| Sitemap | About Juno | Privacy Policy | Cookie Policy | Contact Us |
| MY CURRENCY: USD | MY COUNTRY: USA |
|
|
ONLINE MAGAZINE
Features the latest dance music news, interviews, music and tech reviews, podcasts & more...
|
|
|
DJ & STUDIO EQUIPMENT
Massive range of equipment and accessories for DJs and studio use.
|
|
|
VINYL & CDs
The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online.
|
|
|
SWITCH GENRE
| ||
100572 23
20 May 13
ARCDA 34
20 May 13
ARDEP 14
22 May 13
WOM 09
20 May 13
WARPDD 257A
24 May 13
NTRYD 003
26 May 13
505545 3689604
20 May 13
BB 133
24 May 13
BB 134
24 May 13
EF 0037
21 May 13
ARDEP 15
22 May 13
SR 008
23 May 13
PFR 0016
26 May 13
DCR 004
23 May 13
DRAPA 004
20 May 13
GERT 0062
26 May 13
ECR 07
25 May 13
AUREC 1208
22 May 13
AW 5074270
21 May 13
100560 40
20 May 13
EF 0045
22 May 13
CRR 109
21 May 13
063336 7751027
21 May 13
Review:
Ian Boddy is one of those guys who has been lurking in the shadows of electronic music, sending out his rays of polyphonic delight since the early 80s when he was concentrating on ambient and anything remotely associated to the term new-age. Since then, he's set up his own DiN imprint and has used it primarily as a source for his own experimental work along with other similarly minded artists. Liverdelphia is a prolongation of his long heritage, exploring the vast terrains of synth-led, dreary-eyed sound sculptures. The work has a definite start and end to its nine track duration, beginning with metallic pads and whirling polyphonies on "Crystal Light" and "Driftwood" respectively; transforming into more beat-accompanied fantasies on "Triptastique" and "The Long Road"; and ending up at stranger, more desolate grounds on tracks like "Never Reaching" or "Coda" - a challenging yet moving listen which reaffirms Boddy's status as a true sound design expert.
MORR 122
24 May 13
900879 8118779
24 May 13 23 May 13
DRUT 003
20 May 13
Review:
Constantly surprising and always a fascinating listen, Kelpe is kicking off the Drut label with more of his brightly coloured beat science with the typically flamboyant "Beaks Of Eagles". Micro samples of vocal coo out a melody in tune with the synths, which duck and parry in their expressive and heavily edited way, everything nestled comfortably into a hip hop tempo and flexing with oodles of funk. Fulgeance gets even more choppy with his own interpretation of the track, keeping a similar tone and tempo but bringing in a sterling bass arpeggio for a more obvious kind of impact to get asses wiggling in a matter of seconds.
DIG 017
23 May 13
Review:
Kommando is the alias of industrial machinist and prolific wall-of-noise anarchist Thorofon. As Kommando, all four of Anton Knilpert's releases came at the end of the last two decades, with the 2009 Crimefactory first released on the obscure label United Manipulation Broadcasting- also a home to much of Thorofon's work. Kommando differs from Thorofon in that it's complete rhythmic distortion devoid of beats. Throughout the 14-track sonic ear-bash, post-punk vocal passages that sound like a filtered Andrew Eldritch from the Sisters of Mercy can be heard, only its as if Eldritch have been struck down by the brute force of Kommando's industrial weight and distorted white noise. Proceed with caution.
CLANG 003
20 May 13
361015 2827607
20 May 13
V.I.M.TRONICA 197
21 May 13
076
24 May 13
PSY 066
20 May 13
AR 1
22 May 13
505548 9270784
20 May 13
ACRE 042
20 May 13
Review:
After the sterling turn on his debut album I Sleep. At Waking last year, Memotone is back on Black Acre with further explorations of troubled electronics that place found sounds and spacious production to the fore. "Koma" takes time to reveal itself, coming to life in a bed of mechanical clanking and forlorn reverb, until a malevolent bass synth comes snarling out of leftfield with an appropriately placed clap function that carve out the half-step groove without ever getting blatant about it. "Goldair" lets a touch more warmth into the scenario, but it's still held at arms length while industrial chugs of rhythm ensure the tone of the track is wan in its complexion.
100573 51
25 May 13
DTW 017
20 May 13
FLTTRY 054
24 May 13
GBR 25
22 May 13
UNOO 21
21 May 13
843190 008490
20 May 13
TYPE 115
23 May 13
505545 3688287
20 May 13
505545 3690143
20 May 13
MOPTACODICS 33
24 May 13
DIS 016
25 May 13
TB 041
20 May 13
Played by: Posthuman
Review:
Andrea Parker's Touching Bass is back! And for its comeback release they present Luke Walker's Quinoline Yellow. Experimental, entertaining and full of character, at points he sounds like Squarepusher underwater ("The Recital Of Dolwen Fields"). At others he comes across more like Radioactiveman on sedatives ("Congregation"). Other headbendingly delightful highlights come in the form of the church-acid of "Argon Of August" and the menacing, slo-mo stomp of "Dinas Hide". An ace return for a consistently forward-thinking label. More please!
EF 0046
23 May 13 | ||
| Sitemap | About Juno | Privacy Policy | Cookie Policy | Contact Us |
