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Marc Kinchen: Under and Over

by Juno Plus on 14.11.2011 at 15:51pm

Marc Kinchen occupies a singular space in electronic music lore; on one hand he is revered by two generations of producers and house music aficionados, and on the other he has carved a lucrative career as a producer for a cast of pop musicians ranging from the risible to the revered: Diane Warren, Snoop Dogg, Pitbull and Will Smith to name just four.

His early – and often overlooked – career in Detroit included collaborations with friend and mentor Kevin Saunderson, before a move to New York in the early 90s saw him rise to fame alongside Kerri Chandler and Masters At Work, pioneering the city’s house and garage sound.  His underground pedigree is undeniable: Julio Bashmore is one of many DJs still dropping the MK dub of “Freakin You” to wild shrieks, and earlier this year Omar S reissued 1994 classic “Given” on FXHE.

Indeed it’s difficult to underestimate Kinchen’s influence: Todd Edwards, known to many as the godfather of garage and a hero for producers on both sides of the Atlantic, is quick to credit Kinchen as a key influence in developing his sound. A true innovator of the dub mix in house music, his distinctive basslines and mastering of the cut-up vocal melody ensure MK dubs still burn brightly in 2011. Following a recent DJ tour of Europe to promote his new label (launched in conjunction with his brother Scottie Deep), we thought now was the perfect time to catch up with a certified house music legend.

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DJ Stingray: The Man Behind The Mask

by Juno Plus on 03.11.2011 at 09:48am

Certain events leave an indelible mark, and for this writer, one of those moments was in June, 2002 when Warp’s Magic Bus tour came to my hometown.

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Kuedo: Pastures New

by Juno Plus on 24.10.2011 at 14:58pm

“I think everyone’s got a folk music album in them.” So comments Jamie Teasdale, only half-jokingly, as we talk about his current musical guise and what else he or any other musician may be capable of. “Kuedo itself is still a project name and as much heart as I try and pour into it, it still has its own life and identity,” he continues. “People have a potentiality to work in different forms and musical devices. There are so many aspects to a human being and it’s ridiculous to turn it down to one or a couple of genres and say ‘that’s me’.”

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Lucy: Rewiring the dance

by Juno Plus on 17.10.2011 at 17:17pm

Techno has always been a medium that, in the right hands, offers both cerebral and visceral thrills. There is a long and distinguished list – the names Mills, Mike Banks, Drexciya and Regis immediately spring to mind – of artists who have imbued a deep sense of artistry into the brutalist leanings of concrete funk. At the coalface of the recent resurgence in abstract, concept-driven techno stands Luca Mortellaro – aka Lucy – and his Stroboscopic Artefacts imprint.

Since launching in 2009, the Berlin-based label has released material from the likes of Xhin, Dadub, Perc, Aoki Takamasa and Luca himself (who was also responsible for the label’s first full-length album, Wordplay For Working Bees, released earlier this year), and in the process has developed a formidable reputation. Wordplay For Working Bees stands as one of the finest techno LPs in a year seemingly flooded with them, and set a new benchmark in the fledgling label’s discography.

Mortellaro’s curatorial eye has been just as impressive as his studio nous – the digital-only Monad series has allowed a range of artists to explore their more esoteric side, with routinely jaw dropping results, and his open-mined approach to working with the label’s core artists is admirable. Juno Plus contributor James Manning caught up with Luca during his recent Australian tour for a lengthy chat about the inner workings of his label, his new live show, sampling koalas and much more.

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Interview: Axel Boman

by Juno Plus on 10.10.2011 at 14:29pm

Interview by Pablo Roman-Alcala

Some important people have taken notice of Axel Boman. His first big release was on DJ Koze’s Pampa label, Innervisions contacted him to distribute his limited edition loop 12”,  Jesse Rose tapped him for an EP on Play it Down and the number of DJs who have played his music keeps growing.  I doubt he cares much about that. Boman’s music is imbued with subtlety, a sense of humour, wit, and verve, sampling the obscure and the obvious in equal turns but converting them to shards of music that are his own. Deep house may be the flavor of the day, but what you normally hear tastes very different when it comes from Axel. He is the sweet mixed with umami to the the bland, unseasoned sounds around. I had a messy Skype chat with him to find out about art school, nuclear physics and family relations.

