Alex Barck & Jonatan Backelie - "Don't Hold Back" - (6:33)
Alex Barck & Jonatan Backelie - "Don't Hold Back" (Copy Paste Soul remix) - (6:44)
Re-Set (feat Pete Josef) - (5:28)
Re-set (feat Pete Josef - Hannes Fischer Remix) - (6:14)
Re-set (feat Pete Josef - Marlow Remix) - (7:04)
Alex Barck has achieved a lot over the last two decades - pioneering nu-jazz blends with Jazzanova, helping set up Sonar Kollektiv, a fine album with Christian Prommer - but he's not released many solo records. In fact, his debut solo album, Reunion, is due later in the year. This taster gives a glimpse as to what to expect, a dewy-eyed blend of electronic soul, bruk-influenced deep house and unbridled positivity. The EP's two original tracks are predictably sublime, with Pete Josef collaboration "Re-Set" - an exercise in effortlessly soulful, heavily electronic deep house - just edging out the more obviously anthemic Jonathan Backelie hook-up "Don't Hold Back". Elsewhere, Marlow's deep acid rework of "Re-Set" is also superb.
Venezuelan high-end disco hero Daniel Grau has been recently rediscovered by Sonar Kollektiv and DJ Trujillo, and this is the third installment in their Reworks remix series. UK disco don Ray Mang makes short work of a rare cover of Grau's "El Leon Bailarian" - a totally amazing burst of trippy disco stardust. Elsewhere the stunning "Tonight" becomes darkly seductive raw Italo in Soul Clap & Bosq's hands, "Atlantis" becomes liquid ecstasy-funk courtesy of Debonair and "Delirio En Fa Menor" is rendered Loveboat-cool by DJ Trujillo & Miguel Molina.
Jazzanova's Sonar Kollektiv label has been fairly quiet of late, so it's nice to see them back with a bang. Here, they offer up the debut full-length from soul singer/songwriter Fetsum, a man who has previously only made guest appearances on a smattering of singles. Fetsum's style is classic soul, his Marvin-meets-Usher vocals soaring above a variety of earnest, organic backdrops. For the most part, the music is positive and life affirming, all warm horns, clipped guitars and long, lazy organ chords. There's the odd musical curveball - trips into reggae, slow jam and instrumental territory - but for the most part it's as slick, heartfelt and soulful as you'd expect.
Born to Eritrean revolutionists, Fetsum embarked on a nomadic existence before settling in Italy where he forged his nascent musical roots. His subsequent exposure to an even bigger variety of international music has resulted in his recent debut album, "The Colour Of Love". This lead track from the LP is a jaunty number that combines his upbeat, melodic sensibilities with plenty of world music flavours.
Never Come Back Down (feat Borgazzi - Yannick Sexfactmix) - (6:28) 121 BPM
Never Come Back Down (feat Borgazzi) - (4:00) 78 BPM
Sometimes Feelings Hurt (Jad dub) - (8:29) 118 BPM
Sometimes Feelings Hurt (feat Borgazzi) - (5:09) 118 BPM
Never Come Back Down (instrumental) - (4:00) 78 BPM
This Aussie producer has come a long way from his humble nu-disco re-edit beginnings, with his recent acclaimed house tunes leading to this single with the mighty Sonar Kollective. He hasn't let the side down either, coming up with "Never Come Back Down", a smooth and deep, perspiration-soaked smoocher. Leading the remix charge is Yannick's haunting disco-tech "Sexfactmix", followed by Jad's dreamy, Balearic dub of floaty synth-popper "Sometimes Feelings Hurt".
Bass explorer extraordinaire Jah Wobble has been taking us on all kinds of low-end journeys since his days with the mighty PiL back in the '70s. So, when he decides to present you with something, you know it's bound to be good. PJ Higgins (Dub Colossus) wraps her golden larynx round eight tracks of smoky late night throbbers, each generously cooked with various world ("What Have I Become"), chill-out ("Inspiration") and blues ("Chaingang") tinged flavours. The requisite rolling dubby basslines come courtesy of Mr Wobble of course, topping off an already successful mood record.
For this new release, the German DJ collective Jazzanova see their collaboration with singer Paul Randolph remixed by Brooklyn's Afro-jazz DJ, Jeremy Sole. Taking the original's vocals, Sole layers them over one of his trademark live workouts turning the song into the kind of laid-back, ska-tinged anthem heard at a 70s New York block party.