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FACT Magazine’s Tom Lea recently made the point in his review of Jam City’s Classical Curves that the “popular misconception amongst techno producers right now is that releasing music on a hand-stamped white label is somehow taking the form back to basics… but its current position at the height of techno fashion seems to miss the point – the best techno has always been synonymous with imagery”.
The third instalment in our Scratching The Surface series sees Scott Wilson investigate the raw strands of electronic music emanating from the Livity Sound, Clone, Skudge, Spargel Trax and Third Ear camps in recent weeks. Scroll down to listen to a mix Scott has compiled to accompany the piece.