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Tim Sweeney: The beat goes on

by Juno Plus on 03.10.2011 at 17:31pm

Most journalists will tell you they treasure face-to-face interviews above all else: being in the same room as someone invariably brings out more colourful quotes than a phone conversation or the dreaded email communique. Yet being on the other end of the phone line to Tim Sweeney feels entirely appropriate – after all, his languid, friendly drawl is his most instantly recognisable feature. For the past 12 years he has hosted the weekly Beats In Space radio show from the student-run WNYU studio in Greenwich Village, Manhattan, building his slot into one of the most respected in the world of electronic music.

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Setting The Tone With Ossie

by Juno Plus on 21.09.2011 at 15:50pm

Upon meeting Ossie in a crowded North London tearoom, it’s quickly apparent that this young producer has been well served by the opportunity to make music from an early age. Intrigued by the sounds of the late 90s hip-hop and R&B’s most revered production outfits, Ossie grasped at the chance to emulate them at secondary school: “The period of Neptunes productions around ‘99-2000 was key for me. I was moving from primary to secondary school, listening to lots of their music and the new school had equipment I’d used on a music course I had attended, like a Cubase VST with a little MIDI controller.” Looking back at this chance, Ossie confidently remarks, “I feel like I know a lot for my age production-wise, simply because I’ve had so much practice.”

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Actress: Clubbing in the Congo

by Juno Plus on 19.09.2011 at 16:02pm

Actress, real name Darren Cunningham, remains of the most elusive, singular, and, well, interesting characters in contemporary electronic music. His unique brand of muggy, heavily compressed electronica has graced two much-loved albums – one on his own Werk Discs imprint, the other via West London record emporium Honest Jon’s. There have also been EPs via Instra:mental’s Nonplus and Trus’me’s Prime Numbers labels, but it has been his relationship with Honest Jon’s (who released Spazsh, and will release his next album) that has given him his widest audience. His shadowy reputation has been fostered by an (at times) aloof attitude to self-promotion and a wonderfully baffling Twitter account, through which he’s been known to give away free tracks en masse. His live performance at the recent Field Day festival in London, although not quite attaining Zomby levels of capriciousness, served only to enhance his reputation: 25 minutes late for his scheduled slot, he arrived dressed in a black cape and proceeded to put on one of the most incendiary performances of the day.

He recently took part in the DRC project – on Oxfam initiative spearheaded by former Blur frontman Damon Albarn, which saw a troupe of UK based musicians travel to the Democratic Republic of Congo to record an album with local musicians. Albarn’s close association with Honest Jon’s no doubt alerted him to Cunningham’s production prowess, and he was joined on the voyage to Central Africa by a varied cast of musicians including XL boss Richard Russell, Totally Enormous Extinct Dinosaurs, Dan The Automator, Jneiro Jarel, Marc Antoine, Alwest, Remi Kabaka, Rodaidh McDonald and Kwes. The album, entitled Kinshasa One Two, was recorded in Kinshasa over a five day period in July this year and will see release via UK label Warp. We spoke to Cunningham about his time in the Congo, which he discussed in vivid detail, describing it as a “life changing” experience. Typically, he chose to take a slightly different approach to his peers, spending most of his time away from the studio interacting with local families, walking through the ghettos of Kinshasa and experiencing the city’s vibrant club scene.

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Martyn: Location, Location, Location

by Juno Plus on 12.09.2011 at 12:03pm

Electronic music is inextricably linked to urban settings. From Detroit’s post-apocalyptic downtown to the tower blocks of London and Den Haag’s faceless monuments to Eurocracy, the city location is the natural habitat for bass, techno and even the irresistibly wry reapproximations of Italo and electro.

