Shure At Juno Download

Dual impedance, unidirectional, dynamic microphone

Review: Shipped connected for low-impedance operation, the 545SD features a silent magnetic reed on/off switch with lock-on option. A favorite for instrument pickup and recording, the 545SD can also be used on lecterns in public address systems.

The 545SD Classic Unidyne Instrument Microphone is a dual-impedance, unidirectional, dynamic microphone.

Dynamic microphone for live vocals

Review: The 565 microphone is a dual-impedance, unidirectional dynamic microphone with a strong wire-mesh spherical front grille that contains a highly effective wind and pop filter.

In-line, balanced, locking or momentary switch for microphones

Review: The Shure A120S In-Line On/Off Switch is an in-line, balanced, locking or momentary switch for a microphone. The A120S can be configured in several ways to meet different user requirements. Typical use cases include adding latch on/off, push-to-talk, or push-to-mute (cough button) to a microphone. The A120S is contoured to fit comfortably in the hand and an attached belt clip rotates to 4 positions to allow convenient mounting. The A120S can be wired normally-open or normally-closed, and can be used with a balanced mono audio signal or an unbalanced stereo audio signal.

Ultra compact condenser microphone with interchangeable, polar pattern specific capsule

Review: The Shure Beta 181 is a multi-purpose instrument microphone for use on a wide variety of applications including guitars, bass and drums (snares, toms and overheads in particular). A total of four different capsules are available, each with a different polar pattern: cardioid, super-cardioid, bi-directional and omni-directional, allowing you to interchange them according to the desired application.

The designated letter at the end of each capsule's model number indicates its specific polar pattern. For example, the RPM181/C is cardioid, with the RPM181/S being super-cardioid, thus the RPM181/BI is bi-directional and finally the RPM181/O is omni-directional.

Varied application of each capsule: The cardioid capsule is best suited to overheads, piano and acoustic instruments. You can also use it for m/s stereo micing (in conjunction with another bi-directional microphone). The super-cardioid capsule is best suited to snare, toms, acoustic instruments and other forms of close micing. The bi-directional capsule can be used for mono overheads, or for the recording of two instruments simultaneously on one channel. Lastly, the omni-directional capsule could be used for choirs, orchestras and ambient recording applications.

The Beta 181 can be purchased with any one of the four mic capsules available. You'll then need to buy any additional capsules you want seperately.

Ultra compact condenser microphone with interchangeable, polar pattern specific capsule

Review: The Shure Beta 181 is a multi purpose instrument microphone for use on a wide variety of applications including guitars, bass and drums (snares, toms and overheads in particular). A total of four different additional capsules are available, each with a different polar pattern: cardioid, super cardioid, bi directional and omni directional, allowing you to interchange them according to the desired application.

The designated letter at the end of each capsule's model number indicates its specific polar pattern. For example, the RPM181/C is cardioid, with the RPM181/S being super-cardioid, thus the RPM181/BI is bi directional and finally the RPM181/O is omni directional.

The cardioid capsule is best suited to overheads, piano and acoustic instruments. You can also use it for m/s stereo micing (in conjunction with another bi-directional microphone).

Any additional capsules required must be purchased separately.

Ultra compact condenser microphone with interchangeable, polar pattern specific capsule

Review: The Shure Beta 181 is a multi-purpose instrument microphone for use on a wide variety of applications including guitars, bass and drums (snares, toms and overheads in particular). A total of four different capsules are available, each with a different polar pattern: cardioid, super-cardioid, bi-directional and omni-directional, allowing you to interchange them according to the desired application.

The designated letter at the end of each capsule's model number indicates its specific polar pattern. For example, the RPM181/C is cardioid, with the RPM181/S being super-cardioid, thus the RPM181/BI is bi-directional and finally the RPM181/O is omni-directional.

Varied application of each capsule: The cardioid capsule is best suited to overheads, piano and acoustic instruments. You can also use it for m/s stereo micing (in conjunction with another bi-directional microphone). The super-cardioid capsule is best suited to snare, toms, acoustic instruments and other forms of close micing. The bi-directional capsule can be used for mono overheads, or for the recording of two instruments simultaneously on one channel. Lastly, the omni-directional capsule could be used for choirs, orchestras and ambient recording applications.

