Comprised of spare material from his recent Human Voice long player, Dntel offers a few more gems of emotive electro up to Leaving Records for a cassette and digital release that should fill his fans boots comfortably. "Enid" comes on in warm swathes with its gently pitch-bending synth lines and relaxed funk, while "Unease" inhabits a more hectic albeit beatless space made up of darting and whirring arpeggios moving at a peppy pace. There's more angular house styles at work on "Boredom" as it moves from paranoid rubber tone squeal to smooth pad and back again, and there's even something approaching footwork in the snagging groove of "Pepper Shake", proving that Dntel can nail a whole spread of styles and make them his own.
Regular Face Paint Tablet Associations - (5:25) 57 BPM
Smooth Variations VI - (6:02) 96 BPM
Searching For The Heart Of Blankness - (8:01) 76 BPM
Continuum Hypothesis - (6:37) 79 BPM
New to Sahko and releasing in general, Finnish band Modern Feelings are here to send your head spinning in a whirlwind of free jazz and noise. Their debut album was purportedly recorded along to an inspirational soundtrack of muzak, giving rise to this polar opposite melee of tumbledown drums, strangled guitars and every other possible sound source that can be thrown in the arrhythmic blender. Within this chaos comes a delicacy and dexterity that may be applied to each individual player on their own insular journey rather than the band as a cohesive whole, but somewhere in the mix something magic is created. With the noisier elements moving away from the band dynamic to a more electronic focus and then moving back to a more grounded instrumental foundation, there is quite a range of frequencies expressed on Modern Feelings, but they're unified in their power to confound.
As 2014 has rolled on, Powell's Diagonal label has really gathered a sense of momentum and direction with its succession of releases. With the Juno office stereo still in recovery from the most excellent Shit & Shine LP Powder Horn, this new double pronged noise sermon from the masterful Russell Haswell only adds to their impressive year. Comprised of two 10-minute tracks, Double A is at times as bracing as anything else from the Haswell canon, with the scratched, spasmodic improvised sonics of lead track "Foxy" potentially capable of scaring Richard D James back into hiding. "One Take Dub No Edit" is described by Diagonal as a "flashback to a vital time when futurist Latin freestyle and industrial funk were the dancer's choice" and is perhaps the closest concession to the dancefloor from Haswell yet.