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SWITCH GENRE
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CPSIP 2004DD
02 May 04
LTMCD 2505
09 Sep 08
SOD 98
26 Oct 12
LP 045
08 Nov 11
SOM 007
22 Jun 12
OESB 52
12 Jun 12
Review:
Since she first started working as a songwriter in the early 1980s, Alice Cohen has enjoyed a varied career, appearing in odd rock bands, crafting tracks for Martin Scorsese films and producing experimental, off-kilter rock and pop. Amazingly, she also wrong Karen Young's "Detour", one of the oddest (and perversely most celebrated) boogie records of the early '80s. Pink Keys, Cohen's first solo set for three years, finds her in fine form, adding her curious vocals to a range of glistening, synth-heavy instrumentals that largely steer clear of heavy beats in favour of something altogether more fragile. Highly recommended.
NON 002
28 Sep 10
NON 004
01 Mar 11
URC 131
11 Mar 13
CSC 012
30 Aug 05
AMB 1307D
13 May 13
MOSZ 024
14 Mar 11
4060
20 Sep 11
R-N 128
21 Mar 11
RM 448
23 Apr 12
NNA 054
05 Mar 13
Review:
Taking a break from his surgical commitments, Anthony Child serves up some avant-garde noise excursions with this album. It's an infinitesimal exploration of found sound and tone generation, purportedly examining negative space and culled from Child's years of studies on the side of his more prominent techno output. It's a curious ride through academia, at times as serene as the subtle hum of a suburb, at others a cataclysmic pulse raging down on your senses, but there's no escaping the attention to detail that has gone into forming this pair of sonic suites.
OCCASION 2010-03
20 Mar 12
PUBINFO 005
30 Jul 12
Played by: Jt86
Review:
Having previously released music from the likes of Bristol's Ekoplekz, British electronic music pioneer F.C. Judd and Brooklyn's ADR, Public Information continue their survey of the outer fringes of avant-garde electronics by shifting their focus to USA's West Coast, presenting the debut record from Austin Cesear. Even in terms of America's rich underground of contemporary producers Cesear seems like an outsider; where his contemporaries are content to rework well worn tropes into bright retro pastiche, Cesear's music is warped and decayed, existing in a dark, parallel version of Chicago and Detroit's musical past. Cruise Forever is an album of two halves, combining dense techno in the vein of Actress or Andy Stott and digital, tape looped ambient that is somewhere between Daniel Lopatin, Fennesz and Steve Reich. Far from being a pretender however, Cesear puts his own bold stamp on these influences, reconstructing them with his own rusty building blocks and delievering an album that is one of best debuts we've heard this year.
FAM-BD 02
05 Sep 09
DE 5033
04 Sep 12
MH 002
01 Mar 11
004563 5059443
08 Aug 12
WEAVIL 46DD
25 Nov 11
ACRED 10
07 Dec 12
RR 001
03 Dec 12
900879 8095360
23 Aug 12
MBR 031
30 Dec 11
NTONEDNL 35
01 Aug 99
NTONEDNL 34
01 Jul 99
NTONEDNL 20
01 Oct 97
PQCHILL 030
04 Nov 12
ARCDA 10
04 Apr 11
FIRR 04
09 Jul 11
SOD 86
29 Jul 11
SOD 86
16 Aug 11
CHI 040
24 Jan 13
CHI 042
29 Apr 13
HYB 002
14 Jan 13
AB 024
08 Aug 09
AB 015
10 Sep 07
100256 14
14 Mar 11
AD 79CD
18 Dec 09
MGT-035
20 Jan 09 | ||
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