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Joe – Untitled review

by Juno Plus on 01.07.2010 at 11:19am
Artist: Joe
Title: Untitled
Label: Apple Pips
Genre: Dubstep/Grime
Format: 12", Digital

Having a standard, unmemorable production moniker is one thing. Naming, or not naming, the A-side of your release “Untitled”, is another. Yet this is how this elusive North London producer rolls, and, as we all know from the likes of Burial and Banksy, mystery invites interest and intrigue. Joe emerged last year with the incredible sounds of “Grimelight/Rut” on the famed Hessle Audio label, and now is ready to bring us his second 12” on Appleblim’s Apple Pips imprint.

Crackling into the audible range with delicately tapping breaks, bongo-thumping beats and soothing sonorous atmospherics, “Untitled” is a touching and melodic exploration into an inner musical consciousness. It’s percussive and tribal, with distinct inklings of fellow Hesslers Ramadanman and Pangaea in the rumbling bass and stripped back grooves of the piece. Deeply meditative at its core, “Untitled” is music to move your soul, yet it’s not completely removed from the dancefloor – an impressive achievement in itself to attain the fine balance.

“Digest”, on the flipside, immediately snaps into action, with sizzling synths, woodblock beats and abrasive chords capturing the attention and imagination from the off. Joe artistically shapes a jagged structure, incorporating raw, rugged patterns with off kilter rhythms and a detached but pacing energy. A glowing stream of bass flows beneath the main tune, creating a sense of fluidity amongst the ravaged soundscape above. Strangely, subtly captivating, it’s another finely crafted piece from a highly skilled producer. One thing’s for sure…he’s not your average Joe.

Review: Belinda Rowse


Peverelist preps new 12″

by Juno Plus on 29.06.2010 at 17:52pm

Bristolian producer Peverelist (aka Tom Ford) will release a double A-side EP on his own Punch Drunk imprint next month.

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Becoming Real – Fast Motion review

by Juno Plus on 25.06.2010 at 14:45pm
Artist: Becoming Real
Title: Fast Motion
Label: Ramp Recordings
Genre: Dubstep/Grime
Format: 12", Digital

Having received a barrage of interest from across the board (largely due to his sell-out debut release on Tough Love in ’09), Becoming Real takes on Ramp Recordings with this glistening slice of glitched out, grime-influenced, half step beauty. The self-proclaimed inventor and pioneer of the “ghost-step” sub-genre ups his game with this one. The haunting, trickling rhythms so clearly resplendent in “Fast Motion” encapsulate a multitude of sounds, clips, clops, gushing rhythms, vocal snippets and evolving melodies. The very process of “becoming real” seeps out of every pore of this release. There’s an overwhelming sense of metamorphosis, of moments captured in stasis, before the track changes direction, flitting quickly on to the next image and beyond.

For example, “Jen’s Clock” ticks away moodily, creeping through the midnight hour, hesitating, pausing, never quite sure of where to go next, until a slow movement sees the sound fall deeper and depper into the dark expanse of night time and the greater unknown. Tiptoeing synths, tense tapping and a low, rumbling bassline underpin the venture with oodles of atmospheric excitement and eerieness saturated into every beat. Unique and enticing, innovative and understated, it’s got a smattering of D&B producer Rockwell’s cinematic ‘Noir EP’ – a comparison that can do no wrong, in our opinion. The DVA ‘Hi Emotions’ remix of ‘Fast Motion’ completes the EP, adding a more spaced out, smooth, synth-y interpretation of the original, with warm reverberating vibes to create that warm fuzzy feeling inside. Outstanding.

Review: Belinda Rowse


Ital Tek – Moment In Blue EP review

by Juno Plus on 24.06.2010 at 13:52pm
Artist: Ital Tek
Title: Moment In Blue
Label: Planet Mu
Genre: Dubstep/Grime
Format: 12", Digital

Ital Tek certainly doesn’t mess about. After the release of his second long player Midnight Colour earlier this month, he returns here with Moment In Blue. The title track, which is taken from the album, is the EP’s pivotal point, and is given a new lease of life for a wider audience. Continuing the vogue for synaesthetic terminology in the ever-evolving world of grime and dubstep, the Brighton based producer takes us across the post-dubstep landscape with a firm grasp on the funky, flowing elements and hollowed infrastructure that shapes much of his work.