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Interview: John Talabot

by Juno Plus on 23.08.2011 at 09:28am

The John Talabot pseudonym first appeared in 2009, with a debut 12″ for Munich based label Permanent Vacation alongside remixes for Delorean, Zwicker, Glasser and, most memorably, Aufgang. A deep, slinky and richly melodic take on house immediately caught the ear, and so detailed and nuanced were Talabot’s productions that attempts to categorise his sound resulted in wildly differing interpretations. Some critics littered reviews with words like shimmering and summery; the producer himself believed his early material was actually dark and brooding. In a way, both opinions are correct, as Talabot managed to balance quirky instrumentation and beautiful thrift store samples with beefy club friendly drums – if the Avalanches made house music it would probably sound something like this.

Talabot’s rise to prominence continued last year, once again gracing Permanent Vacation with the breakthrough 12″ Matlida’s Dream, as well as a debut release for the Hivern Disc imprint he is closely associated with. As interest in his music grew, it became apparent the producer was working under an alias, determined to keep his face out of the media glare. As such his reputation has grown organically, and the visual connections to his music, left entirely up to the listener, are much nicer than any press picture – the baked brown hills of his home city, Barcelona, for example, or the artwork that adorns his records.

Both Talabot and Hivern are part of a pleasing trend of small labels and collectives operating outside recognised hubs like Berlin and London, such as Gothenburg’s Aniara, Stockholm’s Studio Barnhus and Dresden’s Uncanny Valley. These labels are bound by their strong visual direction and work unencumbered by the restraints of being attached to a particular style or scene. Talabot has also built a name as a DJ of some repute, securing festival slots in 2011 to compliment further recognition in a year that has also seen an EP release for UK imprint Young Turks (home to The xx among others) and news of a forthcoming debut album for Permanent Vacation. A few weeks back we announced that Talabot would be performing at our second birthday party at The Nest in London in September, and to mark the occasion we coaxed a rare interview out of one of electronic music’s most promising talents.

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Keeping it raw: John Heckle

by Juno Plus on 15.08.2011 at 10:52am

There’s been an analogue rumbling emanating from the north of England of late, with its ruminations reaching as far as Chicago before rippling back across the rest of the world. In terms of electronic music, Liverpool doesn’t have the same steady stream of artists that neighbouring Manchester or more southern cities have. Legendary club nights such as Voodoo still remain a part of 90s techno folklore, but the scene has tended to draft in its talent from elsewhere instead of nurturing locals, leaving the ‘Pool somewhat under-represented.

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Interview: FaltyDL

by Juno Plus on 11.07.2011 at 17:27pm

Perhaps the thing to admire most about FaltyDL’s music is the sense of surprise that accompanies each release. Despite his finely crafted signature style, you can never be quite sure what you’re gonna get with a Falty production. This is partly due to the use of intriguing samples – listen carefully and you’ll hear everything from old funk to 90s house snippets chopped up – as well as the producer’s passion for a plethora of musical styles. There’s also his location; based in Brooklyn, New York, he has an entirely different perspective on the many strands of UK dance music that inform much of his work.

His sophomore album, You Stand Uncertain, touched on everything from afrobeat to 2-step and garage via dubstep and old fashioned rave, while his recent single for Irish imprint All City reinvented a late 90s house jam from Shena with the help of crazed overlapping drums and a sparkling bassline. Prior to that was one of our favourite 12″s of 2011 – the Mean Streets EP for Swamp 81 – in which the New Yorker laughed in the face of genre obsessives who throw around the post-whatever phrase all too easily.

This followed a particularly impressive 2010 with killer drops on Rush Hour – the back scratching Cosmin TRG split release in particular – and Planet Mu, the label that has released both of his albums to date, along with a slew of remixes which further established him as one of this generation’s most distinctive and forward-thinking talents. Juno Plus scribe Helen Luu caught up with the producer (real name Drew Lustman) to discuss early plans for his third album, his dream of discovering a vocalist in Brooklyn and how 14 hour shifts as a sushi chef instilled some much needed discipline.

