Korg At Juno Download

Clip on instrument tuner

Review: The Korg AW-2 Chromatic Tuner enhances the basic basic concept of the AW-1 by adding the flexibility of an adjustable angle for the display section, enhanced visibility from the built-in backlight and improved fit to your instrument, allowing the performer to tune in a natural position. With the AW-2, you'll be ready for stress-free tuning in any situations.

LCD needle-style chromatic tuner

Review: The proven choice for any instrumentalist, Korg's affordable CA-1 Chromatic Tuner is packed with features missing from other low-cost chromatic tuners. Pure major and minor third indicators benefit any ensemble player. Auto power off preserves battery life.

High accuracy and superb functionality have made Korg tuners the worldwide favorite. And now, the new CA-1 joins the best-selling CA series of band tuners. With even more features, like a pitch reference tone and marks for pure major thirds and minor thirds, the CA-1 Chromatic Tuner packs basic functionality and convenient tuning functions into an ultra-compact body.

https://www.youtube.com/watch?feature=player_embedded&v=V5RnVB7eOmo

Chromatic tuner with output jack & folding stand

Review: With superior features like a large, easy-to-read, LCD needle-style display, the Korg CA-40 Chromatic Tuner is a great value! Expect nothing but the best from this highly functional digital tuner!

With a wide range that covers A0 (27.50 Hz) - C8 (4186.01 Hz), you can tune a variety of instruments with the Korg CA-40, including wind, string, and keyboard instruments. You can use the built-in high-sensitivity microphone to detect the pitch of an acoustic instrument without the need for any other equipment. Alternatively, you can use the separately sold CM-100 contact microphone so that you can tune accurately without worrying about other sounds in the environment. An output jack (bypass) has been added to this digital tuner, making it easy to check the tuning even while you perform.

The CA-40's display has been enlarged for even clearer visibility. In addition to providing both the accuracy of an LCD and the easy viewing of a needle-style meter, red and green LEDs are also provided to indicate pitch deviations, making tuning smooth and easy.

In addition to letting you tune visually using the meter, this digital tuner provides a Sound Out function that plays a reference tone through the internal speaker, allowing you to tune by ear. You can adjust the reference tone in semitone steps over a range of C4 through C5 to accommodate a variety of instruments. Since the reference tone you specify is remembered, it's easy to sound it again whenever you need to.

The Calibration function of this hand held tuner lets you adjust the pitch in 1 Hz steps over a range of 410 - 480 Hz in order to accommodate a variety of concert pitches, giving you the flexibility to tune accurately to any song or key. There's also a memory backup function that preserves the Calibration setting and Sound Out settings even when you turn off the power.

The power of this digital tuner will turn off automatically if the unit is left powered-on for 20 minutes without performing any operation, avoiding unnecessary battery consumption.


The CA-40 is designed for long battery life, and allows approximately 85 hours of continuous use (continuous A4 input, Meter mode, zinc-carbon batteries). It also features a power-off functions will turn off automatically if the unit is left on for 20 minutes without performing any operation, avoiding unnecessary battery consumption.

The calibration setting and the Sound Out reference pitch are remembered even when you turn off the power. However, when you replace the batteries, these settings will be initialized to the default values; the calibration will return to 440 Hz, and the Sound Out reference pitch will return to A.

Contact microphone with 1/4" male phone connector, designed for improved acoustic tuning

Review: The CM-100L Contact microphone directly picks up the vibration of the instrument, enabling you to tune your instrument even in noisy surroundings

The microphone is a perfect compliment to any tuner that offers an 1/4" jack input and can be positioned to get a more sensitive reading, while allowing the tuner to be positioned for easier reading.

Clip on contact microphone designed for tuners

Review: Directly capture the sound of your instrument in style. A piezo clip-on microphone that's designed especially for tuners.

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.

Clip on contact microphone designed for tuners

Review: Directly capture the sound of your instrument in style. A piezo clip-on microphone that's designed especially for tuners.

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.

Clip on contact microphone designed for tuners

Review: Directly capture the sound of your instrument in style. A piezo clip-on microphone that's designed especially for tuners.

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.

256MB memory expansion board for M3 and Pa2XPro

Review: Expand the memory potential of your Pa2XPro with the Korg EXB-M256.

The Korg EXB-M256 is an M3 memory expansion available for use with the Korg M3 Music Workstations and Pa2XPro. The Pa2Xpro and M3 sample RAM expansion adds 256 Mbytes of memory to both instruments, for a total memory spec of 320 Mbytes. Aside from offering RAM expansion, the EXB-M256 also realizes future PCM expansion capabilities.

The M3 memory expansion will increase the user sample memory from the standard 128 Mbytes to the maximum 256 Mbytes.

Note: The user-installable M3 memory expansion is compatible with the M3-61, M3-73, M3-88, M3-M and Pa2XPro.

Foot controller & expension pedal

Review: This versatile foot controller/expression pedal can be used with most Korg keyboards, modules and effect processors, when connected to the assignable pedal socket for normal use. It includes an adjustable minimum setting via the side mounted slide control and includes a 3-conductor cable.

LCD Guitar/bass tuner

Review: For nearly a decade, the Korg GA-30 Guitar and Bass Tuner has stood among the top-selling tuners on the planet. Now meet the GA-1, offering the same excellent features with a new, enhanced design all at the same great price.

