Secure shopping

MP3, WAV, FLAC

Juno Download offers over 3 million dance tracks in MP3, WAV & FLAC formats, featuring genre pages, advanced audioplayer, super-fast download speeds.

Visit Juno Download

Secure shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

Secure shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Visit Juno DJ

Secure shopping

Vinyl & CDs

The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online.

Visit Juno Records

O’Flynn – Oberyn

The Blip Discs story is a brief one so far, the label having only surfaced last year with a single from O’Flynn that promptly got snapped up by such luminaries as Four Tet and Pearson Sound. Despite such high profile support, we haven’t yet been subjected to the aggressive surge of headline festival slots and week-on-week podcasts that normally follow such ‘buzz’ debut releases. That may in part be down to the way O’Flynn and his cohort Tom Blip operate, and while it could all change, at present it seems as though they’re not in a rush to plaster their names and faces across every platform going. Rather this third installment in the label’s burgeoning repertoire appears in an unfussy fashion that makes the music all the more appealing.

Read the rest of this entry »

Dalhous – The Composite Moods Collection Vol.1: House Number 44

Dalhous pair Marc Dall and Alex Ander have been quite the fascinating outfit ever since that The Night of the Burning EP released as Young Hunting in 2011, whose horror-soaked difficult dance contributed so aptly to the aura around Blackest Ever Black as the label sewed the seeds of its mystique. Their sophisticated and uncategorisable electronics seem to hinge on an odd and very alluring combination of aesthetics: abstract yet narrative, theatrical yet introverted, they’re goths but they’re minimalists, they’re punks and they’re aristocrats. Closer in vein to their Lost, Discarded or Simply Forgotten demos heard recently on tap, Composite Moods Collection Vol.1 inaugurates a new series and confirms Dalhous as sonic investigators of the complexities of the self.

Read the rest of this entry »

Mikio Kaminakamura – Untitled Records 009

Untitled Records was run by a Berlin-based Japanese DJ, Fumiya Tanaka, from the mid to late ‘90s alongside his now-defunct label Torema. Showcasing freely-tinted, off-kilter work mainly from the Perlon affiliate’s Karafuto moniker, its output felt like a counterpart to the floor-oriented minimalistic techno of Torema, which in turn took its cue from Steve Bicknell’s Cosmic and Force Ink’s staple Stewart Walker. Some 16 years after the last 10 inch, Untitled Records makes a return with an EP from a fellow Japanese newcomer, Mikio Kaminakamura. However, it doesn’t seem to share the past ethos, compiling three solid minimal house tracks that ride the current wave of minimalist renaissance.

Read the rest of this entry »

PST & SVN – Recordings 1 – 4

Gothenburg’s Porn Sword Tobacco and Berlin-based SUED head SVN have a recent history of collaboration, with some great EPs on Acido and Kontra-Musik; 2013’s Complaints followed by Feels Good in particular are the results of these meetings and have born some curious grooves of the dubby and minimal kind. But when I say ‘minimal,’ I’m not exactly sure that’s the way to put it. Incidentally, a chap I was speaking to at the time of obtaining this record described it as ‘reduced’ techno and that’s ideally the most apt description for this collection of lengthy and repetitive trance states that breakdown the style to its most bare bone elements.

Read the rest of this entry »

Alessandro Adriani – Montagne Trasparenti

Alessandro Adriani may not be a household name, but he is the brains behind the Mannequin label, an outlet that has done arguably more than any other to unearth obscure wave and industrial music, often with an Italian focus. While other reissue labels dance across a multiplicity of emotions from the same time period, Mannequin’s default setting appears to rest on the gloomy, morbid and melancholic, witnesses its unearthing of releases like Bourbonese Qualk’s eponymous album and Decadence’s “On and On” –  one of the most tragic pieces of music ever recorded.

Read the rest of this entry »

Ondo Fudd – Blue Dot

Joseph Richmond-Seaton has been releasing densely emotional house and techno since the turn of the decade. His productions have ranged from ambient-leaning, meditative soothers with beautiful clarinet solos to crunchingly intense 4/4 led techno but they’re all connected together with an approach that is inherently his. One of the distinct markers of a Call Super production is the vibrantly live drum work that ricochets off the walls of the musical spaces he creates. It’s an element that can be traced back to his favourite record, a 2000 tech-house classic called “My Answer” by Charley’s Vault – which plays with percussion and negative space in a similar way.

