Skip Navigation

MY CURRENCY: USD | MY COUNTRY: USA
ONLINE MAGAZINE
Features the latest dance music news, interviews, music and tech reviews, podcasts & more...
Visit Juno Plus
DJ & STUDIO EQUIPMENT
SECURE SHOPPING
Massive range of equipment and accessories for DJs and studio use.
Visit Juno DJ
VINYL & CDs
SECURE SHOPPING
The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online.
Visit Juno Records
$228.23
Virtual instrument plug-in for PC/Mac
Review: With its comprehensive design, Trilian brings many different types of bass together into one extraordinary-sounding virtual instrument.

The Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. The Trilian is the successor to Spectrasonics' award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. The Trilian's 34 GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses.

Powered by next generation STEAM Engine technology, the Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere synth allowing Trilian's sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.

The acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software's intuitive, automatic selection of legato and release articulations as the user plays and the extensive Round-Robin variations introduced for natural sounding bass lines with repeated notes, create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the basses features multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass.