Moog At Juno Download

Analog delay module with parameter customization via MIDI

Review: With the Moog 500 Series Analog Delay in your 500 Series rack, you'll be able to add a whole new dimension to your mixes. Some songs and effects just beg for the vibrant, enchanting character only a true analog delay can give you, and Moog's 500 Series Analog Delay makes it easy to integrate this must-have effect into your studio's workflow. You get control via Tap Tempo, CV or MIDI, and a software editor that lets you access all the parameters within the Moog 500 Series Analog Delay.

The Moog 500 Series Analog Delay has an all-analog signal path and CV control too, but you also get control via MIDI to make it easy to integrate into your studio or keyboard rig. You have control over tap tempo too, making it one of the best options if you're a live musician or engineer that craves the sound of analog delay, but must have precise control over delay times. And because it's stereo linkable, you can combine two Moog 500 Series Analog Delay modules to add stellar stereo delay effects to your productions or live shows.

Included with the unit is a VST/ RTAS/ AU software editor (Mac/PC), which you can use it to customize your sound by accessing extra parameters. It's an all-analog effect, but with a MIDI cable you'll have delightfully-tweaky control over the sound of the Moog 500 Series Analog Delay.

Control processor for use with Minimoog Voyager or any similar voltage-conrolled equipment

Review: The CP251 Control Processor can be used in connection with one or more Moogerfooger analog effects modules, the Minimoog Voyager, or other voltage-controlled gear, adding the same kind of power and versatility of the classic Moog modular synthesizers.

There are two kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules.

The CP251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a 4-way mult. This gives you ways to modify, mix, and distribute control voltages to produce the incredible variety of sounds and effects that analog synthesizers are famous for.

A modified version of the standard Etherwave Theremin Kit with the additional electronics

Review: Now you can build your very own Etherwave Plus. This build-it-yourself kit has an unfinished wood cabinet and pre-built circuit board. Several wiring points require soldering.

All Etherwaver Plus Kits ship with a DVD containing 2 video tutorials: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.

For full assembly instructions download both the Etherwave Assembly instructions and the Etherwave Plus Field Upgrade instructions.

Fully assembled theremin in ash cabinet, can also be used as a stand-alone CV controller

Review: The Etherwave Plus has all the great features and tone of Moog's standard Etherwave theremin.

The Etherwave Plus makes it an ideal controller and performance instrument.

The CV outputs control signals are proportional to the pitch and volume of the Theremin's audio signal. Connect to the pitch and volume CV inputs of a Little Phatty, Voyager or other analog synthesizer for a completely new way to play your synth. These CV signals are not limited to pitch and volume control. Route them to any CV destination and create a new world of expression. Control anything from the cutoff frequency of a Moog Ladder Filter or the LFO Amount on a Moogerfooger Ring Modulator to the stereo panning on a Minimoog Voyager.

http://www.youtube.com/watch?v=IGBBQ1rsy0o

DJ equipment bag designed to fit the Moog Etherwave and Etherwave Plus theremins

Review: You've spent countless hours perfecting you craft. Now it's time to step up to a superior case to protect your instrument. Moog's new Premium Etherwave Case has the features you need for strength and convenience.

Custom designed to fit the Moog Etherwave and Etherwave Plus theremins, this premium case features form-fitting molded recesses to securely hold the pitch and volume antennas, a power supply storage area and an additional pad to protect the bottom of your theremin.

ATA standard equipment case for the EW Pro theremin

Review: Protect your investment when you're on the road. The EW Pro Molded case is designed to meet ATA specifications. It is custom fitted to the EW Pro. It has heavy duty casters and an internal compartment for storing cables.

A tripod stand for Moog Etherwave and Etherwave Plus theremins

Review: The Moog Etherwave Stand is a tripod stand that fits Etherwave and Etherwave Plus Theremins - the ideal way to mount your Etherwave.

