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Items 1 to 19 of 19 on page 1 of 1
SUNCD 011
11 Jun 12 Broken Beat/Nu Jazz/Nu Soul
SUNCD 012
24 Oct 11 Funk
SUN 12001
14 Aug 12 Broken Beat/Nu Jazz/Nu Soul
SUNDIG 009
01 Mar 10 Broken Beat/Nu Jazz/Nu Soul
SUNDIG 006
27 Jul 09 Funky/Club House
SUNDIG 007
25 Sep 09 Broken Beat/Nu Jazz/Nu Soul
SUNDIG 007
31 Aug 09 Funky/Club House
SUNCD 007
02 Jan 12 Broken Beat/Nu Jazz/Nu Soul
SUNDIG 015
25 Mar 13 Broken Beat/Nu Jazz/Nu Soul
SUNDIG 003
16 Jan 08 Broken Beat/Nu Jazz/Nu Soul
SUNDIG 003
22 Dec 08 Broken Beat/Nu Jazz/Nu Soul
SUNCD 005
16 Jan 09 Broken Beat/Nu Jazz/Nu Soul
SUNCD 001
02 Jan 12 Broken Beat/Nu Jazz/Nu Soul
Review:
Named after a block of flats off Cambridge Heath Road in Bethnal Green, Sunlightsquare have slowly become global exponents of Latin funk and soulful cosmodelica - as evidenced on this new full-length release on their own, self-titled label. Traces of Rotary Connection, Sergio Mendes, Bob James, Roy Ayres and Stevie Wonder litter the ten tracks here - with standouts including the intimate carnival sway of "Summer Night" and the dubby piano jazz of "AB Three".
SUNCD 009
26 Apr 10 Broken Beat/Nu Jazz/Nu Soul
Played by: Shantisan
Review:
Having formed in 2004, this London based Latin collective are best known for the single "Amuyada" and their cover of Stevie Wonder?s "Pastime Paradise". They?re much loved by fans of funk, Latin and soul and have had plenty of support along the way from Gilles Peterson among others. This latest record was recorded in Cuba at the famous Radio Rebelde studio and it seems to have given them a whole new lease of life.
From the very start you can hear the inspiration seeping into the tracks. Opening song "La Banda" is a kaleidoscopic explosion of ideas, almost worthy of 50s exotica composer Esquivel for the sheer amount of verve bursting out of all 20 of the players. Title track "Havana Central" settles nicely into a groove, giving ample space for the soloists to show off and also keeping things tight with some sung choruses. First single "I Believe In Miracles" will be the jewel in the crown though for funk fans. A cover of the rare groove and b-boy classic by The Jackson Sisters, the SLC transform it into an explosive Latin romp that loses none of its sparkle transposed into a different genre. The more jazz structured slower songs, such as "Bebidas Para Ti", again give the musicians ample space to impress on the wide variety of instruments at their disposal. The other immediate go-to track must be their version of Massive Attack's "Teardrop", with a Herb Albert-style trumpet taking the lead melody, and a delicate but riveting backing from the rest of the combo. With such an accessible pathway into this tremendous album, there's really no excuse for not succumbing to its huge charm.
Items 1 to 19 of 19 on page 1 of 1
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