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SWITCH GENRE
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900879 8103096
30 Nov 12
ETUIGALAXI 001
15 Jun 07
DD 186
08 Oct 11
ZENDNLS 190
22 Jan 07
ZENDNL 29
01 Jun 97
ZENDNL 100
18 Jan 05
ZENDNL 100Y
18 Jan 05
ZENDL 121
06 Mar 07
ZENDLS 206
11 Dec 07
ZENCDS 138
29 Jul 03
KOM 105
21 Sep 04
028
10 Jun 08
PSY 053
04 Jun 12
PSY 036
09 Aug 10
SAM 009
25 Aug 11
OPDISC 010
22 Jan 07
R-N 148
07 Jun 13
505547 8216885
24 Jan 12
SOM 019
07 Dec 12
LINE 020
01 Nov 04
LINE 033
08 Jan 08
LINE 051
18 Oct 11
LINE 025
01 Feb 06
AATP 29DD
25 Feb 10
SOL 116
12 May 02
457136 251011
18 Feb 12
SR 317
17 Jun 11
STS 21812
10 Jan 12
MODUL8.006
03 Aug 07
CTIDD 037
31 Dec 00
CTIDD 041
03 Nov 04
CTIDD 006
BLEEP DIGI02
03 Sep 10
DTR 011D
01 Dec 08
KI-002
12 Oct 09
LNR 016
19 Oct 12
ACT 199
11 Sep 07
ACT 120
12 Sep 01
FOSR 003
14 Jun 12
MIE 8033749221780
15 Aug 11
ET 13002
01 Feb 13
Review:
The eccentric French tech-trance producer delivers an across the board long player. From the insane broken beats and hyperactive, jittery rhythms of "London Soundsystem" and "Big Ben Dimension" through more familiar Top territory on the gradually unfolding, teasing acid of "Temporisation" and "The City", his range is broad and his approach unpredictable. Straight after his trademark 303 tracks, he veers into the clanging metallic groove of "On my Back", while the album ends with "Tomorrow Is Another Day". In stark contrast to the hard-edged tone on most tracks, the glorious, tripped out synths and raw, crackling beats show a radically different side to Top's approach.
ET 13005
01 Apr 13
ET 13007
01 Jun 13
7224
15 Nov 10
DCR 167
29 Nov 11
RET-012
16 May 06 | ||
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