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HYPELTDDIG 09
04 Mar 13 Deep House
Played by: Mike O'mara(Development Music)
Review:
After essential releases for underground labels All Caps, Livity Sound and Idle Hands, Alex Coulton makes a deserved step towards widespread acclaim with his debut for Hypercolour's Hype Ltd series. Those familiar with the darker sounds of Coulton's earlier releases will be surprised by the catchy club-ready tech-house stabs of opening tune "Dance, Max", a track nevertheless taken into deeper territory with a solitary vocal cry and sweeping synth horn. "Submerged" meanwhile is classic Coulton; a dub-techno roller filed with atmospheric water droplet sounds, drawn out Basic Channel-inspired chords and a gently swung rhythm. "Function" meanwhile is not an ode to the Sandwell District producer but a darker version of the EP's first track, clouding its stabs in greyed-out abstraction while a swelling sub-bass lurks beneath its crisp hi-hats, while closer "Fade Realization" may be the EP's finest moment, a perfect combination of dub techno aesthetics, pitch bent synth elasticity and intricate broken rhythms which belie the record's title.
HYPE 010
07 May 12 Minimal/Tech House
HYPE 020
01 Aug 11 Minimal/Tech House
HYPE 020
07 May 12 Minimal/Tech House
HYPE 002
05 Jun 07 Minimal/Tech House
HYPE 002
07 May 12 Minimal/Tech House
HYPE 26
27 Aug 12 Minimal/Tech House
Review:
One of the most talked about labels in house music comes good with another anthem. The only trouble with "Higher Level" is the timing; had Hypercolor released this two months earlier, it would have become one of the summer's biggest hits. The premise, like with many great releases, is fiendishly simple; create a tracky arrangement, find a soulful vocalist and get them to sing about their woman's beauty. Then add some disco strings and some funk-drenched guitars and let it play out. Even the presence of a remix by Mr Fingers, which introduces a brooding bassline and eerie synths, or the shimmering deep house of the GA's Love is the Dub remix can detract from the original's brilliance.
HYPEDIGI 30
15 Apr 13 Deep House
Review:
This tumbling chunk of dewy-eyed deepness sees Hypercolour head honcho Alex Jones join forces with rising talents Bareskin and J Wiltshire. The latter's atmospheric, semi-fragile vocals provide a focial point atop a shuffling, surprisingly pleasing melodic groove. There's none of the standard Hypercolour garage bass, or those big, rave-influenced riffs. Instead, the trio has delivered something that should appeal to all those who like their deep house with more than a splash of melancholia. If it's a sign of things to come, expect Hypercolour to investigate deeper waters over the next few months.
HYPELTDDIG 011
22 Apr 13 Disco/Nu-Disco
Played by: Alexander Robotnick
Review:
Teaming up for the first time on Hypercolour LTD, Bristolian beat heads Arkist and Komon bring their considerable studio prowess to bear on two cuts that slip neatly between the cracks of contemporary electronic music. "Brookfield" shuffles and shimmies with live drums and warm, fulsome bass, never afraid of embracing bold and emotive melodies to throw down on a crisp groove and maintaining a dynamic sense of progression throughout. "Kitchen Monks" goes for a more propulsive groove but maintains the fluid, melodic funk of the lead track, working some displaced vocal into the mix, a sink-full of found sound percussion and crafty layers of different synths, keeping laid back just as much as it kicks it.
HYPE 31
11 Mar 13 Minimal/Tech House
Played by: Andrew Allsgood (Free Association), Dairmount (Room With A View Recs), Juno Recommends Minimal/Tech House, Rodriguez Jr
Review:
Often a worthy wildcat amongst more play-it-safe deep house pigeons, Axel Boman can now be found prowling to Hypercolour with an EP brimming with originality and vitality, taking the less trodden path through house music. "Television People" heads into a nervous state of uneasy synth lines, oddball speech and gently simmering drums, while "Cubic Mouth" goes straight in the opposite direction with a light and breezy refrain revolving around carefully treated piano chords. "Look What You've Done To Me" is a more sombre affair, but still boasting some developed dynamics to move the track, and then "Klinsmann" switches up altogether with a heartfelt, epic vocal track that gradually builds into a measured acid psych-out.
HYPEDIGI 24
22 Oct 12 Minimal/Tech House
Played by: Wildlife!, Commodore 69 (Hot N Heavy), Resident Advisor, Filthy Rich (Toolroom/Great Stuff)
Review:
Underground house with a raw edge is on offer here. "Eyes" is based on a resonating bass and features acidic licks, a shuffling rhythm and the suggestive vocal sample "the way you want me I see it in your eyes". "Framework" is more understated; it also features dubby beats and a vocal sample, but this time the voice is muffled and indistinct. Bareskin also shows a deeper side to his palette; "30 Mirrors" is an uplifting vocal house groove, but it can't compare to "Night Squad". Featuring Jack Wiltshire on vocals, its warm bass and fragile break beats make it easy to understand why he sings "I leave it all behind to be with you".
