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SWITCH GENRE
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STAKK 01
17 May 13
STAKK 02
17 May 13
505578 1510175
24 Apr 13
ACT 274
29 Apr 13
CRR 108
17 May 13
MONO 042
30 Apr 13
43245
13 May 13
HON 12
24 Apr 13
CSR 179CD
29 Apr 13
AGO 056
01 May 13
MONO 053
30 Apr 13
AW 5073631
17 May 13
900879 8112630
04 May 13
SUT 84
03 May 13
846624 018355
22 Apr 13
CMM 0010
06 May 13
SCH-101
06 May 13
BWR 023
23 Apr 13
BWR 024
01 May 13
BWR 025
10 May 13
MH 086
23 Apr 13
505548 9270111
01 May 13
505548 9270128
08 May 13
BASH 003
06 May 13
100548 71
15 May 13
425064 4845581
17 May 13
HYP 011
29 Apr 13
Played by: Cosby (Car Crash Set)
Review:
Inspired by some time spent in Shanghai, the Hyperdub main man makes a long-awaited return with this no-messing two tracker that sees him venturing into ever more curious realms of rhythmic abstraction. "Xingfu Lu" shudders on a trap-like framework, sparse but heavy hitting all in the same breath. The melodies sport that oddly comforting sense of otherworldliness that has always characterised Steve Goodman's musicality even as the groove playfully fits and starts. "Kan" is a more feisty proposition, moving erratically between different motifs and getting even twitchier in the drums department while found sounds slip in between the miniscule cracks between the hats and snares. It's a bewildering effect that suggests interesting pastures new are in sight for Kode 9.
V 31
01 May 13
100518 78
25 Apr 13
505548 9271286
01 May 13
361015 2721141
06 May 13
TULI 003
01 May 13
ND 62
30 Apr 13
PLX 041
16 May 13
CJFD 16R
06 May 13
Review:
Whilst it might seem initially surprising that Actress has contributed these remixes for the new Jack For Daze release, Danny 'Legowelt' Wolfers has spoken widely about his admiration for Actress; calling his work "futuristic and advanced", it makes perfect sense that Clone should now extend an invitation to the Werkdiscs boss to remix material from Legowelt's recent album The Paranormal Soul. Actress has offered up two versions of "Elementz Of Houz Music," a track that perfectly encapsulates Legowelt's mastery of melodic, part-mysterious, part-cheesy synth lines. The first remix has Cunningham shuttling Legowelt's arrangement through a cloudy car wash of hissy mist, chopping up the original into his trademark cubist techno; this dovetails nicely with his second 12 minute offering. Markedly more drastic, this offering slows down the synths, kicks and percussion to a drunken stupor, with the results not unlike playing a 45rpm record incorrectly at 33rpm.
WAVE 1303
06 May 13
LIG 003
01 May 13
STR 003
10 May 13
STR 007
19 May 13
STR 004
11 May 13
425064 4816437
03 May 13
SPO 034
30 Apr 13
CLMN 12007
10 May 13
ADCASS 04
22 Apr 13
Review:
The ever-explorative Astro:Dynamics serves up another electro-acoustic maverick to hassle the nerve-endings in the form of Lotide. With no previous form, it seems that the Brooklyn based producer is tapping into a realm of beat production that favours strung out samples, found sounds and avant-garde romance to great effect. The woozy swoon of "Window Light" is accessible as much as it is bizarre, while "Diamond Plum" soothes as it stimulates in between fidgety hits of percussion and gently cooing chords. If the moves of crews such as Young Echo has been tickling your synapses then Lotide should slot in neatly alongside them.
ORB 014
16 May 13
ORB 010
06 May 13
ZU 029
07 May 13
100553 55
08 May 13
MEDI 069
13 May 13
Review:
Making for a matching with hard-to-imagine results, Mala gets the remix treatment from James Blake in his Harmonimix guise and issues it forth on his own Deep Medi imprint. It's a bold treatment from Blake, who teases the track to life on a twee arrangement of music box chimes and tones, while a central vocal coos out the dominant melody. There's a mid-section with the only discernible slither of beat which sounds like familiar Blake territory, not least through the bluesy keys vibe that it carries. However, it's the monolithic brass-aping clarion call which comes steaming in to steal the show, trumping out its orders in a suitably epic fashion which is nothing if not rousing.
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