughing the same delirious, dreamy furrow that so much Dekmantel output manages to wind up in.
Under The Same Sky
DKMNTL 028
23 Nov 15
Techno
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We All Want To Believe - (7:36) 125 BPM Biggest-selling track on this release
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Without Fears - (6:49) 130 BPM
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Landlocked - (6:20) 160 BPM
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The Rift Between - (6:00) 132 BPM
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Until The End Comes - (4:49) 83 BPM
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Temptress - (6:58) 128 BPM
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Unwavered - (7:48) 127 BPM
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Restless In Thought - (5:42) 160 BPM
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Fate In Hand - (6:11) 124 BPM
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Under The Same Sky - (6:00) 129 BPM
from $1.92
Review: There's been a fair bit of hype surrounding this second album from Stuart Li under his now familiar Basic Soul Unit guise, and it's not hard to see why. Dropping on Dekmantel some three years on from his Still Music released debut album Motional Response, Under The Same Sky revels in its' instinctively atmospheric and floor-friendly blend of classic Detroit, Chicago and - more surprisingly - British techno influences. As usual, the chords are deep and spacey, the melodies bold and shimmering, and the beats rough and ready. The results are splendid from start to finish, with the early LFO-influenced smasher "Fate In Hand", thunderous "Temptress" and sci-fi brilliance of "We All Want To Believe" amongst the numerous highlights.
MAss Profundo
DKMNTL 049
30 Jun 17
Disco/Nu-Disco
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MAss Profundo - (6:12) 110 BPM Biggest-selling track on this release
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TropicaA§ovas - (5:50) 80 BPM
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Selva CAssmica - (5:36) 83 BPM
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Plantas Falsas - (6:13) 109 BPM
from $1.92
Peace Moves EP
DKMNTL 051
07 Jul 17
Deep House
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Peace Moves (original mix) - (6:33) 111 BPM Biggest-selling track on this release
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Peace Moves (DJ Normal 4 Ever Armistice mix) - (7:56) 119 BPM
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Peace Moves (Pulse mix) - (9:31) 111 BPM
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Graffiti Moves - (5:14) 116 BPM
from $1.92
Review: Salon Des Amateurs' Bufiman makes his Dekmantel debut with two left-of-centre, broken beat mind-melters. "Peace Moves" is a lo-fi, almost sludgy dive into a synth swamp where flurries of cosmic synth licks swoon and tease above your heard. "Graffiti Moves" takes an even trippier twist over a similarly low-and-slow drum arrangement but with added sparkling percussion. Throw in two cutlass-sharp versions of and you've got yourself a watertight declaration of peace. Absurdly on-point as always from Dekmantel.
Nervous Sex Traffic
DKMNTL 033
25 Apr 16
Deep House
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Nervous Sex Traffic - (9:02) 121 BPM Biggest-selling track on this release
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Mount Grace - (5:54) 123 BPM
from $1.92
Played by: Resident Advisor
Review: Call Super first met the Dekmantel crew last year, one of many high profile DJs to play their summer festival in Amsterdam and it wasn't long before the esteemed Dutch imprint asked him to supply them with an EP. Impressively, Nervous Sex Traffic is one of his strongest 12" singles to date - no mean feat given his track record - with the title track, in particular, delivering thrills in spades. Stretching out over nine mesmerizing minutes, it overlays snappy, analogue-sounding beats and cowbell hits with alien bleep melodies, synthesized horn stabs, rich bass, and pads that recall Pet Shop Boys' "West End Girls". It's a melodious, eyes-closed treat, all told. "Mount Grace" sees a deeper, more metallic affair that draws inspiration from vintage Detroit techno, blissful electro, and the morning-after confusion of ambient house.
Dekmantel 10 Years 02
DKMNTL 10YEARS02
14 Apr 17
Techno
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Call Super - "Fluenka Spoke" - (9:00) 124 BPM Biggest-selling track on this release
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Shanti Celeste - "Hinoki" - (7:08) 134 BPM
from $1.92
Played by: Honey Soundsystem
Review: This release is the second in a series of ten records that Dutch label and festival promoters extraordinaire Dekmantel has planned for 2017 to celebrate its first decade in business. Call Super's "Fluenka Spoke" is an understated affair; over a stripped back, clicky groove, the UK producer adds in whirrs and ticks, birdsong and tropical effects. It makes for a heady affair. On the flipside, Dekmantel have tapped Shanti Celeste and her contribution, "Hinoki", doesn't disappoint. Over a rolling, rickety rhythm, she adds in beautiful, billowing chords and breathy vocal samples - an intoxicating vision of Detroit techno, routed through Bristol and interpreted in great style.