High accuracy and superb functionality have made Korg tuners the worldwide favorite. And now, the new GA-1 joins the best-selling GA series of tuners. With even more features, like a pitch reference tone and quinta-flat tuning, the GA-1 tuner packs basic functionality and convenient tuning functions into ultra-compact bodies.

This dedicated guitar/bass tuner lets you select either guitar mode or bass mode for truly easy operation with automatically detected pitch. The wide detection range supports 7-string guitar (7B through 1E) in guitar mode, and 6-string bass (Low-B, Hi-C) in bass mode. A high-sensitivity mic is built-in, allowing easy and accurate tuning of acoustic guitars.

Although the GA-1 is small, thin, and light, don't let its pocket-sized body fool you. The GA-1 can accurately tune any guitar or bass. From studio to stage, tuning is easy and convenient. The back of the unit includes a unique arc-shaped tilt slit that lets you insert a plastic card for use as a handy stand.

The meter section uses a LCD needle, combining the accuracy of an LCD with the easy visibility of a needle, and providing a stable display. Additional visual feedback is provided by LEDs that indicate pitch deviation.

In addition to visual tuning via meter, the GA-1 can play reference pitches from its internal speaker (Sound Out) for tuning by ear. Each press of the sound switch will cycle the output sound through 7B->6E->5A->4D->3G->2B->1E in guitar mode, or LB->4E->3A->2D->1G->HC in bass mode.

The GA-1's quinta flat tuning mode supports the lowered tunings used in heavy metal styles to give more weight to the sound. Most dedicated guitar tuners support a maximum of only 4 semitones below standard pitch, but the GA-1 gives you 5 steps of flatted tuning, extending as far as 5 semitones below standard pitch, and supporting even super-long scale guitars that are 5 frets longer than conventional guitars.

If you leave the unit powered-on for 20 minutes without performing any operation, the auto power off function will turn the power off automatically, avoiding unnecessary battery consumption.

Low-power consumption design allows an amazing 100 hours (approximate) of continuous battery life (A4 continuous input, Meter mode, zinc-carbon batteries).

http://www.youtube.com/watch?v=wwDEje0Wcis&feature=player_embedded

Electric solo guitar tuner

Review: The Korg GA-40 is the electric guitar and bass tuner with superior tuning abilities. With features like a large, easy-to-see, LCD needle-style display, the Korg GA-40 is a dedicated electric guitar tuner with great value.

The Korg GA-40 is a dedicated, easy-to-operate guitar and bass tuner with automatic pitch detection. In the guitar mode it supports 7-string guitars (7B through 1E), and in the bass mode it supports 6-string basses (Low-B and Hi-C). With the precision you expect from Korg, the tuner indicates the pitch quickly and accurately. The LCD needle-style display provides both the accuracy of an LCD as well as the easy viewing of a needle indicator, and the display has been enlarged for even clearer visibility. You can also use the built-in high-sensitivity microphone to tune an acoustic guitar.

In addition to letting you tune visually using the meter, this electric guitar tuner provides a sound out function that plays a reference tone through the internal speaker, letting you tune by ear. Each time you press the sound switch, the tone will cycle through 7B->6E->5A->4D->3G->2B->1E in the guitar mode, or through LB->4E->3A->2D->1G->HC in the bass mode.

To support the dropped tunings used in heavy metal styles, the GA-40 provides a Quinta flat tuning mode that lets you detect dropped tunings of one through five semitones. This lets you tune super-long scale guitars that extend below the pitch range of conventional guitars.

The GA-40 hand held tuner gives you convenient guitar and bass tuning functionality in a pocket-sized package, making it easy to tune whether you're on stage or in the studio. An output jack (bypass) has been added, making it easy to check the tuning even while you're performing. The stand on the back lets you place the tuner on any surface.

The auto power off function of this electric guitar tuner automatically turns the power off after the unit has been left on for twenty minutes, preventing the batteries from running down needlessly.

The GA-40 is designed for long battery life, and allows approximately 85 hours of continuous use (continuous A4 input, meter mode, zinc-carbon batteries).

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

The Korg GA-40 is the electric guitar and bass tuner with superior tuning abilities. With features like a large, easy-to-see, LCD needle-style display, the Korg GA-40 is a dedicated electric guitar tuner with great value.

The Korg GA-40 is a dedicated, easy-to-operate guitar and bass tuner with automatic pitch detection. In the guitar mode it supports 7-string guitars (7B through 1E), and in the bass mode it supports 6-string basses (Low-B and Hi-C). With the precision you expect from Korg, the tuner indicates the pitch quickly and accurately. The LCD needle-style display provides both the accuracy of an LCD as well as the easy viewing of a needle indicator, and the display has been enlarged for even clearer visibility. You can also use the built-in high-sensitivity microphone to tune an acoustic guitar.

In addition to letting you tune visually using the meter, this electric guitar tuner provides a sound out function that plays a reference tone through the internal speaker, letting you tune by ear. Each time you press the sound switch, the tone will cycle through 7B->6E->5A->4D->3G->2B->1E in the guitar mode, or through LB->4E->3A->2D->1G->HC in the bass mode.

To support the dropped tunings used in heavy metal styles, the GA-40 provides a Quinta flat tuning mode that lets you detect dropped tunings of one through five semitones. This lets you tune super-long scale guitars that extend below the pitch range of conventional guitars.

