Rode At Juno Download

Handheld live & studio condenser microphone with super cardioid polar response, supplied with pouch & M1 stand mount

Review: The Rode S1 Live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 Live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

B-STOCK: Box has been opened but product itself is new, unused and in perfect working order - Stereo condenser microphone for recording drum overheads, percussion, group vocals and live performances

Review: *** B-STOCK: Box has been opened but product itself is new, unused and in perfect working order ***

The Rode NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones and complex stereo bars and equipment.

Combining a matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design.

The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

The Rode NT4 X/Y stereo condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=JpcK52yPreY

*** B-STOCK: Box opened but product is new & unused ***

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Dynamic microphone for live vocals, guitar, drums and public speaking

Review: Featuring rock-solid build quality and a high-power neodymium capsule, the M1-S switchable live dynamic microphone is designed to provide the very best performance on vocals, guitars, drums and as a presentation microphone.

Featuring a warm response that is never muddy or undefined, the M1-S' smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

The ergonomically designed all-metal M1-S body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched.

For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1-S live performance dynamic microphone with lockable switch is covered by Rode Microphones' industry leading 10 year warranty.

Condenser microphone for both recording and live drums, overheads and instruments

Review: Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this Rode is at home anywhere.

Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference.

The NT3 incorporates a rugged welded and heat-treated mesh head and all metal body.

Pair of condenser microphones for recording drum overheads, group vocals, acoustic instruments and live performances

Review: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

Condenser microphone for recording/live vocals, guitar, drums and public speaking

Review: The Rode M3 is a highly versatile condenser microphone powered by 9V battery or phantom power.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 is at home in the studio, on stage or on location and is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter microphone.

A -10 dB and -20 dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise.

The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.

The Rode M3 versatile multi-powered microphone is covered by Rode Microphones' industry leading 10 year warranty.

Condenser microphone for vocal recording + Shockmount with intergrated Pop-Filter + 6m XLR cable + bag + a Tutorial DVD

Review: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

With a self noise level of only 5 dBA it is widely recognised as the world's quietest studio microphone. This low noise makes it ideal for vocal recording as well as voice overs and environmental recording.

Packaged in the Complete Vocal Recording Solution, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.

A studio grade pop shield and shock mount is included, along with a premium microphone cable, dust cover, and an instructional DVD with recording tips.

The NT-1A continues this tradition while improving specifications and tonal qualities. Using cutting edge technology for electronics, RODE has implemented a computer controlled manufacturing line. Unlike many leading brands, all electronic boards are made without human hands assuring high specifications, tight tolerances and unsurpassed consistency. It's built to last with a new computer controlled machine process. This product is also available as a Matching Pair.

The Rode NT1-A large diaphragm 1" cardioid condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=HpTKZpoyXzs

Condenser microphone for recording vocals

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

Pair of condenser microphones for group vocals, drum overheads and stereo recording

Review: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard, delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

This pair of NT1-A microphones has been acoustically matched to be within +/- 1/2 dB sensitivity, and is an ideal stereo microphone solution for recording choirs, drum overheads and other X/Y and spaced pair stereo recording applications.

The NT1-A-MP (matched pair set) also features professional accessories for both microphones, including 2 shock mounts and 2 x 20 inches microphone cables. Also included is a matched pair certificate, detailing the microphones' serial numbers and certifying them as being acoustically matched.

The Rode NT1-A acoustically matched pair of large diaphragm 1" cardioid condenser microphones is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=5zByhzmhbe8

Condenser microphone for recording vocals, acoustic instruments and percussion

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Condenser microphone for recording vocals, instruments and percussion + shockmount + pop-filter + cable

Review: The NT2-A carries on the tradition forged by the now legendary Rode NT2. A professional large capsule (1") studio microphone incorporating 3-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.

At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

Includes SM6 popshield, XLR cable and microphone dust cover.

http://www.youtube.com/watch?v=DCtdnmFxFJs

Condenser microphone with detachable capsule, for recording instruments, drums, percussion and vocals

Review: The Rode NT6 compact microphone is specifically designed for difficult mounting applications where the highest quality audio is required. Although clearly relevant to instrument miking, the NT6 is extremely well suited to any situation where an unobtrusive but powerful microphone is required.

Featuring a 1/2" cardioid condenser capsule, the NT6 capsule head measures 45mm (1.8") in length and weighs only 42gm (1.5oz). An all-metal, multi-position mounting ring provides 180 degree of vertical rotation, while the microphone head is connected to the body via a custom 3m (10') shielded Kevlarr reinforced cable.

The microphone body incorporates both a high-pass filter and pad setting. The high-pass filter can be introduced to cut vibration, rumble and undesired sounds sources under 80Hz, while the pad offers a -10 dB level attenuation, useful when recording louder sound sources.

The NT6's small form factor make it an ideal small diaphragm cardioid microphone for use in the mid-side (M/S) stereo array, in combination with a figure-8 large diaphragm microphone such as the NT2-A, NT2000 or K2.