Pillow Peace
DKMNTL 048
02 Jun 17
Deep House
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Pillow Peace (original mix) - (6:55) 120 BPM Biggest-selling track on this release
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Pillow Peace (Andet mix) - (5:13) 120 BPM
from $1.92
Review: Renowned alias collector Natal Zaks has largely impressed since transferring to Dekmantel last year via the two-part Political Dance release. "Pillow Peace", his return to the esteemed Dutch imprint, is something of a fluttering, sun-kissed summer treat. While the beats are typically solid and the bassline warm and heavy, it's the melodious musical elements he layers on top - think sparkling synth lines, lilting new age motifs and tactile chords - that really catch the ear. Fittingly, those undulating, synthesizer heavy, new age influences are explored further on the flip, where Zaks joins forces with Young Marco as Andet to deliver a blissful, head-in-the-clouds interpretation.
Political Dance #1
DKMNTL 034
20 May 16
Deep House
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Keep Love On Me - (6:18) 122 BPM
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Body Issue - (8:48) 123 BPM
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Tube Life - (5:47) 123 BPM Biggest-selling track on this release
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This Is Hand - (5:17) 123 BPM
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Longest Way Between Two Points - (4:34) 158 BPM
from $1.92
Review: Man of many pseudonyms Natal Zaks brings his Central project to Dekmantel, with the first of a series of EPs entitled Political Dance. It's an expansive affair, with the Danish producer delivering a quintet of tracks that meld distinctive Detroit techno, early US deep house, broken beat and deep space ambient influences into attractive new shapes. Highlights abound, from the rolling, loved-up grooves of the starry "Keep Love On Me", and Motor City deep house shuffle of "Body Issue", to the horizontal bliss of "Longest Way Between Two Points", and tech-jazz swing of standout "This Is Hand". Impressive stuff, all told.
Political Dance #2
DKMNTL 035
20 May 16
Deep House
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Convenient Departures - (7:34) 118 BPM
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Detour King - (7:09) 120 BPM
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Political Dance - (7:31) 117 BPM Biggest-selling track on this release
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H Ain't Nothing But A Number - (7:40) 122 BPM
from $1.92
Review: Natal Zaks is a talented chap. To date, he's released a large amount of very good material, under numerous pseudonyms, for a wide variety of labels. Here he returns to Dekmantel with the second part of the Political Dance series, under the now familiar Central guise. Just like its' predecessor, it's a deliciously positive, melodious and atmospheric affair. The brilliant "Detour King" sounds like Space Dimension Controller, Vincent Floyd and Boyd Jarvis jamming on Mars, while "Political Dance" is a deliciously loved-up journey into early New Jersey deep house, with some distinctively spacey flourishes to boot. Zaks also doffs a cap to ambient house era intelligent techno on the luscious "Convenient Departures".
Selectors 001 Sampler - Motor City Drum Ensemble
DKMNTLSLCTRS 001
05 Aug 16
Deep House
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DJ Slym Fas - "Luv Music" - (5:57) 123 BPM
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House Of Jazz - "Hold Your Head Up" - (5:29) 123 BPM Biggest-selling track on this release
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Raphael Green - "Don't Mess With The Devil" - (4:13) 105 BPM
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Bill Deal & The Rhondels - "Freak N Freeze" - (4:08) 133 BPM
from $1.92
Bay 25
DKMNTL 014
03 Feb 14
Techno
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Bay 25 - (5:23) 129 BPM
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Living Up (original mix) - (7:34) 126 BPM
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Living Up (Gesloten Cirkel remix) - (7:00) 120 BPM Biggest-selling track on this release
from $1.92
Review: With a debut LP from Joey Anderson and more Juju & Jordash material on the horizon, 2014 looks like being another interesting year for the Dekmantel label, and they kick off in style with a label debut for Mark Du Mosch. For those who don't know, Du Mosch is a regular contributor to a like-minded enclave of labels, racking up excellent 12"s for Lunar Disko, Tabernacle, Cyber Dance and Dutch labels Field, SD and Moustache Records. Having added some heritage to the fledgling Amsterdam operation Tape last year, Du Mosch adds a more established capital-based outlet to his discography with the Bay 25 EP. Contained within are two snapshots of Du Mosch's production palette with the rough and rugged Rotterdam squat techno of the title track complemented by the deeper burn of "Living It Up". An added bonus comes in the form of Du Mosch's Moustache Techno pal Gesloten Cirkel who also makes his Dekmantel bow with a typically haywire modification of "Bay 25".