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Lerosa: A bittersweet journey

by Juno Plus on 04.07.2011 at 14:14pm

Dublin’s Capel St, with its mixture of eastern European businesses, sex shops, old man’s boozers and garish Chinese restaurants, is not the most obvious place to find the next producer to push house music into the mainstream.

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Interview: Phil South (Golf Channel)

by Juno Plus on 28.06.2011 at 10:34am

I met Phil South at the Williamsburg townhouse he shares with his wife and two young children shortly after he had dropped the boys off at school, which, one might gather, is his favorite part of the day. Soon afterwards he gets to work in his capacious basement home office. Despite being one of the masterminds behind NYC’s legendary underground party, No Ordinary Monkey, and the creator of Golf Channel Recordings, a label that’s put out original works, edits, and remixes by the likes of Justin Vandervolgen, Mark E and DJ Nature, South’s daytime is domestically stable and placid. (On this particular day, some workmen were over, finishing up the installation of a new irrigation system for the backyard garden; half of the basement was a neatly-organized kids playroom; and the living room had shelves stocked with books, immaculate photographs lined the walls, a large flat-screen TV sat in a corner, and cushy couches nestled up against the windows.) I sat down with South to get some insight into how the English expat manages to juggle it all and where his life of DJing, party promoting and record label running all originated.

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MUTEK 2011: Jacques Greene interview

by Juno Plus on 14.06.2011 at 14:11pm

Hailing from Montreal, Jacques Greene is a name already well known to those of you who follow the neon-tinged end of the underground music spectrum, with releases on Glasgow’s LuckyMe and London’s Night Slugs in 2010. Breaking through with The Look EP – which earned him fans from the UK’s go-to men and women on the tastemaking front – Greene showcased a unique style that was rooted in house – with deep Chicago hooks and acid synths – but also incorporated a garage swing and undisguised love for R&B. “(Baby I Don’t Know) What You Want” meanwhile was one of the standout tracks on the Night Slugs All-Stars Vol.1 compilation, capping a fine year for artist and label alike. The fact he’s been chosen to remix Radiohead’s “Lotus Flower” as part of a series that also sees Caribou and – probably – Flying Lotus retweaking the UK band’s new album highlights the esteem in which he is currently held. Juno Plus writer Helen Luu caught up with him before his live set at the recent MUTEK festival in Montreal to talk about his hometown, R&B and his new live show.

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Interview: Eric Duncan

by Juno Plus on 06.06.2011 at 15:14pm

The NYC based DJ Eric Duncan has enjoyed a rather unique life. Motivated by a spur-of-the-moment job opportunity that came up at the X-Large streetwear label for whom he used to work, he found himself transplanted to the East Coast from L.A. Within 24 hours he had secured his first DJ slot in Manhattan, and before long established himself as one of the city’s most respected figures in underground music. He’s known as an edits don – his Dolly Parton tweak is particulalry memorable – and a prolific remixer under his Dr Dunks moniker. In addition to this he’s also part of two production duos (Still Going and Rub N’ Tug), both of whom have albums due out this year. His passion for playing and producing has only increased as his reputation has blossomed, allowing him to reside and work out of a large Williamsburg loft space, tour the world whenever he feels the compulsion, and pursue original and remix work when the mood strikes.

Despite being part of the dance music circuit for two decades, Duncan approaches every project with the sort of enthusiasm and creative gusto you would normally expect to see in someone just starting out. Duncan is involved with too many projects to count and relentlessly picks up new ones, and an attempt at summarizing what’s currently on his plate reads as follows: the long awaited Rub N’ Tug’s LP is out this year, as is the debut Still Going album; his edit labels C.O.M.B.i. and Keep It Cheap are continuing to pick up steam; his globetrotting DJing never relents and there are several back-burner collaborative side-projects, including an unnamed one with Justin Vandervolgen. Our man in New York Nik Mercer sat down for a chat with him on all this and more.