The Beta 181 can be purchased with any one of the four mic capsules available. You'll then need to buy any additional capsules you want seperately.

Ultra compact condenser microphone with interchangeable, polar pattern specific capsule

Review: The Shure Beta 181 is a multi purpose instrument microphone for use on a wide variety of applications including guitars, bass and drums (snares, toms and overheads in particular). A total of four different capsules are available, each with a different polar pattern: cardioid, super-cardioid, bi-directional and omni-directional, allowing you to interchange them according to the desired application.

The designated letter at the end of each capsule's model number indicates its specific polar pattern. For example, the RPM181/C is cardioid, with the RPM181/S being super-cardioid, thus the RPM181/BI is bi-directional and finally the RPM181/O is omni-directional.

Varied application of each capsule: The cardioid capsule is best suited to overheads, piano and acoustic instruments. You can also use it for m/s stereo micing (in conjunction with another bi-directional microphone). The super-cardioid capsule is best suited to snare, toms, acoustic instruments and other forms of close micing. The bi-directional capsule can be used for mono overheads, or for the recording of two instruments simultaneously on one channel. Lastly, the omni-directional capsule could be used for choirs, orchestras and ambient recording applications.

The Beta 181 can be purchased with any one of the four mic capsules available. You'll then need to buy any additional capsules you want seperately.

Side-address supercardioid condenser instrument microphone with 15dB pad switch

Review: The Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording applications. Its flat frequency response and low self-noise provide unerring performance in demanding environments. A tight supercardioid pattern ensures high gain-before-feedback and maximum isolation from other sound sources.

What makes this mic such a winner? In addition to its very convenient side-address configuration and supercardioid pickup pattern, the Beta 27 gives you a very flat response, so you don't have to tweak all those hyped frequencies. What it sees is what's really there. This flat response also makes the Beta 27 perfect for studio use. Need to tame some low end before it gets to the board? Use the 3-position low-frequency filter. This mic's built-in pop filter also keeps wind noise at bay. Try this mic and be prepared to give it a permanent place in your rig.

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A high output supercardioid dynamic microphone for bass drum

Review: The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds. It is ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio.

The supercardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10 kHz frequency response with a presence boost at 4 kHz to let electric basses and kick drums cut through the mix.

Headworn condenser omnidirectional microphone

Review: Premium headworn microphone ideal for spoken word and vocal applications such as a theatre performance, speech, trade shows and seminars. It can also be used by vocal artists for live recording and performance. Although similar looking to the Beta 54 variant, the Beta 53 has a flat response and is omnidirectional, whereas the Beta 54 has a tailored response and is supercardioid. Because of the '53's omni-directional pickup pattern, extra care will be needed in setup to avoid any feedback issues

Headworn condenser supercardioid microphone

Review: Premium headworn microphone ideal for lead and backing vocals on stage and for live recording applications. Although similar in looks to its Beta 53 variant, the Beta 54 has a tailored response and is supercardioid, making it more suitable for vocals in loud environments such as on stage.

Review: The Shure Beta 56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform super-cardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.

A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

Dynamic microphone designed for detailed reproduction of amplified or acoustic instruments

Review: The Beta 57A is a precision-engineered dynamic microphone designed for detailed reproduction of amplified or acoustic instruments. A tight supercardioid polar pattern provides high gain before feedback in demanding environments.

It's a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio.

It has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off axis tone coloration. The hardened stell mesh grille facilitates use of proximity effect as well as resisisting wear and abuse.

Supercardioid dynamic microphone

Review: The Shure Beta 58A is a super-cardioid dynamic microphone from the same family as the world famous SM58 microphone.

Based on the SM58, the Shure Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals, and shares the same rugged build quality. The Shure Beta 58A is designed for professional sound reinforcement and project studio recording, and its neodymium element enables it to give out a higher output than the SM58 and other similar dynamic microphones. This means that less gain is needed on the pre-amp or mixer that it is connected to, which ultimately reduces handling noise.

It maintains a true supercardioid pattern throughout its frequency range, which ensures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone colouration. The Shure Beta 58A has a shaped frequency response that is ideal for close-up vocals.

The superb performance of this microphone is not affected by rough handling because of its incredibly strong construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.