Drop Audio
DKMNTL 025
01 Jun 15
Electro
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The Screen - (6:52) 138 BPM
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Hit The Road - (5:27) 129 BPM Biggest-selling track on this release
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Trials Of Love - (7:05) 131 BPM
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Slow Motion Disaster - (6:21) 131 BPM
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Aweh EP
DKMNTL 047
26 May 17
Deep House
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Blast (feat Narch Beats & Pendo Zawose) - (5:04) 108 BPM
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Rift Valley (feat Abakisimba) - (5:22) 120 BPM Biggest-selling track on this release
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Rent-A-Disc - (6:26) 125 BPM
from $1.92
Played by: Jimpster, Alkalino
Review: Recently, Esa Williams has done a good job in stepping out of the shadow of regular Auntie Flo collaborator Brian D'Souza. Here he furthers his solo career via a fine EP on much-loved Dutch imprint Dekmantel. He begins with the deliciously angular and fuzzy "Blast", a joint production with Notch Beats that wraps Pendo Zawose's exotic, drifting vocals around razy sharp electronic motifs and shuffling, 108 BPM afro-house beats. Kenyan vocalist Abakisimba lends a hand on the warm and fluid East African deep house lusciousness of "Rift Valley", before Williams rounds things off via the house tempo Detroit techno positivity of "Rent-a-Disc".
Araya
DKMNTL 046
06 Feb 17
Minimal/Tech House
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Araya - (5:58) 126 BPM Biggest-selling track on this release
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Piayes Beach Bar And Grill - (4:48) 122 BPM
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Romantic Bureaucracy - (4:21) 111 BPM
from $1.92
Played by: Alkalino, Enzo Elia
Review: When Bas Bron agreed to re-release his track "What's A Girl To Do?' on Dekmantel in 2015, he could not have imagined the success and acclaim it would go on to enjoy. Then the Dutch producer faced a fresh dilemma - how to make a suitable follow-up. He seems to have overcome this hurdle with Arava. While the title track's soaring bass and sun-kissed melodies are tailored made for festivals and big rooms, the real Fatima Yamaha sound is audible on the laid-back electro funk of "Piayes Beach Bar And Grill", while another slow-burning classic is audible on the easy-listening electronics of "Romantic Bureaucracy".
Dkmntl X Patta 08
DKMNTLXPATTA 08
31 Jul 17
Techno
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Dance In Retrograde - (9:21) 124 BPM
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Re-Fingered With Love - (8:56) 122 BPM Biggest-selling track on this release
from $1.92
Review: Dutch Dance dominators Dekmantel have collaborated with high street fashion brand Patta on the impressive Dkmntl X Patta series (featuring the likes of Tom Trago and Fatima Yamaha). The eighth instalment features work by Baltimore music legend GE-OLOGY. Known for his success in the 90s hip-hop world, this guy is also a seasoned house producer too. Here we get "Dance In Retrograde", a charming hybrid of light and fluffy 2nd wave Chicago house, Ron Trent style Detroit rhythms and retro boogie. We also have "Re-Fingered With Love" which is a warm and luxuriant deep jam that comes across like a Latin disco take on Good Life.
Dekmantel 10 Years 01
DKMNTL 10YEARS 01
24 Mar 17
Minimal/Tech House
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Gigi Masin - "Maja" - (10:49) 116 BPM
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Vakula - "Robot Fuck The System" - (6:45) 125 BPM
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Roman Flugel - "Mice On Stick" - (6:40) 115 BPM Biggest-selling track on this release
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Review: The first release in the Dekmantel 10 Year Anniversary releases sees Venetian ambient don Gigi Masin make his debut for the label with the totally sublime and drifting jazz deconstruction heard on "Maja", while Ukrainian wunderkind Vakula keeps on with his recent deviations into techno and other forms of underground electronics on "Fuck The Robot System" which as the name may suggest is quite an electro tinged and futuristic groove full of snappy 808 beats, vocoded vocals and rusty vintage arpeggios. Finally, the man from Frankfurt Roman Flugel works his magic as always on the stripped and minimal deep house journey "Mice On A Stick" which is full of soothing bell textures, dusty drum patterns and dreamy melodies all working together great on this dramatic slow burner.
Xup EP
DKMNTLUFO 6
11 Nov 16
Techno
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XUP - (8:55) 127 BPM Biggest-selling track on this release
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Vast - (6:25) 160 BPM
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Tryptch - (4:08) 125 BPM
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Shadow Play - (3:44) 120 BPM
from $1.92
Played by: S-File
Dekmantel Anniversary Series
DKMNTL AS 53
21 Feb 12
Deep House
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Hundred20 - "The Whale Minke Congregration" - (6:32) 120 BPM Biggest-selling track on this release
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Hunee - "The Lowest Animal" - (7:35) 120 BPM
from $1.92
Played by: Roberto Rodriguez
Review: It's been five years since the launch of Amsterdam's Dekmantel parties, and three since the label sprang into life. To celebrate, they're putting out three Anniversary Series singles featuring tracks from roster artists and likeminded friends. This second instalment in the series features a track apiece from Hundred20 and Hunee. The latter is in fine form, delivering an off-kilter analogue deep house jam that harks back to the glory days of Mr Fingers and Virgo Four. Hundred20's bizarrely titled "The Whale Mink Congregation" also has a touch of the Larry Heard about it, offering a heady mix of deep chords, clattering 808 percussion and languid melodies.
