MP3, WAV, FLAC
SECURE SHOPPING
Juno Download offers over 3 million dance tracks in MP3, WAV & FLAC formats, featuring genre pages, advanced audioplayer, super-fast download speeds.
Visit Juno Download
DJ & STUDIO EQUIPMENT
SECURE SHOPPING
Massive range of equipment and accessories for DJs and studio use.
Visit Juno DJ
VINYL & CDs
SECURE SHOPPING
The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online.
Visit Juno Records

Various Artists – Night Slugs All Stars Vol. 1 review

by Juno Plus on 03.12.2010 at 12:31pm

Rookie label Night Slugs has had one hell of a year, accomplishing what most labels hope to achieve in a lifespan in its infancy. There’s been constant praise from media outlets such as Pitchfork, Fader, Xlr8r, Dazed and Fact, and they’ve been unwitting recipients of elephantine amounts of hype for each release from peers and fans alike, often months before they are available to purchase. Surely the greatest compliment to lay on the label overseen by Alex ‘Bok Bok’ Sushon and James ‘L-Vis 1990′ Connolly is that a standard of quality has been maintained in every single release this year that fully justifies that hype.

All Stars Vol. 1 is a highlight reel of what has made Night Slugs so groundbreaking, containing 13 tracks that showcase the label’s mutated UK funky, grime and post-dubstep mélange of sound. This much is evident from the opening gambit, Mosca’s “Square One (VIP)” which incorporates Baltimore club breaks, ragga-ish vocal sampling and some grimey synth squiggles without ever sounding crowded and over the top. It’s a high brow banger with streetwise sensibility, which is matched by Jam City, whose “Arp Jam” plays out with a twisted concoction of Detroit techno and cinematic grime.

An integral part of the Night Slugs success story has been the willingness to gather up some of North America’s best and most forward thinking producers such as Brooklyn’s Kingdom, who lends a Ballroom Diva inspired take on Dutch Bubblin’ in his contribution “Bust Broke”. Toronto’s Egyptrixx premieres a track taken from his upcoming Bible Eyes LP in “Liberation Front”, while Montreal producer Jacques Greene delivers a highlight amongst highlights with his much vaunted track “(Baby I Don’t Know) What You Want” – an utterly delicious amalgamation of sultry R&B and twilight house full of analogue synth warmth.

Whilst this compilation is not comprised of 100 per cent exclusives, those previously available tracks included have been remastered and definitely benefit sonically. It’s fitting that proceedings should end on Girl Unit’s “Wut”, proclaimed by so many as the definitive track of 2010, with an overwhelming sense of anticipation for what Night Slugs might achieve next year as the track’s lazered radiance peaks.

Markus Garcia


Soul Jazz drop some Riddims

by Juno Plus on 19.10.2010 at 16:25pm

Soul Jazz’s love affair with UK bass music continues with their upcoming compilation entitled Riddim Box: Excursions In The UK Funky Underground.

Read the rest of this entry »

Roska & Untold – Myth review

by Juno Plus on 08.10.2010 at 13:40pm

A. Huge. Single. Out on Numbers – the sweet three-way imprint formed by Dress 2 Sweat, Stuff and Wireblock – this two-track release might just be one of the most hotly-anticipated singles in the relatively brief existence of UK funky. Known for mixes of The xx, Boyz Noize, Baobinga and (ahem) Ke$ha, along with stand-out tunes of his own like “Anaconda” and “I Can’t Stop This Feeling”, Untold’s subtle approach to bass music sees him mentioned in the same breath as Burial, Pangaea and Mount Kimbie. Roska has become something of an ambassador for UK funky, tirelessly dropping beats, remixes and originals on his own Kicks and Snares label and many others. Together, they craft a brilliant median point between house, dubstep, funky and grime that frankly bangs very hard indeed.

“Myth” develops from a severely distressed and descending bass loop into a warped and wheezy banger, complete with a lead sound playing Eastern scales and some ethnic percussion hits that really set the tune alight. The drums are pitch perfect, such is Roska’s incredible gift, while the development of the tune keeps it spell-binding despite being locked into almost the same groove throughout. On a slightly more Detroit tip, “Long Range” builds with some long drawn-out string notes over a highly funky conga beat, which drops into some lethal Untold subs and organ stabs – again all synched to the groove perfectly, with absolutely no extraneous sounds used whatsoever. It’s hazy, slinky and very very addictive stuff – just what you’d expect from such a collaboration from to dons at the top of their game.

Oliver Keens


Humanleft/Benjamin Damage – 50 Weapons #005 review

by Juno Plus on 17.09.2010 at 16:46pm

The fifth release from Modeselektor’s flourishing 50 Weapons label-project is something rather special indeed. They’ve recruited Bordeaux bass-hound Humanleft and former Venom and Damage producer Benjamin Damage to drop these two exclusive tunes, and they’re both well worth getting excited about.