Super-cardioid handheld condenser vocal microphone

Review: The precision-engineered Beta 87A condenser vocal microphone has a smooth, tailored response for warm, accurate sound. Its supercardioid polar pattern provides maximum isolation from nearby vocalists or instruments.

The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.

The Beta 87A features a controlled low frequency roll-off that compensates for proximity effect and prevents the boomy sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.

Cardioid handheld condenser vocal microphone

Review: This vocal mic has an extremely smooth, tailored response for a warm, natural sound. It blocks sound from the rear of the mic, making it ideal for use with in ear monitors.

The Shure Beta 87C is a premium quality cardioid hand-held condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. It is ideal for a professional lead or backing vocalist either on stage, for live recording or in the studio. The cardioid polar pattern makes it ideal for use with in-ear monitoring.

Miniature cardioid condenser perfect for discrete and unobtrusive placement on snares, toms and percussion

Review: This premium drum microphone is ideal for use with snares, toms and percussion. An extremely uniform cardioid polar pattern provides excellent gain-before-feedback and off axis rejection of unwanted noise. There are 5 variations of this microphone: The Beta 98AD/C is a cardioid condenser drum microphone,complete with the A98D flexible gooseneck drum mount, while the Beta 98A/C is the same microphone minus the drum mount and the Beta 98 AMP/C features an integrated preamplifier. Also available are supercardioid versions (Beta 98S & Beta 98D/S).

Please note - any Beta drum microphone featuring the letter 'A' following the model number contains a new capsule and as a result you can expect a more natural high frequency response

Miniature cardioid condenser perfect for discrete and unobtrusive placement on snares, toms and percussion

Review: This premium drum microphone is ideal for use with snares, toms and percussion. An extremely uniform cardioid polar pattern provides excellent gain-before-feedback and off axis rejection of unwanted noise. There are 5 variations of this microphone: The Beta 98AD/C is a cardioid condenser drum microphone,complete with the A98D flexible gooseneck drum mount, while the Beta 98A/C is the same microphone minus the drum mount and the Beta 98 AMP/C features an integrated preamplifier. Also available are supercardioid versions (Beta 98S & Beta 98D/S).

Please note - any Beta drum microphone featuring the letter 'A' following the model number contains a new capsule and as a result you can expect a more natural high frequency response

Cardioid condenser drum microphone

Review: The Beta 98AMP/C drum microphone combines an integrated preamplifier with a miniature cardioid condenser capsule to provide a smooth, natural tailored response for drums and percussion. It offers a flexible gooseneck and the A75M universal microphone mount for accurate and secure placement in any configuration.

This premium drum microphone is ideal for use with snares and toms.

The Beta 98AMP/C provides a smooth and natural sound, and features an integrated XLR preamplifier with a flexible gooseneck.

The Beta 98AMP/C is a cardioid condenser instrument microphone and comes complete with an integrated preamplifier and the A75M universal drum mount. None of the other versions of the Beta 98 contain an integrated preamplifier. The Beta 98AMP/C has a wider dynamic range with a SPL level 7dB higher than Beta 98AD/C and the Beta 98A/C.

Mini supercardioid condenser microphone

Review: The Beta 98D/S miniature supercardioid condenser microphone is designed for toms, snares and percussion instruments in both sound reinforcement and recording applications. A flexible gooseneck lets you position the microphone in any configuration.

It's a premium instrument microphone which is ideal for use with a snare, toms and conga drums, in both stage and studio applications.

The included A98D drum mount lets you quickly secure the mic to a drum rim without the need for a drum key. Its flexible gooseneck lets you position the mic in practically any configuration, so you get a virtually unlimited choice of sound options.

The Shure Beta 98D/S has a tailored frequency response of 20Hz - 20KHz and a high maximum sound pressure level (SPL) of 125dB. It has a supercardioid pickup pattern providing high gain before feedback. A seperate in-line preamplifier is included as well as a 25ft detatchable cable to go between the pre-amp and the mic.

Discrete clip on instrument microphone perfect for brass, percussion and woodwind instruments

Review: The Shure Beta 98H C is a premium instrument microphone with a flexible gooseneck and clip on clamp making it ideal for use with brass, percussion and woodwind instruments, either on stage or in the studio.