The eponymous track of the EP gets the VIP treatment plus remixes from Hyperdub’s hottest, and latest, signing, Ikonika, as well as the (arguably) faultless Falty DL. Ikonika’s interpretation sees her signature melodic sound imparted on the original to great effect; think thumping bass, sweetly scented atmospherics and infectious groove. Falty DL, on the other hand, strips it all back to the bare essentials creating a soothing, pared down cut with laidback aplomb and decisive minimalism. Dividing the two remixes is “Crush Horizon”, with gently warping synth sounds, a buzzing b-line driving it along, with melodic flourishes and a smooth, polished feel. The aforementioned VIP version of “Moment In Blue” is a heavier, chunkier re-fix than the rest, focused primarily around the earth shattering, warping bassline and cavernous sub-bass, romping along like some subterranean wave of sound. Finishing up with the pulsating hip-hop tempo and click-clop-bleep pattern of “Infinity”, replete with anguished vocal snatches and smatterings of horns, it’s a mesmerising finale for the Moment In Blue.

Review: Belinda Rowse


Sub:stance celebrates 2nd birthday

by Juno Plus on 15.06.2010 at 16:46pm

The revered Sub:stance party will celebrate its second birthday in style with a takeover of its Berlin HQ, Berghain.

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Ital Tek – Midnight Colour review

by Juno Plus on 04.06.2010 at 11:40am
Artist: Ital Tek
Title: Midnight Colour
Label: Planet Mu
Genre: Dubstep/Grime
Format: 12", CD, Digital

Following on from his debut artist album Cyclical in 2008, Brighton based producer Ital Tek brings us his sophomore outing, Midnight Colour on the highly respected Planet Mu imprint. Since Cyclical first landed two years ago, other notable productions from the man otherwise known as Alan Myson include the Massive Error EP (also on Planet Mu) and the Mako EP (released on his own label, Atom River in October 2009).

Kicking off with “Neon Arc” – a deliciously fuzzy broody number, with a nod to the Joker-style ‘Bristol Sound’ in the synths – it’s a promising start to what soon unfolds into a magnificent album. Moving through the melodic, reflective Mount Kimbie style “Talis” with its evocatively drawn dripping and chiming, and hollow textured soundscape, to the more abrasive “Moonbow” and “Babylon” (a personal favourite), it’s easy to see why Ital Tek has garnered such a reputation for himself in such a short time.

Keeping versatility at its core, the album moves effortlessly on to “Satellite”, “Subgiant” and “Black And White”, through darker, sparser sounds and lilting whispering patterns, to “Strangelove” – an incredible exploration with a deep, throbbing b-line and unnerving poignancy. In contrast, “Moment Blue” employs some quirky instrumentation and upbeat whinnies of vocal, before the darker, more synth-led vibe returns for the grand finale, spearheaded by the title track. The album closes with “Restless Tundra” – a calm, contemplative number, featuring the lustrous vocal skills of Anneka. Midnight Colour picks up on the sound that has come to define Ital Tek, taking the whole ‘post-dubstep’ tip to new lengths, weaving 2-stepping garage rhythms round sonic textures with plenty of moody atmospheric melancholy.

Review: Belinda Rowse


Skream gives away free track

by Juno Plus on 03.06.2010 at 15:22pm

South London’s dubstep overlord Skream is giving away a free track on his Soundcloud page.

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Juno Podcast: Dubstep 25

by Juno Plus on 03.06.2010 at 15:01pm

This latest Juno dubstep podcast kicks off with the title track from Guido’s epic debut album, Anidea, and from there it takes you on a swift ride through the week’s hottest releases from the world of bass.

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James Blake – CMYK EP review

by Juno Plus on 02.06.2010 at 09:52am
Artist: James Blake
Title: CMYK EP
Label: R&S
Genre: Dubstep/Grime
Format: 12", Digital

“CMYK” has been Nick Grimshaw’s ‘record of the week’, it’s made James Blake’s Spotify debut, and has also led to the 22-year old London based producer appearing on Gilles Peterson’s radio show as well as featuring in The Guardian’s ‘New Band Of The Day’ slot. Not bad going. Appearing on legendary techno label R&S, the release follows on from James Blake’s debut 12” Air And Lack Thereof which dropped on Hemlock Recordings in 2009, The Bells Sketch EP on Hessle Audio a couple of months back and some high profile remixes on labels like Scuba’s Hotflush Recordings. Blake’s reputation as a producer has been predominantly built on his unrivalled fresh, innovative approach to electronic music, incorporating sampling and overtly soulful overtones, around the 140bpm mark.