Invisible Switch
DKMNTL 029
14 Dec 15
Techno
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Invisible Switch - (4:42) 132 BPM
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Organ To Dust - (5:13) 126 BPM
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Reset - (5:30) 124 BPM Biggest-selling track on this release
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Tell Us Where - (7:11) 120 BPM
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Amarna - (6:52) 127 BPM
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Nabta Playa - (6:25) 131 BPM
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18 Arms - (6:27) 126 BPM
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Beige Mantis - (4:44) 131 BPM
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Blind Light - (6:58) 130 BPM
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Step Back - (5:23) 124 BPM
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Review: Joey Anderson isn't a typical New York house producer. Aligned to the recent wave of artists to come from the city more through personal connections than a common sound, his work also has little relationship with the vocal house or disco legacy of the Big Apple. This disconnect is pronounced on Switch, his follow up to his 2014 debut album, also on Dekmantel. From the balmy ambience of the title track through the droning, visceral techno of "Nabta Playa" and "18 Arms" and the organ riffs and slinky minimalism of "Organ To Dust", Anderson's sophomore album takes a trip down some dark alleys to realise his singular vision.
Clean Cut
DKMNTL 021
08 Dec 14
Deep House
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Clean-Cut - (8:20) 125 BPM Biggest-selling track on this release
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Schmofield - (6:22) 123 BPM
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Whippersnapper - (6:12) 126 BPM
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Swamp Things - (5:53) 123 BPM
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Deadwood City - (6:16) 126 BPM
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Maharaja Mark - (4:28) 107 BPM
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Wheeze Please - (4:50) 120 BPM
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Anywhere - (6:11) 71 BPM
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Eventide - (6:56) 119 BPM
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SP Shakes - (6:41) 120 BPM
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Review: Juju and Jordash are rather good at making albums. Their last full-length excursion, 2012's brilliant Techno Primitivism, was a gloriously maudlin and evocative affair, as influenced by drowsy ambient and experimental electronica as house and techno. While there are some similarly dark tracks lurking in the shadows of third album Clean Cut (see the creepy "Swamp Things"), for the most part it's a pleasingly dancefloor-centric concoction. That's not to say that they've packed it with jolly moments - the tipsy, melodious "Anywhere" and dub disco-meets-deep house wonk-out "SP Shakes" aside - but rather their leftfield blends of house and techno have a more club-friendly feel. The results are, for the most part, extremely good, with the rave-era revivalism of "Whippersnapper" (a kind of darkroom, Detroit-influenced take on T-Coy's "Carino") standing out.
Down To The Roach EP
DKMNTL 026
29 Jun 15
Deep House
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Down To The Roach (original mix) - (8:05) 131 BPM Biggest-selling track on this release
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Bean Bag Motel - (7:13) 125 BPM
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Lights At Night - (7:02) 129 BPM
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Down To The Roach (dub) - (5:27) 131 BPM
from $1.92
Played by: Ellen Allien
Review: Given their frequent habit of charging off in different musical directions, predicting the contents of a new Juju & Jordash record is getting increasingly difficult. Down To The Roach, their latest release for regular home Dekmantel, is typically wide-ranging, variously exploring bouncy fusions of techno futurism and whimsical deep house (the title track and its' accompanying dub), new age-influenced dream house (the bizarrely titled "Bean Bag Motel"), and spiraling, synthesizer-heavy house/electronic disco hybrids (the stargazing goodness of "Lights at Night"). It goes without saying that all four tracks are imaginative, immaculately produced, and hugely enjoyable. Excellent work all round.
What About Tuesday?
DKMNTL 043
20 Jan 17
Minimal/Tech House
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Monday Mellow - (7:51) 126 BPM Biggest-selling track on this release
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Wednesday Something - (7:45) 126 BPM
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Thursday, Heavy. - (6:29) 124 BPM
from $1.92
Review: Israeli duo in Amsterdam Juju & Jordash really are unstoppable at present. When not focusing on solo projects or collaborating with German deep house don Move D as Magic Mountain High, they're up to their usual shenanigans in tandem and this new one for hometown heroes Dekmantel is a fine example of how they excel in what they do. The deep hypnotic house of "Monday Mellow" floats gently above soaring, ethereal pads, a bouncy bassline and soothing bell tones while "Wednesday Something" is more uplifting and and positive; swirling in layers of rich vintage synth flair and rushy arpeggios. "Thursday Heavy" is much harder hitting, but rest assured: it is still deep, with its booming Juno bassline and reverberated drums creating some basic trance induction that works a treat.