The GA-40 hand held tuner gives you convenient guitar and bass tuning functionality in a pocket-sized package, making it easy to tune whether you're on stage or in the studio. An output jack (bypass) has been added, making it easy to check the tuning even while you're performing. The stand on the back lets you place the tuner on any surface.

The auto power off function of this electric guitar tuner automatically turns the power off after the unit has been left on for twenty minutes, preventing the batteries from running down needlessly.

The GA-40 is designed for long battery life, and allows approximately 85 hours of continuous use (continuous A4 input, meter mode, zinc-carbon batteries).

Guitar and bass tuner with strobe, meter and mirror modes

Review: The Korg GT-4 Solo TriMode Guitar & Bass Tuner is a compact and high-performance tuner. Its screen has a large note name display in the center and red LEDs that rotate in a circular motion. It has a built-in condenser microphone, which supports acoustic guitars. It can also be used with seven-string guitars and six-string basses.

Headstock clip-on electric guitar tuner

Review: The HeadTune is a clip-on tuner with a unique design that's based on the shape of a guitar, bass, or ukulele headstock. With the headtune attached to the headstock of your instrument, play a single note on the string that you want to tune. 2 x indicators will illuminate: the string indicator LED will show the peg position, and the LED meter will indicate the tuning of that note. This makes it obvious which peg needs to be adjusted.

You can choose from a lineup consisting of 4 x models: 2 x models that are suitable for standard guitar headstocks, a model for bass, and a model for ukulele. With the innovation and precision you expect from Korg, the HeadTune makes tuning easy.

The HeadTune is designed with a shape that matches the headstock of typical guitars, basses, and ukuleles. When you play a single note, the built-in piezo pickup will instantly detect the pitch of the vibrating string. 2 x types of LEDs will light up: a string indicator LED, to indicate the peg location, and an LED meter to indicate the pitch. This makes it obvious which peg you should adjust and how it should be adjusted. Since you can tune your instrument even if you don't remember the note names of each open string, this makes using the headtune especially easy for beginners.

A clip-on tuner with a design based on a bass

Review: The Headtune is a clip-on tuner with a unique design that's based on the shape of a guitar, bass, or ukulele headstock. With the headtune attached to the headstock of your instrument, play a single note on the string that you want to tune. 2 x indicators will illuminate: the string indicator LED will show the peg position, and the LED meter will indicate the tuning of that note. This makes it obvious which peg needs to be adjusted. You can choose from a lineup consisting of 4 x models: 2 x models that are suitable for standard guitar headstocks, a model for bass, and a model for ukulele. With the innovation and precision you expect from Korg, the headtune makes tuning easy.

The Headtune features an extremely compact and lightweight body that easily fits into the pocket of your guitar case for effortless transportation.

You can adjust the angle by raising the meter display section to a maximum of 120 degrees. The string indicator LEDs and LED meters provide high contrast and a wide viewing angle, ensuring easy visibility for the player even in dimly lit locations, and allowing you to tune from a natural position.

The Headtune features the same highly stable clip as used on Korg's clip-on pitchclip tuner. It will securely attach to the headstock of your guitar, bass, or ukulele.

Using a widely-available lithium coin battery (CR2032) provides the Headtune with a generous 35 hours of usage. The Auto Power-Off function automatically turns the headtune off when no sound has been detected for approximately ten minutes, avoiding unnecessary battery consumption.

A clip-on tuner with a design based on a guitar

Review: The Headtune is a clip-on tuner with a unique design that's based on the shape of a guitar, bass, or ukulele headstock. With the headtune attached to the headstock of your instrument, play a single note on the string that you want to tune. 2 x indicators will illuminate: the string indicator LED will show the peg position, and the LED meter will indicate the tuning of that note. This makes it obvious which peg needs to be adjusted. You can choose from a lineup consisting of 4 x models: 2 x models that are suitable for standard guitar headstocks, a model for bass, and a model for ukulele. With the innovation and precision you expect from Korg, the headtune makes tuning easy.

The Headtune features an extremely compact and lightweight body that easily fits into the pocket of your guitar case for effortless transportation.

You can adjust the angle by raising the meter display section to a maximum of 120 degrees. The string indicator LEDs and LED meters provide high contrast and a wide viewing angle, ensuring easy visibility for the player even in dimly lit locations, and allowing you to tune from a natural position.

The Headtune features the same highly stable clip as used on Korg's clip-on pitchclip tuner. It will securely attach to the headstock of your guitar, bass, or ukulele.

Using a widely-available lithium coin battery (CR2032) provides the Headtune with a generous 35 hours of usage. The Auto Power-Off function automatically turns the headtune off when no sound has been detected for approximately ten minutes, avoiding unnecessary battery consumption.

A clip-on tuner with a design based on a Ukelete

Review: The Headtune is a clip-on tuner with a unique design that's based on the shape of a guitar, bass, or ukulele headstock. With the headtune attached to the headstock of your instrument, play a single note on the string that you want to tune. 2 x indicators will illuminate: the string indicator LED will show the peg position, and the LED meter will indicate the tuning of that note. This makes it obvious which peg needs to be adjusted. You can choose from a lineup consisting of 4 x models: 2 x models that are suitable for standard guitar headstocks, a model for bass, and a model for ukulele. With the innovation and precision you expect from Korg, the headtune makes tuning easy.

