James Manning discusses Sleeparchive, Skanfrom, Hard Wax, real ale and minimal synth with Roger Semsroth.
Born out of Werkdiscs, Werkhaus explores the aesthetic possibilities for music as well as the perceived limits of a traditional record label. Emma Tucker catches up with them to discuss the development of Werkhaus as a standalone project, the importance of a visual approach and how film can humanise electronic music.
Ahead of his appearance at this year’s Unsound festival, Scott Wilson talks to Milan-based artist Lorenzo Senni about the surprising directions he’s taking with his deconstructed form of trance.
Josh Hall sits down with Vessel to discuss the intentions and interesting methods behind his new album, the conflicted nature of English national identity and disrupting the norm in clubs.
In light of a wonderful debut album for 1080p, Vancouver-based artist Lnrdcroy speaks with Brendan Arnott about his sprawling influences, ambitious approach to performing live and life in British Columbia.
Josh Hall speaks with Luke Younger, whose visceral work as Helm has marked him out as a notable voice within experimental circles. However, the ensuing discussion suggests the London-based musician is veering off in interesting new directions.
With his new album Endgame dropping this week, we catch up with Ital to discuss it, alongside an exclusive stream of LP track “Whispers In The Dark”.
Italian producer Herva sits down with Oli Warwick to discuss Instant Broadcast, his playful and idiosyncratic new album for Delsin.
Tony Poland speaks with Laurent Prot, the down to earth artist behind a vast archive of powerful electronic music produced as In Aeternam Vale dating back to the early ’80s.
Thanks to labels like Fit and Curle, Walt J never really left house music, but the man behind the name did. In this interview with the enigmatic Walter C. Jones, James Manning finds out what the Detroit local has been up to for the past 15 years.
Szare are responsible for not just one but two of this year’s most impressive techno albums but leave behind them a trail of mixed messages aimed to misinform and confuse. Richard Brophy attempts to decode their fertile imagination.
With a third Roll The Dice album out and a renewed production focus under his given name, Peder Mannerfelt takes some time to discuss matters with James Manning.
Brendan Arnott speaks with Martyn about the change in approach for his new album The Air Between Words, working with Inga Copeland and his recent return to school.
In a new series exploring the visual side of music, Emma Tucker talks with the Maastricht-based studio, Will Work For Good, on democratising good design, embracing economic limits and creating a visual framework for the likes of RVNG Intl and BIS.
Richard Brophy interviews Gesloten Cirkel, the mysterious producer behind one of this year’s best albums.
Fresh from being the subject of an illuminating retrospective courtesy of RVNG Intl, Seattle-based experimental musician Kerry Leimer speaks to Matt Anniss.
With his darkly seductive abstractions of house and techno, Vester Koza has managed to establish himself as a producer of note in just three records. Oli Warwick caught up with him to find out more about his emergence.
On a sunny day in Sydney earlier this year, James Manning spoke to Eugene Ward about his his work as Tuff Sherm and Dro Carey, his interest in comic books, footwork, sampling and more.