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Boddika: Rage within the machines

by Juno Plus on 16.01.2012 at 11:52am

“I’m not into stuff that’s over-produced, it’s very uninteresting to me.” So states Al Green, the man behind some of the most distinctive, visceral electronic music to grace our ears in recent times. One listen to any of the plentiful Boddika tracks that have been released for labels such as [Naked Lunch], Swamp81 or his own Nonplus, and you can instantly feel where he’s coming from. The kickback against crisp and clean digital production that typified last year’s dance music output is no more apparent than on the raw, abrasive drums n’ synths that characterise the Boddika sound.

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Boddika/Instra:mental – Grand Prix/Vicodin review

by Juno Plus on 30.08.2011 at 14:35pm

Have bass producers revitalised techno? It might seem like a strange question, but consider the evidence. Cosmin TRG has shifted gradually from dubstep and drum and bass, in the process releasing his best material for Rush Hour and 50 Weapons. Rumours abound that Shifted used to be a D&B producer, and the person behind the mysterious moniker applies a looseness and low end expertise he might well have picked up in his previous incarnation which ensures his current output doesn’t fall foul of rigidity.

To push this argument further, it is also true that the existence of bass music has inspired techno producers to make their grooves more stepping – witness everything from Kalon’s “Born Against” through parts of the Frozen Border catalogue and Peter Van Hoesen’s most recent single, “North 6th”. This ongoing cross-fertilisation is audible on the latest [Naked Lunch] release, a label which more than any other has inadvertently succeeded in muddying the waters (although it has blurred more than the boundaries between bass and techno).

Boddika’s “Grand Prix” bears some resemblance to the current wave of Chicago-inspired tracks – the heavy claps and the underlying acid line are evidence of the author’s interest in that sound – but it’s the woozy bass underscoring the arrangement that really makes it stand out. Accompanied by insidious bleeps and some deft break beats, it’s like a breath of fresh air for those worn out by retro-tribute releases.

It’s not all one-way traffic though, and the label has recruited Skudge to remix Instra:mental’s “Vicodin”. Based on a similar structure to Boddika’s contribution, this time swarming chords rather than the bass that has the requisite effect, as the Swedish duo dive bomb with menacing, swoops. It may not be a game changer, but this release furthers an aesthetic that’s way more interesting than backward-looking techno conservatism – and surely that’s a welcome development.

Richard Brophy


John Convex next up for 3024

by Juno Plus on 06.05.2011 at 17:22pm

Martyn’s 3024 imprint continue their endeavours to pillage UK talent with the next release from Instra:mental’s Damon Kirkham, who breaks loose for his first ever solo productions as Jon Convex.

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Instra:mental – Resolution 653 review

by Juno Plus on 18.04.2011 at 09:20am

Al Bleek and Damon Drama, better known to us as iconoclastic genre-defying duo Instra:mental, first appeared early in 2000 with a collaborative release on Source Direct’s offshoot Demonic. The pair have since gone on to become something of a tour de force in the underground electronic music scene, with releases on Darkestral, Exit, Semantica and their own labels NonPlus and Autonomic (which they co-run with dBridge). They have been attributed with reinvigorating D&B from the roots by borrowing from house, techno, electro, IDM and electronica, slowing it down to create that half time, deep, minimalist Autonomic style (almost a sub-genre in itself, some might say). Now, though, Instra:mental seem to have abandoned D&B altogether in favour of tempos hovering between the 110-140bpm range and Resolution 653 showcases this in a magnificent twelve track opus.

The album starts with the broken arpeggiated sounds of “Sun Rec”. Previously released as a 12” on Semantica last November alongside “Love Arp”, it is a sparkling and incendiary track which segues nicely into “User”, with its menacing muttering lyrics, spaced out atmospherics and thumping drum kicks. Strangely robotic but beautifully bouncy, upbeat electro stomper “8” shakes things up before we are plunged into the calming, blissed out haven of “Waterfalls” and back again to the glitchy, ADHD riddled beats of aptly named track “Aggro Acid”, which reminds us of a bizarre melange of Hud Mo, Arp 101 and Ramdanaman.

