Drumpoet Community Switzerland At Juno Download

Review: For their most anthemic outing yet, Drumpoet Community have turned to the most unlikely of sources: former Compost Records nu-jazzer Bernd Kunz, better known as A Forest Mighty Black. When Compost boss Michael Reinboth decided to launch his Munich-based downtempo/nu-jazz imprint in 1994, it was Kunz who provided the first release - the decidedly trip-hoppish "Do-Ba-Ye". While the boffins among you will point out that he moved on to Detroit-influenced deep house sometime ago (he was part of the Lost Men, who released a trio of releases on Drumpoet Community in the late noughties) it's still a surprise to hear him laying down such an unashamedly 'big' slab of uplifting, piano-centric late night jack. With liberal use of cut-up vocal samples, soaring strings and dense percussion, it has a real classic New York house feel - albeit with a big dose of Underground Resistance thrown in. It's undoubtedly the best thing Kunz has done yet. The more hypnotic "Nasty Imposition" continues in this vein, building a pleasingly trippy groove around dubbed-out electronic riffage, dense drums and delay-laden vocal snippets.

Review: Switzerland based label Drumpoet Community is grabbing the attention of the deep house world at the moment, following a string of impressive releases. Next up is the Zurich based duo, Azuni, whose "Here You Come EP" stands as a clear example of why the label is enjoying so much success lately.

Gianni Siravo and Sven Lacoste have both been around individually for some time. However, it is as the joined force of Azuni that they have enjoyed the most recognition. 2008?s debut album, City Look, released on Agnès? Sthlmaudio imprint introduced the duo to the house world in style. Now, their debut release on Drumpoet Community is looking to propel them further into the limelight with two big, groovy tracks of Detroit influenced house that are stripped down to the max.

"Here You Come" sees simple and pumping grooves build from the ever present riff. It twists and turns in hypnotic fashion, with swirling melodies cushioned by warm synthesizer pads. The hushed vocal takes you straight back inside the warehouses of early days of Detroit, completing that authentic old school sound that resides throughout this record. "Believe?s" vocal is from a similar vein. At first it stabs away in disjointed fashion, but as the track builds it develops into full lines of speech. The track is a slower, jacking number, once again built around a simple riff. The two note organ motif keeps the simplicity and the deep kick drum adds the bumping house sound that lends itself to the earlier part of the night where the dancefloor begins to build nicely.

As Drumpoet Community's reputation for quality house continues to grow, so too does Azuni?s production talents. If the "Here You Come EP" is anything to go by, we can be sure that there is plenty more to come from both label and artist.

Review: Despite their fairly deep and tech-tinged roots, Drumpoet Community have a tendency to get anthemic every now and then (see AFMB's spine-tingling "Backup Days" from a couple of years back). This two-tracker from up and coming producer Gianni Siravo is one of those occasions. Lead cut "Basement Chord" is a real shirts-off affair - a riotous, basement-friendly combination of bumpin', boompty-influenced low-end bounce, Detroit-techno influenced hissing hi-hats, rave-era riffery and nagging piano hooks. It even has some sharp, high-end strings and whispered vocal samples. It's not so much big but gargantuan! The accompanying "Basement Dub" tones it down a touch, focusing on the groove for darker late night moments.