The EP sees Blake sampling 90s R&B divas Kelis and Aaliyah in the title track, whose plaintive vocals are neatly chopped, diced and blended into a wider landscape of sonic textures, leftfield beats and dubstep tempos. It’s all executed with a smooth, polished finish, which marks it out as a future anthem, much like Joy Orbison’s “Hyph Mngo” was for future garage last year. “Footnotes”, up next, tunes into some distinctly futuristic vibes, with weird vocodered, fuzzy samples playing havoc with some delicate yet jumpy beats, before moving into a calmer second half with a more pared down, relaxed tone. “I’ll Stay” returns to the chopped up glitchy, soul drenched vocal sound of “CMYK”, with a warm glow glimmering softly beneath. “Postpone” concludes the EP, fusing Blake’s own distorted vocals with hissing atmospherics, a rather detached thumping beat and a sonorous, choral element. All in all, it’s a beautiful EP, which needs to be beheld to be believed – absolutely outstanding.

Review: Belinda Rowse

Guido – Anidea review

by Juno Plus on 21.05.2010 at 12:39pm
Artist: Guido
Title: Anidea
Label: Punch Drunk
Genre: Dubstep/Grime
Format: Double 12", CD, Digital

A giant leap for Punch Drunk, this debut LP by Bristol producer Guido could lead to an avalanche of fans for the burgeoning “purple sound” of young Bristol producers like Guido, Joker, and Gemmy. After only a handful of singles and remixes, Guido has fashioned a perfect album that drips with freshness and originality. Combining post-dubstep styles with a pop sensibility and the production clarity of The Neptunes, there’s a host of unlikely sounds thrown into the mix that strangely end up working – check the Kenny G-style sample flipped perfectly in the appropriately named “Mad Sax” as an example.

While the album starts off on an exclusively instrumental tip, “Beautiful Complications” bucks the trend and features a deliciously warped female vocal that works a treat with Guido’s sparse and gritty beats. As the album steadily grows in energy, tunes like “Way You Make Me Feel” and “You Do It Right” pack more beats into the bars and the album really feels like a journey, not just a random collection of songs. Not only is it an accomplished debut, it’s fiercely original and exciting, and comes very highly recommended indeed.

Review: Oliver Keens


Ramadanman – Glut review

by Juno Plus on 17.05.2010 at 09:20am
Artist: Ramadanman
Title: Glut
Label: Hemlock
Genre: Dubstep/Grime, Leftfield
Format: 12", Digital

You can always rely on Ramadanman. The ever-prolific, highly renowned Hessle Audio favourite comes up trumps once again with this beautiful, soulful slice on Hemlock Recordings (the label co-owned by London based producer, Untold, which has seen such luminaries as James Blake, Pangaea and Fantastic Mr Fox pass through its forward thinking, open minded doors already).

Gloopy, distorted, slightly mournful vocals and ticking, hollow beats get “Glut” off to an enticing start. Thumping bass stabs, mechanised drum patterns and melancholic organ-sounding orchestrals are introduced after the two minute mark, with a slow building, gentle crescendo-ing force, interspersed by vocal parts to break up the ongoing movement onwards, ever onwards. Contrasting textures and sounds play off each other here to great effect. Inspiring, deeply moving and delicately articulated, “Glut” is possibly one of Ramadanman’s most poignant and reflective works to date, with a wailing synth slowly dying and trailing out towards the end.

“Tempest” may be familiar to those of you who heard Scuba’s ‘Sub:stance’ mix from earlier on this year. The seven-minute contemplation is initiated by a simple rat-a-tat of wood on metal-sounding timbre. Sonic blips form the basis for a gently evolving, expansive soundscape rife with subtle glitches and atmospherics, which drift in and out of our consciousness. A defiant drum kick interrupts the blissed out subtle euphoria of the first section half way through, marking a movement towards a more punchy, bleepy second phase, yet strangely retaining the ambience that seems to consistently underpin Ramadanman’s productions. It’s tempestuous, but not entirely tempest-like (there’s a distinction to be made here, somehow).