Dekmantel Anniversary Series
DKMNTL AS-5 1
19 Dec 11
Techno
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Juju & Jordash - "African Flower" (Cosmic Dub) - (9:59)
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Morphosis - "Impulse" - (8:22) 122 BPM Biggest-selling track on this release
from $1.92
Techno Primitivism
DKMNTL 011
01 Oct 12
Techno
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Stoplight Loosejaw - (8:48) 123 BPM
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Diatoms - (4:43) 120 BPM
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Backwash - (2:40) 124 BPM
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Rogue Wave - (3:14) 120 BPM
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Shakshuka Dub - (6:46) 115 BPM
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Slow Boat To Haifa - (3:01)
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Powwow - (6:02) 129 BPM
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Peligroso - (2:19) 142 BPM
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Dr Strangepork - (6:30) 110 BPM
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Track David Would Play - (7:07) 120 BPM Biggest-selling track on this release
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Echomate - (7:14) 119 BPM
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Techno Primitivism - (7:40) 114 BPM
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Loosey Goosey - (5:49) 124 BPM
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Shrublands - (7:00)
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Way Of The Road - (6:38) 118 BPM
from $1.92
Review: It's rare these days that you have a spare 90 minutes to focus on an album, but Techno Primitivism is one of those albums that makes you want to change your lifestyle accordingly. Everything about this new album from Juju & Jordash breathes class, showcasing a blend of music that's fully representative of the Amsterdam based duo's styles and influences. At 15 tracks deep, the full beauty of Techno Primitivism will undoubtedly reveal itself slowly, the cheeky misnomer of the title hinting at Gal & Jordan's often revealed humour. Opening in grand style with the triple suite of "Stoplight Loosejaw", "Diatoms" and "Backwash", the duo set a hazy, atmospheric tone that remains throughout, with brief machine funk interludes such as "Slow Boat To Haifa" and "Rogue Wave" in between longer improvised explorations. Favourites on this album change with every listen, but you can't deny the potency of tracks such as "Powwow" or the Magic Mountain High referencing "Track David Would Play" or the superbly titled "Dr Strangepork". One of the albums of this year, without doubt!
Soul Hell EP
DKMNTL 013
14 Aug 13
Deep House
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Soul Hell - (7:00) 120 BPM Biggest-selling track on this release
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Stinger - (6:08) 120 BPM
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Detrance - (7:03)
from $1.92
Review: Stefano "Ksoul" Boati and Paolo "MuteOscillator" Giangrasso join the Dekmantel fray having previously issued their brand of dusty, degraded house - a severely neglected Marcellus Pittman perhaps - through Aroy Dee's MOS Recordings, Azuri and their own Kinda Soul Recordings. Their style remains very much in evidence on the three track Soul Hell EP, with the title track standing out thanks to its wonderfully insouciant blend of tough kick drums, molten synth lines and playful key patterns that demonstrate Boati and Giangrosso's musicality. "Stinger" meanwhile is a deeper excursion characterized by its bassline squelch and subdued Detroit chords, while "Detrance" sees them indulge their experimental side, with a combination of stumbling beats and loose electronic textures that recalls the similarly abstracted house of labelmates Juju & Jordash. More essential wares from Dekmantel...
Dekmantel 10 Years 03
DKMNTL 10YEARS03
19 May 17
Techno
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Levon Vincent - "UK Spring Vibes" - (5:51) 123 BPM Biggest-selling track on this release
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Legowelt - "Blue Austral Techno" - (7:30) 120 BPM
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Joey Anderson - "Opened Gate" - (5:58) 126 BPM
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Central - "Six Five Two" - (7:38) 118 BPM
from $1.92
Review: Dutch party crew/ label Dekmantel has achieved more in the past decade than most labels, and that they are able to call on such a heavyweight line-up for the third installment of their celebratory series is evidence of this fact. The release starts with the steely drums and mournful, rainy day pianos of Levon Vincent's "UK Spring Vibes" - which is a rare contribution from the US artist outside of his Novel Sound label - and continues with the fist-punching acidic sweeps of Legowelt's "Blue Austral Techno". Shifting the focus back to the other side of the Atlantic, Joey Anderson weighs in with the spooky, swirling synths and understated "Opened Gate", while Danish artist Central rounds off the EP with the jazzy abstractions of "Six Five Two".