The Headtune features an extremely compact and lightweight body that easily fits into the pocket of your guitar case for effortless transportation.

You can adjust the angle by raising the meter display section to a maximum of 120 degrees. The string indicator LEDs and LED meters provide high contrast and a wide viewing angle, ensuring easy visibility for the player even in dimly lit locations, and allowing you to tune from a natural position.

The Headtune features the same highly stable clip as used on Korg's clip-on pitchclip tuner. It will securely attach to the headstock of your guitar, bass, or ukulele.

Using a widely-available lithium coin battery (CR2032) provides the Headtune with a generous 35 hours of usage. The Auto Power-Off function automatically turns the headtune off when no sound has been detected for approximately ten minutes, avoiding unnecessary battery consumption.

Replacement AC power adaptor suitable for Korg Products

Review: The KA310 Replacement AC power adaptor is suitable for Korg products:

X 50
SP170
Kaoss Pad 3
Plus others

It includes figure of 8 mains cable

Output 12V @ 500 mA.

Dynamic phrase synthesizer

Review: Introduced in 2007, the Kaossilator has won high acclaim as the original gadget instrument and gave rise to the Kaossilator Pro and iKaossilator for iPhone. Now say hello to the impressive Kaossilator 2.

Boasting a powered-up sound generator, the Kaossilator 2 delivers synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. The Kaossilator 2 is packed with capabilities that can be enjoyed alone on or together with other people. Use 2 loops to create DJ-like mixes. Use the internal mic to record guitar, vocal, or other audio source, just as with a looper effect. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting the Kaossilator 2.

http://www.youtube.com/watch?v=FmQeP3y1F2w

Pocket-sized dynamic phrase synthesizer

Review: The Kaossilator 2, the pocket-sized dynamic phrase synthesizer that's known for providing a world of rich sounds and effects plus loop recording, is now available in a limited edition pearl white finish. Stand out from the crowd with this unique finish that's only available for a limited time.

The Korg Kaossilator 2 Dynamic Phrase Synthesizer takes all of the best features from the original Kaossilator, the worlds first gadget instrument, and updates, expands and adds loads more. The Kaosillator 2 is a flexible synth that anyone can play and get great results (whether they be a pianist, DJ or anyone in fact). This must-have gadget offers incredible musical power, hours of fun, and amazing effect sounds with amazing ease. With external source audio recording and dual looping it is possible to do an entire gig with nothing but a Kaossilator and your voice. There is even a biult-in speaker, so you can experiment with this powerful Kaossilator anywhere.

There are 150 built-in sounds, which cover all styles of dance and eletronica. Using the Korg Kaossilator 2 you can create 2 separate loops and mix them simultaneously, record external sources (i.e. guitar, vocals, etc.), do unlimited overdubs with loops and even control fades/paramaters/crossfades with the touch sensitive value control. You can also plug external sources into the mic input. The built-in gate arpeggiator lets you control time and swing top play musical, rhythmic passages.

There are lots of great features to augment your performance. The drums are produced with a PCM sound engine in the Korg Kaossilator 2 for added realism, which gives a bigger sound and offers greater versatility than the original Kaossilator. Also, you can make sure you always sound in tune with scale key and note range functions, which help you to avoid any clashes by limiting the notes available across the pad to ones that will work with your music.

The microSD/SDHC card slot lets you salve loops and record your performances, so you can record anywhere and then distribute your results, or put them into computer music software to add to your production projects.

On top of all this you can use batteries, so you are completely free to use the Korg Kaossilator 2 anywhere. You can easily see the screen with its high-visibility OEL display. All you need is a finger and you can use strokes, taps and rub movements to produce countless combinations of sounds that can inject a bit of an improvisational/impulsive/unpredictable edge to your music.

Review: Introduced in 2007, the Kaossilator has won high acclaim as the original gadget instrument and gave rise to the Kaossilator Pro and iKaossilator for iPhone. Now say hello to the impressive Kaossilator 2.

Boasting a powered-up sound generator, the Kaossilator 2 delivers synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. The Kaossilator 2 is packed with capabilities that can be enjoyed alone on or together with other people. Use 2 loops to create DJ-like mixes. Use the internal mic to record guitar, vocal, or other audio source, just as with a looper effect. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting the Kaossilator 2.

http://www.youtube.com/watch?v=FmQeP3y1F2w

A dynamic phrase synthesizer & loop recorder offers 250 x programs

Review: A synthesizer that lets you perform and create multi-layered music in any style, with just the touch of a finger.

The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The Kaossilator Pro was a highly-evolved model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track-making tool.

2013 brings us to the upgraded Kaossilator Pro+. With additional new sound programs and drum sounds Kaossilator Pro+ has been supercharged to offer even more variety and exploration.

The Kaossilator Pro+ offers 250 x programs, based on intuitive control of multiple parameters by moving a finger across the X-Y touchpad.

http://www.youtube.com/watch?feature=player_embedded&v=Ob2zSVggIgI

61 key analogue modelling synthesizer

Review: Ready for live performance.

The KingKorg is the full-fledged analog modeling synthesizer you've been waiting for. It carries on the design philosophy of classic Korg analog synthesizers. This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, the KingKorg is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name, the KingKorg.