Build-it-yourself Theremin kit

Review: The build-it-yourself kit has an unfinished wood cabinet and pre-built circuit board. Several wiring points require soldering. Power supply is included.

The Etherwave is shipped with a DVD containing 2 video tutorials: Mastering The Theremin with Lydia Kavina, and Clara Rockmore, World's Greatest Theremin Virtuosa.

www.youtube.com/watch?v=v0d4GHK04zc

Review: The theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. The Etherwave is an authentic adaptation of inventor Lev Termen's original design.

The Etherwave is a quality musical instrument designed for ruggedness and portability. It has a 5-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8" brass tube and cabinets are furniture-grade hardwood, finished with a custom Moog stain. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and works best with Moog's TB-15 instrument amplifier.

All Etherwaves ship with 2 video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa and Mastering the Theremin, featuring Lydia Kavina.

The power supply is included: 220V for use in Europe, Asia, South America and Australia. 220V Etherwave ships with DVD in PAL format.

http://www.youtube.com/watch?v=4nM9UpBBPhI

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

The Theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. The Etherwave is an authentic adaptation of inventor Lev Termen's original design.

The Etherwave is a quality musical instrument designed for ruggedness and portability. It has a 5-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8" brass tube and cabinets are furniture-grade hardwood, finished with a custom Moog stain. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and works best with Moog's TB-15 instrument amplifier.

All Etherwaves ship with 2 video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa and Mastering the Theremin, featuring Lydia Kavina.

The power supply is included: 220V for use in Europe, Asia, South America and Australia. 220V Etherwave ships with DVD in PAL format.

http://www.youtube.com/watch?v=4nM9UpBBPhI

Assembled Moog theremin synthesizer

Review: The theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. The Etherwave is an authentic adaptation of inventor Lev Termen's original design.

The Etherwave is a quality musical instrument designed for ruggedness and portability. It has a 5-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8" brass tube and cabinets are furniture-grade hardwood, finished with a custom Moog stain. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and works best with Moog's TB-15 instrument amplifier.

A footswitch for use with the MuRF & Voyager

Review: The Moog FootSwitch is a heavy duty footswitch for use with the MuRF tap tempo input, or the Voyager's footswitch inputs.

The Moog Footswitch is a heavy duty footswitch in a steel enclosure that is reliable and built like a tank. It is a momentary switch, normally closed (press to break connection) which is compatible with the Moog Moogerfoger MF-105 MuRF's Tap Tempo input, and the Moog Minimoog Voyager's footswitch inputs (Envelope Gate, LFO Sync, and Release).

12" long gooseneck lamp for Moog Voyager with BNC connector

Review: High Intensity (5-Watt Halogen) gooseneck lamp for use with BNC connector.

Bag designed for the Little Phatty

Review: Designed to protect your prized instrument. The Moog Little Phatty Gig Bag will give you the confidence to transport it freely and safely.

The Moog Little Phatty Gig Bag is made of heavy-duty nylon material, with double-stitched construction. With padded interior and exterior pockets for extra storage, the gig bag manages your musical gear with ease.

Shoulder strap, backpack straps and an easy to carry handle offers flexibility when traveling. Also, the bag is specifically sized for the Little Phatty, has 3/ 4" foam all around and contains internal velcro straps to keep it from sliding.

Monophonic analog synthesizer

Review: Moog Music are proud to introduce the Little Phatty Stage II; the newest member of the Little Phatty family. Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100 analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller. The Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish. The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig; from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator. The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock. The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.

Monophonic analog synthesizer with 100 x user editable presets

Review: Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller.

Additionally, the Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish.

The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig... from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator.

The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock.

The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.

The new features in the Little Phatty Stage II bring true analog synthesis to contemporary performance and production. USB, MIDI Clock Sync, Tap Tempo and the Arpegiator make it a modern music powerhouse.

The Little Phatty Stage II is a monophonic analog synthesizer, with 100 user editable presets.