“Thomp” encapsulates the eclectic range of Instra:mental’s reference points, beginning as a dubbed out Mala style venture before swiftly developing into a funked up, head-nodding 4/4 fest. “Plok” is another quirky cut, sandwiched between the taught, twitching beats of “Talking Mono” and superb stand out track “Delta Zone (Advance)”, which is rather reminiscent of “Voyeur” – Instra:mental’s acclaimed and much rinsed release on Skream’s Disfigured Dubz. Closing track “Memory Implant” sees a flick back to the established sounds of “Waterfalls”, with whispers, echoes, the sounds of rushing water and an air of mystique that permeates through Resolution 653 as whole. Without wanting to sound too earnestly like part of the hype machine, this really is quite superb – a culmination of Instra:mental’s success to date and an example of electronic music at its best. That is all.

Belinda Rowse


NonPlus reveal further Instra:mental album details

by Juno Plus on 16.02.2011 at 13:17pm

Late last year Juno Plus brought news of a much overdue debut album from veteran bassheads Instra:mental and NonPlus++ have finally let loose with the full details of what we can expect when Resolution 653 drops in April.

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Featured DJ Chart: Instra:mental

by Juno Plus on 17.12.2010 at 15:26pm

Last week we revealed that UK duo Al Bleek and Kid Drama – aka Instra:mental – will release their debut album, entitled Resolution 653, next year via their own Nonplus imprint. They first came to the attention of Juno Plus a while back via their genre hopping Autonomic podcast series with dBridge, which allowed them to pursue their passion for the forward thinking end of D&B, dubstep and techno.

This year they combined a Fabric residency with a slew of festival dates, and still managed to release a healthy mix of 12″s on their label from the likes of Jimmy Edgar, ASC, Actress and Kassem Mosse among others. They rounded off a fine 2010 with a gong at this week’s DJ Mag Best Of British awards ceremony in London, taking the prize for Best Compilation for their Autonomic Fabriclive mix.

They’ll no doubt be in celebratory mood at the Eastern Electrics New Year’s Eve party with Damian Lazarus, Seth Troxler, Jamie Jones, Joker & MC Nomad, Roska and more, so we called up the lads to find out what tunes they’ve been feeling lately – expect a few of the beasts listed below to strip some paint from the walls come the 31st…

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Instra:mental’s new year Resolution

by Juno Plus on 10.12.2010 at 17:26pm

Instra:mental have announced that their debut album, entitled Resolution 653, will be released next year via their own Nonplus imprint.

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Win Eastern Electric NYE tickets

by Juno Plus on 26.11.2010 at 11:41am

If you’re still undecided about how to spend your New Year’s Eve this year let Juno Plus make it easy for you with chance to win a pair of tickets to the Eastern Electrics Back To The Tunnel Party.

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Commix – Re: Call To Mind review

by Juno Plus on 13.10.2010 at 18:01pm

Oxford Dictionary have just confirmed that the new definition of heavyweight is simply a photo of this ridiculously impressive Commix remix album. Both Metalheadz and the Cambridge duo deserve a golf clap for selecting the cream of the techno and dubstep crop to rework tracks from their seminal album Call To Mind. Burial’s remix finally sees release after two years of lurking in the Metalheadz archives, but the droning atmospherics of his rework is more than matched here. Kassem Mosse drops a heavy techno throb atop the oscilatting rhythmic stutter of “Strictly” whilst Steve Spacek’s voice is married to abrasive half step syncopation that punches through the mid frequency bass of Pangaea’s remix of “How You Gonna Feel”. Dave Huisman delivers another superlative turn as A Made Up Sound transforming “Change” into a mind bending industrial techno/dubstep cross pollination. Underground Resistance equal this in the impressive stakes with a remix of “Satellite Song” that ripples with futuristic menace. Essential!

Tony Poland


Full Commix remix album details

by Juno Plus on 22.07.2010 at 11:06am

As Juno Plus revealed back in May, Cambridge duo Commix will release a remix album of their debut LP Call to Mind, featuring heavyweights from the world of dubstep and techno.