Read the rest of this entry »

Soutine – Oz

Antonio Pecori is one of a loose-fit collective of Italian artists with roots in Florence and connections in Berlin. Amongst the more high profile members of this rag tag bunch of Romans are Herva and Mass_Prod, as well as Rufus, Stefano Meucci and more besides. The common link between these artists is that they all found their feet with music production via Bosconi Records, with Pecori as well as Meucci entrenched in live house trio The Clover. What makes this situation interesting is the shared evolution these like-minded souls have gone through, reaching into ever more experimental pastures and many different collaborative configurations, having come up from the same Tuscan house music background.

Read the rest of this entry »

Matt Karmil – IDLE033  

Since he emerged as a solo producer in 2013, Matt Karmil has proved difficult to pin down. Within just two years of operation he was responsible for shimmering deep house on International Records, a summery festival anthem on Beats in Space and an album of textured minimal grooves for PNN. In 2015 he turned to darker strains of the 4/4 spectrum, with a string of bass-heavy techno releases for Studio Barnhus and Idle Hands. While it’s never clear where Karmil is going next, what has marked his output to date is an attention to the minutiae of texture and an enviably consistent quality.

Read the rest of this entry »

Bruce – Steals

Bruce is the second in a short line of mononymous Hessle Audio artists named like Brazilian footballers. Like Joe before him, Bruce constructs texturally broad, off-kilter beats that are intriguing and banging in equal measure. His assured debut release of driving percussion and malfunctioning outer production on Dnous Ytivil pointed to big things to come with its “Just Getting Started” title. He’s since delivered on this promise, rising up alongside the likes of Batu, Asusu, Ploy and Hodge as one of the key figures in the young South West crew reshaping techno in their own low-end heavy, broken interpretation.

Read the rest of this entry »

DJ Slyngshot – Ain’t Got No Time

Yappin Records boss DJ Slyngshot may be successfully keeping his identity a secret, but he can’t stop his reputation from growing. So far the German producer has built his name the old fashioned way, issuing quality tapes and records from his pointedly garish website until people began to sit up and take notice. The sound he pushes is a set of familiar influences arranged in an unusual way. Slyngshot chops up jazzy melodies hip hop style, setting them over blown-out house rhythms and seasoning with a healthy dose of turntablist effects. As a blueprint it could go either way but he’s pulled it off with style so far, crafting a hybrid of hip hop and lo fi house that sounds genuinely fresh.

Read the rest of this entry »

Fit Siegel & Tim ‘Love’ Lee – Living Is Serious Business

Here’s an unlikely pairing; Aaron ‘Fit’ Siegel and Tim ‘Love’ Lee. Siegel. The owner of Fit Sound, a distributor and DJ, represents the vibrant new house sound of Detroit, while Lee is a veteran of ‘90s UK dance music. Thankfully, the man who founded Tummy Touch has not remained rooted in the past and recently collaborated with Sex Tags man DJ Sotofett, while his connection to Siegel comes through Fit distributing Lee’s Peace Feast label in the States.

Read the rest of this entry »

Don’t DJ – Authentic Exoticism

As the title may suggest, Authentic Exoticism toys with ideas about cultural appropriation, multi culturalism and hybridisation. Having a heavy concept behind a release sometimes raises the red flag but Florian Meyer has managed to craft some pretty mesmerizing music whilst tackling these tough terms. Without getting too deep, Meyer’s commenting on the blurred line between cultural imperialism and mutual enrichment; at what point does club culture’s desire for the exotic and foreign become exploitation of an ‘other’? Regardless, if you keep the concept in mind or shove it to one side, what follows is an invitation to immerse yourself in some of the world’s most idyllic scenes.

Read the rest of this entry »

Jayda G – Jaydaisms

“Music has no boundaries. Music is the key, love is the message.” Those are the words of positivity spread around the inner sticker of Jayda G’s Jaydaisms, and these vibes permeate the music too. There has been a sense of expectation surrounding this debut solo record from Jayda for a number of reasons: she’s an excellent selector, hails from the hotbed that is Vancouver and has known associations with the Sex Tags crew. Such expectation is justified on the basis of the NYC Party Trax 12” from Jayda G and Fett Burger that announced their label Freakout Cult. For an artist who can turn his hands to any number of styles, NYC Party Trax found Fett Burger indulging in some surprisingly straightforward and catchy house music alongside Jayda G.