The microphone has a tailored frequency response of 20Hz - 20KHz, and a high maximum SPL tolerance of 132 dB which makes it ideal for withstanding the high sound pressure levels generated by brass and woodwind instruments. It has a cardioid pickup pattern providing high gain before feedback. It also includes a 3 m (10ft) high-flex cable which is attached to the preamplifier.

Supercardioid condenser microphone perfect for discrete placement and recording instruments of high volumes

Review: The Shure Beta 98S is a premium instrument microphone which is ideal for use with a variety of instruments such as drums, congas, piano, reed, wind and string, in both stage and studio applications.

It has a tailored frequency response of 20Hz - 20KHz, and a high maximum SPL tolerance of 125dB, making it perfect for any application where it will face extreme volumes, such as close micing on drums or wind instruments. It has a supercardioid pickup pattern providing high gain before feedback, and a seperate in-line preamplifier. A 25ft detatchable cable to go between the pre-amp and the mic is also included.

A package of microphones and mounts, including 3 SM57, 1 Beta 52A, 3 A56D and a carry case

Review: The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price.

The Drum Mic Kit includes 3 x SM57 microphones, 1 x Beta 52A microphone, 3 x A56D drum-mounting systems, and a lightweight, durable carrying case. The kit can be used with Congas Kick Drum Rack/Floor Toms Snare Drum.

The SM57 is the industry standard for snare, and a reliable, high-performing choice for toms, the Shure SM57 features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

The Beta 52A is perfect for the kick drum, this mic derives low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for easy set up.

The A56D is an universal drum mount system, which can be used to position mics virtually anywhere, drum rims, mic stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard mic.

A carrying case included.

1m earphones extension cable

Review: The Shure EAC3GR 1 metre extension cable is perfect for any of your listening experiences when an inline accessory (such as the PTH) is not desired.

The 3' extension cable comes in gray and black and ships as a part of the Fit Kits included in the SE110, SE210, SE310, SE420, SE530/SE530PTH (formerly E500PTH).

Sound isolation foam tips

Review: Shure Orange Foam Sleeves comes in 5 pairs for use with SCL2 sound isolating earphones, and E2 earphones.

These reusable, disposable foam sleeves compress to fit gently into the ear. Once in the ear, the foam expands to form a tight yet comfortable seal that holds the earphones firmly in place.

Size: Medium

Sound isolation eartips

Review: Shure Orange Foam Sleeves comes in 5 pairs for use with SCL2 sound isolating earphones, and E2 earphones.

These reusable, disposable foam sleeves compress to fit gently into the ear. Once in the ear, the foam expands to form a tight yet comfortable seal that holds the earphones firmly in place.

Size: Small

Carrying case for Shure SRH940 headphones

Review: The Shure HPACC1 carrying case is specially designed for SRH940 professional headphones.

Carrying case for Shure SRH240, SRH440, SRH840 & SRH750DJ headphones

Review: Carrying case for Shure SRH240, SRH440, SRH840 & SRH750DJ headphones

Replacement earpads for Shure SRH440 headphones

Review: Replacement earpads for Shure SRH440 headphones.

Replacement earpads for Shure SRH750DJ headphones

Review: Replacement earpads for Shure SRH750DJ headphones.

Replacement earpads for Shure SRH940 headphones

Review: Replacement velours ear cushions for SRH940 professional monitoring headphones.

Audio adaptor for Shure SRH240/SRH440/SRH840 professional headphones

Straight replacement cable (2.5m) with gold plated 3.5mm stereo jack for SRH440, SRH840 & SRH750DJ headphones

Review: Straight replacement cable (2.5m) with gold plated 3.5mm stereo jack for SRH440, SRH840 & SRH750DJ headphones.

Condenser microphone comes with spider shock mount and velveteen pouch

Review: The KSM32 is a premium condenser microphone which features an extremely flat, extended frequency response to provide a perfectly transparent or neutral reproduction of the sound source.

The KSM32 can be used on an almost endless list of applications, some of which include vocals, acoustic and wind instruments, low frequency instruments such as double bass and kick drum and various overhead miking applications. The KSM32 is equally at home on the stage or in the studio.