HYPEDIGI 25
19 Nov 12 Minimal/Tech House
Played by: Maya Jane Coles
Review:
Released the same week as his remix of Proxy on Turbo, you might say Bobby Champs is currently enjoying a nice little 'level up' right now. And why not? His productions really do sparkle with originality and character. "Steve Martin" echoes its way into a groove with a sound that tips a nod to the mid 00's Berlin explosion but with much more of a cheeky house swagger. "NYC Panther" is a much more techno-influenced affair as a thumping kick drives us into a thick stew of vocal loops and percussive elements. "Brooklyn Bomb" completes with set with a more jacking rhythm arrangement and a collection of snub-nosed synth sounds.
HYPE 021
19 Dec 11 Deep House
HYPE 018
01 Jan 00 Minimal/Tech House
HYPE 018
07 May 12 Minimal/Tech House
HYPEDIGI 07
15 Mar 10 Minimal/Tech House
HYPEDIGI 007
07 May 12 Minimal/Tech House
HYPEDIGI 15
31 Oct 11 Minimal/Tech House
HYPE 005
17 Oct 07 Minimal/Tech House
HYPEDIG 006
04 Dec 09 Minimal/Tech House
HYPEDIGI 006
07 May 12 Minimal/Tech House
HYPE 015
07 May 12 Minimal/Tech House
HYPE 005
07 May 12 Minimal/Tech House
HYPE 30
17 Dec 12 Deep House
Played by: Homegroove Project, Alkalino, Juno Recommends Deep House, Nic Fanciulli, Sean Danke, DJ Cure (Aufect Recordings), Anja Schneider, Hermanez, Shox, Gullfisk, Resident Advisor, Tom Taylor, Jack Fell Down, Tulioxi, Flashmob, Eats Everything, Donka, Agoria, DJ Hell, Hot Since 82
Review:
The techy and bass-ready label Hypercolour has always had some pretty leftfield tendencies, ranging from its releases with Groove Armada and Neil Landstrumm, to cheeky Aprils fools day pranks all part of the package. However George Fitzgerald's Needs You EP typifies the Hypercolour sound minus any tomfoolery. "Needs You" in particular plays "oh baby" vocals, sucking percussion and melodic keys against vast-monoliths of low end sonics. On the flip is "Every Inch" again by Fitzgerald. Fluted synth spooks and successive clap-tambourine combos swing to a groove that has a moderately lighter mood. Deetron writes a love note to rave and garage in his remix to "Every Inch" by the way of squelchy electronics and nerdy percussion.
HYPEDIGI 27
31 Dec 12 Minimal/Tech House
HYPE 001
07 May 12 Minimal/Tech House
HYPE 006
07 May 12 Minimal/Tech House
HYPEDIGI 010
07 May 12 Minimal/Tech House
HYPEDIGI 22
16 Jul 12 Deep House
Played by: G Rom
Review:
Hypercolour look to further cement their reputation as hardest working label on the UK circuit with this Fat Controller EP which sees Cocoon regular Glimpse team up with both martin Dawson and Hypercolour's own Alex Jones - and there's a Roman Flugel mix too! It's Glimpse and the one armadillo Dawson who take the controls for the title track which a tilting tech houser that sits somewhere between the vocal led stylings of Detroit Grand Pubahs, Art Department and Sex Judas, whilst the Flugel remix naturally shifts the track towards a more organic sounding place and is finger snapping good! On the figurative flip Jones and Glimpse take it down the afterparty rabbit hole with the intense and abstract "Faulty Female."
HYPEDIGI 002
07 May 12 Minimal/Tech House
HYPE 27
29 Oct 12 Minimal/Tech House
Played by: Blacksoul, Dirty Channels, Marius (Bel), Flash Atkins, Solomun, Richard Dinsdale, Carl Cox, Freddy Love, Groove Armada
Review:
Say what you like about Groove Armada, they've always been good at tailoring their tracks to suit current trends. Hence this second EP for Hypercolour explores various facets of contemporary house. So, "Activate My Heart", 'The Vicksburg Cut" and "Always Take Me Higher" sound like the big room-bating shufflers so beloved of the Crosstown Rebels and Visionquest labels, "Chicago Chicago" sounds like a reboot of "This Is Acid" (minus the needless rap, mind) and "Don't Take Your Love Away" sounds like Tensnake gone ravey. That's lots of boxes ticked, then.
HYPE 24
04 Jun 12 Minimal/Tech House
Played by: Ennio Styles (Stylin Radio Show), Haszari, Alexander Robotnick, Juno Recommends Minimal/Tech House, Downtown Party Network, Carl Cox, Groove Armada, Tura, Massimiliano Guaiana, Things Happen, Groove Armada
Review:
It's testament to Groove Armada's love of underground music that they have chosen to re-appear not in the afterglow of corporate EDM but on the excellent Hypercolor label. Over the course of this four-tracker, they also show that their repertoire extends far beyond "At The River". "Oh Tweak To Me" and "Stevie Late Night" are redolent of that grey area where punk-funk and acid house sometimes get it on, with dubbed out drums and trippy effects cosying up with wired acid lines and half-heard vocals. At the outset, "There Was Rhythm" suggests they are going to plough a darker furrow, but when the soulful keys and evocative vocals kick in over the crashing snares, the listener is treated to the best of both worlds. The woozy synths of "Luv 91"complete this remarkable comeback.