What Ya Doin'
DKMNTL 010
28 Jun 12
Deep House
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What Ya Doin' - (8:45) 128 BPM Biggest-selling track on this release
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What Ya Doin' (Funkineven remix) - (5:20) 126 BPM
from $1.92
Review: Dutch producer Makam has largely remained on the fringes of the acceptance his prolific output deserves. Based in The Hague, the producer cut an impressive swathe with his 2009 debut, the Sushitech released New York Hustler, and has been responsible for a steady stream of quality house in the subsequent period - mostly on the Berlin label. (Indeed we are still basking in the delights of Dreams Of Tommorow, a double 12" release on Sushitech that contained some of his finest work to date.) Having contributed to Dekmantel's Fifth Anniversary Series, Makam here graces the Amsterdam label with "What Ya Doin", which essentially picks up where he left off on the aforementioned Sushitech release, betraying his love for the heady times of house music's origins at The Music Box, playing a breathy vocal off against a procession of 909 rim shots. On the flip FunkinEven applies the deranged dynamics of his recent Apron endeavours to the track with typically explosive results.
Than Sadet
DKMNTL 041D
17 Nov 16
Balearic/Downtempo
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Chihuahuas - (1:21) 87 BPM
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When Light Gives You Hope - (8:16) 124 BPM Biggest-selling track on this release
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Buddha's Bridge - (4:59) 123 BPM
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Stray Dog - (5:08) 58 BPM
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Resort Abandoned - (7:05) 60 BPM
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Than Sadet - (3:38) 87 BPM
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Makarbar - (7:45) 129 BPM
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Mr Singh - (5:41) 129 BPM
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Riding High - (5:14) 64 BPM
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Mai Pen Rai - (5:17) 75 BPM
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Seven Kings - (4:32) 86 BPM
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Thunder Drums - (3:49) 110 BPM
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Romantic Blazer - (3:19) 64 BPM
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Waves Of Than - (6:26) 62 BPM
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Than Sadet Sampler EP
DKMNTL 037
24 Jun 16
Deep House
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Riding High - (5:14) 127 BPM Biggest-selling track on this release
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Than Sadet - (3:38) 87 BPM
from $1.92
Review: Makam doesn't let up! The Dutch hero re-appears on homebase Dekmantel where he's surely become a stalwart of the label and their sound. On "Riding High" he gives us a melodic deep house journey full of emotion and equal parts mystery over its glorious five minutes that you'll wish never stopped. Ge serves up something much more atmospheric on the grainy ambience of "Them Sadet", a collage of trippy exotic samples over emotive elements makes this one definitely to remember also.
Nubian Metropolis
DKMNTL 022
26 Jan 15
Deep House
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Sermons - (6:46) 124 BPM Biggest-selling track on this release
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Cybernetic Implant - (5:52) 126 BPM
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Siamese Twins - (6:56) 126 BPM
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System Blackout - (5:58) 127 BPM
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Review: In terms of current US artists, no one seems to have made as much of an impact in recent times as the the superbly named Charles McCloud Duff has done under his Matrixxman name. Unknown To The Unknown, Spectral Sound and Soo Wavey Records are some of the labels that have put the call out for material from Matrixxman, whose club ready style of house and techno has always been complemented by a clear sense of humour. Matrixxman's superb debut for Dekmantel makes for a perfect start to 2015 for the increasingly influential Dutch label and is hopefully the start of a prosperous working relationship. Opener "Sermons" is loose and jacking, with a decidedly haywire acid line at its core, whilst "Cybernetic Implant" reins in the rhythmic madness in order to let those deep bleeps catch you off guard. If you like rolling vocals a la Hodge's "Amor Fati" do check closer "System Blackout", which is our pick!
Sector I/Rhythm
DKMNTL 039
07 Nov 16
Techno
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Process - (6:11) 131 BPM Biggest-selling track on this release
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Mainframe 2.0 - (7:25) 130 BPM
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Glyph - (6:08) 133 BPM
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Instigator - (6:26) 127 BPM
from $1.92
Review: While Matrixxman has produced releases for a wide range of labels, it seems that he has a soft spot for Amsterdam imprint-turned- party organisers Dekmantel. It was on this label that Charles McCloud Duff put out the excellent Nubian Metropolis in 2014, and Sector I/Rhythm is just as impressive. While Duff's approach is far more singular on this follow-up, it proves again that he is a skilful interpreter. In this instance, it's the 90s techno of Hawtin, DBX and 7th City. Percussion flies in like hail stones descending on the Hudson waterfront; drums kicks and stomp relentlessly, and each track has the nervous, twitchy analogue energy of mid-90s midwest techno.
Sector II: Acid
DKMNTL 045
20 Feb 17
Techno
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Arrival - (7:45) 130 BPM Biggest-selling track on this release
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Bad Acid - (6:10) 125 BPM
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I Am Matrix - (6:26) 129 BPM
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Rites - (6:33) 127 BPM
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Review: Bay Area retrovert Matrixxman has become one of the most in demand producers of techno in the last couple years, due in so small part to some stellar releases on Delft, Spectral Sound and of course Dutch institution Dekmantel who now present the second installment of a triptych series. Following up the first volume Sector I: Rhythm, Sector II: Acid does exactly what it says on the tin: exploring the timeless capability of that little silver Roland box. He joins the dots between hypnotic techno and acid house on "Arrival" or "Rites" just as well as Scandinavian Varg can. Speaking of acid house: it's exactly that in all its vintage charm; it's like '88 all over again on "Bad Acid" or the absolutely explosive "I Am Matrix".