You can expect a smooth, neutral reproduction with full character. The KSM32 is a clear, accurate and detailed mic with a full and extended bass response, although the inclusion of both gentle and steep high-pass filters allows the bass end to be tamed very effectively if need be. Performance characteristics also include very low self noise and high input SPL capability

The KSM32/SL is in champagne and comes with aluminum carrying case, velveteen pouch and Shurelock rubber isolated spider shock mount.

Side-address cardioid condenser multi-purpose microphone

Review: The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.

The Shure KSM32 is ideal for both studio and live sound applications. It is a ruggedly built, large diaphragm cardioid condenser microphone. Its Class-A circuitry and extended "sweet spot" delivers a smooth, detailed response, making it well-suited for recording sources from piano to percussion or violin to vocals.

The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production.

This product is in charcoal grey and supplied with a ShureLock swivel mount, and a padded, zippered carrying bag.

Side-address cardioid condenser microphone, comes with shock mount & pop filter

Review: The KSM42 is a premium side-address, cardioid condenser microphone. It features a large dual-diaphragm optimized for exceptionally smooth proximity control and ultra-wide dynamic range in world-class vocal recording/performance applications.

The design intent of the KSM42 was to craft a large-diaphragm side-address microphone for the primary application of human voice in controlled environments. Much forethought went into crafting the dual-diaphragm capsule to guarantee superior proximity control and a generous and broad sweet spot, with extremely consistent sound quality below 1000Hz. With a max SPL of 139dB and a gradual low-end frequency roll-off built in, pad and filter settings become redundant.

The Prethos Advanced Preamplifier Technology consists of highly sophisticated, extremely transparent internal circuitry architectures that enable unprecedented seamless audio, maximizing audio quality for premium microphone performance.

The KSM42 ships with an open cage ShureLock rubber suspension shock mount and a low-profile Popper Stopper magnetic pop filter. This allows to setup the microphone and shock mount always with the same distance.

The KSM42 features a dual-diaphragm design with an active front, ultra thin (2.5 micron) 24-karat gold, low mass, 1" Mylarr diaphragm, premium electronic components and gold-plated internal and external connectors.

Dual diaphragm, handheld condenser microphone for use in vocal and speech applications

Review: A premium vocal microphone with switchable hyper-cardioid and sub-cardioid polar patterns, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for a wide range of live performance applications.

Engineered to exacting standards featuring Class A transformerless preamplifier circuitry for transparent sound capture and dual gold-layered diaphragms that reveal every nuance and subtlety. The advanced suspension shock mount virtually eliminates handling noise.

KSM9 microphone variants, including the KSM9HS, offer exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect. Shure Axient and UHF-Rr Wireless Systems feature KSM9 wireless cartridges (in champagne or black finishes)as the premier choice in handheld wireless microphone options. KSM9 microphones are built to exacting Shure endurance standards, renowned worldwide and proven night after night, center stage.

Review: The M35X brings music alive by capturing every nuance of a recording, from deep drop bass to exceptionally clear mid and high frequencies. Designed specifically for use with House/Techno mixing environments, the cartridge's low record wear helps DJs preserve hard-to-replace vinyl, while its high skip resistance serves as a safeguard against the hazards of back-cueing.

The M35X combines high sonic accuracy and incredible skip resistance, all while keeping record wear to a minimum.

Review: Revived exactly the same as the original, this companion to the M44-7 provides an ideal balance between skip resistance and accuracy of sound reproduction for entertainment purposes.

The M44G is a versatile performance needle, appropriate for both intensive scratching and mixing.

78 rpm listening & sampling wide-groove

Review: The Shure M78S monophonic cartridge is specifically designed for playing wide groove 78 RPM records. Equipped with a 2.5mil tip, the cartridge produces a mono output from shellac discs. Its low compliance suits the heavy arms you'll find on vintage record decks and changers.

Review: The versatile M92E fits both of the major types of tone-arm mounts in use today. This high-value model offers faithful sound reproduction at a very attractive price. A natural bi-radial diamond tip teamed with a tubular aluminum alloy stylus cantilever accurately traces the grooves of your records for a difference you can hear.

Record bag, holds 50 records plus DJ accessories

Review: Black record bag capable of carrying up to 50 records plus DJ accessories.