HYPEB 001
17 Sep 12 Deep House
Played by: Spettro, Ricky Simmonds (DJ Rsi), Fatboy Slim, Ellen Allien, Groove Armada, Sound Gypsy, Cosby (Car Crash Set), Duke Dumont
Review:
Hypercolour have pulled off a bit of a coup by bagging themselves a formidably floor-friendly rinse-out from veteran festival favourites Groove Armada. With veteran dancehall toaster Slarta John on the mic, "Pull Up" sounds like a UK Funky-era take on Basement Jaxx's "Jump and Shout", or GA's own "Superstylin". The headline remix comes from talented bass music separatist West Norwood Cassette Library, who offers up a booming but bouncy mix that's just a little more cultured - if no less floor-friendly - than the hectic original. Label regular Alex Jones delivers two contrasting versions, with the classic underground house sheen of his second version taking the plaudits.
HYPEDIGI 017
27 Feb 12 Minimal/Tech House
Played by: Pat Lok (Homebreakin/On The Fruit)
Review:
Rising star on the Croatian scene, Homeboy steps up to Hypercolour to serve up some apt sunshine house music. "Halfway" sports tropical percussion and a harmonising piano line that reek of sweat and sun tan lotion, without ever getting too heated. "You Make Me Go Crazy" sports a touch more edge in its heavily swung garage bump and cheeky 90s keys, and "Treehouse" further demonstrates that this kind of groove suits Homeboy the best. Don't overlook the rubbery bass treats to be found on "Sound In D Air", and return to Youandewan's reworking of "Halfway" when you need an emotive soother for your party worn ears.
HYPE 32
08 Apr 13 Deep House
Played by: Homegroove Project, Juno Recommends Deep House, G-Blaster (Rotarydisco76), Huxley, Cosby (Car Crash Set), Kono Vidovic, Dale Howard, Two Charming Men, Benny Kane
Review:
Huxley seems to be everywhere right now. Hot on the heels of Tsuba's recent retrospective of his career to date comes this typically ballsy two-tracker for the omnipresent Hypercolour. Both "Bellywedge" and "Little Things" continue his ongoing flirtation with the bassier end of house, delivering rumbling garage basslines, cut-up vocal hits and far-sighted atmospherics. Both are, predictably, suitably large, with the marimba melodies, garage vocals and bowel-bothering sub of "Bellywedge" just edging out the Lone-ish rave revival flex of the stab-tastic "Little Things". Expect to hear both tracks a lot over coming months.
HYPE 023
12 Mar 12 Deep House
HYPELTDDIG 06
05 Nov 12 Minimal/Tech House
Review:
Moving ever faster away from his roots in shimmering and angular 140bpm tracks, Indigo burrows hard into the fertile territory of contemporary UK techno, armed with a bleak disposition and a keen ear for dishevelled dynamics. "Wake" pushes forward on a rumbling sub line and tough, punchy drums. It's a staggeringly full-fat production that builds in energy with dynamic edits and an unrelenting drama, not least from the bold breakdown. "Aradia" is slightly warmer in tone, with a bassline that embraces rather than pushes away. The percussion remains impressively tangible in the foreground, even as it darts in and out of the mix to make for an overall minimal outing. "Kali" provides a surprising diversion in the broken beat template under which all manner of distressed synthesisers can pulsate.
HYPELTDDIG 05
01 Oct 12 Deep House
Review:
Alex Jones and Cedric Maison's Hypercolour imprint has been on fire of late, dropping a succession of hard-to-pigeonhole bombs. This EP from J Alvarez is another winner. Lead cut "7 Mile Bridge" - a kind of woozy fusion of garage revivalism and cocaine house chic - is arguably the highlight, but there's plenty more to enjoy. Check, for example, the loose chord changes and constantly-evolving percussion of "Take", or the booming late night bass-propelled oddness of "Ship Canal" - something akin to being dropped into a canal headfirst while off your nut. The silky, garage-inclined "Sin Nombre" is pretty tasty, too.
HYPEDIGI 29
04 Mar 13 Deep House
Review:
Amazingly, newcomer J Wiltshire is just 18 years old. Given the quality of the productions showcased here, and his sure-footed approach to composition, that's something of a surprise. His woozy, claustrophobic take on deep house - all sweeping chords, shuffling grooves and trippy male vocals - is underpinned by the sort of toe-tapping, head-nodding bottom-end that doesn't so much gently entice you towards the dancefloor as lead you by the hand. "How It Is" is probably the pick for peaktime plays, though the Julio Bashmore-ish "Closer" runs it close. "Take It Off My Mind", on the other hand, is just beautiful.
HYPE 008
07 May 12 Minimal/Tech House | ||
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