Future City Traffic Part 1
DKMNTL 018
06 Oct 14
Deep House
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Anti Social Plan - (6:21) 125 BPM Biggest-selling track on this release
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Slow Run In Our Dreams - (5:01) 126 BPM
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Crisis Zone - (8:21) 120 BPM
from $1.92
Review: Having previously collaborated under their given names, Massimo Di Lena and Rio Padice launched their MFO project earlier in the year with a single-track salvo on their own Early Sounds Recordings. Here, they deliver the first MFO 12" for Dekmantel, and it's something of a peach. All three tracks effortlessly join the dots between Detroit techno, machine soul and deep house. This manifests itself in the fizzing alien funk of opener "Anti-Social Pain", the melancholic pianos and rolling machine drums of "Slow Run In Our Dreams" and, most impressively, the robust, techno-tempo percussive assault of "Crisis Zone".
Future City Traffic - Part 2
DKMNTL 019
20 Oct 14
Deep House
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Motor - (6:46) 124 BPM Biggest-selling track on this release
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Oman Jazz - (6:51) 123 BPM
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Design The Future - (5:21) 125 BPM
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Arctic Lodge - (6:12) 120 BPM
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Just A Clown On Crack
DKMNTL 036
13 Jun 16
Ambient/Drone
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Bridge Over A Golden Duckpond - (4:46) 60 BPM Biggest-selling track on this release
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Japanese Trains - (3:51) 120 BPM
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Telephatic Consultation - (8:52) 144 BPM
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Blue Austral - (7:57) 120 BPM
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Central Coast Drifter - (5:56) 83 BPM
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Just A Clown On Crack - (5:54) 90 BPM
from $1.92
Review: Danny 'Legowelt' Wolfers describes the music he makes under the Occult Orientated Crime alias as "an accumulation of 20 years of musical research and training, and what affect it has on the brain". Read into that what you will; in practice, his OOC output allows Wolfers to explore the more deep and cosmic end of the ambient spectrum, with sly nods towards jazz and movie soundtracks amongst the Motor City synthesizers, buried spoken word vocals and intergalactic chord progressions. The fantastically titled Just A Clown On Crack is the first OOC release to make it to wax, and effortlessly recalls the early '90s glory days of ambient house and intelligent techno, whilst still retaining many of Wolfers' stylistic trademarks.
In Gold
DKMNTL 024
30 Mar 15
Deep House
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In Gold - (6:18) 124 BPM
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People Of Tusk - (5:49) 123 BPM
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Sumo Acid Crew - (6:19) 126 BPM Biggest-selling track on this release
from $1.92
High Point On Low Ground
DKMNTL 030
01 Feb 16
Deep House
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High Point On Low Ground - (5:29) 124 BPM
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Cloud City - (6:01) 125 BPM Biggest-selling track on this release
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Paws - (5:03) 124 BPM
from $1.92
Review: Having initially impressed with two fine singles on Lobster Theremin, Jay "Palms Trax" Donaldson joined the growing Dekmantel with 2015's In Gold. Here, he delivers his second EP for the acclaimed Amsterdam imprint. Opener "High Point On Low Ground" is a cheery, life-affirming delight, with layers of glistening, analogue-sounding synthesizer lines riding a rubbery electronic bassline and breezy deep house beats. You'll find nods to Giorgio Moroder, grandiose Italian piano house and spine-tingling Balearica on the notably large "Cloud City", while "Pause" is a punchy electro-meets-acid track with a sunny, melodic twist. He rarely fails, and this is another ear catching three-tracker.
Quadra
DKMNTL-UFO 1
03 Jun 16
Techno
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Quadra - (6:48) 128 BPM Biggest-selling track on this release
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Cartesian Taiko - (5:48) 128 BPM
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P2ME - (5:59) 130 BPM
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Duet Dub - (5:51) 128 BPM
from $1.92
Review: Since making his debut a decade ago, Belgian-in-Berlin Peter Van Hoesen has earned a reputation as one of techno's most reliable producers. Perhaps it was that reliability that persuaded Dekmantel to sign him up as the debutant of their new UFO vinyl-only series. There's naturally plenty to get excited about on Quadra, with each of the four tracks hitting the spot. "Cartesian Taiko" sounds like Derrick May reworking Vangelis' Blade Runner soundtrack after a few love pills, while "Duet Dub" is a crustier, more urgent affair, full of pinging electronics and post-industrial sleaze. "P2ME" laces oddball electronic bleeps and stabs over a relentless techno groove, before he breaks up the beats on the trippy-but-dense electro shuffle of "Quadra.