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Interview: Kassem Mosse & Even Tuell

by Juno Plus on 01.06.2011 at 11:34am

Those who have followed German imprint Workshop Records will already be well aware of the label’s strong visual and musical aesthetic. Built around a core of artists – chiefly label bosses Even Tuell and Lowtec alongside Move D and Kassem Mosse among others – the Workshop sound touches on melodic, dusty and raw house and techno. The label was launched in 2006 shortly after Lowtec (aka Jens Kuhn) folded his Out To Lunch imprint. Every release since then has been imbued with the deepest of grooves, from the woozy narcosis of Lowtec’s Workshop 6 to Move D’s disco-sampling jam on Workshop 4 and the epic B-Side of Mosse’s recent Workshop 12 release.

A distribution hook-up with Germany’s home of discerning dancefloor music, Hardwax, gave Workshop the platform it deserved, and it has flourished. Given the attention to detail that accompanies every Workshop release – it’s the little things that stand out, like shrink wrapping, hand stamped vinyl and embossed text – it should be of no surprise to learn that one half of the label runs a boutique fashion label, with Even Tuell (real name Paul-David) having launched Airbag Craftworks back in 1995. Juno Plus editor Aaron Coultate caught up with Kassem and Even prior to the recent Workshop Records showcase hosted by London club types Electric Minds.

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Skudge: Ghosts In The Machine

by Juno Plus on 04.05.2011 at 12:53pm

Last year, a series of records appeared simply bearing the artist name Skudge. Nothing was known about the person or people behind the alias, other than the fact that they had released a record on Alphahouse the previous year. What was clear from early on however was Skudge’s dense, looped tracks were causing a stir, with support from everyone from Ben Sims, Luke Slater and Ben Klock to Shakir, Deetron and Efdemin as well as Marcel Fengler, 2562, Rolando and Aardvarck lining up to do remixes.

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Interview: Tom Trago

by Juno Plus on 26.04.2011 at 11:14am

Those of us who expected Tom Trago’s second album to follow the same trajectory as his first opus, 2009′s Voyage Direct, were sorely mistaken. The sample based Detroit-meets-disco vibe is largely non-existent on Iris, replaced by a diverse stew of styles that range from vocal hip-house workouts to ambient interludes, via a spot of garage and late night electro-funk. The end result shows a producer clearly comfortable in his own skin, prepared to experiment and challenge himself musically. While Voyage Direct had no original vocal contributions, Iris has six – including Chicago house legend Tyree Cooper, Romanthony (the man behind the vocals on Daft Punk’s “One More Time”), and emerging star Olivier Daysoul. There’s even room for an unexpected vocal debut from well loved Amsterdam producer San Proper.

Perhaps the biggest legacy from Voyage Direct exists not in sound but name; the Rush Hour-backed Voyage Direct series has seen Trago turn his hand to the world of A&R, curating releases from the incredibly deep pool of Amsterdam based talent. Trago’s close working relationship with the Rush Hour empire is obvious – all of his original 12″s and albums thus far have been released on the Amsterdam based imprint or labels directly affiliated with it. Indeed he is arguably now just as entrenched in the city’s music scene as the label itself, acting as a linchpin for the city’s network of emerging producers and DJs. Juno Plus called on Trago to dissect the making of Iris, and discuss the Amsterdam electronic music community and what the future holds as DJ, producer and label chief.

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Interview: Cosmin TRG

by Juno Plus on 18.04.2011 at 09:44am

Cosmin Nicolae is a producer who debunks the notion that musical styles are specific to certain locations. Cosmin’s breakthrough single “Put You Down”/”Broken Hearts” launched Ben UFO, Ramadanman and Pangaea’s Hessle Audio imprint in 2007, an outlet that has since become inextricably linked with contemporary UK bass music. That release, particularly the ethereal, post–hardcore vocals of “Broken Hearts”, sound like they were inspired by the early morning vista from a council tower block in Hackney rather than downtown Bucharest.

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