Review: Belinda Rowse

Badness feat. Skepta & Lil Nasty – Nightmare review

by Juno Plus on 14.05.2010 at 12:34pm
Artist: Badness feat. Skepta & Lil Nasty
Title: Nightmare
Label: No Hats No Hoods
Genre: Dubstep/Grime
Format: 12", Digital

No Hats No Hoods. It’s a name that certainly sticks in the mind, playing on irony, dripping with attitude, oozing a self-assured confidence. True to form, this glorious 12” on what is undoubtedly one of the kings of underground grime labels does just that. Rising to prominence with a string of high calibre releases, alongside their famed Dirty Canvas club nights, the No Hats No Hoods crew have certainly got their ting locked down. Enter Badness feat. Skepta & Lil Nasty, for “Nightmare” – the 10th release from the imprint.

The delectable spooky intro, growling “Nightmaaare” in breathy, ominous tones, sets a precedent for things to come. Cue a fall into a hissing, smashing drop, with Lil Nasty and Skepta spitting lyrics over a blend of aggressive, street-wise cool (“you guys need to wake up/ turn the bass up”) and creepy whispering (“You’re about to enter a dark, dark maze/ follow the red light to find the way”) and barking, sonorous bars. Its inky blank bassline penetrates the very essence of your being; a scurrilous interplay of spoken word, rumbling bass, jittering synths and hissing breaks prevails. DMZ’s Coki and Cotti deliver a decidedly more upbeat remix, full of bouncing, stepping rhythms, before Bristol-based HENCH producer, Mensah, comes up with a dollop of screechy synth-driven dubstep to break things up. Chiming the midnight hour with horror movie-esque thunderous gong and high-pitched wailing, he places the focus further away from the lyrics. Bassboy, in stark contrast, fixes up, looks sharp (to use an overused grime idiom), so that the words are spoken in discerning clarity, with more of a bassline vibe. It’s a cracking release all round, though – highly recommended.

Review: Belinda Rowse


Juno Podcast: Dubstep 24

by Juno Plus on 14.05.2010 at 10:48am

Instra:mental’s “Vicodin” kicks off our new dubstep podcast in style, in a 50 minute mix that showcases the best the genre has to offer this month.

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Skream & Joker on new compilation

by Juno Plus on 13.05.2010 at 14:42pm

Key Bristol creative studio Multiverse will release a compilation to celebrate its fifth anniversary, featuring the likes of Joker, Vex’d and Pinch.

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Benga – Phaze One review

by Juno Plus on 13.05.2010 at 09:38am
Artist: Benga
Title: Phaze One
Label: Tempa
Genre: Dubstep/Grime
Format: 12", Digital

Oh Benga. Where do we begin? Emerging from the depths of Croydon in the early noughties, Benga has been a pioneer and pivotal lynchpin in the ever-burgeoning dubstep movement. His previous albums, Newstep (2006) and Diary Of An Afro Warrior (2008) remain amongst the most influential long players of the genre’s history, alongside commercial crossover collab with Coki, “Night” (2007) and a slew of other high profile releases, mixes and remixes on labels such as Tempa, Tectonic, Hotflush and Planet Mu. Firmly cementing his reputation as one of the scene’s most pre-eminent figures, Benga brings us “Phaze One” – the first in a series of EPs on the seminal Tempa imprint.

Bookmarked by the delightfully named “Baltimore Clap” and “No Bra, No Panties” (that is, if you’re getting this on digital release, otherwise “Rock Music” will be your closing track), the EP kicks off with jittering, dark riddims and aggressive slapstick, breathy tones. Delicious mouse squeaks are interspersed in the otherwise rather industrial tinged piece. Progressing via the slow, walloping, 140bpm massive “Eye Tunes,” through sonically raindrop splattered piece “Mini Motor Cross” with its grating, grinding synths and crisp drums, to “808” – a frenetic, beat dripping work out on a distinctly awkward, tense stabbing tip, it’s a fantastic cross-section of sounds from the wunderkind that is Benga. “Your Band (Descending)” is reminiscent of “Night,” with its wailing Dalek drones and grouchy b-line – a sure fire hit on the dancefloor roller front. All change for the climactic military tinged, ancient warrior-commencing-for-battle style intro of “Rock Music,” replete with ominous horns, nervous chiming and gritty bass action. As digital bonuses, “Transform” – another bleepy bad one, and the aforementioned cheeky sampling, dancehall-esque “No Bra, No Panties” – conclude the EP with a resounding two fingers in the face. Great stuff.