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Instra:mental – Let’s Talk / Vicodin

by Juno Plus on 04.05.2010 at 14:56pm

Naked Lunch unleash two effortlessly cool, idiosyncratic productions from Instra:mental. “Let’s Talk / Vicodin” are two slow and atmospheric tracks that bridge the modern day gap between dubstep, house, techno and drum & bass.

Last year’s anthem, “Watching You” was an innovative slice of future dubstep that brought the production duo of Instra:mental to the attention of many. Since then they have had releases on Exit, Apple Pips and their own NonPlus+ imprint in addition to mixing a Fabriclive compilation. “Let’s Talk” is an ocean deep, slow burning crossover between house and dubstep. It utilises the warm, clicky tone of the constant kick drum that penetrates the atmospheric soundscape of background chime and tension building static. Echoed melody snatches and pulsing synthesized bass stabs create an ominous sense of foreboding that is heightened by the somewhat unsettling, down-pitched vocals. The sheen from the pads give the track a calmness that makes it sound even more menacing.

On the flip, “Vicodin” picks up the tempo as the duo indulge their dubstep palette once more. Keeping their futurist sentiments in hand, they keep the sound unique and fresh with some intricate percussion and beatless structure. Wrapped around thumping sub bass and Detroit styled piano chords, this is an atmospheric stepper that moves with a fluid arrangement for the deepest part of the night.

Review: Tom Jones

Mount Kimbie – Remixes Volume 1 review

by Juno Plus on 26.04.2010 at 11:29am
Mount Kimbie – Remixes Volume 1 review

Artist: Mount Kimbie
Title: The Remixes Part 1
Label: Hotflush Recordings
Genre: Dubstep/Grime
Format: 12″, Digital
Buy from: Juno Records, Juno Download

Bringing us the tastiest of flavours and the phattest of beats, this double decker remix sandwich of Hotflush Recordings’ hotly tipped heroes, Mount Kimbie, is well, what can we say…a bit of a treat. Delivered as a ‘part one’ and ‘part two’, the double EP release sees remixes of MK’s most delectable tracks from James Blake, Tama Sumo & Prosumer, FaltyDL, SCB and Instra:mental.

To begin the proceedings, James Blake revisits “Maybes” (coincidentally the duo’s debut release on Hotflush from early 2009) coating its progressively clapping, clicking, clunking rhythms, and intricate, heavily referenced tapestry of sounds in a warm, fuzzy glow. In doing so, Blake adds a suitable dash of soulful rigour over the top of what has been heralded as a blueprint for MK’s iconoclastic sound. The second track, “Serged” sees the New York-based, garage-house-IDM-electronica fusionist, FaltyDL, go in on the original with faultless aplomb, giving the tune a fresh trans-Atlantic flavour, all smoky riddims and snatches of deep, honeyed vocals. Then it’s Instra:mental’s turn; fresh from setting up their experimental Autonomic imprint with long time collaborator, D Bridge, the duo transfer their expertise to MK’s delicately evocative plink-plonk, hissing percussive number, “At Least”.

Moving on to the second part of the release, Berlin-dwelling, Panorama Bar’s Tama Sumo & Prosumer re-work the lo-fi minimalism of “William” into a more shuffling deep house number, with ticking beats and occasional nods to Burial. The final track of the EP means it’s time to take our hats off to SCB (the moody techno alter ego of Hotflush head honcho, Scuba) who revisits “Vertical”. It’s a deep, brooding number with gently pounding, steam-puffing rhythms, made all the more poignant by SCB’s unique touch and marking the final artistic flourish for a fantastic remix package.

Review: Belinda Rowse

Artist: Cosmin TRG
Title: See Other People
Label:

Fabriclive 50 – dBridge & Instra:mental present Autonomic review

by Juno Plus on 18.02.2010 at 10:53am
Fabriclive 50 – dBridge & Instra:mental present Autonomic review

Artist: dBridge & Instra:mental
Title: Fabriclive 50
Label: Fabric
Genre:
Dubstep/Grime
Format:
CD, Digital
Buy From: Juno Records, Juno Download

Being chosen to do a FabricLive mix CD is no mean feat. Over the years, the likes of James Lavelle, John Peel and LTJ Bukem have made their appearances on what is undoubtedly the most pre-eminent series of mix CDs to ever grace our ears. Now marking their half-centenary, D-Bridge and Instra:mental bring us the culmination of sounds from their respective labels, Exit and Non Plus, and their Autonomic podcast series.

