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Saturday 25 May 2013
Singles
100573 51
25 May 13
ECR 07
25 May 13
DIS 016
25 May 13
Friday 24 May 2013
Singles
WARPDD 257A
24 May 13
900879 8118779
24 May 13
076
24 May 13
Albums
TR 117
24 May 13
MORR 122
24 May 13
MOPTACODICS 33
24 May 13
FLTTRY 054
24 May 13
BB 133
24 May 13
BB 134
24 May 13
Sample Packs
32 presets for Native Instruments Massive covering many genres of music with deep basses, wobbles, leads and FX
Organic ambiences, city soundscapes and found-sound grooves
Compilations
A+REC 04
24 May 13
Thursday 23 May 2013
Singles
TYPE 115
23 May 13
SR 008
23 May 13 23 May 13
DCR 004
23 May 13
Albums
EF 0046
23 May 13
DIG 017
23 May 13
Review:
Kommando is the alias of industrial machinist and prolific wall-of-noise anarchist Thorofon. As Kommando, all four of Anton Knilpert's releases came at the end of the last two decades, with the 2009 Crimefactory first released on the obscure label United Manipulation Broadcasting- also a home to much of Thorofon's work. Kommando differs from Thorofon in that it's complete rhythmic distortion devoid of beats. Throughout the 14-track sonic ear-bash, post-punk vocal passages that sound like a filtered Andrew Eldritch from the Sisters of Mercy can be heard, only its as if Eldritch have been struck down by the brute force of Kommando's industrial weight and distorted white noise. Proceed with caution.
Wednesday 22 May 2013
Singles
ARDEP 14
22 May 13
AR 1
22 May 13
Albums
KALK 71
22 May 13
EF 0045
22 May 13
GBR 25
22 May 13
AUREC 1208
22 May 13
ARDEP 15
22 May 13
Tuesday 21 May 2013
Singles
V.I.M.TRONICA 197
21 May 13
EF 0037
21 May 13
AW 5074270
21 May 13
ATPREP 04D
21 May 13
Review:
ATP Recordings latest signing comes from debutants Sqarl, who waste no time in getting their proggy, daring guitar experimentations into play. "Pink Dust" is a distorted deluge of droning riffs and lo-fi drum patterns, whilst "Dead Naked Hippies" opts for an ever darker approach, resembling the sporadic drones of Mika Vainio's guitar-fuelled excursions, minus the vocals, of course. "Little Sister" is more uplifting and triumphant, whereas "Some Feedback For Josef Van Wissem" represents the more sound-scaping side of the band, creating rich and beautiful terrains of sonic bliss.
Albums
UNOO 21
21 May 13
063336 7751027
21 May 13
Review:
Ian Boddy is one of those guys who has been lurking in the shadows of electronic music, sending out his rays of polyphonic delight since the early 80s when he was concentrating on ambient and anything remotely associated to the term new-age. Since then, he's set up his own DiN imprint and has used it primarily as a source for his own experimental work along with other similarly minded artists. Liverdelphia is a prolongation of his long heritage, exploring the vast terrains of synth-led, dreary-eyed sound sculptures. The work has a definite start and end to its nine track duration, beginning with metallic pads and whirling polyphonies on "Crystal Light" and "Driftwood" respectively; transforming into more beat-accompanied fantasies on "Triptastique" and "The Long Road"; and ending up at stranger, more desolate grounds on tracks like "Never Reaching" or "Coda" - a challenging yet moving listen which reaffirms Boddy's status as a true sound design expert.
CRR 109
21 May 13
DIG 015
21 May 13
Review:
Ant-Zen digitally rereleases Thorofon's Maximum Punishment Solutions LP, originally released on Stateart in 1997. The word Ant-Zen is deduced from "Anti Zensur" or anti-censorship, which makes sense when hearing the power noise and thrash electronica of Thorofon. The German noise-maker has long championed a harsh and clamorous sonic pioneered by cult group Whitehouse; "Wriggle Like a Fucking Eel" a known closer for some of Surgeon's sets. With industrial techno and rhythmic noise back in vogue - some 15 years after the albums original release - the cyber-punk bedlam of Thorofon's debut LP comes as a welcomed return.
Sample Packs
144 presets for signature SID sounds from the legendary Commodore 64 SID chip featuring bass, arpeggio chords, leads, effects and drums
Monday 20 May 2013
Singles
505548 9270784
20 May 13
TB 041
20 May 13
Played by: Posthuman
Review:
Andrea Parker's Touching Bass is back! And for its comeback release they present Luke Walker's Quinoline Yellow. Experimental, entertaining and full of character, at points he sounds like Squarepusher underwater ("The Recital Of Dolwen Fields"). At others he comes across more like Radioactiveman on sedatives ("Congregation"). Other headbendingly delightful highlights come in the form of the church-acid of "Argon Of August" and the menacing, slo-mo stomp of "Dinas Hide". An ace return for a consistently forward-thinking label. More please!
PHONICASPECED 003
20 May 13
Review:
Gary Caruth aka Sad City comes through with his second EP and it lands on none other than Phonica's own Special Editions sub-label - a side of the imprint left primarily for deeper, more chimerical voyages into sound. A seriously impressive four-tracker here, with "Polymath" setting a chugging deep house landscape which goes beyond the limitations of the dancefloor - wavey synths and deep, mesmeric effects all round. "Easing" is a similarly spacey adventure, this time backed by a rather thumpier kick with enough low-end to carry its beat heavily into peak-time. "What I Talk About" is a real beauty, with Sad City showing off the percussion goods on this charming and impressionistic cruncher. The title track, "You Will Soon Find Out That Life Is Wonderful", is the strangest of the lot and one which opts for a resolutely beatless appraoch - Sad City comes out all guns blazing with a swirling, omnipotent bass thump circling viciously in the air.
100572 23
20 May 13
DRUT 003
20 May 13
Review:
Constantly surprising and always a fascinating listen, Kelpe is kicking off the Drut label with more of his brightly coloured beat science with the typically flamboyant "Beaks Of Eagles". Micro samples of vocal coo out a melody in tune with the synths, which duck and parry in their expressive and heavily edited way, everything nestled comfortably into a hip hop tempo and flexing with oodles of funk. Fulgeance gets even more choppy with his own interpretation of the track, keeping a similar tone and tempo but bringing in a sterling bass arpeggio for a more obvious kind of impact to get asses wiggling in a matter of seconds.
DRAPA 004
20 May 13
505545 3689604
20 May 13
CLANG 003
20 May 13
ACRE 042
20 May 13
Review:
After the sterling turn on his debut album I Sleep. At Waking last year, Memotone is back on Black Acre with further explorations of troubled electronics that place found sounds and spacious production to the fore. "Koma" takes time to reveal itself, coming to life in a bed of mechanical clanking and forlorn reverb, until a malevolent bass synth comes snarling out of leftfield with an appropriately placed clap function that carve out the half-step groove without ever getting blatant about it. "Goldair" lets a touch more warmth into the scenario, but it's still held at arms length while industrial chugs of rhythm ensure the tone of the track is wan in its complexion.
Albums
361015 2827607
20 May 13
WOM 09
20 May 13
T 333V
20 May 13 | ||
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