Review: Belinda Rowse

LV & Quarta 330 / Dong – Hylo review

by Juno Plus on 06.05.2010 at 14:07pm
Artist: LV & Quarta 330 / Dong
Title: Hylo
Label: Hyperdub
Genre: Dubstep/Grime
Format: 12", Digital

Hyperdub brings together two of their label locals for two collaborative tracks on what is the thirty fourth release on Kode9′s famed imprint. here we see LV (we can only assume it’s not this LV) & Quarta 330 combine for the original production of “Hylo” and a remix of Dong’s “Suzuran”. Legend has it that this collaboration was forged the day after the label’s 5th anniversary party last November. The alliance works a balanced level between the two producers by merging their different sounds, with Quarta 330′s 8-bit abstraction and melodic tendencies contrasting perfectly with the lush figures and shuffling rhythms of LV.

“Hylo” sees 8-bit melodies made from rebuilt gameboys and sonic bleeps weaved into the crunchy snap of a reverse drum beat and warm chords. The harmonic and beautiful breakdown takes us into peaceful territory courtesy of a simple motif before the pace picks back up and we continue on our stepping journey with more splattered drums. It is an energetic mix of brittle and lush sounds which seems to sum up how the pair complement each other so well.

Next up, they work together on a remix of Quarta’s own remix of Japanese producer, Dong’s “Suzuran”. LV reconstructs the slurring space pop of the Japanese vocoder vocal melody into a remix that is constructed from syncopated drums and off key patterns of beep and bleeps. It creates a catchy but obscure sound as sweet melodies clash with shuffling beats.

This unlikely but attractive pairing has provided each other with a platform to successfully exchange relatively alien ideas and sounds. The unrestrained rawness of their work together both complements each others’ talent and provides yet another go-to release from Hyperdub.

Review: Tom Jones

Instra:mental – Let’s Talk / Vicodin

by Juno Plus on 04.05.2010 at 14:56pm
Artist: Instra:mental
Title: Let’s Talk / Vicodin
Label: Naked Lunch
Genre: Dubstep/Grime
Format: 10", Digital

Naked Lunch unleash two effortlessly cool, idiosyncratic productions from Instra:mental. “Let’s Talk / Vicodin” are two slow and atmospheric tracks that bridge the modern day gap between dubstep, house, techno and drum & bass.

Last year’s anthem, “Watching You” was an innovative slice of future dubstep that brought the production duo of Instra:mental to the attention of many. Since then they have had releases on Exit, Apple Pips and their own NonPlus+ imprint in addition to mixing a Fabriclive compilation. “Let’s Talk” is an ocean deep, slow burning crossover between house and dubstep. It utilises the warm, clicky tone of the constant kick drum that penetrates the atmospheric soundscape of background chime and tension building static. Echoed melody snatches and pulsing synthesized bass stabs create an ominous sense of foreboding that is heightened by the somewhat unsettling, down-pitched vocals. The sheen from the pads give the track a calmness that makes it sound even more menacing.

On the flip, “Vicodin” picks up the tempo as the duo indulge their dubstep palette once more. Keeping their futurist sentiments in hand, they keep the sound unique and fresh with some intricate percussion and beatless structure. Wrapped around thumping sub bass and Detroit styled piano chords, this is an atmospheric stepper that moves with a fluid arrangement for the deepest part of the night.

Review: Tom Jones

Girl Unit – I.R.L review

by Juno Plus on 29.04.2010 at 11:17am
Artist: Girl Unit
Title: IRL
Label: Night Slugs
Genre: Dubstep/Grime
Format: 12", Digital

Despite having a moniker which sounds like an all-female pop outfit from the 90s, you’ll be glad to hear that Girl Unit, is, in fact, nothing of the sort. A house aficionado of the highest calibre, the South London based producer blends elements of UK funky, 2-step, house, garage, Chicago juke and shades of dubstep with an iconoclastic irreverence for genre boundaries. Appearing on Bok-Bok and L-Vis 1990’s label, Night Slugs, the I.R.L EP marks the third release for the burgeoning young imprint, which was established earlier this year.

The EP – incidentally one of the most hotly tipped records around at the moment – begins with the title track. A dramatic, cinematic intro (rather reminiscent of D&B producer Rockwell’s “Noir”) initiates the proceedings with a thumping statement of intent and screechy, sliding synth embellishments. A hollow, clip-clop beat underpins the track, moving from dark, moody moments to more mellow, Mount Kimbie-style sections with masterful ease. DVA takes things down a tougher, rougher street with the tapping, grinding synthetics and raw industrial edge of his ‘Hi Emotions’ remix, whereas Young Gunz crew member, French Fries tunes in to a funky vibe, with shuffling rhythms, a nod to soca and lashings of sun-drenched tropical exoticism.