Offering a European perspective on crunky beats mixed with kaleidoscopic synth work has become Humanleft’s (aka Remy Teruel) strong suit, with some excellent releases on Tigerbeat6 already under his belt. On “Arnaud and Bernard” however, the influence of Modeselektor really shines through with some incredible bubble ‘n’ gurgle synthwork plastered throughout the track. Riding a beat that’s both crunky and UK funky, the tropical-step drums are balanced thrillingly by the pace of the arpeggio synths, which rise in octaves until a beautifully arranged breakdown. It’s a truly warm and well-constructed slab of techy-funk goodness will prove a devastating battle weapon for DJs.

Previously of Venom and Damage, who’ve rocked London’s booty bass scene for all it’s worth and dropped gems on Doc Daneeka’s Ten Thousand Yen label (anyone who heard Mdslktr-favourite”Deeper” from this year will know what’s up), Benjamin Damage goes on a solo excursion with the epic “Zeppelin”. Going heavier on a funky tip, snares and rounded sub kicks dominate giving it that real kwaito skank. A softly-building set of distressed chords are smothered over the top and filtered subtly up and down to keep you hooked for the entirety. The breakdowns reveal just how pitch-perfect those drums are, while the bass is given plenty of room to keep your ass shaking. It’s yet another marvel, and like “Arnaud & Bernard”, an instrumental that’s sure to make its way into a variety of DJ sets very quickly. So far, 50 Weapons hasn’t failed to release anything other than sheer gold – this is no exception.

Oliver Keens


Katy B – Katy On A Mission review

by Juno Plus on 31.08.2010 at 10:10am

Female funky star du jour, 20-year-old Katy B is definitely on a mission. A graduate of the Brit School and Goldsmith’s College, London, she has worked with Benga, Geeneus, Zinc and DJ NG, sung on Magnetic Man’s “Perfect Stranger”, The Count & Sinden’s “Hold Me” and is swiftly becoming the go to vocalist for all manner of funky, R&B, house and garage tracks. With a credibility that belies her years, she’s garnered interest from across the board. Rinse FM have been plugging her hard, fabric have pledged their support, even The Guardian have dubbed Katy their hot ‘New Band Of The Day’. She’s also heading towards a top ten hit…with this song right here.

Taking Benga’s original “Man On A Mission” riddim, Katy effortlessly translates it into a shimmering slice of gently matured, pop-orientated beauty. “When we erupt in to the roo-oooo-oom / And hear the sub go boo-oooo-oom,” she sings, “so I sink in to the tune…” Her honeyed vocals are smooth, polished and oozing with class; lyrics are catchy, but cool; and the tenure of the track, the reason why it’s captured the heart of millions, is due to its downright danceability. It’s hard to tire of that glorious refrain, the throbbing bassline, which basks underneath those swooning, serotonin soaring vocals, those strong Benga drumbeats with their honed dubstep edge and simple repetitive low-end synth riff, which drives it along.

Zinc brings his crack house production skills to flipside “Louder”. Waves of rocking synths, whispering percussion and jacking bass undulate like a stormy ocean, as Katy’s cry to make it “louder…louder…louder…” heralds a progression in the music, a rise in volume and a shift in the tempo. Lyrics such as “As I buy another round / With my final twenty pound / It seems as if my money’s spent / How am I gonna pay the rent?” seem a little Lily Allen-esque at times, but with rather more gravitas and refined aplomb.

There’s no doubt about it that the next year is going to be a big one for our heroine. With mounting hype, attention from major labels, a coveted place on the Radio One playlist and impending chart success, the question on everyone’s lips is: what will Katy do next?

Belinda Rowse


Roska & Untold team up on Numbers

by Juno Plus on 27.08.2010 at 14:45pm

On fire Glaswegian imprint Numbers has announced a collaboration between Roska and Untold, who will release a joint two track EP next month.

Read the rest of this entry »

Donaeo – Riot Music review

by Juno Plus on 09.03.2010 at 15:36pm
Donaeo – Riot Music review

Artist: Donaeo
Title: Riot Music
Label: Digital Soundboy
Genre: UK Funky/UK Garage
Format: 12″
Buy From: Juno Records

Rising UK funky star Donaeo has had a lot to celebrate over the last year. In addition to a number of killer tracks, most notably “Devil In a Blue Dress,” “African Warrior,” “Party Hard” and “Watching Her Move”, the singer, songwriter and producer also released a critically acclaimed debut album, Party Hard. It grabbed much attention for its maker, and rightly so.

Next came the release of one of the standout tracks off that album, “Riot Music,” again well received by critics and dancefloors alike. Now, Shy FX’s Digital Soundboy imprint are unleashing a Skream remix on 12″. Moving instantly into his jungle stance, Skream brings bass in its abundance, keeping it hard hitting until a timely breakdown provides some respite (although this in truth only serves to make the next drop all the more earth shattering). A true dancefloor smasher. Much credit goes to Skream for coming up with a rework that rivals the original cut.

Review: Tom Jones

Free Trouble & Bass promo mix

by Juno Plus on 03.12.2009 at 11:53am

We’ve got a nice little mix by The Captain to promote the Jinder’s “Youth Blood” on Trouble & Bass Records. It contains ALL SIX remixes to “Youth Blood” plus the original, with great remixes of O. Children, Holy Ghost! and Simian Mobile Disco slotted in between.

Read the rest of this entry »