A feature unique to the KingKorg is the new XMT (Xpanded Modelling Technology) modelling sound engine that simplifies the overall operation of the synth whilst still being able to produce a wide variety of incredible sounding tones. The KingKorg provides pre-set algorithms that contain combinations of familiar oscillator sounds such as sawtooth, square and noise as well as numerous PCM/DWGS algorithms to sculpt unique and personal sounds.

Korg have also included powerful and diverse modelling filters based on classic synthesizers from the '70s and '80s that allow unique sound shaping, as well as a faithful recreation of Korg's own MS20 analogue synthesizer. Being analogue modelled, the filters closely mimic behaviour such as self-oscillation and distortion for aggressive leads and basses.

The KingKorg also features 3 master effects slots, each with a choice of 6 effects. Firstly there is Pre FX which includes distortions and amp simulators; Mod FX for classic choruses and phasers; and Rev/ Delay with effects such as hall reverb and modulation delay. Alongside these there are control knobs to fine tune the effect.

Korg have also included a vocoder section with an on-board microphone input, to get those Daft Punk robot voice sounds as well as the creative freedom to use a voice as the basis for new tonal creations. The KingKorg also has Formant Shift to modify the character as well as Formant Hold which freezes a vowel sound to be played back across the keys.

Perhaps one of the more striking features is the intuitive new panel layout that makes it so easy to use, with a dedicated display for the oscillator clearly showing the current algorithm. There is also a function for selecting sounds by type such as Analog or PCM, and plenty of knobs spaciously laid out that give immediate hands on control of the most important parameters, making production and performance a more tactile experience.

https://www.youtube.com/watch?feature=player_embedded&v=ItKQ8ydMTIc

A sample pad with real time control on the signature backlit XY pad

Review: The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

http://www.youtube.com/watch?feature=player_embedded&v=xxtRi4oSVmU

Lightweight 61 key keyboard synthesizer

Review: The Korg Kross 61 is a mobile synthesizer keyboard with impressive features. This 61 key lightweight music workstation has an impressive sound set, built in audio recording, DAW integration,16 track MIDI sequencer, plus step sequencer, drum track and arpeggiator.

With the Kross, the sounds and songs that you've created at home and the system that you use every day can go with you onto the stage or into the street. Featuring rich sounds that exceed its class, yet remaining highly portable, the Kross is designed for practical usability. There's a convenient mic input and a built-in audio recorder, and it can run on 6 AA batteries. It's a distinctive new standard in music workstations, with specs and style that set it apart from all others.

The creative colour and design will project a powerful presence whether you're performing on stage or anywhere else. The top panel as seen by the player is a sleek black colour, while the rear and side panels visible by the audience use a bold, red colour scheme.

he portability of the Korg Kross 61 has made it necessary to provide the instrument with new levels of versatility. With this in mind Korg have included twice (approx.) as much PCM data as previous models. Favorite sounds, such as rock/jazz organ, strings, brass, and synth have all been cleaned up, while others are just being introduced to this class of synth, including toy piano, accordion, combo organ, church organ, tape sampler, bell-type sounds and dance music sounds.

So many musical possibilities are on offer with the Korg Kross Workstation, so it may seem a little daunting. Korg have ensured finding the sound you want quickly, is simple, with the inclusion of two bespoke dials. One is used to select the category of sound, while the other is used to select the sound within that category.

Another feature that aids performance is the Favorites function. This gives you four banks of 16 buttons to save frequently used sounds or audio songs to, and recall at the press of a button.

Distilled from the sound engines of Korg's top end instruments, the EDS sound engine used in the Korg Kross Keyboard enables the ability to use five insert effects and two master effects simultaneously. With 134 x effects on offer, including staples such as reverb and delay, to amp models and even a robot vocoder, you'll never be short of inspiration.

Transferring MIDI data is simple with the Korg Kross Workstation's USB connectivity. KROSS Editor and Plug-In Editor also allow you to view and edit parameters and use Kross within your DAW.

Lightweight battery powered 88 key synthesizer keyboard

Review: Giving you a heavy-hitting sound engine and advanced features that you would associate with a product that's half as much again, the Korg Kross 88 Workstation Keyboard makes pro music creation more affordable than ever. With its onboard 16-track MIDI sequencer, audio recorder, mic input, and lightweight, battery-powered design (just 6 x AA batteries, or AC adapter) bringing your music with you is easy.

The Korg Kross 88 Workstation Keyboard sets you up with piano, electric piano, and drum sounds, all lifted from Korg's professional, flagship instruments. The grand piano sound has been sampled to provide players with decay, three levels of velocity, and even the sound of the damper pedal being used; additionally the workstation also features an upright piano. The five electric piano sounds are equally expressive as their acoustic counterparts and include effect settings and a mass of performance-ready sounds, while the drum sound are realistic and fresh.

The portability of the Korg Kross 88 Workstation Keyboard has made it necessary to provide the instrument with new levels of versatility. With this in mind Korg have included twice (approx.) as much PCM data as previous models. Favorite sounds, such as rock/jazz organ, strings, brass, and synth have all been cleaned up, while others are just being introduced to this class of synth, including toy piano, accordion, combo organ, church organ, tape sampler, bell-type sounds and dance music sounds.

