Prime Numbers At Juno Download

Review: Gavin Sutherland isn't perhaps the most prolific producer in the Prime Numbers canon. Since making his debut in 2002, the Scottish producer has released just four solo singles - the most recent being last year's well-received About Time 12" - and contributed a handful of tracks to various Firecracker and Prime Numbers collaborative EPs. For those who dig his atmospheric and at times heady sound, it's been a frustrating experience. Perhaps he was saving himself for this debut full-length. Now About How largely explores his previous themes, showcasing a densely layered, occasionally downtempo take on dance music that's never less than intoxicating. Now About How is a true basement soul album. While firmly rooted in deep house (check the swampy Detroitian vibes of "Shake Out"), it never settles into one comfortable, predictable groove. Its heady, emotion-rich grooves include warm, melodic two-step and future garage flavas ("Polo", the jazzual "Silent Statues"), lazy Balearica ("Mind Swamp"), dubwise slo-mo grooves ("If We're Gonna Go") and dewy-eyed downtempo beatscapes ("It's The Music"). It's eclectic, no doubt, but thanks to Sutherland's delicious production and strangely distant vocals, Now About How hangs together marvelously.

Review: A welcome return for both Prime Numbers and Linkwood - with the latter presenting three variations on the house theme in the first of two EPs due out this year on Trus'me's excellent label. "Dirty Love" calls shotgun with the sort of rough around the edges house flex that demands movement of your feet. Filled with alien noises that flutter around the searing burn, it's the multiplicity of rhythmic shifts that elevate this track into the realms of special. From these euphoric heights the two accompanying tracks transpose you to the murky depths of house music potential with untitled jams channelling Larry Heard. "Untitled 2" in particular unfurls into something quite bewitching!

Review: Mancunian producer Trus'me recently announced a new techno leaning moniker - David James. Although we've yet to hear any material from his new direction, this remix 12" featuring some of Berghain's finest may offer some insight into the influences behind his move. First up, Marcel Dettmann remixes "Sweetmother" from 2010's In The Red, rewriting it with a tunnelling bassline and warping hints of the original vocals into a darker form. Up next, Norman Nodge remixes "Good God" from 2008's $tilnocheck?, and opts for an approach slightly more faithful to the original, taking its rippling chords and holding them together with a fluctuating bass wobble and metallic percussive tones, before placing the whole thing in a sloshing goldfish bowl of watery sonics.

Review: As Trus'me steers himself further into techno territory after his emergence as a champion of funk-rooted house music, this latest set of remixes further highlights how the man has impeccable taste to match his production abilities. DVS1 creates a cavernous beast out of "In The Red", as a sumptuous metallic reverb provides the centrepiece for fluttering hats and flat kicks in a masterful exercise in techno restraint. Meanwhile Terrence Dixon proves his worth in the world of leftfield Detroitisms with a mesmerizing melodic hook and an insistent yet restrained bassline as he tackles "Shakea Body".