Beginning the sonic journey with the uplifting, sonorous vocal work of Riya (who, incidentally is set for big things this year), in “Seems Like”, and moving through some minimal, downtempo numbers from Stray, Dan Habarnam and Vaccine, things get a bit more quirky and explorative in Consequence Lover’s “Shell and Genotype – Distorted Dreams”. Alix Perez’s “Self Control” is a particularly poignant and beautiful moment in the mix, as are the string of Instra:mental tracks – “End Credits”, “Watching You” and “Fist (Level 2B) mix” – which meld together seamlessly in a stream of sparse, melodic beauty. Separated off from the rest of the mix by two acapellas – courtesy of Meleka – “Go” and D-Bridge – “Inner Disbelief” – this middle section marks the ever-so-subtle movement into dubstep territory, which dominates the second half of the CD.

Here we see the likes of Hotflush head honcho, Scuba featured (with the dBridge remix of “Tense and Eclipse”) alongside the Hessle Audio-affiliated Pearson Sound; Code 3’s “Living Proof” and Skream’s “Fire Call” should also get a special mention, with strong contributions from both dBridge and Instra:mental cementing it all together. It’s a phenomenal selection of fresh, cutting-edge music that sets out to defy genre boundaries and re-introduce musicality, space and depth to production, and exceeds expectations on every level.

Review: Belinda Rowse

Interview: dBridge & Instra:mental

by Juno Plus on 10.02.2010 at 12:50pm

Whilst dBridge & Instra:mental have their own salubrious solo careers (former Bad Company member, dBridge, and hot shot producers, Al Bleek and Kid Drama, Instra:mental), it is perhaps as their collaborative tripartite that they have garnered the most interest. Drawing together a wealth of influences, the trio have attracted the attention of techno, house, dubstep and drum n bass aficionados around the world with their eclectic, far-reaching forays into electronic music, with their genre-hopping ‘Autonomic’ podcast series.

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Skream/Instra:mental – No Future review

by Juno Plus on 28.01.2010 at 12:10pm
Skream/Instra:mental – No Future review

Artist: Skream, Instra:mental
Title: No Future
Label: Nonplus
Genre: Dubstep/Grime
Format: 12″, Digital
Buy From: Juno Records, Juno Download

With the slightly tinny, echoing monotone vocal sample “Lies, confusion, government, control, crime, money, panic, terror…” broadcasted over a hard-hitting stabbing beat, it’s a bold start for track that propagates an acutely felt cultural and musical zeitgeist.

At once dramatic and apocalyptic but also rather dreary and defeatist, the drilled, spoken message of No Future is quickly overcome by Skream’s expert deployment of grinding, grating SFX and wobbly, uncertain synths. Capturing the spirit of the origibnal Instra:mental version, Skream pairs acerbic, grizzled sounds with occasional glitchy moments and a building wave of bass coupled with gravelly sub-bass to create a rising sense of tension. A soundtrack for our generation, this is a chunky b-line monster that is deep, dark contemplative to the core.

On the flip, the aptly named Minimalistix sees the dubstep pioneer and musical phenomenon delve into sparser soundscapes with a distinctly minimal, genre-hopping, boundary-pushing overtone. Sharp, spiky beats, high-pitched suckerpunch sounds and bouncing, bleepy rattles predominate in this bizarre, experimental territory for a full 50 seconds before a smashing, thunderous beat kicks in. It’s interesting, very abstract and rather reminiscent of the Russian artist, Bop, as it retains a sense of beauty in its reduction and minimalism.

Review: Belinda Rowse


Dubstep Forum Awards 2010

by Juno Plus on 18.01.2010 at 12:23pm

Juno Download has teamed up with the hugely popular Dubstep Forum to bring you the 2010 Dubstep Awards.

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dBridge & Instra:mental prep Fabric

by Juno Plus on 29.12.2009 at 10:59am

Two of drums and bass’s most forward thinking production teams, dBridge and Instra:mental, have teamed up to mix the 50th Fabriclive compilation.

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