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Items 1 to 26 of 26 on page 1 of 1
TKR 16
31 May 12 Techno
TKR 18
28 Sep 12 Techno
TKR 02
18 Feb 11 Techno
TKR 03
18 Feb 11 Techno
TKR 23
29 Apr 13 Techno
TKR 14
28 Feb 12 Techno
Played by: Mirko S.
Review:
The title suggests that Takemaga is engaged in an evil enterprise, but nothing could be further from the truth. This three-tracker is evocative and atmospheric, with the Japanese producer focusing on introspective sound design instead of a forceful agenda. "Modern Fake" is the most dance floor friendly, its woozy chords weaving their way around dubby chords, building and then ebbing again. "Hell Distortion" is far less visceral than its name, and it sees Takemaga create a veil of atmospheric textures to the sound of crisp break beats. However, the highlight is "Elashe", where the dubby Basic Channel chords build over a lithe rhythm. It's a serene end to one of the most understated techno releases of recent months.
TKR 22
29 Mar 13 Techno
TESK 01
16 Jun 11 Techno
TKR 07
18 Feb 11 Techno
TKR 08
18 Feb 11 Techno
TKR 12
22 Oct 11 Techno
Review:
It's true that bad news sells, but how does this apply to techno music? On the evidence of Predictions, there should be an audience for the more visceral end of the form. Filip Xavi's "Arcade Psycho" is a grinding, banging affair, its jarring riffs and firing percussion leading the arrangement to a thrilling finale. Mattias Fridell's "Universal Domain Analysis" is cut from a similar cloth, with the added bonus of eerie interference in the background. Despite this, the highlight is Rory St John's "Sadbat". Less intense than the other tracks, its linear, metallic rhythm is infused with acid blips and a muffled female vocal that guarantees it is the most disturbing of them all.
TESK 03
01 Aug 12 Experimental/Electronic
TKR 15
10 Apr 12 Techno
TKR 04
18 Feb 11 Techno
TKR 09
22 Feb 11 Techno
TKR 21
27 Feb 13 Techno
TKR 06
18 Feb 11 Techno
TKR 01
18 Feb 11 Techno
TKR 05
18 Feb 11 Techno
Items 1 to 26 of 26 on page 1 of 1
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