Review: Moog Music is proud to introduce the Little Phatty Stage II; the newest member of the Little Phatty family. Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100 analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller. The Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish. The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig; from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator. The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock. The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.

Monophonic analog synthesizer with CV outputs, arpeggiator and MIDI/ USB connectivity

Review: Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable voltage controlled oscillators, a voltage controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller.

Additionally, the Stage II boasts great new features including MIDI over USB, MIDI Clock Sync, an arpeggiator, tap tempo and a stylish new black finish.

The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig, from full-on analog, to a laptop/ softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator.

The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock.

Moogerfooger series filter pedal

Review: The award-winning Moog MF-101 lowpass filter is a direct descendant of the original Moog modular synthesizers. It contains 2 complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.

The Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount and envelope amount. All of the lowpass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1/4" jacks are provided for audio input and output, pedal/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.

A lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 lowpass filter does the same sort of thing to the sound spectrum with its Cutoff Control. As you turn up the Resonance control, the overtones near the cutoff frequency are boosted.

The envelope follower tracks the loudness contour (envelope) of a sound and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.

www.youtube.com/watch?v=dBc6bJsycCk

Classic analog lowpass filter effects processor for guitar, bass, or synthesizer

Review: The award-winning Moog MF-101 lowpass filter is a direct descendant of the original Moog modular synthesizers. It contains 2 x complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.

The Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount and envelope amount. All of the lowpass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1/4" jacks are provided for audio input and output, pedal/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.

A lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 lowpass filter does the same sort of thing to the sound spectrum with its Cutoff Control. As you turn up the Resonance control, the overtones near the cutoff frequency are boosted.

The envelope follower tracks the loudness contour (envelope) of a sound and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.

www.youtube.com/watch?v=dBc6bJsycCk

Ring modulator

Review: The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains 3 x complete modular functions: a ring modulator, a voltage-controlled carrier oscillator and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide.

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear 2 x pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

www.youtube.com/watch?v=ED4ugecZm0Q

** *B-STOCK: Box opened, but product is new & unused ***

Review: The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide!

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

Ring modulator

Review: The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains 3 x complete modular functions: a ring modulator, a voltage-controlled carrier oscillator and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide.

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear 2 x pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

www.youtube.com/watch?v=ED4ugecZm0Q
http://www.youtube.com/watch?feature=player_embedded&v=_mvMZreBFEo

Comb filter

Review: The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains 2 compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.

The 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.

A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser whooshing sound.

The Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.

The MF-103 produces 2 comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has 3 dips in its frequency response, while the 12-Stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound. The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal.

Power supply is included.

12 stage comb filter

Review: The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains 2 x compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.

The 12-Stage Phaser's control parameters are sweep frequency, resonance, LFO rate and LFO amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.

A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser whooshing sound.

The Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.

The MF-103 produces 2 comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has 3 dips in its frequency response, while the 12-Stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound. The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal.

Power supply included.

Limited edition, updated reissue of the classic Bob Moog design

Review: Originally designed by Bob Moog and released in 2000, the Classic MF-104 Analog Delay was manufactured as a limited edition release of 1000 units. A special Bucket Brigade delay chip was employed allowing the effect to remain completely analog. Unfortunately, the supply of these chips was limited and the final MF-104 sold in 2001. Since then there have been two reissues of the Classic MF-104, the MF-104Z and the MF-104SD. In that time, each has been added to a short list of the most sought after analog delays in history.

Limited edition, updated reissue of the classic Bob Moog design

Review: Originally designed by Bob Moog and released in 2000, the Classic MF-104 Analog Delay was manufactured as a limited edition release of 1000 units. A special Bucket Brigade delay chip was employed allowing the effect to remain completely analog. Unfortunately, the supply of these chips was limited and the final MF-104 sold in 2001. Since then there have been two reissues of the Classic MF-104, the MF-104Z and the MF-104SD. In that time, each has been added to a short list of the most sought after analog delays in history.

