
French manufacturers Arturia will return with the SEM V, a plug-in reconstruction of the notorious Oberheim synthesizer add on module.
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In today’s world it’s becoming increasingly difficult to identify a true analogue synthesizer and even more so to choose the one that caters for your individual needs. Analogue modeling, true analogue signal path and DSP are just some of the confusing terms that the manufacturers throw about, so in this article our resident caped-crusader dissects the attributes of our ten most popular analogue synthesizers, helping you to decide which knobs you should be twiddling.

Roland’s Cakewalk strikes back with what looks to be the biggest overhaul the Z3ta+ (pronounced (zay-ta) synth since acquiring it from RGC:Audio back in 2002 with the Z3ta+2.

In the current musical climate, the terms ‘analogue modeling’ and ‘virtual analogue’ are commonplace within the synthesizer communities. Indeed the new generation of producers largely expect their hardware to have the same features and reliability when it comes to presets, saving, MIDI and effects capabilities as the software VST instruments on the market.

The Slim Phatty is the all new monophonic, two oscillator wonder from the Moog stable. It’s essentially a Moog Little Phatty without the keyboard, although the design and circuitry has been bred from the Minimoog Model D.
This week Juno Plus’ Ben Daly takes a closer look at one of Akai Professional’s latest offerings, the Miniak virtual analog synthesizer.


Check out our review of a couple of rather nice Japanaese imports; the Gakken Analog Synthesizer SX 150 and Gakken Mook Theremin.