Running Dry
DKMNTLUFO 2
24 Jun 16
Experimental/Electronic
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Running Dry - (5:32) 65 BPM
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My Ears Hurt - (4:40) 87 BPM
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Rendell Pips - (4:18) 65 BPM
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Music For Two Kalimbas - (5:39) 65 BPM Biggest-selling track on this release
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Review: The title track on Randomer's first release for Dekmantel is deceptive. Although the rhythm flails and rolls with the UK producer's usual sense of urgency, it is swathed in misty, hazy melodies. There is no such ambiguity on "My Ears Hurt"; earning its place on the label's UFO Series, the arrangement features a rhythm that weaves its way in and out of a myriad of tonal blips and bleeps. In contrast, "Rendell Pips" and "Music for Two Kalimbas" are powerful DJ cuts. In the absence of any unusual sideways turns, Randomer relies on tight drums, rolling rhythms and plunging breakdowns to lead the listener down the wormhole.
Dekmantel Anniversary Series
DKMNTL AS-55
05 Apr 12
Deep House
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Redshape - "Flexx" - (7:06) 118 BPM
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Fudge Fingas - "Light In My Life" - (6:01) 117 BPM Biggest-selling track on this release
from $1.92
Played by: Shadow Dancer, Cottam
Review: To date, Dekmantel's Anniversary Series of singles has proved to be something of a hit, delivering high quality deep house, acid and techno from such formidable talents as Hunee, Juju & Jordash, Skudge and Lone. Predictably, this fifth instalment is just as impressive as its predecessors, offering wildly contrasting fare from Redshape and Fudge Fingas. While the latter's fluid, loose, jazz-flecked "Light In My Life" impresses greatly, it's Redshape who wins the day. His "Flexx" is unashamedly powerful - a sweaty, percussive roller full of shuffling military drums, stargazing techno melodies, foreboding strings and booming bassline pressure. It's arguably his best for sometime.
Paradygm Shift
DKMNTL 050
26 May 17
Techno
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Preface - (2:17) 162 BPM
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Idea - (6:28) 130 BPM Biggest-selling track on this release
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I Am - (5:54) 127 BPM
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Solid Thought - (6:03) 129 BPM
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Nephesh - (5:52) 130 BPM
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Pneuma - (6:42) 126 BPM
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Pattern 8 - (5:55) 126 BPM
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Thought Process - (5:37) 126 BPM
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Lockers (extended album mix) - (6:34) 128 BPM
from $1.92
Review: Detroit innovator Rob Hood is the latest name to release on Dekmantel. The Dutch label and party organisers have put out work by an impressive array of artists, but persuading the Minimal Nation author is a true masterstroke. Shift, which arrives in time for the festival season, starts with the eerie "Preface" before Hood launches into the abrasive, metallic rhythm of "Idea" and "I Am", a clap-heavy groove whose central riff just keeps on building and building. There are echoes of Hood's minimal past on the loopy "Solid Thought" and the wiry funk of "Nephesh", but Shift captures Hood in big room mode and is the spiritual heir to the locked-on, peak time techno of the Detroit producer's Omega long player.
Paradygm Shift Vol 1
DKMNTL 031
04 Mar 16
Techno
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Form - (7:20) 126 BPM
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Lockers - (5:06) 128 BPM Biggest-selling track on this release
from $1.92
Review: The recruitment of Robert Hood is a sign of Dekmantel's growing stature as a label. The Detroit legend has agreed to release a trio of EPs and an album under the Paradigm Shift banner, a project title designed to reflect the producer's desire to see great change within dance music. This first EP is classic Hood, with A-side "Form" - all effects-laden drums, looped-up textures, hissing cymbals and cacophonous kick-drums - sounding like no-one else. Flipside "Lockers" follows a similar script, though there's a little more house-influenced funk to the relentless beats, while Hood's use of starburst riffs and classic Motor City electronics adds a sense of far-sighted adventure..
Paradygm Shift (Volume 2)
DKMNTL 038
10 Jun 16
Techno
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Master Jack - (6:11) 130 BPM
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Magnet - (6:32) 128 BPM Biggest-selling track on this release
from $1.92
Review: Hot on the heels of Detroit legend Robert Hood's first EP for Dekmantel, Paradygm Shift, comes this second volume of typically forthright techno cuts. Opener "Master Jack" is hypnotic and heavy, with spacey synth loops and starburst electronics riding a thumping bassline and relentless rhythm track (think fizzing cymbals, snappy drum machine handclaps, colossal kick drums etc). "Magnet" is altogether deeper affair, but no less devastating. Hood is a master at wringing maximum dancefloor effectiveness out of the least number of intertwined elements, and here works wonders with little more than stomping drums, metallic electronics, and some well-placed special effects.
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