So many musical possibilities are on offer with the Korg Kross Workstation Keyboard, so it may seem a little daunting. Korg have ensured finding the sound you want quickly, is simple, with the inclusion of two bespoke dials. One is used to select the category of sound, while the other is used to select the sound within that category.

Another feature that aids performance is the Favorites function. This gives you four banks of 16 x buttons to save frequently used sounds or audio songs to, and recall at the press of a button.

Distilled from the sound engines of Korg's top end instruments, the EDS-i sound engine used in the Korg Kross Keyboard enables the ability to use 5 x insert effects and 2 x master effects simultaneously. With 134 x effects on offer, including staples such as reverb and delay, to amp models and even a robot vocoder, you'll never be short of inspiration.

The musical possibilities continue throughout, with the Korg Kross' mic input jack (1/4" phone jack) allowing you to hook up a microphone without the need for a separate mixer. A line input jack (stereo 1/8" jack) is available to connect an audio player.

With dedicated buttons setting up a split across the keyboard is easy. Just select a programme and press Split. This will bring up a screen that prompts you to choose the sound for the other part of the keyboard and the split point. Write the settings and the Korg Kross will save it as a Combination.

The Korg Kross 88 Workstation's built-in stereo recorder encompasses all the sound you use in your performance, so rather than just recording the parts provided by the keyboard, it will also record the sound from a connected mic or external audio source. This makes it easy to play along to backing tracks you have recorded, without going near a computer, or overdubbing to create complete songs. With the ability to import and export WAV files and connectivity for an SD card (sold separately), bringing your work to a computer is easy.

Lifted from the Electribe series, the step sequencer included on the Korg Kross 88 Workstation Keyboard is remarkably easy to use. 16 x buttons are used to turn on/off individual notes, to create rhythm patterns of up to 64 x steps.

Although lightweight, the Korg Kross includes everything you could want from a workstation (and a fair bit more) including a 16-track MIDI sequencer with quantization, copy and paste, and individual note event editing. Adding rhythm is simple with the Drum Track function's dedicated button and arpeggiator that generates synth sounds, and guitar and bass riffs.

Transferring MIDI data is simple with the Korg Kross Workstation's USB connectivity. KROSS Editor and Plug-In Editor also allow you to view and edit parameters and use Kross within your DAW.

Soft case for Korg M50-61 keyboard

Review: This soft bag is designed specifically for the 61 note version of the Korg M50. Includes a front pocket for accessories.

Solo metronome

Review: The MA-1 is a new standard in compact metronomes, available in a range of colors.

The MA-1 is a compact metronome that solidly covers all the basics with a broad tempo range and a rich variety of beats and rhythm patterns. The MA-1 also shows the beat in an innovative way that makes practicing easier. The MA-1 is available in your choice of 2-tone color schemes: blue and black, or black and red. With stylish design and reliable functionality, this is an indispensible rhythm training aide for any musician.

Compact solo metronome

Review: The MA-1 is a compact metronome that solidly covers all the basics with a broad tempo range and a rich variety of beats and rhythm patterns. The MA-1 also shows the beat in an innovative way that makes practicing easier. With stylish design and reliable functionality, this is an indispensible rhythm training aide for any musician.

25-key USB powered MIDI keyboard

Review: The microKEY series are a compact family of USB MIDI keyboards featuring the velocity-sensitive Natural Touch mini-keyboard; acclaimed on instruments such as the microKORG XL and microARRANGER. In addition to the existing 37-key model, the lineup has been expanded with the addition of a supremely portable 25-key model, and a 5-octave 61-key model providing the space to play freely with both hands.

Bundled software and discount coupons are more generous than ever; the 61-key model even comes with a license for the Korg Legacy Collection. The microKEY is the ideal USB MIDI keyboard for the musician who wants to assemble a convenient and compact music production system.

The microKEY25 features excellent portability, allowing you to enjoy playing and producing with a great-feeling keyboard even when you're away from home. It features an expressive Joystick, as traditionally found on larger controllers, and provides simultaneous control of multiple parameters at the same time, along with control of the built-in tempo-synced arpeggiator function. That's not all; the microKEY25 can be powered directly from your iPad via the Camera Connection Kit, and it can be immediately used to control MIDI-capable apps such as Korg's iMS-20. The microKEY25 also includes a download code for FREE Korg M1Le software, giving you all of the preset sounds and all of the PCM waveforms of the original M1, and a browser/search function that makes it easy to find that perfect sound.

Also included are licenses for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite, and a discount coupon for Ableton's Live, Live Suite, and Live LE DAW software, widely popular for its sophisticated functionality.

www.youtube.com/watch?v=IyqhXFpNwPg

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

The microKEY series are a compact family of USB MIDI keyboards featuring the velocity-sensitive Natural Touch mini-keyboard; acclaimed on instruments such as the microKORG XL and microARRANGER. In addition to the existing 37-key model, the lineup has been expanded with the addition of a supremely portable 25-key model, and a 5-octave 61-key model providing the space to play freely with both hands.

Bundled software and discount coupons are more generous than ever; the 61-key model even comes with a license for the Korg Legacy Collection. The microKEY is the ideal USB MIDI keyboard for the musician who wants to assemble a convenient and compact music production system.

