
Listen to the second track from the forthcoming Mimesiak double LP from the mysterious Gunnar Haslam.
|
MP3, WAV, FLAC
Juno Download offers over 3 million dance tracks in MP3, WAV & FLAC formats, featuring genre pages, advanced audioplayer, super-fast download speeds.
|
|
|
DJ & STUDIO EQUIPMENT
Massive range of equipment and accessories for DJs and studio use.
|
|
|
VINYL & CDs
The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online.
|
|

Listen to the second track from the forthcoming Mimesiak double LP from the mysterious Gunnar Haslam.
Anyone who may have seen Svengalisghost performing live recently will probably have been surprised at just how unremittingly savage his performance was, especially if they were expecting the comparatively gentle analogue house he displayed on last year’s debut record for L.I.E.S. The fracas of monochromatic, jutting rhythms and serrated, mulched up synth lines that blasted out from his decrepit table of hardware seemed the antithesis of the Mind Control EP’s more vivid, rolling take on jacking hardware house.

This edition of Scratching the Surface sees Scott Wilson cast his ears over some of the more severe movements in techno over the past few months.

One of the biggest surprises of the recent L.I.E.S. showcase in London was Jason Letkiewicz’s live hardware performance under his Steve Summers alias; while his music has always been characterised by the kind of rawness only analogue hardware can provide, there was something especially bleak about it. Steering away from the classic Chicago house inspiration he’s been mining over several releases for Jack For Daze, Construction Paper and L.I.E.S, and devoid of the even sweeter melodies of his recent collaborations with Bookworms, his set had more in common with the recent crop of hardware techno coming in from the noise scene – albeit a little less severe.

Marcos Cabral will release an album compiled of tracks from his personal archives on L.I.E.S. in June.
Bloc’s re-ignition continues this Easter weekend, and we have tickets to the next two parties with featuring Omar S and the L.I.E.S. crew to give away.

Florian Kupfer is the latest artist to grace the L.I.E.S. white label series, with a four track EP of raw house.
Daywalker & CF helm the next L.I.E.S. white label – check the mellow electronics of “Insectorium” here. Read the rest of this entry »
In an era where circumventing the Internet is near impossible, it’s nice to see L.I.E.S. injecting a bit of mystery and confusion back into things. Around the same time that Long Island Electrical Systems label boss Ron Morelli’s spoke on the price-hiking policies of the Internet and proclaimed “that Discogs is some bullshit” on Twitter, releases from the L.I.E.S. BLK sub-label were being stocked in assorted record shops around the world. No promotional blurb went out, no pressing information was provided, and no list of store names was given.
Next up on the L.I.E.S. juggernaut is some new material from the enigmatic Terekke.
The record releasing juggernaut that is the New York-based L.I.E.S. have started to reveal details of their 2013 release schedule, lead by a pair of EPs from video director Oliver Vereker.

Although their appearance in the top label lists for many online outlets (ours included) may have seemed like it came out of nowhere, in reality L.I.E.S. have been releasing music for over two years and have already racked up about 25 releases – the majority of which arrived in the past 12 months.
Whilst we were all enjoying digging deep into the Quality Street reserves, L.I.E.S. were busy being L.I.E.S. and launched another sub label appropriately christened XMAS – hear the A Side track from Delroy Edwards here.
Record labels are the bricks and mortar of the independent music industry, the foundations upon which artists and scenes flourish and grow. During 2012 there seemed to be a glut of new labels popping up across the board, and though some made strong statements with their initial releases, our list largely acknowledges the imprints who continue to lead the way for others to follow. The people behind our top labels are individuals we – and many others – willingly place our trust in; their curatorial abilities are integral to ensuring they stand tall amidst a sea of samey musical dross.
In many cases, passion for the music these labels have released is the over-riding factor, any notion of profiting from the releases secondary to the rush of seeing it out there, pressed on wax and housed in a nicely presented sleeve. For regular readers of Juno Plus, these ten names should make perfect sense; a selection of labels whose output has made it easy for us to show our support for over the course of the last 12 months.
The best compilations act as gateways into a world of music unknown to the listener, perhaps encouraged to investigate thanks to one stray familiar name or some eye-catching artwork. It’s possible that the art of a finely curated compilation might be in danger of being lost on a current generation brought up on the endless musical possibilities of the mix and match download culture, though 2012 showed that there are still plenty of labels willing to invest the time and knowledge neccesary.
Our list of the top ten compilations looks to capture that, drawing on a selection of established labels celebrated for their ongoing efforts in the realm alongside imprint who’ve made impressive fresh steps in this direction, with an overall diversity of musical styles that hopefully reflects our own divergent tastes. It should also be noted that the drastic decline in quality of commercially released mix CDs, no doubt caused by the over abundance of online podcasts and mixes, reached a tipping point whereby we decided to leave the format out of this year’s “best of” coverage.
Acquire a taste for the unreleased American Noise with “Ferns From Draconis”, Legowelt’s contribution to the forthcoming L.I.E.S compilation. Read the rest of this entry »
L.I.E.S. are going to step it up next year with a label compilation – get a sneak peak at what to expect with this crunchy Delroy Edwards number.
The phrase Long Island Electrical Systems and its immediately recognisable collection of stamps and DIY calligraphies seem to be just about everywhere these days. Within the space of just two years, the label run by Brooklyn’s Ron Morelli has released 24 records – something which deserves a pat on the back in itself. But the story doesn’t finish there; amidst the heterogeneous medley of electronic styles and various sub-labels (a new black label offshoot has just arrived) that is the L.I.E.S. catalogue, Morelli is single handedly showcasing a consistently impressive collection of otherwise unknown talents.