Unique pedal featuring 8 resonant filters with extensive onboard, expression pedal, or MIDI control capabilities

Review: Murf stands for "Multiple Resonance Filter Array". What this means is the Murf has 8 filters, with each ones level controlled by a slider. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant.

What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or a footswitch via the tap tempo input, to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix.

Murf shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The Murf is housed in the classic Moogerfooger double-wedge enclosure that may be used on a table or on the floor. For all players, the Murf will open up new sonic worlds for you!

Unique pedal featuring 8 resonant filters with extensive onboard, expression pedal, or MIDI control capabilities

Review: Murf stands for "Multiple Resonance Filter Array". What this means is the Murf has 8 filters, with each ones level controlled by a slider. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant.

What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or a footswitch via the tap tempo input, to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix.

Murf shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The Murf is housed in the classic Moogerfooger double-wedge enclosure that may be used on a table or on the floor. For all players, the Murf will open up new sonic worlds for you!

Unique oscillator pedal with modulation controlled by its input signal

Review: The Moog Moogerfooger MF-107 FreqBox is quite different from other effects, in that the effected sound is not a processed version of your input, but rather the sound of your input signal modulating the FreqBox's internal oscillator. The FreqBox sports a VCO with a continuously variable waveshape, as well as the ability to modulate the oscillator hard synced by the input signal, frequency modulated by the input signal, modulated by an envelope follower that tracks the dynamics of the input signal, or even with the VCO amplitude also tracking the dynamics of the input signal. With so many options, you can begin to see how versatile the MF-107 FreqBox is!

The FreqBox does Hard Sync, a classic analog synthesis technique whereby the start of an oscillator's cycle gets reset by another. The oscillator being synced takes on the frequency characteristics of the effecting oscillator, and when its frequency is swept, it emphasizes the harmonics of the fundamental frequency. In the FreqBox, the input signal is used to reset the FreqBox's VCO. FM (Frequency Modulation - commonly associated with early digital synthesizers) is a technique that gives you rich sounds from simple waveforms. The FreqBox uses linear FM, generating sounds ranging from bell- or gong-like tones to sizzling sweeps.

Unique oscillator pedal with modulation controlled by its input signal

Review: The Moog Moogerfooger MF-107 FreqBox is quite different from other effects, in that the effected sound is not a processed version of your input, but rather the sound of your input signal modulating the FreqBox's internal oscillator. The FreqBox sports a VCO with a continuously variable waveshape, as well as the ability to modulate the oscillator hard synced by the input signal, frequency modulated by the input signal, modulated by an envelope follower that tracks the dynamics of the input signal, or even with the VCO amplitude also tracking the dynamics of the input signal. With so many options, you can begin to see how versatile the MF-107 FreqBox is!

The FreqBox does Hard Sync, a classic analog synthesis technique whereby the start of an oscillator's cycle gets reset by another. The oscillator being synced takes on the frequency characteristics of the effecting oscillator, and when its frequency is swept, it emphasizes the harmonics of the fundamental frequency. In the FreqBox, the input signal is used to reset the FreqBox's VCO. FM (Frequency Modulation - commonly associated with early digital synthesizers) is a technique that gives you rich sounds from simple waveforms. The FreqBox uses linear FM, generating sounds ranging from bell- or gong-like tones to sizzling sweeps.

Moogerfooger series chorus, flange and vibrato effects pedal with MIDI & CV control

Review: The Moog Cluster Flux is an ultra-powerful and flexible, sound-sculpting tool for use live or in the studio.

Expansive functionality combined with warm and analog sound come from the state-of-the-art all-analog audio signal path. Musical, flexible, playable and durable, the Moog Cluster Flux is capable of providing classic flanging, chorusing and vibrato effects, but is also capable of a much wider range of modulated delay line effects than traditional stomp boxes in this class due to the wide range of the front panel controls, the multi-waveform LFO, as well as CV and MIDI Control.