The microKEY61 provides a full 5-octaves while fitting in the same horizontal space as a full-sized 49-key model. The 61-key model is ideal for use in the home studio, while still satisfying the needs of a performing musician. The microKEY61 harmoniously joins hardware with software by including the Korg Legacy Collection Special Bundle, providing software versions of 5 of Korg's most coveted synthesizers: the MS-20 analog monophonic synthesizer, the Polysix polyphonic synthesizer, the Mono/Poly analog synthesizer, the M1, and the Wavestation digital synthesizer, as a suite of 19 of Korg's sought after effects plugins. The microKEY61 also serves double-duty as a USB hub. The 2 x USB ports (Type A) allow you to expand your custom control center by adding on a Korg nanoPAD2 or nanoKONTROL2, or any other USB device.

Also included are licenses for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite, and a discount coupon for Ableton's Live, Live Suite, and Live LE DAW software, widely popular for its sophisticated functionality.

www.youtube.com/watch?v=IyqhXFpNwPg

61-key USB powered MIDI keyboard with pitch bend and modulation wheels. Includes Korg Legacy Collection Special Software Bundle Licence

Review: The microKEY series are a compact family of USB MIDI keyboards featuring the velocity-sensitive Natural Touch mini-keyboard; acclaimed on instruments such as the microKORG XL and microARRANGER. In addition to the existing 37-key model, the lineup has been expanded with the addition of a supremely portable 25-key model, and a 5-octave 61-key model providing the space to play freely with both hands.

Bundled software and discount coupons are more generous than ever; the 61-key model even comes with a license for the Korg Legacy Collection. The microKEY is the ideal USB MIDI keyboard for the musician who wants to assemble a convenient and compact music production system.

The microKEY61 provides a full 5-octaves while fitting in the same horizontal space as a full-sized 49-key model. The 61-key model is ideal for use in the home studio, while still satisfying the needs of a performing musician. The microKEY61 harmoniously joins hardware with software by including the Korg Legacy Collection Special Bundle, providing software versions of 5 of Korg's most coveted synthesizers: the MS-20 analog monophonic synthesizer, the Polysix polyphonic synthesizer, the Mono/Poly analog synthesizer, the M1, and the Wavestation digital synthesizer, as a suite of 19 of Korg's sought after effects plugins. The microKEY61 also serves double-duty as a USB hub. The 2 x USB ports (Type A) allow you to expand your custom control center by adding on a Korg nanoPAD2 or nanoKONTROL2, or any other USB device.

Also included are licenses for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite, and a discount coupon for Ableton's Live, Live Suite, and Live LE DAW software, widely popular for its sophisticated functionality.

www.youtube.com/watch?v=IyqhXFpNwPg

Review: State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure U all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

www.youtube.com/watch?v=OV_TxlJDDts

Korg microKORG 10th anniversary limited edition

Review: Celebrating the 10th anniversary of the microKORG.

Korg's microKORG virtual analog synthesizer has gathered an enormous following among both professionals and amateurs since it appeared in 2002, and continues to be actively used around the world even today, maintaining the same high standard for the past decade. In 2007, Korg celebrated the 5th anniversary of the microKORG's creation by releasing the microKORG BK. The reversed keys drew a great deal of attention being reminiscent of the reverse model of the classic Korg POLY-800, and also due to its limited availability.

Now in 2012, Korg are releasing a new model that commemorates the 10th anniversary of the microKORG: the microKORG BKRD. For musicians who want to emphasize their personality, this custom colour model is an instant way to stand out from the crowd. The distinctive high contrast of the Black x Red model that's sure to raise the energy level on stage with its black and red reversed keyboard.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings, routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R), and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock, a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

http://www.youtube.com/watch?v=cXGwVDA7zVE&feature=player_embedded

Korg microKORG 10th anniversary limited edition

Review: Celebrating the 10th anniversary of the microKORG.

The microKORG is now available in two limited-edition special-colour premium editions microKORG-BKBK (Black & Black). Korg's microKORG virtual analog synthesizer has gathered an enormous following among both professionals and amateurs since it appeared in 2002, and continues to be actively used around the world even today, maintaining the same high standard for the past decade. In 2007, Korg celebrated the 5th anniversary of the microKORG's creation by releasing the microKORG BK. The reversed keys drew a great deal of attention being reminiscent of the reverse model of the classic Korg POLY-800, and also due to its limited availability.

Now in 2012, Korg are releasing a new model that commemorates the 10th anniversary of the microKORG: the microKORG-BKBK. For musicians who want to emphasize their personality, this custom colour model is an instant way to stand out from the crowd. The full black model with its understated yet elegant presence.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings, routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R), and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock, a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

http://www.youtube.com/watch?v=cXGwVDA7zVE&feature=player_embedded

Keyboard synthesizer

Review: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

DJ effects with onboard MP3 playback

Review: Korg's Kaoss Pad Series products have become the must-have effect units on in every musician's rig, especially on the DJ scene. The original mini Kaoss PAD has earned enormous popularity for packing full-fledged effects into its compact body. Now, welcome the mini Kaoss Pad 2.