Read the rest of this entry »

Cute Heels – KESS01

Kess Kill is a new label project from Swedish techno producer Rivet, who is best known for releases on Skudge, Naked Index and Kontra, as well as his mesmerising three-deck sets. This venture marks a change in direction and, according to the information supplied with its debut release, aims to continue and build on the legacy of bands like Liaisons Dangereuses from the late ‘70s onwards. It also notes that the label’s intention is to release old and new music that will be ‘unified by the naive frustration and punk-y rawness that has long been absent’.

Read the rest of this entry »

Gosub – Sunday At Battle Ship Key

Shad T. Scott takes a break from engineering for his A-list clients to drop his first Gosub EP in almost three years. The US producer has been releasing electro for the past fifteen years and as Sunday demonstrates, he is a master in this field. There are no radical departures here from the musical, reflective approach that has shaped classic Gosub releases like Watchers from the Black Universe or Miami to Brooklyn, but it does sound like Scott has refined that process.

Read the rest of this entry »

Various Artists – My Love Is Underground Volume 2

There’s more to the art of crate digging than simply hunting down obscure, ultra-rare gems, or even spending half of your monthly salary on a single dusty old 12”. Ask many seasoned diggers, and they’ll tell you that they get just as much satisfaction from discovering overlooked gems, peculiar B-sides or little-championed remixes – especially if you’ve picked up the record in question at a bargain price.

Read the rest of this entry »

Jordan GCZ – Lushlyfe II

In addition to his regular collaborative projects, running the Off Minor label and being consistently entertaining on Twitter, Jordan Czamanski still finds the time to dip into other modes of creation. His joint effort with Max D as Zsa Gang, as well as his contributions to last year’s Lifted collaboration, are both notable examples. Outside of Juju & Jordash and Magic Mountain High, however, Czamanski is surely better known for his releases as Jordan GCZ. These forays into solo production have occurred somewhat infrequently – about once annually since 2013 – and while they’ve varied considerably in tone, the level of quality has proven reliable. Whether in the heads-down deep house of Crybaby J; the rollicking, multi-flavoured textures on Digitalis; or the altogether different whimsy of the first Lushlyfe instalment, he has emerged as one of the most interesting and multi-talented names in the game.

Read the rest of this entry »

Beneath – Giv Sum

Beneath has been warping disparate sounds into ice-cold productions since his debut outing arrived on No Symbols in 2012. His dark, electronic hybrids quickly caught the attention of many of the scene’s big players, with labels such as Tectonic, Keysound Recordings, PAN and Berceuse Heroique locking him in for releases. Now after a two year hiatus from his personal imprint, he’s back with the fifth No Symbols instalment.

Read the rest of this entry »

Secret Boyfriend – Memory Care Unit

When Blackest Ever Black reissued the limited Secret Boyfriend cassette This Is Always Where You’ve Lived back in 2013, it spread the work of Carrboro, North Carolina native Ryan Martin to a much larger audience beyond his vast yet sporadic cassette releases. In conversation with Jane ‘Pharmakon’ Chardiet a couple of years ago, Martin confessed that he usually just dubs his own tapes, and “very sheepishly gives music to people.. but it feels hard to put that sort of attention behind your own project”. His notorious low key label, Hot Releases, is that modern rarity; the epitome of underground music in the digital age. Primarily mail order on limited run formats by similar lo-fi, 4 track indie acts, its nonchalant attitude towards self-promotion and public image is reflected by a rarely maintained social media presence; their Tumblr page hasn’t recorded an update in over a year.

Read the rest of this entry »

Mikael Seifu – Zelalem

Sometimes things sound pretty simple. In an interview with NTS, Mikael Seifu described himself briefly and succinctly as “accepting being an electronic musician and exploring life through that lens.” The music on his first proper releases for Washington DC-based label 1432 r in 2014 wasn’t simple at all and received some healthy attention. With the announcement of this Zelalem EP for RVNG Intl., the producer from Addis Ababa, Ethiopia, has gained even more momentum.

Read the rest of this entry »

Older articles Newer articles