
Richard Brophy speaks with Dave Clarke, Boris Bunnik, The Exaltics, Clatterbox and numerous other artists involved in the enduring artform of electro.
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Richard Brophy speaks with Dave Clarke, Boris Bunnik, The Exaltics, Clatterbox and numerous other artists involved in the enduring artform of electro.
The Exaltics will release his fourth album Das Heise Experiment on the London based Abstract Acid label.

Solar One Music, the label co-run by German electro connoisseur The Exaltics, is set to release a bumper 22-track compilation next month – and we’re premiering Heinrich Dressel’s impressive contribution.
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Versalife, The Exaltics and Morphology are among the names set to appear on an forthcoming electro compilation curated by London based imprint Cultivated Electronics.
The second release on fledgling label Modal Analysis comes from German producer Robert Witschakowski aka The Exaltics. With a catalogue that includes releases on Crème Org, Bunker and his own Solar One, it’s no surprise that Node in places sounds like it is hardwired to a never-ending squat party in the Hague.

Juno Plus Podcast 32 is a rugged, squelchy journey through techno, electro and acid from German producer The Exaltics.
It feels like it’s been a long time since a convincing love affair between techno and science-fiction took place. Whether imagined or actual, the early days of Detroit techno always seemed linked to lofty ideas about the future of mankind, developing technology and space travel. Underground Resistance especially bought into a sci-fi mythology that surrounded their work, not to mention the imagined aquatic world crafted by Drexciya.
Robert Witschakowski, better known as The Exaltics, clearly buys into this notion as well, judging by the story he weaves of an alien race coming to Earth to communicate their message. Most importantly though, much like UR’s harsh, gritty industrialism, the sound of The Exaltics is moody, bleak, and bursting with atmosphere.
Electro (of the old variety) is something of starting point for describing They Arrive, but really the six tracks span a lot of different tempos. The opening track “See It Through My Eyes” pits a simple dubstep beat against horror film strings, before the title track comes creeping in with a lean but engrossing techno core decorated in all kinds of sinister drones and tones. It’s effective stuff, and begs to be heard on a very loud dancefloor with very little lighting.
“The Wrong Direction” is a brooding take on straight up electro, reminiscent of the early Ai Records output from Claro Intelecto and FZV. “One Circle” however takes an altogether different approach, kicking off on a solid house groove while retaining the swampy layers of menace the rest of the EP exudes. Without warning chimes ring out for a perfectly executed moment of old-skool euphoria with none of the trancey tackiness attached.
It’s not easy keeping a consistent atmosphere across such varied stylistic approaches to electronic music, but as a project The Exaltics is so clear in its goal that the vision transcends typical generic boundaries. Put simply, these tunes will do some serious damage to any floors brave enough to invite them.
Oli Warwick