The Rode NT6 compact condenser microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=9IFuW-32x8E

Condenser microphone for recording vocals, acoustic instruments, drum overheads, guitar amps and pianos

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Condenser microphone for live vocals

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Condenser microphone for film, television, brodcast and live performance recording

Review: The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned Rode NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.

The NT55 circuit incorporates a three position variable pad with 0 dB, -10 dB or 20 dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150Hz high pass filter.

The NT55 comes with 2 different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.

The NT55 is intended for film, television, broadcast, live performance, theatre, surround and environmental recording applications or wherever your imagination takes you. This is a very compact, flexible and high quality condenser microphone and is built to last.

Condenser microphone for recording vocals, acoustic instruments and percussion

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

MiCon connector for select Sennheiser devices

Review: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems.

The MiCon-1 is designed to connect to the Sennheiser transmitters SK 500 G3, SK 300 G3, SK 100 G3, SK 500 G2, SK 300 G2, SK 2 Freeport.

Multi-powered condenser shotgun microphone

Review: The Rode NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the NTG2 native 20-20000Hz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional DeadCat furry is recommended for outdoor applications.

The Rode NTG2 shotgun microphone is covered by Rode Microphones' industry leading 10 year warranty.

www.youtube.com/watch?v=pUVvzytDpTQ

Professional studio boom arm

Review: The PSA1 is a studio boom arm for radio, broadcast, studio and home use. It provides full 360 degree rotation.

The PSA1 has a horizontal reach of 820mm, and a vertical reach of 840mm. It is supplied with velcro cable wraps and both desk-clamp and desk-insert style attachments for versatile mounting in desks up to 55mm thick (clamp) or 70mm (insert).

Designed for the Rode Procaster and Podcaster, the PSA1 supports most microphones weighing between 700g (1.5lb) and 1.1kg (2.4lb) when combined with shock mount.

Please note that the PSM1 shock mount is sold separately.

http://www.youtube.com/watch?v=u-11XA_YXME

Minijack/3.5mm stereo extension cable

Review: The VC1 is a 3m 3.5 mm stereo audio extension cable, featuring 2 core shielding and a gold plated jack and socket.

It is ideal for use to connect the Rode VideoMic, Stereo VideoMic or VideoMic Pro when the microphone is mounted on a boompole, or away from the camera or recorder.

The VC1 can also be used as a high quality headphone extension cable.

Compact Directional On-camera Microphone

Review: The RODE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is a high resolution 1/2" condenser capsule that provides broadcast quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels). A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

An innovative suspension system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. A lightweight and flexible yet robust multi-strand cable provides significantly lower noise transference than traditional audio cable while ensuring a high definition signal.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras such as the Canon 5DMkII, Canon 7D, Canon 1D, Canon 550D/T2i, Canon 60D, Nikon D7000, Nikon D5100, Panasonic GH1 and Panasonic GH2. This boost in the microphone output allows the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting. Note that cameras with proprietary shoe mounts will require an adaptor or alternative mounting solution.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.

The RODE VideoMic Pro compact directional on-camera microphone is covered by RODE Microphones' industry leading 10 year warranty.

http://www.rodemic.com/mics/videomicpro

Minijack to XLR adaptor for the Videomic

Review: The VXLR is used to convert a mono 3.5mm mini-jack to a 3-pin XLR.

Deluxe windshield for use with NTG1 and NTG2 shotgun microphones

Review: The Rode WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions. It is suitable for the Rode NTG1 and NTG2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.

Condenser microphone for video camera

Review: Building on the success of the VideoMic Pro, which quickly became the defacto standard for DSLR on-camera audio, and Rode's original Stereo VideoMic, the new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

Based around a matched pair of high sensitivity 1/2" cardioid condenser capsules in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

The Stereo VideoMic Pro builds on the feature set of the VideoMic Pro, with an ergonomic form factor perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The integrated shock mounting system provides superior isolation from vibration and mechanical noise that can otherwise degrade the recording quality. Additionally the lightweight yet robust multi-strand cable provides excellent acoustic decoupling from the camera and offers significantly lower noise transference than traditional audio cable.

The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.

A -10 dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events.

Like the VideoMic Pro, the Stereo VideoMic Pro features a +20 dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.

http://www.youtube.com/watch?v=cRmHjeic0O8

Windshield used in conjuction with the Rode WSVM foam windshield

Review: The DeadCat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

Shock mount designed to reduce handling noise, for microphone with a diameter of 19-20mm or 21-22.5mm

Review: The RODE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Furry windshield for the VideoMic Pro microphone

Review: The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments.

Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

Lightweight condeser shotfun microphone

Review: The Rode NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the NTG1 native 20Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional DeadCat furry is recommended for outdoor applications.

The Rode NTG1 shotgun microphone is covered by Rode Microphones' industry leading 10 year warranty.

Recording mirophone for iPhone or iPad

Review: The RODE iXY is the ultimate recording microphone for iPhone or iPad.

With up to 24bit/96k recording and on-board high-fidelity A/D conversion, your iXY recordings are rich, smooth and accurate.

At the heart of the iXY is a matched pair of 1/2" cardioid condenser capsules, fixed in a perfect 90 degree near-coincident alignment.