In addition to inheriting powerful effect programs from the Kaoss PAD KP3 and the Kaoss Pad Quad, the Kaoss Pad 2 provides an MP3 player with adjustable pitch, making the mini KAOSS Pad 2 unit ideal for creating DJ-style performances. Use it as a DJ playback device, or use it to process the entire output of your DJ rig with Korg's famous Kaoss effects. Instrumentalists, guitarists, sound designers and even just music fans will enjoy using the mini Kaoss Pad 2. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting mini Kaoss Pad 2.

http://www.youtube.com/watch?feature=player_embedded&v=2zKhIJaHj4M

Soft bag for Korg Kaossilator, Mini-KP and Pandora PX5D

Review: The Korg Mini KP/K01 bag is suitable for Kaossilator, mini-KP and Pandora PX5D.

Portable 4-part analog synthesizer & analog rhythm & step sequencer

Review: Korg take up the analog banner with the amazing Monotribe Analogue Ribbon Station, which is a new form of synthesizer that packs an amazing array of features and technology into its compact body.

Korg's Monotribe synthesizer shares the Korg analog DNA, yet quickly delves deeper into the rich, organic and often chaotic world of analog synthesis. Additionally Monotribe synthesizer brings together intuitive ease of use and a 3-part discrete analog rhythm section, plus the proven appeal of electribe-style sequencing. Complete with built-in speakers and battery power, the Monotribe is self-contained, highly portable and able to deliver your ideas with style and personality.

The Korg Monotribe Analogue Ribbon Station brings responsive realtime control to analog groove making.

http://www.youtube.com/watch?v=LuqJfAWkN2c&feature=player_embedded

Analog ribbon synthesizer

Review: Korg are no newcomer to the joys of analog synthesis. Back in the 1970s, Korg astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg's analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg's Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg's new monotron Analogue Ribbon Synthesizer.

Powered by 2 alkaline AAA batteries, the compact monotron can be held in one hand. Although small enough to easily carry with you, the amazing monotron is packed with KORG's legendary analog technology, generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls have been streamlined as much as possible. The panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide. Used in a band, you can expand your possibilities by harmonizing with another instrument U or taking center stage for a monotron solo.

The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. Simple is best. Gone are the deep lists of presets and parameters typical of today's synthesizers. Instead, the monotron encourages exploration and experimentation. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis, making it an ideal choice for someone who is new to synthesizers, or for musicians who wants to expand their sonic palette.

The monotron uses the same highly acclaimed VCF circuit as KORG's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Just as on the original MS-20, the monotron's filter can be patched into, allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a Kaossilator, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

You can switch the LFO to control either the oscillator pitch or the filter cutoff frequency. Both LFO Rate and LFO Intensity knobs are provided. As you turn the LFO Rate knob U featuring an embedded LED U the speed of the modulation effect and the speed of the blinking LED will change in tandem. Turning this knob can add another level of impact to your live performances.

A miniature speaker is built into the monotron. Along with the battery operation and compact size, this feature allows you to enjoy the monotron anywhere, at any time. The ultimate in compactness, this system brings you new possibilities for performance. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.

Review: Korg are no newcomer to the joys of analog synthesis. Back in the 1970s, Korg astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg's analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg's Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg's new monotron Analogue Ribbon Synthesizer.

Powered by 2 alkaline AAA batteries, the compact monotron can be held in one hand. Although small enough to easily carry with you, the amazing monotron is packed with KORG's legendary analog technology, generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls have been streamlined as much as possible. The panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide. Used in a band, you can expand your possibilities by harmonizing with another instrument U or taking center stage for a monotron solo.

The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. Simple is best. Gone are the deep lists of presets and parameters typical of today's synthesizers. Instead, the monotron encourages exploration and experimentation. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis, making it an ideal choice for someone who is new to synthesizers, or for musicians who wants to expand their sonic palette.

The monotron uses the same highly acclaimed VCF circuit as KORG's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Just as on the original MS-20, the monotron's filter can be patched into, allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a Kaossilator, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

You can switch the LFO to control either the oscillator pitch or the filter cutoff frequency. Both LFO Rate and LFO Intensity knobs are provided. As you turn the LFO Rate knob U featuring an embedded LED U the speed of the modulation effect and the speed of the blinking LED will change in tandem. Turning this knob can add another level of impact to your live performances.

A miniature speaker is built into the monotron. Along with the battery operation and compact size, this feature allows you to enjoy the monotron anywhere, at any time. The ultimate in compactness, this system brings you new possibilities for performance. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.

Analogue ribbon portable synthesizer with delay effects

Review: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=CNXOI1AIjKo&sns=tw

Review: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=CNXOI1AIjKo&sns=tw

Analogue synthesizer with dual oscillator

Review: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Review: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Review: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Soft case designed to fit all 3 x Monotron models

Review: Hand soft case suitable for all 3 x korg monotron models: the Monotron, the Monotron Duo, the Monotron Delay.

The classic MS-20 recreated in mini size

Review: The classic MS-20 recreated in mini size.

Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plug-in synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 x improved lower noise Voltage Controlled Oscillators with selectable waveforms including ring modulation and noise, 2 x Voltage Controlled High and Low-Pass Filters, 2 x Voltage Controlled Amplifiers, 2 x Envelope Generators and an LFO. Part of the appeal of the original was its self-oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent Monotron and Monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi-modular, and this has been re-created for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the External Signal Processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

http://www.youtube.com/watch?v=hA-owDEGpac

Slim-line 25-key USB keyboard

Slim-line USB controller

Review: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.