The Moog MF-108M Cluster Flux is more powerful than traditional chorus/flange effects offering musicians the added modulation of multiple LFO waveforms: sine, triangle, square, saw, ramp and random, to create many kinds of new modulated BBD delay effects. Furthermore, MIDI inputs allows control of delay time, range, feedback, output level, LFO waveform, LFO rate, LFO amount and mix.

www.youtube.com/watch?v=jlb4anEONKE

Moogerfooger series chorus, flange and vibrato effects pedal with MIDI & CV control

Review: The Moog Cluster Flux is an ultra-powerful and flexible, sound-sculpting tool for use live or in the studio.

Expansive functionality combined with warm and analog sound come from the state-of-the-art all-analog audio signal path. Musical, flexible, playable and durable, the Moog Cluster Flux is capable of providing classic flanging, chorusing and vibrato effects, but is also capable of a much wider range of modulated delay line effects than traditional stomp boxes in this class due to the wide range of the front panel controls, the multi-waveform LFO, as well as CV and MIDI Control.

The Moog MF-108M Cluster Flux is more powerful than traditional chorus/flange effects offering musicians the added modulation of multiple LFO waveforms: sine, triangle, square, saw, ramp and random, to create many kinds of new modulated BBD delay effects. Furthermore, MIDI inputs allows control of delay time, range, feedback, output level, LFO waveform, LFO rate, LFO amount and mix.

www.youtube.com/watch?v=jlb4anEONKE

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Moog analog bass synthesizer

Review: The Minitaur is a compact analog bass synthesizer that features a classic one knob per function layout. It is the first instrument in the Taurus family that does not have foot pedals.

The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. Moog are really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments, says Cyril Lance, Chief Engineer of Moog Music.

The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. The Taurus opened up so many possibilities for me, it also opened up a whole way of looking at what I do, says Geddy Lee, of the multi-platinum band Rush.

In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush and The Dave Matthews Band.

Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, the renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

http://www.youtube.com/watch?v=TvG-yyjLDbs

Moog analog bass synthesizer

Review: The Minitaur is a compact analog bass synthesizer that features a classic one knob per function layout. It is the first instrument in the Taurus family that does not have foot pedals.

The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. Moog are really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments, says Cyril Lance, Chief Engineer of Moog Music.

The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. The Taurus opened up so many possibilities for me, it also opened up a whole way of looking at what I do, says Geddy Lee, of the multi-platinum band Rush.

In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush and The Dave Matthews Band.

Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, the renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

http://www.youtube.com/watch?v=TvG-yyjLDbs

Studio equipment bag designed to carry 5 x Moogerfooger pedals or 1 x Voyager Rack Mount Edition

Review: The Moogerfooger Gig Bag enables you to carry up to 5 x Moogerfooger pedals, also suitable for the Rackmount Voyager.

The Moogerfooger Gig Bag comes with interchangeable Velcro dividers that can be configured to create many useful compartments. For example, store up to 5 x Moogerfoogers with plenty of room for accessories. Or, take your Voyager Rack Mount on the road with utmost confidence that it is well-protected.

Replacement UK power supply for all moogerfooger analog effects

Review: Replacement UK power supply for all moogerfooger analog effects.

19" rack mounting kit for VX-351 & CP-251

Review: The VX-351 Rack mount kit can be used to mount the following combinations: 1 VX-351 and 1 CP-251, 1 VX-351, 1 CP-251, 2 VX-351, 2 CP-251.

It is 3-rack spaces high, and is designed to fit any standard 19" equipment rack. It comes with all the necessary hardware and instructions for assembly and installation.

A pair of wood replacement handles designed for the Voyager Rackmount Edition

Review: Wood Handles for Voyager Rackmount Edition: these solid ash handles are both functional and beautiful. The wood has recess handles built-in to make sure you don't lose your grip on the new Voyager Rack Mount Edition.