This results in immersive and true-to-life stereo recordings, captured in incredibly high detail.

Whether you're recording in a loud or quiet environment, from a concert to a conversation, get a perfect recording every time with the iXY's continuously adjustable input levels via the RODE Rec app.

The iXY features an in-built high pass filter to minimise any handling noise and interference (switchable when using the RODE Rec app).

Get a crystal-clear recording, every time.

The iXY is supplied with a foam windshield for outdoor recording as well as a reinforced protective zip case to ensure your iXY is available whenever you need it.

The iXY is compatible with iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2 & iPad.

http://www.youtube.com/watch?feature=player_embedded&v=Gd9Vx5s4oxo

Windshield for the Rode Blimp for use in high wind situations

Review: The Dead Wombat windshield is designed for minimising wind noise when recording in high wind conditions using the Rode Blimp.

Threaded attachment (microphone stand or boom pole) suspension mount for Rode NT3, NT4, NT5 and NTG series microphones

Review: The Rode SM4 suspension shock mount gives you the ability to isolate the microphone from external physical factors that may cause unwanted rumble and vibrations in the microphone. The SM4 attaches to any 3/8" or 5/8" threaded microphone stand or boom pole.

Camera mount suspension system for Rode NT3, NT4, NT5 and NTG series microphones

Review: The Rode NTSM5 is a suspension shock mount with ring clamp adaptor for Rode Microphones to be used with high end cameras. The design of the suspension shock mount means the microphone is physically isolated from the stand ensuring that there is no unwanted rumble or vibrations in your recording.

Pistol grip for use with Rode VideoMic and Stereo VideoMic

Review: The Rode PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your Rode VideoMic, Stereo VideoMic, or any other cold-shoe device independently of your video camera. A convenient 3/8" thread on the base allows connection to a boom pole or microphone stand, while the spine features handy cable management.

Precision large diaphragm condenser microphone ideal for broadcast voice applications

Review: The Rode Broadcaster is a large diaphragm, end address condenser microphone designed for broadcast voice applications. Its response has been tailored to give a rich, full, broadcast quality with an emphasised proximity effect, making it an ideal 'on air' radio microphone, equally fitting for voice over applications for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosive sounds that can overload the microphone capsule and distort the audio output. In addition to its native 20Hz - 20kHz response, a selectable high-pass filter at 75Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The Broadcaster features an innovative 'On-Air' indicator on the body that can be wired for external activation by the 'Channel On/Mute' function on many mix consoles. If not connected to a console or switch, the indicator will remain lit whenever the microphone has power. For more information please see the user manual.

The RODE Broadcaster microphone is covered by RODE Microphones' industry leading 10 year warranty.

MiCon cable management clip

Review: The Clip 1 is a cable management clip, designed to allow optimal mounting of MiCon cables on the microphone user.

Omni-directional lapel lavalier microphone

Review: The Rode Lavalier is a discreet lavalier or lapel style microphone that provides simple and intuitive audio in any application. The Lavalier's low self noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen. The microphone capsule is connected via a 1.2m shielded, detachable Kevlar reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer. The supplied anti-trauma water resistant case provides rugged and secure protection for the microphone, cable, clips and included accessories.

Knowing that versatility is paramount in any product, Rode has developed the MiCon connector system which provides seamless integration between the Lavalier and a wide range of wireless systems as well as consoles, cameras and portable recorders.

The Rode Lavalier lapel microphone is covered by Rode's innovative 5 year 'no questions asked' warranty.

MiCon 6 connector for select AKG and Audix devices

Review: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MiCon-6 is designed to connect to AKG transmitters PT40, PT60, PT61, PT80, PT400, PT2000 and PT4000, as well as the Audix RAD-360.

MiCon 7 connector for select Lectrosonics devices

Review: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MiCon-7 is designed to connect to Lectrosonics transmitters SM series, UMa series, LMa series and UM450.

MiCon connector designed for select Sony devices

Review: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MiCon-8 is designed to connect to Sony UWP transmitters.

MiCon cable for connection between Rode HS1 headset and lavalier microphones

Review: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset and Lavalier microphones and a wide range of wireless systems. Like all MiCon cables, this 1.2m length is heavy-duty, shielded and Kevlar reinforced.

MiCon cable for connection between Rode HS1 headset and lavalier microphones

Review: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset and Lavalier microphones and a wide range of wireless systems. Like all MiCon cables, this 3m length is heavy-duty, shielded and Kevlar reinforced.

Synthetic fur windshield for outdoor or high wind use of Lavalier microphones

Review: The Minifur-Lav is a synthetic fur cover for the lavalier microphone, designed for use in outdoor or high-wind conditions.

3 supplied in pack.

Suspension mount for Rode NT2-A, NT1000, NT2000, NTK, K2 and Classic II microphones

Review: The Rode NTSM2 Suspension Mount is a high qualiity shock mount for your microphone, providing near-perfect shock isolation, performance after performance amd reducing ambient and low-frequency noise.

It can be used with the Rode NT2-A, NT1000, NT2000, NTK, K2, Classic II and other similar sized condenser microphones.