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ASG_AS 011
20 Dec 12
ARCDA 31
31 Oct 12
100329 39
06 Oct 11
ALR 031
02 Jun 09
10014289
12 Mar 10
568
27 Aug 10
670541 194058
19 Mar 13
741360 699748
19 Mar 13
BLOCK 011
01 Jul 01
BOND 15
06 Jul 12
LSR 1001
10 Aug 11
CKS 014
26 Aug 08
MH 284
28 Apr 12
EAD 3119 A
11 Jul 11
EAD 3119A
11 Jul 11
Played by: Ndv (Polar Pair/Botanika), Gee, Gigi D'amico, Odiggity, Juno Recommends Leftfield, Boska, Guy Gerber
Review:
If the first single from this album, "Natalia's Song", left you worried that Zomby may have toned down his sound to fit the current zeitgeist in bass music, then don't. Dedication is a long way removed from Where Were U In '92?, but the influence of jungle and hardcore remains, albeit in a more spectral form, where skeletal beats play off against organic tones, his characteristic purple arpeggios drenched in reverb. The progression in his sound is just enough to add an element of introspection to his productions, while retaining the essence of what made his earlier material so irresistible; it's an album where air horns can co-exist happily with string sections and it doesn't seem jarring .With several tracks that are at times almost baroque in their execution, Dedication is an album that, whatever your preconceived notions of Zomby's sound, or bass music as a whole, must be heard.
EAD 3305A
14 Jun 13
Review:
The original enfant terrible of the bass music world is back with a new album, marking his second long player for 4AD with a sprawling opus of more than 30 skits and skirmishes daubed in his trademark colourful sonic scrawl. There is plenty here that reminds you of the early days of the producer's emergence when dubstep was a younger beast, from the spacious "Horrid" to the measured arpeggios of "Pray For Me", but you'll also find more intricate musings such as the dynamic and dramatic "Memories". Hype abounds on the creepy Funky of "VI-XI", while "Overdose" launches enthusiastically into a jungle tear out. At any given turn, you'll find yourself surprised, lurched from a serene mood into a manic one, only to be tempered again. There's a staggering range of ideas and styles to comprehend here, but would you want it any other way from one of electronic music's most outspoken upstarts?
CHI 041
07 Mar 13
IVA 1210
04 Feb 13
PERMVAC 073-2
22 Apr 11
VSE 06
24 Sep 12
Review:
Canadian producer Zodiac (nee Jeremy Rose) was allegedly uncredited for his production on a record by The Weeknd, but now returns (fully credited) with his own EP for Jacques Greene's Vase label. What we get is five slices of exquisitely produced 'cerebral-hop', if you will. "GirlGirlGirl", basically takes an early 90s R&B sample and slows it right down, getting to a real grind pace, before draping it in silk sheets of seductive synths. "Come" is a bleepy, sleepy, slow jam with a Maxwell-style vocal from Jesse Boykins III. "Loss Config" is an unusual instrumental featuring a classical piano motif and "138", with its hands-in-the-air melodies and lilting beats, ends things on high. Classy stuff!
PRIK 087
01 Jan 05
MATUSHKA 005
28 Aug 10
OPTICAL 008
30 Oct 09
OPTICAL 009
30 Oct 09
OPTICAL 004
23 Oct 09
AW 89620
13 Jul 11
RG 0005JE
14 Nov 12
ADSBSCD 01
09 Sep 08
19873
05 Sep 11
BM 062
05 Aug 08
SOL_174_CD
27 Jun 11
ALP197
05 Oct 10
SOL 072CD
11 Sep 01
SOL_064_CD
13 Oct 98
SOL_008_CD
13 Oct 98
900879 8092062
07 Jul 12
BLEEPST 13
23 Jun 11
CDZW 03
04 Jan 10
CDZW 09
10 Oct 11
ACT 249
27 Oct 10
AUPHCD_009
06 Oct 08
DIG 025
06 Dec 11
AUPHCD_004
30 Sep 05
BL 39278-X
01 Apr 09
BOND 001-8
07 Aug 07
CAL 002
20 Dec 10 |