The Shure Record Bag has all the necessary spaces for a DJ to carry records, cartridges, a mic, headphones, and much, much, more. With both shoulder straps and backpack straps, the MRB passed a 100 lb. test on all of its hanging points. The MRB record bag makes a nice addition to your carry-on lugga

Replacement stylus for M44-7 cartridge

Review: This legendary battle needle offers ultra-high skip resistance and ultra-high output. The needle of choice for many champion DJs worldwide, including the former Invisibl Skratch Piklz, X-ecutioners and the World Famous Beat Junkies.

The Shure N447 Stylus is for use with Shure M44 & M44-7 cartridges.

An entry level, complete 6-piece drum microphone set, designed for full drum kit applications

Review: This would be an ideal choice for a budget concious amateur/semi-pro drummer looking to mic up their 6-piece drum kit. The microphones would be suitable for use on small stages, in the rehearsal room and in the home recording studio.

The PGDMK6 Drum Microphone Kit includes:

(3) x PG56 snare/tom microphones
(1) x PG52 kick drum microphone
(2) x PG81 instrument microphones
(3) x A50D drum mounts
(6) x 5ft (4.57m) XLR-XLR cables
(1) x durable carrying case.

Dual wireless microphnoe system, includes PG88 Diversity Receiver, 2 x PG1 Bodypack Transmitters and 2 x PG185 Lavalier Microphones

Review: The Shure Performance Gear dual PG185 wireless system is the perfect introduction to their wireless portfolio. This package comprises 2 x PG1 Bodypack transmitters, 2 x PG185 lavalier mics and 1 x PG88 diversity receiver. It operates in the 2011 digital frequency band K6E (606-618 MHz range).

The Shure PG185 is a visually discreet electret condenser lavalier microphone suitable for spoken word and presentations. It features:

Electret condenser microphone
Cardioid polar pattern
Clothing clip for secure placement
Acoustic windscreen minimises wind noise in outdoor applications.

The PG1 Bodypack Transmitter includes a single power/mute switch and an LED indicator showing power, mute and battery status. You will get 8 hours of continuous use using a 9v battery (included) and has an operating range of 75m. It features:

Combined power/mute button with lock function
Gain switch
Channel select button
7-segment LED
Multi-colour LED indicates power, mute and low battery
9V battery (included) provides 8 hours of battery life
75m operating range under typical conditions.

The compact and robust PG88 wireless dual receiver includes features such as internal antennas which minimise poor positioning and breakage, as well as being easier to store. You can choose from 10 selectable frequencies at the touch of a button, and up to four systems can be used together. It features:

Microprocessor controlled Predictive Diversity
Dual Receiver
Internal antennas
10 selectable frequencies
Up to 4 compatible systems per band
7-segment LED displays the selected channel and indicates instantly if this channel is occupied
Separate LEDs indicate audio level and RF reception
Tone Key Squelch
6.3 mm (1/4") and XLR audio outputs
Adapter cord relief.

Condenser microphone for recording acoustic instruments, amplified instruments and vocals

Review: Designed with a flat frequency response for natural reproduction, the PG27 side-address microphone features a large diaphragm and a high SPL threshold that handles a wide variety of acoustic, amplified and vocal sound sources with professional clarity and guaranteed Shure quality in every application.

Multi-purpose condenser microphone

Review: The PG27USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording. Designed with a flat frequency response, the PG27-USB naturally reproduces a wide variety of acoustic, amplified and vocal sound sources with professional clarity and guaranteed Shure quality. USB Plug and Play connectivity allows the convenience of digital recording anywhere your computer can go. It's ideal for use in home recording studios. As a multipurpose microphone it is equally at home recording both vocals and instruments.The PG27-USB microphone includes a 9.8ft (3m) USB Cable, Stand Adapter and a Zippered Pouch.

Side address condenser microphone for USB plug & play

Review: Specifically engineered for lead vocal reproduction, the PG42-USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording.

The PG42USB features a large cardioid diaphragm tailored with high sensitivity to clearly reproduce refined performances with guaranteed plug and play Shure quality.

The PG42USB is compatible with Windows 7 (32 & 64 bit), Vista (32 & 64 bit), XP, 2000 and Max OS X (10.1 or later).