The RME ships with 4 screws. This means removal and replacement of two screws on each side of the cabinet. These wood handles are a must for anyone planning to use the RME as a table top synth.

3U mounting kit designed for the Moog Slim Phatty

Review: Using your Slim Phatty as part of a modular synth setup, touring or studio rack rig? The Slim Phatty Rack Ears provide secure support and look great.

This kit consists of a pair of 3U rack ears for a Moog Slim Phatty synthesiser module. The kit allows you to rackmount your Moog Slim Phatty in a standard 19" rack.

Single voice analog synthesizer module

Review: Introducing the Moog Slim Phatty Analogue synthesiser, an incredibly powerful single voice analogue synth that is the long-awaited follow up to the Little Phatty keyboard. With jaw dropping bottom-end capabilities, lots of dirty sounds and an intuitive interface, the Slim Phatty is a powerful tool for both studio and live performance. Delivering a classic analogue Moog sound, the Slim Phatty is a valuable production device for shaping external MIDI, whether you want to sweeten your favourite audio sound with an analogue filter or warp it out of recognition with a powerful oscillator.

The layout of the Moog is very intuitive and simple - each knob and button is given its own space on the interface. There are four rotary pots dedicated to the Moog's modulator, oscillator, filter and envelope generator. The parameter value of each pot is indicated by a LED that makes playing in a darkened environment possible (useful when using the Slim Phatty in a live environment). There are four performance setups which enable you to create programme chains for live use. The Slim Phatty comes equipped with all the necessary inputs for processing external audio sources and the Moog can be operated with any MIDI controller. It is also possible for the Moog to work as a standalone device and musical notes can be produced by the Moog meaning it is not necessary to possess a MIDI device. The Silm Phatty also comes with a noise function whereby noise can be fed through the synthesiser. Lots of great tools are included with the Moog including an arpeggiator for even more possiblities.

One of the great aspects of using the Slim Phatty is the untamed nature of its analogue signal - because it is a real analogue synth you have to interact with it in a different way to a digital synth. The idea with the Slim Phatty is to build layers of noise from the ground up and the focus is on raw sound. The Moog is great for playing around with and its convenient size (not to mention solid metal build) makes it an ideal voice expander for your existing gear.

Wood case panels for use with the Moog Slim Phatty synth

Review: Constructed of ash with a wood-burned Moog icon on the left panel; the Slim Phatty Wood Kit houses your new Moog synth in style. It comes with easy-to-install front and side panels.

The front and dual end-pieces are easy to install and make your Slim Phatty feel right at home next to your Voyager, Taurus 3, Moogerfoogers and more.

Pair of replacement rack ears

Review: In case you lose your ears.

Here is a pair of metal rack ears for the Minimoog Voyager Rack Mount Edition.

Female to male 1/4" adapter

Review: The MuRF Step Adaptor is a female to male 1/4" adapter that attaches to your Moog tap tempo (FS-1) cable and plugs into the tap/step input jack allowing the user to manually step through the MuRF patterns generated by the sequencer.

Water repellant dust cover for Moog Voyager

Review: Protect your investment when you're not using it. Water repellant dust cover with a drawstring keeps dust, pet hair, and other airborne debris from collecting on your beautiful Voyager. You will sleep better knowing that your Voyager is safely tucked away as well...assuming, of course, you can sleep at all once you own one!

Minimoog Voyager CV output expander

Review: The VX-351 connects to the Voyagers accessory port with the included detachable cable. It houses twenty-one one-quarter inch jacks that are connected to the Voyagers CV and Gate outputs in a CP-251 sized enclosure with an optional rack mount kit. It also includes two 4-way mults and two attenuators. Adding this to your Voyager adds the capabilities of a modular synthesizer. Think: if Voyager = infinite sound possibilities, then Voyager + VX-351 = infinity squared!!!