Dessous Germany At Juno Download

Review: Andrade drops his first EP on Steve Bug's Dessous imprint. Alongside "Face De Bouc," we get two more original Andrade productions and a remix of the title track provided by fellow Frenchman, D'Julz. Since arriving on French label, Time Has Changed last year, Andrade has managed to build a fresh, deep sound of his own. This sound, as heard over EPs such as "Design Pattern," "Fingers" and "Day of Defeat" on the aforementioned label has so impressed Dessous owner, Steve Bug that the German signed him up for two EPs on his own imprint. "Face De Bouc" is the first of these, showcasing his deep and groovy, house sound that slots perfectly onto Dessous. The title track is a pumping take on disco house. The vocal stipulates "take a ride," something that Andrade?s playfully funky bassline immediately does. Swinging beats join the mix before simple, more rumbling bass takes over and starts to drive the track. Using cosmic elements and some nifty horn parts, the track builds and builds as its funkiness comes back to life again. D?Julz, who is seemingly the face of this EP, comes next with his trademark upfront and high quality take. Starting off in tougher tract, the remix remains grounded through some deft jazz-like percussion. With its dub influenced approach to house music, this remix displays all the quality and skill that has made D?Julz the in-demand artist he is now. Finishing with two more Andrade tracks, the Frenchman stakes his claim to be held in such regard. "Old Rules" is tight, funky sub bass working in perfect cohesion with classic house stabs whereas "Prototype" goes even deeper than the rest, complete with soft female vocal meanderings and solid pumping grooves. This is Andrade showing just what he?s got for his first EP for Dessous, and as far as I can see - besides ample groove and funk, that also seems to be a whole lot of talent.

Review: Dessous Recordings - Steve Bug's other label - has always supported the more melodic, fluid end of the deep house spectrum. While recent releases have been notable by the force of their low-end bounce, the label's commitment to musicality remains. This EP from Parisian producer Olivier Andrade continues that trend. "Hype No Tool" boasts sweaty, bumping drums, but it's to the hypnotic, jazzwise piano riff and long, drawn-out chords that the ear is drawn. "Love", meanwhile, opts for more of a cut-up garage revival flex, while "Magic Key" is simply sumptuous. As if that lot wasn't enough to get the juices flowing, there's also a tipsy, loose remix of "Hype No Tool" from Dessous regular Kiki.

Review: It doesn't seem long since Burnski was taking his first steps in house, releasing promising EPs for Tropez, Infant and 2020 Vision. Now he's something of a grizzled veteran, with the production skills and trademark sound to show for it. As a result, this three-tracker for Dessous boasts some of his strongest work yet. The title track itself is a real peach; a nine minute exercise in eyes-wide-shut deep house that pairs soft and cuddly synths and vocals samples with thick and booming low end pressure. "There's A Cukprit" offers an impressive mix of late night creepiness and post-jack chugginess, while "Watch Out" should inject some much-needed funk into dreary afterhours dancefloors.

Review: Bristol tech-house veteran and Cardiff-based DJ/producer Owain K have been working together for some time, with 2012's "Do You Know" being one of the sleeper hits of last summer. Here, Dessous Recordings gives it the remix treatment. Barcelona's Soul Minority kicks things off with a version that gets just the right balance between weighty low-end shuffle, summery brightness and sparse deepness. The Inner Space mix is propelled forward by waves of smooth chords and bubbling electronics, while the Jazz Reprise mix drops layers of twinkling jazz keys over a classic '90s house groove. There's also a Juno exclusive in the shape of the Deep Space mix - a bumpin' deep house tweak with just the right amount of synth-laden futurism.

Review: Bristol's Jamie Anderson has always been a bit of a musical chameleon. While he has rarely strayed far from house pastures, he's turned his hand to everything from classic tech-house and hypnotic deepness to rough acid and even fidget. Here, he's back on familiar ground with a four-track deep and tech-house excursion on Dessous, this time in collaboration with up-and-coming Cardiff producer Owain Kimber. As you'd expect from Anderson, there's plenty of eyes-wide-shut melodies and twittering Detroitian synths to savour (see "Airwalk" and "Limelight"), alongside some ultra-deep grooves for the afterhours heads. Of these, it's the low-end hustle of "Without Dub" that most impresses.