
From the picturesque expanses of the Uruguayan coastline comes the news International Feel have coaxed some more Locussolus emissions from the legendary DJ Harvey.
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From the picturesque expanses of the Uruguayan coastline comes the news International Feel have coaxed some more Locussolus emissions from the legendary DJ Harvey.

We’ve teamed up with International Feel to offer two lucky Juno Plus readers a Locussolus vinyl/CD goodie pack.

In a move that confirms the A&R clout of Crosstown Rebels chief Damian Lazarus beyond any doubt, DJ Harvey and Daphni (better known as Caribou) have been snapped up to remix Art Department’s upcoming single “We Call Love”.

The shaggy haired DJing legend that is DJ Harvey will release his first solo album in June, under the Locussolus guise, with a package that includes remixes from Andrew Weatherall, Prins Thomas, Lindstrom and Emperor Machine.
The iconic lank haired Stateside-residing DJ and producer of disco edits par excellence known as Harvey is the latest individual to sit down over a pot of chai and have a fireside chat with our friends at Red Bull Music Academy.
Whilst a question mark remains over International Feel’s Uruguayan credentials, there can be no dispute that the label has enjoyed a fine year. Since their arrival on the scene with DJ Harvey releasing actual new music in the autumn of 2009, International Feel has carved a niche within the realm of contemporary discoteria for uniquely atmospheric music imbued with a real energy. Releases from Coyote, Rocha, Hungry Ghost and the aforementioned Harvey’s Locussolus project have been received in glowing terms by cryptic cosmic taste makers 20 Jazz Funk Greats, respected broadcasters like Tim Sweeney and DJing deities such as Erol Alkan.
This deluxe package compilation sourced from the Japanese market is a near perfect way to sign off 2010, collating a selection of the most prized tracks from the vinyl releases to date, generously padded out with a smattering of unreleased aural glee. The opening piano tones of Maxxi & Zeus’ “The Struggle” ease you in gently, and are further sedated by “Little Boots”, the syrupy prog rock meets slo mo chug of Harvey’s Locussolus. It’s the first exclusive track, After The Deluge’s remix of “Don’t Eat The Apricots” by Hungry Ghost, which lifts you out of the sensory slumber, thanks to the relentless pulsing disco groove, augmented by warm bass washes and plenty of dubby FX. The exclusive version of Rocha’s “Fingers Of Sand” that follows retains your interest with a bewitching combination of ethereal keys and a bubbling sense of acidic menace. Equally impressive is Coyote’s expansive and gently heated rework of International Peoples Gang’s “Second” which drowns the melody in copious amounts of dubbed frequencies.
However it is Thomas Bullock’s superlative reworking of Rocha which leaves the most lasting impression. The Welcome Stranger Creation Dub of “Feel The Love” begins with an air of tranquil fragility before gradually building towards an increasing storm of fizzing electronic drama. Bullock seemingly does his best work as Welcome Stranger and this is a stunning example.
Tony Poland
The legendary DJ Harvey will return to European shores this summer after an extended period of self imposed exile in the US, but as yet no UK dates have been announced.

The inimitable DJ Harvey has revealed he is working on a remix for rock/blues duo the Black Keys, and the second part of the Locussolus project is on the way.
House of House – aka Liv Spencer of Still Going and Saheer Umar – burst onto the scene with their “Rushing to Paradise” release back in 2009. Remixed by the likes of DJ Harvey, and taking on remix duties themselves for A Mountain of One and Juan Maclean, their track was released in a clubbing climate that was open to deep and epic sounds focused around classic vocals. Juno Plus spoke to Liv about the New York house scene, Robbie Williams and their collaboration with rowdy Italian duo Crookers.

Why has DJ Harvey been hot property for the best part of two decades? Is it his effusive and laid back manner, his eclectic sets, his decision to leave the UK for pastures new? Having just released the much-hyped Locussolus EP on International Feel, and a remix of Dirty Jesus classic “Don’t Fuck With My Shit” on Juno Records, Harvey’s showing no signs of slowing down (or speeding up, for that matter). Oh, and he’s got a brand new Green Card. We spoke to him from his Los Angeles home about his return to Blighty, working with Rwandan refugees and remixing indie bands.

Artist: Dirty Jesus
Title: Don’t Fuck With My Shit (Black Cock Remixes)
Label: Juno
Genre: Disco/Nu-Disco, House
Format: 12″
Buy From: Juno Records
The RV Cock remix of Dirty Jesus’ classic house track “Don’t Fuck With My Shit” starts with the kind of percussion so indebted to Harvey’s life in Hawaiian/LA paradise that it all but dons a loud shirt and offers you a cocktail. However this is soon overshadowed by something altogether more menacing, as dark, slow, spacey synths come to the fore. By the time the ethereal vocals and horns come in, Harvey has lulled you into a druggy stupour – and of course this is exactly where he wants you – before dragging you out of it with one final bass drop that is sure to tear the roof off after-parties from London to Honolulu.
Not to be overshadowed, Harvey’s partner in crime Gerry Rooney chips in with his own sterling effort, with squelchy acid house bassline and busy drums. Perhaps the most impressive thing about this track is that, rather than bombarding the listener, Rooney creates a sonic landscape in which every sound matters. This is sleazy-as-you-like disco house – exactly what you’d hope for (and expect) from the inimitable Black Cock crew.
Review: Aaron Coultate
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Artist: House of House
Title: Rushing to Paradise (Walkin’ These Streets)
Label: House of House
Genre: Deep House, Disco/Nu-Disco
Format: 12″
Buy From: Juno Records
“Rushing to Paradise (Walkin’ These Streets)” was released earlier this year to almost universal acclaim, with House of House – aka Saheer Umar and Still Going’s Olivier “Liv” Spencer – hitting the nail on the head at the first time of asking.
For the uninitiated, it was a deep house record full of decadence and feeling. The vocals, “down on my knees, I’m begging ya please” screamed vintage soulful house, but the sharp production gave the track a contemporary edge that ensured it remained relevant in today’s musical climate, and, clocking in at 13 minutes, it soon achieved anthem status.
A vinyl-only release, the 12”s sold out everywhere started fetching ludicrous sums on online auction sites, which has prompted a re-release, this time with a remix on the flip from DJ Harvey (who else?)
The inimitable Black Cock boss provides a suitably driving rework, chopping up the vocals and taking the original into even deeper territory, in the process reminding anyone who may have forgotten exactly why he is so revered.
Indeed Harvey’s effort may – whisper it quietly – even eclipse the original.
Review: Aaron Coultate
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