“Shade On”, the next track on the EP is a delicious, smouldering synth-led number, complete with slowly pulsating energy, and tapping, scattered drums. The gently rippling, chiming melody is complimented by snippets of hazy synths and moments mesmerizing atmospheric bliss. Rounding things off with perfectly articulated, sonorous piano keys, murmuring vocal snatches, fuzzy sonics and rumbling bass, ‘Temple Keys’ acts as the conclusive utterance from Girl Unit, on this absolutely outstanding EP.

Review: Belinda Rowse

T++ – Wireless EP review

by Juno Plus on 26.04.2010 at 14:47pm
Artist: T++
Title: Wireless
Label: Honest Jon's
Genre: Dubstep/Grime
Format: 12", Digital

Torsten Profrock’s T++ project has continually spread its wings since conception in 2005. Championed by fans of techno, dubstep, experimental and drum & bass alike, his latest EP for Honest Jon’s (and rumoured to be his last under this monkier) showcases the amalgamation of styles and sounds that has earnt the German such a far reaching fanbase.

If it does prove to be the final T++ release ever, then the alias will have left us with the most expressive and energetic of his works.  Adding a real sense of personality, Profrock unearthed a handful of samples of the singer and ndingidi player Ssekinomu, recorded in East Africa in the 1930s and 40s in the label’s vaults for this release. Skilfully, the producer works these snippets into the complex rhythm structures, giving his music a human touch that has never been seen before. Profrock looks to the radical fringe of UK garage for the snapping 2 step vibe in these rhythms that remain central to all four tracks on the EP. This results in a clutch of tracks that take on an immensely tribal and subconsciously innate feel. They morph new structures from the forms of 2 step, techno and drum & bass around which Profrock wraps twisted FX and weighty sub bass to create one whole, throbbing organism.

So with quite possibly his final release, T++ leaves us, rather fittingly, with a record that sounds at once both ancient and modern. It has a totally unique tone, like a form of tribal language that can only speak to and be understood by today’s culture through these sub-heavy, atmospheric sounds.

Review: Tom Jones

Mount Kimbie – Remixes Volume 1 review

by Juno Plus on 26.04.2010 at 11:29am
Mount Kimbie – Remixes Volume 1 review

Artist: Mount Kimbie
Title: The Remixes Part 1
Label: Hotflush Recordings
Genre: Dubstep/Grime
Format: 12″, Digital
Buy from: Juno Records, Juno Download

Bringing us the tastiest of flavours and the phattest of beats, this double decker remix sandwich of Hotflush Recordings’ hotly tipped heroes, Mount Kimbie, is well, what can we say…a bit of a treat. Delivered as a ‘part one’ and ‘part two’, the double EP release sees remixes of MK’s most delectable tracks from James Blake, Tama Sumo & Prosumer, FaltyDL, SCB and Instra:mental.

To begin the proceedings, James Blake revisits “Maybes” (coincidentally the duo’s debut release on Hotflush from early 2009) coating its progressively clapping, clicking, clunking rhythms, and intricate, heavily referenced tapestry of sounds in a warm, fuzzy glow. In doing so, Blake adds a suitable dash of soulful rigour over the top of what has been heralded as a blueprint for MK’s iconoclastic sound. The second track, “Serged” sees the New York-based, garage-house-IDM-electronica fusionist, FaltyDL, go in on the original with faultless aplomb, giving the tune a fresh trans-Atlantic flavour, all smoky riddims and snatches of deep, honeyed vocals. Then it’s Instra:mental’s turn; fresh from setting up their experimental Autonomic imprint with long time collaborator, D Bridge, the duo transfer their expertise to MK’s delicately evocative plink-plonk, hissing percussive number, “At Least”.

Moving on to the second part of the release, Berlin-dwelling, Panorama Bar’s Tama Sumo & Prosumer re-work the lo-fi minimalism of “William” into a more shuffling deep house number, with ticking beats and occasional nods to Burial. The final track of the EP means it’s time to take our hats off to SCB (the moody techno alter ego of Hotflush head honcho, Scuba) who revisits “Vertical”. It’s a deep, brooding number with gently pounding, steam-puffing rhythms, made all the more poignant by SCB’s unique touch and marking the final artistic flourish for a fantastic remix package.

Review: Belinda Rowse

Artist: Cosmin TRG
Title: See Other People
Label: