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Items 4,751 to 4,800 of 6,850 on page 96 of 137
ACC 001
25 Mar 13
100563 69
25 Apr 13
SX-DIGITAL-005
04 Apr 13
REKIDS 070
29 Apr 13
Review:
Rekids signal a change in focus after the raft of Nina Kraviz related remix releases and instead turn to a classic from the archives of label boss Matt 'Radioslave' Edwards for a pair of fresh remixes. It would be hard to find two more diverse remixers than Mr G and Prins Thomas, but both turn in superb reworks of the 2008 Radioslave bumper "Tantakatan". Mr G calls shotgun and his self styled Nighttime Dub is a wonderfully dirty analogue groover that takes Edwards' original production into notably darker territory with those deep dubby chord stabs overshadowed by rumbling bass. Naturally Prins Thomas takes a different approach, implementing an acoustic guitar to replay the stabs and using live drums for a loose, laid back groove. There's a notable dose of reverb and delay used throughout that lend this Diskomiks a real druggy feel.
REKIDS 071
01 Apr 13
Review:
This release seems a number of classics from the Rekids vault get a re-release; both Radio Slave's latin infused house roller "NINA" and Runaway's seminal NY house bomb "Brooklyn Club Jam" feature with some classic remixes with Innervisions' Ame at the helm. Their take on "NINA" coats the original in a liberal splash of technicolour synths while maintaining that tribal house feel, while their remix of "Brooklyn Club Jam" (here in edited form courtesy of Gerd Janson and Lopazz) ups the hypnotic quality of the original whilst beefing it up considerably for the floor. Timeless stuff from Rekids.
100556 65
08 May 13
SWELAB 013
22 Apr 13
KMKEP 003
05 Apr 13
ENS00P 004
30 Apr 13
ENS 00S003
25 Mar 13
MFL 045
04 Apr 13
425064 4829758
15 Apr 13
100533 69
29 Mar 13
PSR 143
18 Apr 13
361015 2657303
01 Apr 13
091012 286766
07 May 13
361015 2397889
11 Apr 13
ADM 058
03 May 13
RZG 056
24 Apr 13
RIS 019
14 May 13
GAS 058D
24 May 13
MTR 003
22 Apr 13
003940 9060018
03 May 13
SYS 7548
22 May 13
MB 232013
04 Apr 13
KOMPAKTEX 74
08 Apr 13
Review:
The Speicher series is Kompakt's version of the anonymous hand-stamped vinyl release, and this spin-off label will probably be there when people get sick of hand-stamped techno releases. However, this comparison is only half-way accurate as Speicher is also an outlet where alternative ideas and concepts come to fruition. Hickhack, a new collaborative project between Weichold and Namito, is all about hypnotic, underground grooves. It's audible on the trippy, chiming bells and tonal blips of "Hick", all of which unfold over a throbbing rhythm. "Hack" meanwhile, is more stripped back, and sees woodblock beats supporting a looped, cut-up disco sample.
SD 005
20 May 13
AR 006
04 Apr 13
CWR 138A
13 May 13
SYS 7469
02 Apr 13
BP 139
25 May 13
SYS 7517
10 May 13
VR 011
01 Apr 13
BR 035
15 Apr 13
SAWH 007
06 May 13
SKINT 279D
13 May 13
Review:
It sounds like Belgian DJ Ramon Tapia is moving into the mainstream, but he's doing it with style. While he has a background in minimal and deep house, this release for Skint marks a sea change. Gone are the pared back rhythms, replaced by eerie, shimmering synths and evocative bleeps that recall vintage LFO and Warp's bleep'n'bass releases, set to a slamming rhythm. Tapia also contributes a dub version that retains the old school elements but which turns up the bass to Hoover-like proportions and which adds some extra jacking pressure. Expect to hear Bass everywhere over the coming months.
SAWH 006
01 Apr 13
RM 021
02 May 13
TDR 010
14 May 13
BBTF 006
01 May 13
ABR 051
13 May 13
YR 052
14 May 13
LR 001
28 Mar 13
DXR 098
01 May 13
SHBZ 003
24 Apr 13
PHC 015
21 May 13
Review:
Oliver Ho's more minimally minded venture signs up for the Halocyan imprint with an EP that ably demonstrates the creative paths those that evolved from the maligned scene were able to adopt. There's still an air of restraint about "Last", with its sparing use of drums where repeated synth phrases will suffice, and it makes the hat all the more exciting when it comes in as an afterthought at the end of the bar. "Dumb" is more aggressive in its demeanour, not least because of the abrasions afforded by the lead synth, while the drums clang out an industrial march of doom. Al Tourettes and Appleblim bring their shared vision to "Last", working that poised bassline into a snappy and finely garnished groove of garage mutation. Steve Moore takes "Dumb" and fits it to an urgent kick, piling on some trademark soundtrack synths that add the perfect amount of tension to the track.
IWD 018
25 May 13
HUAM 022
08 May 13
ESS 045
14 Apr 13 | ||
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