
Our selection of the best artwork from June’s releases features more of those records you need two copies of: one for the turntable and one to hang on the wall.
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Our selection of the best artwork from June’s releases features more of those records you need two copies of: one for the turntable and one to hang on the wall.
How Steve Moore has largely managed to fly under the radar over the past few years is something of a mystery. There’s been the odd bit of positive coverage and a fair amount of online chatter, but his profile still remains remarkably low given his impressive track record. As much of his work has been under pseudonyms, you get the impression he probably likes it that way.

There’s a noble history of the eccentric and absurd woven into the tapestry of British music. It can be found everywhere, seeping into the charts or submerged in the underground, and it’s one of the reasons why these isles have contributed so much to emerging and experimental music forms. A subtle appreciation of the absurd can be found in the output of South London based duo Cage & Aviary, aka Jamie Paton and Nigel Hoyle, who combine a quiet obsession for analogue experimentation with loose, creative flair. “I think sometimes people get confused with the belief that absurdity means something can’t be serious,” says Nigel. “Sometimes absurdity, and things that don’t quite make sense, can be a good way of finding a new perspective, and it opens you up to new ideas. That’s what Cage & Aviary do – we try to find things which will elicit a response, any response, from the listener.”

It’s been revealed the ever excellent Steve Moore will don his under-used Lovelock moniker and release an album for Prins Thomas’ Internasjonal imprint in April.

London based production duo Cage & Aviary will release their debut album, entitled Migration, through Prins Thomas’ Internasjonal imprint in early 2012.
Berlin residing Irishman Mano Le Tough returns to the Internasjonal fold for the third time this week with In My Arms, and a suitably sun bleached, hazy video courtesy of director Aoise Tutty has arrived for the title track.